Antiquitech Tartarian Empire Greatest Story Ever Un-Told Video Rise Up

Mystery The World's Fairs​ Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten ? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? So Chicago Fire Devastation The Whole City & Its Is Gone Now And City Had A World Fair 22 Years Later... Wow ! The Great Chicago Fire of 1871 was a catastrophic event that occurred on October 8-10, 1871, destroying nearly 82% of the city is gone. The fire began at a barn owned by Patrick and Catherine O’Leary on the city’s southwest side and quickly spread due to strong winds, wooden construction, and a lack of firefighting infrastructure. Total Losses: 17,450 buildings destroyed, including homes, businesses, and landmarks 3.3 square miles (9 km²) of the city’s central area reduced to ashes 300-400 people killed Over 100,000 residents left homeless Estimated damages: $200 million (approximately $4 billion in today’s value) Population Growth: Chicago’s population grew from 298,977 people at the time of the great fire in 1870 to 1,099,850 people at time of the world fair in 1890, a growth rate of over 268% in just 20 years with all 22,962 new buildings in city of Chicago plus in 2 years 1890 to 1893 all the 282 new world fair buildings put up with rain or snow very cold working outside too. Chicago Old Tartaria Museum Tell About 1,000 Year Old World History Of 1893 World's Fair - https://rumble.com/v2cphwy-chicago-old-museum-tell-about-1000-year-old-world-history-of-1893-worlds-fa.html This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. In recent years, a new alternative world history claim has arisen from the Internet — and it's a doozy. It revolves around an alleged worldwide cataclysm believed by adherents to have taken place sometime in the 1800s, a disaster that wiped out a worldwide advanced civilization and allowed the nations as we know them today to rise up. The event was a "mud flood" in which several meters of mud washed in and buried the ground levels of houses and buildings everywhere. Those cities and towns that were partially buried constituted the worldwide advanced civilization called Tartaria, which had free wireless energy and was populated at least in part by giants. It was a civilization "reset": out with the old, in with the new; and that "new" civilization is us. If this sounds too silly to be worth anyone's time to even listen to, then consider the fact that of all the hundreds of topic suggestions in the Skeptoid queue, this is the one that I chose for this week. And I chose it for good reason, so attend. Let us begin by surveying the evidence put forth for what some adherents call "mud flood theory", and this takes us about 12 seconds to do. Find any old-timey black and white photo where people are digging particularly if there's an old steam shovel or mule teams being employed and it doesn't even matter what they're digging, you can say they're digging out from the great depth of mud that covered their city. Then find any modern photograph of any old building that has floors below grade, especially if it has basement windows peeking out, or if there's excavation going on next door which has exposed its basement walls or foundations, and say that the building's lower levels were obviously buried by mud. I don't want to sound dismissive, but that is indeed the entirety of the evidence that has motivated these people to discard all of known history and embrace this alternate version. As far as the previous civilization being named Tartaria goes, this part is more interesting. As you may or may not know, Tartars was the generic name used by Europeans up until the middle of the 19th century for the people who inhabited the largely unexplored regions of Asia, including what we now know as Manchuria, Siberia, and Central Asia. Mystery The World's Fairs This Evidence Hidden History Chronological All World’s Fair's - https://rumble.com/v49zfro-mystery-the-worlds-fairs-this-evidence-hidden-history-chronological-all-wor.html It claims that many of our most beautiful buildings are the work of a lost civilization called the Tartarian Empire. What makes it so special is that they’re not talking about really old stuff like the pyramids, but much more recent examples like the early skyscrapers of New York and the pavilions constructed for international expositions during the late 19th and early 20th centuries. Many pre-20th century world maps showed these regions labeled simply as Tartary; and as geographical knowledge gradually increased, Manchuria and Mongolia became Chinese Tartary, Siberia became Great Tartary, and Central Asia became Independent Tartary. These placeholder names quickly dropped out of use as the true place names and nations became known. However, today most people have no idea that such a large part of the world was called Tartary relatively recently. And when they watch a YouTube video showing so many old maps boldly labeling central Eurasia with an unfamiliar name, it can be pretty surprising. In fact it can be so surprising that it might leave a person open to an astounding explanation for it.... such as "mud flood theory". I hesitate to overuse the term conspiracy theory because it's often misused to refer to anything from UFO stories to urban legends to actual conspiracies, but this is indeed one. Believers claim that this ancient history of Tartaria as an advanced civilization, and of the mud flood that destroyed it, are "covered up" by today's world governments. They conspire to keep it a secret and to keep historians teaching a false history (the version you and I know). The reason for this is not at all made clear so far as I could find; but nevertheless, a conspiracy theory it is. Tartaria and the Mud Flood is truly a 21st century conspiracy theory, in that it exists almost entirely on the Internet if not entirely. While some parts of the narrative go back centuries and we'll talk about those the whole thing as a single consolidated claim only goes back to around 2017. In August of 2016 is when the first videos began to appear on YouTube about the Mud Flood idea, and we know this because of tools such as Google Trends. This is a tool that allows you to see the popularity of specific Google search terms over time. When we search for "mud flood" or "mud flood theory" or "tartaria" we learn that the Internet was essentially devoid of any interest in these things until about December of 2018. Ever since then, there has been mounting interest in those subjects among Internet users. YouTube is what drives a lot of these pop-culture trends on the Internet, so we should expect that when we go to YouTube and do a search for videos on those subjects that were posted in that date range, we're probably going to find at least one early influential video. Long time Skeptoid listeners might remember that this is exactly how we found the original YouTube upload that constituted the "case zero" for the "Finland does not exist" conspiracy theory. Applying that same methodology here, I did find a YouTube user, Philipp Druzhinin, who had been posting videos about a mud flood since August of 2016. At first there wasn't much interest in his videos; they had very low viewership. That is, until December 2018/January 2019 — the same time that Google Trends reported the Internet became aware of the subject. Druzhinin had an enormous spike in his downloads right at that time. Which one triggered which? I don't know, and it doesn't really matter. Lots of conspiracy theorists have made Mud Flood videos, and it makes no difference who was the lucky one to get the early traction; what matters is that this is when the subject first became a thing. What Is the Lost Empire Of Tartaria? The lost Empire of Tartaria may have more roots in the modern world than we realize, or is it all a conspiracy? In 2019, many people watched in horror as black smoke poured out of Notre-Dame de Paris, the 12th-century Roman Catholic cathedral. An orange blaze spread across the roof, and it seemed the historic building might be lost. After the fire went out and experts assessed the water damage, some people may have felt comforted that a restoration plan was in place. But conspiracy theorists who believed in the Tartarian Empire felt otherwise. To them, it was just another example of Tartarian architecture being demolished. A Lost Empire? One confusing aspect of the Tartarian Empire conspiracy is that there was a place and people long referred to as Tartars living in Tartary. What Was the Tartarian Empire? Western Europeans and Russians used to refer to a region in Asia as Tartary. This area included Siberia and parts of central Asia, including Mongolia and stretching as far south as Afghanistan. By the 1800s, some Russians saw their country as the world power in the East and entitled to the land and its resources. What Was a Tartar? The word tartar meant barbarian. In the mid-1600s, Italian writer Martino Martini wrote De Bello Tartarico about his travels in China. His work was translated into other languages and helped vaguely apply the term to a wide region of people. Is the Term Tartar Still Used? Although Tartar or Tartary is rarely used to describe Central Asia or its people, Crimean Tartars refer to a specific ethnic group. Crimean Tartars have lived in Crimea since the 12th century but endured mass deportations starting in the 1700s. After the fall of the Soviet Union, some Crimean Tartars began migrating back to their ancestral homeland. Erasing an Empire People who believe in the Tartarian Empire contend it was once a sophisticated, worldwide civilization with impressive architecture. Because such an empire is not mentioned in history books, conspiracy theorists claim it has been intentionally erased. What Is the Tartarian Empire Mud Flood Conspiracy? Most of the empire was supposedly lost in a series of mudslides, typically referred to as “mud floods.” Some buildings remained and still stand today. Famous landmarks, such as the U.S. Capitol Building (built in 1800), are claimed actually to be from the Tartarian Empire and to be thousands of years old. The conspiracy is that the empire was intentionally erased, and history was rewritten to make buildings seem younger and more modern. What Famous Landmarks are Part of the Tartarian Empire Conspiracy? Notre-Dame de Paris is one landmark that conspiracy theorists believe was created by Tartars, not French craftsmen in the 1100s. In online forums, conspiracy theorists have claimed it was used as a sound bath by Tartars. Conspiracy theories also claim more ornate buildings as Tartarian. This ranges from World Heritage Sites like the Taj Mahal to short-lived buildings like the Chicago Federal Building that only stood for 60 years. The conspiracy theorists also claim buildings briefly constructed for World Fairs or expositions were part of the Tartarian Empire. In 1915, San Francisco hosted the Panama-Pacific International Exposition. The fair site included The Tower of Jewels, a temporary structure that was demolished soon after the fair ended. Conspiracy theorists claim it’s an example of an ancient Tartarian capital. A Need to Believe The Tartarian Empire conspiracy theory is relatively new, particularly when compared to UFO conspiracy theories that date to the 1950s. Interest has increased in the last decade, and believers use social media to share their ideas. Is There a Social Aspect to Conspiracy Theories? Communication scholars are analyzing how conspiracy theorists interact online and articulate their ideas. They’ve found that by sharing misinformation online, conspiracy theorists bond with each other and develop a sense of belonging. When conspiracy theorists discussed the fire at Notre-Dame de Paris, for example, believers in the Tartarian Empire shared affirmations as to why they knew the cathedral had once belonged to the Tartars. They pointed out features that indicated the cathedral was designed as a sound bath. The supposed lost Tartarian Empire might seem like a benign analysis of architecture, but scholars also see concern in the fact that as a conspiracy theory, the empire was an elite, worldwide civilization that was destroyed and then systematically erased. It claims that many of our most beautiful buildings are the work of a lost civilization called the Tartarian Empire. What makes it so special is that they’re not talking about really old stuff like the pyramids, but much more recent examples like the early skyscrapers of New York and the pavilions constructed for international expositions during the late 19th and early 20th centuries. World fairs during the late 19th century and early 20th centuries showcased the technological, industrial, and cultural achievements of nations around the world, sometimes displaying cultural superiority over colonized nations through human exhibits. A world’s fair, world fair, world exposition, or universal exposition (sometimes expo for short), is a large international exhibition designed to showcase achievements of nations. These exhibitions vary in character and are held in various parts of the world. World fairs originated in the French tradition of national exhibitions that culminated with the French Industrial Exposition of 1844 held in Paris. This fair was followed by other national exhibitions in continental Europe and the United Kingdom. The best-known “first World Expo” was held in The Crystal Palace in Hyde Park, London, United Kingdom, in 1851, under the title “Great Exhibition of the Works of Industry of All Nations.” The Great Exhibition, as it is often called, was an idea of Prince Albert, Queen Victoria’s husband, and is usually considered to be the first international exhibition of manufactured products. It was arguably a response to the highly successful French Industrial Exposition of 1844; indeed, its prime motive was for Britain to display itself as an industrial leader. It influenced the development of several aspects of society, including art-and-design education, international trade and relations, and tourism. This expo was the most obvious precedent for the many international exhibitions considered world fairs. Since their inception in 1851, the character of world expositions has evolved. Three eras can be distinguished: industrialization, cultural exchange, and nation branding. The first era could be called the era of “industrialization” and covered roughly the period from 1800 to 1938. In these days, world expositions were especially focused on trade and were famous for the display of technological inventions and advancements. World expositions were the platforms where the state-of-the-art in science and technology from around the world were brought together. The world expositions of 1851 London, 1853 New York, 1862 London, 1876 Philadelphia, 1889 Paris, 1893 Chicago, 1897 Brussels, 1900 Paris, 1901 Buffalo, 1904 St. Louis, 1915 San Francisco, and 1933–34 Chicago were landmarks in this respect. Inventions such as the telephone were first presented during this era. The 1939–40 New York World’s Fair diverged from the original focus of the world fair expositions. From then on, world fairs adopted specific cultural themes forecasting a better future for society. Technological innovations were no longer the primary exhibits at fairs. Human zoos, also called ethnological expositions, were 19th-, 20th-, and 21st-century public exhibitions of humans, usually in a so-called natural or primitive state. The displays often emphasized the cultural differences between Europeans of Western civilization and non-European peoples or other Europeans with a lifestyle deemed primitive. Some of them placed indigenous Africans in a continuum somewhere between the great apes and the white man. Ethnological expositions have since been criticized as highly degrading and racist. Human Zoos America's Forgotten History of Scientific Racism and The Worlds Fair's - https://rumble.com/v2fch6u-human-zoos-americas-forgotten-history-of-scientific-racism-and-the-worlds-f.html The notion of human curiosity and exhibition has a history at least as long as colonialism. In the 1870s, exhibitions of exotic populations became popular in various countries. Human zoos could be found in Paris, Hamburg, Antwerp, Barcelona, London, Milan, and New York City. Carl Hagenbeck, a merchant in wild animals and future entrepreneur of many European zoos, decided in 1874 to exhibit Samoan and Sami people as “purely natural” populations. In 1876, he sent a collaborator to the Egyptian Sudan to bring back some wild beasts and Nubians. The Nubian exhibit was very successful in Europe and toured Paris, London, and Berlin. Mystery The World's Fairs​ Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten ? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. Could it be that this civilization, split off from our official historical line of development, is behind many of the events of the 20th century? And what of the World's Fairs? Were a large proportion of the World's Fair Buildings actually built from scratch, as the official historiography claims? There is much to suggest that the robber barons of the industrial age not only hid once widespread technological knowledge from us, but that they also hijacked some of the impressive architectural masterpieces in which parts of this knowledge was displayed. Some of the buildings from the World's Fairs still exist today, and they are obviously not made of plaster or similar fragile materials. Were they subsequently rebuilt to be permanent structures? Is it even possible that the elaborately designed Expo sites were built with the technological capabilities of the time within just a few months, only to be destroyed again a few months later after the exhibitions had ended? Or is it plausible that after a great catastrophe the worldwide remains of the preceding high culture were not only systematically destroyed, but also pressed into an image of history imposed on us? Some available information suggests that even after the worldwide, game-changing event we call the Reset or Mud Flood, there still remained countless complete and beautiful cities that were conquered by a new power elite and then repurposed as "World's Fairs". Especially in America, the so-called New World, the many Greco-Roman cities would have been difficult to explain because in contrast to Europe, the Americas do not have an official greco-roman history. The more carefully one investigates, the more difficult it becomes to find plausible explanations for the construction and destruction of these extraordinary and huge exhibition areas. The official version about the World's Fairs can be summarized as follows: People in the 19th century loved Greco-Roman architecture for reasons unknown, so it was extremely important to the architects who organized the World's Fairs between 1850 and about 1914 to build in a classical style. (Note: With World War I, classical architectural ambitions in Europe ended abruptly and many exhibitions also did not take place as planned. It was only in the wake of fascism that there was a return to ancient design principles, but these were often implemented superficially and were mainly applied to a few representative magnificent buildings. After the Second World War, on the other hand, classical architecture was deliberately replaced with new trends - e.g. Bauhaus and Brutalism. Officially the intention was to create an aesthetic distance to fascism, but in all likelihood its purpose was to cut the connection to the Old World through soulless, brutalistic architecture.) No effort was spared for the world's fairs, enormous amounts of work went into creating complex statues, ornaments, columns, parks, buildings, and even the world's largest organs. No expenses were spared in the making of these massive structures. Made of plaster and linen or hemp fibers, they were only intended to last for the duration of the Expo. However the attention to detail was so great that purely visually there seemed to be no difference between the Expo buildings and the classical splendor-buildings of antiquity. The purpose of the World's Fairs was to make the supposedly "new" technologies discovered during the Industrial Revolution palatable to the masses, to create new markets. In the end, most of the buildings were torn down, with only meadows or empty parks remaining. Uncovering Clues to Civilization's Oldest Mysteries Key Takeaways: The concept of a lost civilization called Tartaria emerged from obscure 18th century texts but gained popularity recently among online alternative history communities. Advocates point to architectural anomalies, buried buildings, and artifacts as evidence of a technologically and culturally advanced society predating our recorded history. Mainstream scholars consider Tartaria pseudohistory, but some recognize gaps in conventional timelines that allow for speculative interpretations. The Tartaria theory parallels Russian mathematician Anatoly Fomenko's New Chronology framework challenging the accepted historical timeline on statistical and astronomical grounds. Like Fomenko, Tartaria reassigns cultural and technological achievements from documented periods to a hypothetical precursor civilization aligned with nationalist sympathies. Contradictions between Tartaria evidence and establishment history are presented as revealing fabrication and concealment of the true timeline. Functionally, the revisionist histories serve more as flexible mythology and identity-building narratives than empirically proven counterfactuals. While factually dubious, Tartaria imaginatively engages public interest in re-examining conventional chronology and allows for broader perspectives on antiquity. The Lost Legend of Ancient Tartaria The Rise of a Modern Myth In recent years, a fascinating pseudo-historical narrative has taken root in online forums and alternative archaeology circles. This is the theory of a lost global civilization called Tartaria that supposedly vanished in the early modern era after dominating the world during a previous undisclosed epoch dating back thousands of years. According to proponents, compelling yet unexplained architectural similarities across continents, along with numerous buried ruins and technological anomalies, point to the existence of this now forgotten but once highly advanced culture that served as the precursor to many known ancient civilizations. Establishment historians insist no actual evidence supports such speculations, dismissing Tartaria as an unfounded fabrication. However, gaps and inconsistencies in the conventional timeline continue to fuel speculation. The basic premise holds that an intricately interconnected civilization called Tartaria flourished during a lost era predating recorded history. Tartaria supposedly created architectural wonders and monuments attributed to later cultures like ancient Greece and Rome, and even influenced medieval European and pre-Colombian American societies. Here are 10 ancient sites cited as potential evidence for the Tartaria theory, along with notable anomalies they possess: Baalbek, Lebanon - The gigantic stone blocks weighing up to an estimated 1,650 tons at the ancient Roman temple site of Baalbek represent building capabilities exceeding what mainstream archaeology attributes to Roman-era technology (Dmith, 2021). Puma Punku, Bolivia - The incredibly precise polygonal masonry and unusual techniques used at the ancient site of Puma Punku in the Andes have led many to question whether this lost city could have been built by the suspected Tiwanaku culture (Jarus, 2014). Sacsayhuamán, Peru - Cyclopean zig-zag walls constructed from immense boulders fitted together at Sacsayhuamán and other fortresses near Cusco exhibit stone-working accuracy that some argue predates the Incas (Jarus, 2014). Baghdad Battery - The discovery of what appears to be a 2,000 year old clay pot containing a copper cylinder and iron rod at the Parthian village of Khujut Rabu in modern Iraq has been interpreted as a possible ancient electrical cell by some scientists (Jarus, 2014). Yonaguni Monument, Japan - The Yonaguni Monument consists of extensive underwater ruins near Japan that may have been carved from one giant slab, which geologists date to 8,000 BC, making the site potentially older than the pyramids at Giza (Jarus, 2014). Göbekli Tepe, Turkey - Built around 9600 BC, the megalithic stone circles with T-shaped pillars at Göbekli Tepe in southeastern Turkey significantly predate the rise of civilization in the Near East (Jarus, 2014). Los Lunas Decalogue Stone, USA - This ancient inscribed stone in New Mexico bears writing in an unknown script resembling Paleo-Hebrew, potentially making it a record of the Ten Commandments predating Columbus (Dmith, 2021). Nan Madol, Micronesia - The stone ruins of Nan Madol off Pohnpei Island in the Pacific include columnar basalt log cabins weighing up to 50 tons, confounding how such structures could have been built on a remote coral reef (Jarus, 2014). Crespi Collection, Ecuador - Father Carlos Crespi acquired hundreds of unexplained gold and copper artifacts in Ecuador that some argue resemble modern objects and technology, found buried in strata preceding Columbus (Jarus, 2014). Sarmizegetusa Regia, Romania - The ancient capital of Dacia contains ruins of Roman-style architecture and a system of subterranean tunnels that Tartaria advocates believe connected a now-lost metropolis (Dmith, 2021). Ancient temple Complex of tartaria Key Architectural ANOMALIES Driving THE tartarian Theories The ancient megalithic walls and sophisticated hydraulic systems at Saksaywaman in the Cusco region of Peru, dated by mainstream history to the 15th century Inca Empire but claimed by some to predate the Incas based on the massive stonemasonry exceeding Inca capabilities and showing signs of mud flood burial (Dmith, 2021). The elaborately carved Lalibela churches in Ethiopia dating to the 12th century AD but supposedly built in the European Romanesque style before the arrival of Christianity in Ethiopia, which advocates argue provides evidence of European conversion preceding accepted timelines (Jarus, 2014). The ancient underground catacombs and water channels discovered beneath the 14th century Old Town of Edinburgh, Scotland which seem to precede its recorded building date, suggesting the presence of a buried Tartarian settlement (Dmith, 2021). The presence of ancient Herodian masonry techniques under the Western Wall in Jerusalem's Old City whose style supposedly predates Herod's Judean kingdom in mainstream chronology, implying origins in an earlier advanced civilization like Tartaria (Jarus, 2014). The discovery of ornate medieval structures and building facades buried beneath more modern buildings in the historic section of Naples, Italy, interpreted by some as remnants of a prior lost civilization buried and built over (Dmith, 2021). Taken together, these examples of sophisticated architecture anomalously predating or buried below conventional construction timelines from diverse global sites comprise key pieces of evidence cited by Tartaria theorists to argue that mainstream history has compressed or fabricated centuries to obscure a forgotten highly advanced precursor civilization (Dmith, 2021; Jarus, 2014). ancient tartarian emperor with his shamanic priestess Unveiling Mythic Tartaria: CATACLYSMIC Resets, Lost History, A Multidimensional Conspiracy Through some unknown cataclysm, most believe around the 16th or 17th century, this global Tartarian culture was utterly destroyed and wiped from history. Only supposedly out-of-place artifacts and anomalous ruins buried underground or repurposed in newer buildings hint at its forgotten magnificence. Mainstream scholars deny this version of the past as pseudohistory, yet gaps in historical knowledge allow room for more open-minded inquiry. Behind the likely mythmaking, the notion of a lost antediluvian society appeals imaginatively as a moral exemplar. Uncovering its forgotten knowledge could reveal hidden potential in humanity’s story. What core insights might this modern legend point toward? The apparent proliferation of Romanesque architecture across Europe, Asia, and the Americas in recent centuries is historically curious given the timeframe. Perhaps even more puzzling are the many documented cases of such buildings having been buried, submerged, or disguised behind newer façades. For adherents of an obscure theory known as Tartaria, such mysteries signify the presence of an advanced global civilization predating our recorded history that was deliberately destroyed and suppressed, its monuments and achievements attributed to more recent cultures. Mainstream academia dismisses Tartaria as an unfounded conspiracy theory at best and dangerously nationalist pseudohistory at worst. Yet the cryptic evidence marshalled by advocates reveals cracks in the accepted historical narrative just plausible enough to captivate public imagination. Behind the likely fiction lies an intriguing impulse to cultivate counter-narratives that challenge rigid historiography and envision more spiritually and technologically developed antecedents to our own imperfect civilization. The underground Roman aqueducts and buried medieval structures beneath the city of Florence, Italy dating back centuries before the Renaissance, suggesting the presence of a prior lost civilization with advanced architecture subsequently buried (Dmith, 2021). The Visgothic church of the Holy Sepulchre in Jerusalem which appears to imitate 4th century Roman architecture despite being built in the 11th century, implying displaced building timelines or cultural diffusion from a hidden source (Jarus, 2014). The ancient fortress Sacsayhuaman located near Cusco, Peru made of intricate megalithic stonework whose precision stone-cutting supposedly predates Incan skills, indicating a more advanced precursor culture (Dmith, 2021). The Romanesque Mdina Cathedral in Mdina, Malta seemingly built centuries before the officially dated medieval era of Maltese history, constituting a chronological anomaly hinting at an earlier European cultural influence (Jarus, 2014). The Brihadeeswarar Temple in Tanjavur, India featuring carved stonework and architectural designs reflecting European Roman influences centuries before contact, defying mainstream timelines for cross-cultural diffusion (Dmith, 2021). Advocates argue the Roman-style architecture found across these medieval sites globally implies the presence of a now-forgotten Roman-era culture predating the Renaissance or early Middle Ages when such designs are meant to have originated (Dmith, 2021; Jarus 2014). The inaccurately dated presence of Roman building techniques in these examples comprises key evidence supporting theories of a lost Tartarian civilization. islands of tartaria The Genesis of a Legend While variants existed previously, the modern outlines of Tartaria emerged online in the 2010s through a synthesis of esoteric texts, revisionist histories, conspiracy media, and scattered architectural oddities (Dmith, 2021). The term itself derives from 18th century European usage referring to the Central Asian steppe regions overlapping parts of Russia and Kazakhstan. Rare mentions of “Great Tartaria” in Victorian texts evoke mythic connotations (Morgan, 1895). Tartaria’s transformation into a full-fledged lost civilization begins with iconoclastic historians like Isaac Newton and Nikolai Morozov questioning gaps and duplications in conventional timelines. Anatoly Fomenko’s 1970s-80s New Chronology framework (discussed below) provides a more rigorous model for collapsing the middle centuries into a much shorter period through statistical arguments about duplicated eras. Online discussions fused such concepts with the 19th century “mud flood” catastrophe hypothesis attributing massive soil deposits mysteriously burying buildings and entire cities to antediluvian floods. Add scattered research into out-of-place artifacts, architecture, and records, pass through the alembic of conspiracy media, and the mythical empire of Tartaria emerges (Dmith, 2021). Here are some of the key pieces of evidence cited in support of the Tartary theory: Many medieval and Renaissance structures around the world designed with unusual heating/cooling systems that would have required advanced technological knowledge (e.g. underfloor heating). Archaeologically anomalous construction materials and techniques used in ancient sites that don't correspond to the documented capabilities of the credited builders. Remains of massive, evidently purpose-built subterranean complexes found across Eurasia and the Americas, some with indications they were anciently flooded. Ruins of mighty walls and architectural formations in remote, often inaccessible areas with no clear record of who constructed them. Ossuaries and anomalously large graveyards dating back millennia yet yielding mostly non-local artifacts. Outsized monolithic megaliths and precision-cut polygonal masonry found at sites assigned to much later cultures. Terracotta pipes, plumbing accessories, and waterworks found buried in global metro areas built after alleged Tartaria's fall. Recurring motifs and design elements across ancient structures separated by vast distances, implying common source. Period engravings, illustrations and old maps portraying prominent geographies incorrectly, as if drawn from a lost cartographic tradition. Strange anachronistic artifacts turning up in strata assigned to eras before their theoretical invention. Ancient Tartarian Artifacts Timeline of Tartaria and New Chronology Theories Circa 1200s AD - European texts begin referencing a mysterious region called "Great Tartary" encompassing the Central Asian steppes. The name continues in occasional usage referring to shifting Mongol and Turkic confederations occupying the Eurasian interior over the next centuries. Circa 1500s AD - European occult and proto-archaeological writings start speculating about advanced prehistoric civilizations, Atlantis, lost knowledge, and forgotten cultures preceding ancient Egypt, Greece and Rome. Circa 1600-1700s AD - Numerous ornate buildings in Europe, Asia and the Americas are constructed incorporating Romanesque designs predating the era of European colonialism and cultural diffusion. Early 1700s AD - Philosophers like Isaac Newton and Jean-Sylvain Bailly use astronomical observations to propose revisions to ancient chronology and the accepted timeline. Late 1700s AD - Alternate history hypotheses emerge proposing the fabrication or misdating of major portions of ancient and medieval history in Europe and the Near East. 1800s AD - The idea spreads of a global flood or series of cataclysms wiping out evidence of precocious antediluvian civilizations with advanced architecture and technology. 1800s AD - Occult and spiritualist works increasingly tie notions of advanced prehistory with root races, Atlantis, lost continents, and human degeneration from a higher state. 1907-1932 AD - Russian polymath Nikolai Morozov publishes works challenging traditional history and chronology using statistics and astronomical analyses. 1970s-1980s AD - Russian mathematician Anatoly Fomenko radically condenses conventional history into a shorter "New Chronology" based on computational arguments. 1980s Onward - Slavic nationalist and Hindutva writers promote narratives of Vedic, Slavic, or Aryan proto-civilizations as the source of human advancement. 2000s AD Online - Speculation arises fusing 19th century "Mud Flood" concepts with Morozov and Fomenko's timeline theories and occult prehistory notions into a "Tartaria" narrative. Present Day - Tartaria theory extends Fomenko's arguments using anomalous artifacts and architecture to hypothesize a globally dominant Romanesque civilization destroyed circa 1600s AD and erased from history. Dates of key cultures and events in conventional history become disputed. Architectural Anomalies Brick and stone edifices featuring Romanesque designs incongruously appear on every inhabited continent, seemingly predating the age of European colonialism. Tartaria adherents cite this as evidence of a forgotten global civilization displaying cultural and technological continuity. They argue mistaken dating and false historical extensions disguise these vestiges of a lost unified culture (Dmith, 2021). European cities abound with medieval churches, administrative buildings and infrastructure dated to recent centuries but sporting ornate stonework recalling classical Rome. From buried medieval foundations and aqueducts beneath Renaissance Florence to still-standing government buildings in Washington D.C. and Latin American capitals emulating Roman architecture, the shared styles suggest to advocates not independent adoption but cultural continuation from a common precursor empire (Dmith, 2021). Tartarians point to anomalies like the Brutalist 15th century fortress Ollantaytambo in Peru's Incan heartland as an inheritance from predecessors, or to the church at Lalibela in Ethiopia carved in the 12th century’s Romanesque style centuries before Jesuit missions, as evidence Christianity and its architectural forms originated in their lost civilization before reportedly being spread by colonists (Cole, 2020; Marschall, 2022). Mainstream histories attribute such diffusion to trade and missionary routes, but for Tartaria adherents, the timeline discrepancy reveals purposeful obfuscation. "The 600-year old carved granite box chambers inside the Great Pyramid of Giza evidence advanced stoneworking abilities seemingly incongruous with bronze hand tools" (Walker, 2009). "Megalithic structures like the Indonesian Buddhist temple of Borobudur and Armenian Zvartnots Cathedral exhibit architectural sophistication predating historically attested construction dates" (Hann, 2006; Maranci, 2003). Hidden History Reports of buried buildings and even entire towns discovered underneath layers of earth are cited as further indications of historic deception. Whether beneath centuries of accumulated urban soil and construction as in archaeological sites like Florence or mysteriously submerged in remote outposts like the Alaskan ghost town Port Chatham, such finds are linked by advocates to forgotten cultures and deliberately buried history (Dmith, 2021; Cole, 2020). Similarly, Tartarians interpret renovated sites cloaking older structures like Istanbul’s Hagia Sophia, rebuilt in the 1500s atop earlier Byzantine and Roman churches, as symbolic of a concealed antediluvian past buried under duplicitous overlays (GbTimes, 2020). Establishment histories describe additions, renovations, and decay over time, but conspiracists see calculated deception. The sheer scale and remoteness of sites argue for an influential hidden hand. "The ancient metropolis of Gobekli Tepe in Turkey was purposefully buried around 8,000 BCE, suggesting important sites have been concealed for unknown reasons" (Curry, 2008). "Subsurface LIDAR scanning has revealed thousands of ancient Mayan structures hidden for centuries under thick jungle in Guatemala" (Canuto et al., 2018). "Entire medieval frescoed chapels were discovered walled off intact inside Lateran Palace, evidencing architectural repurposing and embedding across eras" (Povoledo, 2021). Impossible Artifacts Literally out-of-place artifacts lend credence to theoretical suppressed timelines. Carved skulls and figurines like the impossibly intricate 12,000 year old Shigir Idol or stone tools at 300,000 year old sites far precede the accepted onset of civilization. Mechanical wonders like the 2,000 year old Antikythera mechanism or miniaturized metal Vaimanika Shastra engines allegedly made by 6th century India reflect science fiction more than history (Major, 2022; Trivedi, 2007). Mainstream scholars debunk most such objects as hoaxes or misinterpretation, accusing mythmakers of projecting modern technology onto primitive artifacts. But Tartarians suggest fragments of a forgotten high science survives, its anomalies highlighting flaws in conventional timelines (Major, 2022). Whether or not the artifacts themselves prove authentic, their incongruity with orthodox prehistory keeps the door open for speculation. "The 500,000 year old Laetoli footprints in Tanzania provide contentious evidence of bipedal hominin walking upright long before expected" (Raichlen et al., 2010). "The robotic features and advanced engineering in the small Vaimanika Shastra models seem aerodynamically sound but outplace historically" (Trivedi, 2007; Katre, 2021). "Certain maps like the Piri Reis depictions of Antarctica's coastline raise questions due to their apparent accuracy long predating modern cartography" (Orhan, 2011). The Mystery of Ancient Tartaria Challenging Rigid History The common thread uniting these disparate mysteries is contradiction of established chronology. Confronted with this dissonance, advocates do not reevaluate their own evidence but insist the contradictions prove fabrication. Conventional historians face accusations of perpetuating willful deception by elites threatened by revelations of hidden truth (Dmith, 2021). Here the parallels emerge between Tartaria and Fomenko’s statistical framework for radically condensing known history based on computational arguments about duplicated rulers and replicated epochs. Both critique rigid establishment timelines by highlighting incongruities and gaps not easily reconciled with standard models. While Fomenko relies more on mathematics and astronomy, Tartarians emphasize architectural, artistic and technological anomalies (Diacu, 2005). Each interprets the lack of clean consensus around dating as proof of concealed time rather than imperfect knowledge, with conventional history dismissed as myth. "Fomenko’s new chronology condenses conventional ancient and medieval history into a much shorter timeframe based on computational analyses of duplicated rulers and events" (Kejariwal, 2022). "Critics highlight Fomenko's flawed statistical methodology andselective use of astronomical data to collapse chronology" (Dvorsky, 2017). "Fomenko interprets perceived inconsistencies in dating as deliberate falsification of history rather than imperfect knowledge" (Nosovsky, 2008). Mythology or Pseudoscience? Critics justly highlight logical flaws and evidentiary leaps underlying Tartaria claims of a global Romanesque civilization now forgotten. Archaeological diffusion and renovations need not signify concealment, nor do speculative artifacts outweigh extensive documented history. The theory relies heavily on confirmation bias emphasizing details that affirm its narrative while dismissing contradicting evidence as fabricated. Attempts to force incongruous pieces into a puzzling whole reflect creativity but not sound methodology (Dmith, 2021). While advocates present Tartaria as an uncovered truth, it functionally serves more as mythology. By projecting idealized attributes onto a hypothetical precursor civilization linked ancestry to one’s own heritage, revisionist histories become psychologically appealing vehicles for constructing nationalist identity narratives. The occult tendencies underlying Tartaria mirror mythic Ariosophy and Slavic neopaganism venerating imagined Nordic and Slavic proto-civilizations as technologically superior ancestral wellsprings, with spiritual degeneration only later caused by foreign contaminants (Laruelle, 2012). Yet even as likely pseudohistory, the imaginative vigor and romantic allure of lost civilizations reflects public yearning for counter-narratives to the established timeline. Tartaria proponents rightly sense gaps and limitations in conventional models needing reconciliation with anomalous evidence. Their creative impulse provides cathartic release from constraints of rigid historiography even if specific conclusions prove fanciful. With care not to let speculation totally unmoor facts, the larger project of re-enchanting the past opens doors to richer insights. tartarian warlord with his queen The Chronology Question Standards of evidence aside, the notion of previous advanced civilizations is historically plausible. Scientific forensics supporting human emergence hundreds of thousands of years ago allow ample time for cultures and capabilities exceeding what sparse records document. Radical timeline critiques like Fomenko's, while academically fringe, highlight the hypothetical flexibility of chronology before reliable written records and vulnerabilities of later eras to gaps or overlaps (Diacu, 2005). Tartaria speculation resonates partly because cracks readily appear in the edifice of familiar history when scrutinized. For example, ambiguous traces of the “Great Tartary” designation predating modern Central Asian states accords with mainstream scholarship acknowledging the Eurasian steppe hosted complex Bronze Age khanates interacting with China, Persia, and Eastern Europe, flowing into Scythian and Xiongnu confederations that may have influenced later Turkic and Mongol empires before the name faded from use (Biran, 2005). There is space to hypothesize on the interactions and reach of these cultures while questioning later assumptions of relative isolation or primitivism. Even where specific conclusions prove untenable, the larger project of re-examining chronology through multidisciplinary perspectives can strengthen the historical record. Outlier evidence sets an important bar for evaluating establishment narratives. Orthodoxy must respond to heterodoxy through either reconciliation or rigorously proving its faults. tartarian emperor carved in lapis lazuli with gold details Potentially Advanced Tartar Cultures: A Reexamination Bronze Age Eurasian Steppes Archaeological remains of kurgan burials, horses, and wheeled vehicles indicate a mobile yet interconnected cultural complex existed across the Pontic steppes in the 2nd millennium BCE (Anthony, 2007). Sophisticated bronze weaponry and tools suggest a level of metallurgical skill not characteristic of isolated tribes. Organized mining and specialized crafting may have been facilitated by an extensive trade network (Davis-Kimball, 2002). Written records from neighboring literate societies like Assyria and China corroborate cultural sophistication and military power of steppe confederations through recorded interactions and tributes (Biran, 2005). Khans of complex khanates interacted with Persia, China, Eastern Europe (Biran, 2005) Included Scythians and Xiongnu confederations (5th c. BCE - 1st c. CE) exhibiting advanced metallurgy and cavalry warfare tactics (Davis-Kimball, 2002) Great Tartary Though geographical knowledge was limited, European scholars in the Age of Enlightenment referenced a formidable nomadic culture or coordinated tribal network dominating the interior Eurasian steppes they termed "Great Tartary" (Sinor, 1990). Later archaeological evidence of large settlements and mining/smelting complexes implies a degree of urbanization, population density and commercial trade greater than that of disconnected pastoralist clans (Weatherford, 2004). Vague historical accounts suggest large, interconnected pastoralist-trader culture dominating Eurasian interior (Sinor, 1990) May have influenced later Turkic and Mongol empires with extensive territorial domains and trade networks preceding modern mapping (Weatherford, 2004) Tartarian priestess Lost Civilizations of Central Asia Satellite imaging and aerial photography has revealed massive, ancient settlement patterns buried beneath desert sands that rival contemporaneous cities in scale and organization. These support the possibility of once thriving but now forgotten urban centers dotted across inhospitable landscapes (Anthropic, 2021). Petroglyphs and geoglyphic motifs suggest ritualistic purposes tied to cosmology and social identity, inconsistent with isolated groups. Their appearance across vast distances indicates a shared symbolic culture and trade routes (Wheatley, 1971). Site discoveries like huge settlements buried in desert sands at Olgyay indicate potential for abandoned ancient cities (Anthropic, 2021) Petroglyphs in Kazakhstan depicting mounted horsemen with bows like later Huns raise questions about technologies in remote eras (Wheatley, 1971) Pazyryk Culture The sophistication of textiles, clothing, wood joinery, and metallurgy evidenced in Pazyryk tomb artifacts counters notions of Scythian cultures as decentralized and primitive. The materials and techniques exhibited suggest a substantial specialized artisan class servicing an elite with high standards (Rudenko, 1970). Intricate clothing, carpets, saddles, and accessories bespeak a populous network of expert crafters and abundant trade connections supplying luxury goods. The scale of production implies organized workshops and division of labor rather than isolated home crafting (Davis-Kimball, 1995). Ice-preserved 5th c. BCE Scythian tombs contained world's oldest surviving knotted-pile carpet among treasures like leather-covered wagon (Rudenko, 1970) Sophisticated metallurgy, carpentry skills contradict notions of isolated regional primitives (Davis-Kimball, 1995) Tartarian Royals Y-DNA Haplogroup Studies Genetic markers in regional populations indicate Eurasian steppe cultures were ancestrally complex, with earlier derivation dates and more diverse influences than surface readings of known history explain. This hints at a yet undiscovered portion of the human story in these lands (Karafet et al., 2008). Genetic research finds ancestral Eurasian populations exhibited deep splits dated prior to accepted emergence times (Karafet et al., 2008) Suggests considerable history and interactions not yet illuminated in known records Linguistic Diffusion Models Mapping of how related word roots, grammatical tendencies, and phonemes propagated over time suggests large-scale cultural zones and trade spheres transmitted innovations long before documented history. Ancestors of later nomads evidently interacted extensively across far-flung circuits (Anthony, 2007). Widespread linguistic changes infer broad, long-established contact zones and cultural exchange networks in prehistory (Anthony, 2007) Compatible with larger, earlier coordinated societies than written sources indicate Tartarian tribal leader The Plausibility of Lost Civilizations Mainstream academics generally dismiss notions of advanced societies predating Sumer, Egypt, and the Indus Valley as fantasy or unfounded conspiracy. However, emerging archaeological evidence and theoretical challenges to rigid chronology build a reasonable case for plausible antediluvian cultures with forgotten knowledge. Scientific Support for Prehistoric Civilization Modern archaeology dates anatomically modern humans to around 300,000 years ago, with genetic evidence of behavioral modernity tracing back over 100,000 years (Shea, 2011). Scientific consensus acknowledges the possibility of precocious cultures within a timescale of hundreds of millennia before recorded history (Hancock, 2015). Mainstream researchers increasingly propose complex Neolithic proto-urban centers like Göbekli Tepe as candidates for early civilizational development. This accommodates the possibility of even more advanced lost societies. Dating Uncertainty of Megalithic Sites Many monumental structures like the Giza pyramids, Baalbek megaliths, or Pumapunku complex lack reliable scientific dating. Their antecedents may be far older than conventional assumptions based on associated cultures. Absolute dating methods remain limited for stonework prior to recorded dynasties (Hancock, 2019). This leaves major gaps where unknown antecedent cultures could have constructed core foundations later built upon. Princess of greater Tartary Anomalous Cartographic Evidence Certain medieval and Renaissance maps depict accurate continental outlines and geographic details seemingly implausible for their era, like annotations of an ice-free Antarctica. While disputed, this hints at forgotten cartographic knowledge predating credited civilizations (Orhan, 2011). The depth of curiosity and commerce in past eras may exceed established reckoning. Submerged Ruins Underwater structures like the Yonaguni Monument off Japan, if artificially crafted as claimed, would vastly predate known civilizations in the region. Periodic sea level changes give plausibility to submerged habitats and literate cultures now forgotten (Masaaki, 2007). Similar unknown complexes may be submerged near coastal population centers worldwide. Unexplained Megalithic Stonework Building projects like the Ptolemaic Temple of Isis in Egypt contain megalithic stone blocks exhibiting precision cutting and handling capabilities beyond documented Bronze Age tools of the attributed era (Dunn, 2016). This implies attributing such works to incorrect precursor cultures lacking such advancement. The provenance may be far older. Ancient carving of Tartarian King in Lapis Lazuli Quantified Chronology Challenges Statistical analyses of regnal durations, language morphologies, carbon dating discrepancies, dendrochronology, and astronomical records by researchers like Fomenko and Illig quantifiably challenge gaps and duplication in conventional chronology (Diacu, 2005). While controversial, their computational arguments provide a data-driven case for timeline adjustments. Culture-Artifact Disconnects Out-of-place artifacts found archaeologically with no cultural ties to their discovery strata, like the Antikythera Mechanism or Baghdad Battery, suggest more advanced societies than recognized (Amos, 2014). Mainstream attribution to anomaly or fraud ignores accumulating potentially systemic misdatings. Rethinking Rigid Paradigms Rather than evidence of conspiracy, the massive gaps and contradictions in conventional chronology uncovered by independent researchers may stem from inherent limitations of prevailing archaeological models overly reliant on continuity, incremental progress, and tied cultural phases (Hancock, 2019). Paradigm shifts recognizing culturally free artifacts and periods of cultural discontinuity or decline better accommodate lost precursor societies. Oral Records of Forgotten Cultures Indigenous oral traditions worldwide recount ancient societies with advanced technologies matching Atlantis and Tartaria descriptions, like the Nama's recollection of the Khoikhoi nation wielding energy weapons (Tellinger, 2020). While unproven, recurrent ancestral memories allow plausibility a advanced civilizations were transmitted cross-generationally. Cyclical Views of History The Vedic, Buddhist, Hopi, and other traditions propose cyclical views of human development and civilization rising and falling in recurring epochs over thousands of years (Coomaraswamy, 1947). Cycles of destruction and forgetting civilizations are endogenous to these cosmologies. Linear-progressive views may skew Western archaeology. Ancient Tartarian Emperor Conclusion Rather than far-fetched conjecture, the possibility of lost precocious civilizations deserves open-minded consideration, free of dismissive orthodoxies. The exponentially expanded timescale provided by modern archaeology accommodates multiple complex societies rising and falling antecedent to remembered history. While details may remain hazy, prospecting forgotten cultural knowledge offers more intellectual upside than uncritical acceptance of rigid models contradicted by mounting clues. Good scholarship must balance orthodoxy and imagination. In conclusion, while the specific details of lost civilizations like Tartaria remain unproven, the archaeological and chronological anomalies highlighted by advocates suggest mainstream academics should maintain greater openness to re-examining assumptions in conventional timelines. Rather than reflexively dismissing all unorthodox theories, intellectually humble inquiry that acknowledges the inherent complexity and gaps in existing historical models could lead to richer understanding of our shared ancestry. The scattered but mounting evidence cited by Tartaria proponents argues that the possibility of lost precocious societies merits continued exploration beyond dismissive orthodoxies. With careful discernment between sound and speculative methodologies, broadening perspectives on human antiquity beyond academic norms may yet reveal profound insights about our origins. As with many frontier fields, bridging disciplinary divides allows room for new syntheses and unconventional lines of analysis that reframe how we view the past. The ruins of history still have much to teach those who approach them with vision unclouded by dogma. Thank you for joining us on this fascinating exploration of possible lost histories and enduring mysteries surrounding our ancient origins. While mainstream views may dismiss ideas like Tartaria as fanciful conjecture, maintaining an open and inquisitive mind is crucial for advancing human understanding. At Ultra Unlimited, we are committed to exploring the unexplained across all cultures and traditions. Legends, myths and dubious archaeological finds may only represent creative speculations. However, they also reflect universal human instincts to envision grander destinies for our ancestors and seek knowledge beyond conventional paradigms. Though the specific details of Tartaria and other proposals remain unproven, studying them reveals profound insights into our shared yearning to understand civilization's deepest roots. Where one culture's artifacts end and another's begin has puzzled inquiring minds for millennia. More questions than answers undoubtedly persist. We hope discussions like this inspire you to delve further into history's obscure territories yourself. Whether artifacts point to forgotten societal blooms or imaginative mysticism, engaging curiosities around mankind's distant past enhances perspectives on our present and future potential. Our search for wisdom knows no bounds. As ever, we welcome respectful debate while celebrating mythology's illumination of tribulations and triumphs throughout history. May open discourse on humanity's enduring riddles and alternative visions continue nourishing insight and progress. Our exploration has only begun. Mystery The World's Fairs 00 This Evidence Hidden History Chronological All World’s Fair's - https://rumble.com/v49zfro-mystery-the-worlds-fairs-this-evidence-hidden-history-chronological-all-wor.html Mystery The World's Fairs​ 01 London 1851 Crystal Palace Works Industry All Nations - https://rumble.com/v49xr6f-mystery-the-worlds-fairs-london-1851-crystal-palace-works-industry-all-nati.html Mystery The World's Fairs​ 02 Paris 1855 World's Fair L'Exposition Universelle de Paris # 1 - https://rumble.com/v49wmff-mystery-the-worlds-fairs-paris-1855-worlds-fair-lexposition-universelle-de-.html Mystery The World's Fairs 03​ Paris 1867 World's Fair L'Exposition Universelle de Paris # 2 - https://rumble.com/v49vttt-mystery-the-worlds-fairs-paris-1867-worlds-fair-lexposition-universelle-de-.html Mystery The World's Fairs 04​ Philadelphia 1876 Fair Centennial International Exposition - https://rumble.com/v49us5z-mystery-the-worlds-fairs-philadelphia-1876-fair-centennial-international-ex.html Mystery The World's Fairs​ 05 Paris 1878 World's Fair L'Exposition Universelle de Paris # 3 - https://rumble.com/v49soh6-mystery-the-worlds-fairs-paris-1878-worlds-fair-lexposition-universelle-de-.html Mystery The World's Fairs 06 Paris 1889 World's Fair Exposition Universelle de Paris # 4 - https://rumble.com/v49pdu3-mystery-the-worlds-fairs-paris-1889-worlds-fair-exposition-universelle-de-p.html Mystery The World's Fairs 07​ Chicago 1893 World's Fair World's Columbian Exposition - https://rumble.com/v49ryc5-mystery-the-worlds-fairs-chicago-1893-worlds-fair-worlds-columbian-expositi.html Mystery The World's Fairs 08 Lyon 1894 Fair L'Exposition Internationale et Coloniale - https://rumble.com/v49qjd3-mystery-the-worlds-fairs-lyon-1894-fair-lexposition-internationale-et-colon.html Mystery The World's Fairs 09​ Nashville Tennessee 1897 Centennial International Exposition - https://rumble.com/v49obhi-mystery-the-worlds-fairs-nashville-tennessee-1897-centennial-international-.html Mystery The World's Fairs​ 10 Omaha 1898 Nebraska Trans-Mississippi Exposition Part 1 - https://rumble.com/v49kvne-mystery-the-worlds-fairs-omaha-1898-nebraska-trans-mississippi-exposition-p.html Mystery The World's Fairs 11​ Omaha 1898 Nebraska Trans-Mississippi Exposition Part 2 - https://rumble.com/v49ls22-mystery-the-worlds-fairs-omaha-1898-nebraska-trans-mississippi-exposition-p.html Mystery The World's Fairs​ 12 Buffalo 1901 New York World's Fair Pan American Exposition - https://rumble.com/v49dg39-mystery-the-worlds-fairs-buffalo-1901-new-york-worlds-fair-pan-american-exp.html Mystery The World's Fairs 13 St. Louis 1904 World's Fair Louisiana Purchase Exposition - https://rumble.com/v49h2n9-mystery-the-worlds-fairs-st.-louis-1904-worlds-fair-louisiana-purchase-expo.html Mystery The World's Fairs​ 14 Louisiana 1904 Purchase Exposition St. Louis World's Fair - https://rumble.com/v49bv7t-mystery-the-worlds-fairs-louisiana-1904-purchase-exposition-st.-louis-world.html Mystery The World's Fairs 15​ Seattle 1909 World's Fair Alaska Yukon Pacific Exposition - https://rumble.com/v499353-mystery-the-worlds-fairs-seattle-1909-worlds-fair-alaska-yukon-pacific-expo.html Mystery The World's Fairs 16​ San Francisco 1915 Panama-Pacific International Exposition - https://rumble.com/v49aa13-mystery-the-worlds-fairs-san-francisco-1915-panama-pacific-international-ex.html Mystery The World's Fairs 17​ 1962 Seattle Chronological All International World’s Fair's - https://rumble.com/v49is0f-mystery-the-worlds-fairs-1962-seattle-chronological-all-international-world.html Antiquitech Tartarian Empire Old World's Fairs 18 Before The World's Fair 1851 Thru 1974 - https://rumble.com/v4968hi-antiquitech-tartarian-empire-old-worlds-fairs-before-the-worlds-fair-1851-t.html Chicago Old Museum Tell About 1,000 Year 19 Old World History Of 1893 World's Fair - https://rumble.com/v2cphwy-chicago-old-museum-tell-about-1000-year-old-world-history-of-1893-worlds-fa.html Chilaga Where Chicago Is Now On Map 20 of America and 1893 World’s Columbian Exposition - https://rumble.com/v2cqmdc-chilaga-where-chicago-is-now-on-map-of-america-and-1893-worlds-columbian-ex.html Antiquitech Tartarian Empire Greatest Story 21 Ever Un-told Rewriting Recorded History - https://rumble.com/v36porm-antiquitech-tartarian-empire-greatest-story-ever-un-told-rewriting-recorded.html Welcome To Our Channel 5 Million+ Views In 2023 - 2024 & 876 Video's So Far Last 2 Year - Thanks To Everyone Who Like Us... 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Mystery Of Tartarian And Hidden Evidence To Lost History 3,000+ Images Of Forbidden True History From All Over The World In Photos And Other Mystery. The Photo Above Is From Old Tartarian World's Cincinnati Ohio Library​ Said To Be Built In 1874? From A Older Tartarian Opera House 100 Years Before? And Magnificent Maze Of Millions Of Books With Five Levels Of Cast Iron Book Shelving Are Now Lost In & To Time Forever. Maybe The History We've Been Told Is A Lie! Its Not Maybe... Its All True... They Have Lied To Us For 100 Years Now. Were some ancient 10,000 buildings built and 1,000 old library with billions of books and maps made by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten ? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. In recent years, a new alternative world history claim has arisen from the Internet — and it's a doozy. It revolves around an alleged worldwide cataclysm believed by adherents to have taken place sometime in the 1800s, a disaster that wiped out a worldwide advanced civilization and allowed the nations as we know them today to rise up. The event was a "mud flood" in which several meters of mud washed in and buried the ground levels of houses and buildings everywhere. Those cities and towns that were partially buried constituted the worldwide advanced civilization called Tartaria, which had free wireless energy and was populated at least in part by giants. It was a civilization "reset": out with the old, in with the new; and that "new" civilization is us. If this sounds too silly to be worth anyone's time to even listen to, then consider the fact that of all the hundreds of topic suggestions in the Skeptoid queue, this is the one that I chose for this week. And I chose it for good reason, so attend. Let us begin by surveying the evidence put forth for what some adherents call "mud flood theory", and this takes us about 12 seconds to do. Find any old-timey black and white photo where people are digging particularly if there's an old steam shovel or mule teams being employed and it doesn't even matter what they're digging, you can say they're digging out from the great depth of mud that covered their city. Then find any modern photograph of any old building that has floors below grade, especially if it has basement windows peeking out, or if there's excavation going on next door which has exposed its basement walls or foundations, and say that the building's lower levels were obviously buried by mud. I don't want to sound dismissive, but that is indeed the entirety of the evidence that has motivated these people to discard all of known history and embrace this alternate version. As far as the previous civilization being named Tartaria goes, this part is more interesting. As you may or may not know, Tartars was the generic name used by Europeans up until the middle of the 19th century for the people who inhabited the largely unexplored regions of Asia, including what we now know as Manchuria, Siberia, and Central Asia. Mystery The World's Fairs This Evidence Hidden History Chronological All World’s Fair's - https://rumble.com/v49zfro-mystery-the-worlds-fairs-this-evidence-hidden-history-chronological-all-wor.html It claims that many of our most beautiful buildings are the work of a lost civilization called the Tartarian Empire. What makes it so special is that they’re not talking about really old stuff like the pyramids, but much more recent examples like the early skyscrapers of New York and the pavilions constructed for international expositions during the late 19th and early 20th centuries. https://rarehistoricalphotos.com/the-old-cincinnati-library-demolition-1874-1955/ Many pre-20th century world maps showed these regions labeled simply as Tartary; and as geographical knowledge gradually increased, Manchuria and Mongolia became Chinese Tartary, Siberia became Great Tartary, and Central Asia became Independent Tartary. These placeholder names quickly dropped out of use as the true place names and nations became known. However, today most people have no idea that such a large part of the world was called Tartary relatively recently. And when they watch a YouTube video showing so many old maps boldly labeling central Eurasia with an unfamiliar name, it can be pretty surprising. In fact it can be so surprising that it might leave a person open to an astounding explanation for it. such as "mud flood theory". https://rarehistoricalphotos.com/lost-historical-landmarks-in-america/ I hesitate to overuse the term conspiracy theory because it's often misused to refer to anything from UFO stories to urban legends to actual conspiracies, but this is indeed one. Believers claim that this ancient history of Tartaria as an advanced civilization, and of the mud flood that destroyed it, are "covered up" by today's world governments. They conspire to keep it a secret and to keep historians teaching a false history (the version you and I know). The reason for this is not at all made clear so far as I could find; but nevertheless, a conspiracy theory it is. Tartaria and the Mud Flood is truly a 21st century conspiracy theory, in that it exists almost entirely on the Internet if not entirely. While some parts of the narrative go back centuries. Old World Tartarian Empire Timeline And The Old World Tartarian Empire Is A Conspiracy Theory That Proposes The Existence Of A Lost Civilization That Was Wiped Out By A Global Catastrophe, Known As The “Mud Flood.” According to this theory, the Tartarians were a highly advanced civilization that built many of the world’s most iconic structures, including the pyramids, the White House, and the buildings of the 1915 World’s Fair. Early History (Before 1490s) The Tartarian Empire is said to have existed as late as the 19th century, with its own flag, government, and place on the map. The empire is believed to have been weakened by wars, including the 1666 burning of London and the 1775 weakening of Tartary. The Tartarians are also said to have been involved in the construction of ancient structures, such as the pyramids and the White House. Collapse and Wipeout (1490s-1800s) The Tartarian Empire is said to have collapsed in the 1490s due to a series of catastrophes, including a “mud flood” that destroyed much of the world. The empire was severely weakened, and many of its structures were destroyed or hidden. The Tartarians are said to have been wiped out by a global catastrophe, with many of their achievements and knowledge lost to history. Modern Era (1800s-Present) The Tartarian Empire is said to have been covered up by a global conspiracy to suppress its existence and achievements. Many of the world’s most iconic structures are believed to have been built by the Tartarians, including the buildings of the 1915 World’s Fair. The theory proposes that the Tartarians were a highly advanced civilization that was wiped out by a global catastrophe, and that their achievements and knowledge were lost to history. Key Events and Dates 1490s: The Tartarian Empire collapses due to a series of catastrophes, including a “mud flood.” 1666: London is burned, weakening the Tartarian Empire. 1775: Tartary is severely weakened. 1800s: The Tartarian Empire is said to have been wiped out by a global catastrophe. 1915: The buildings of the World’s Fair are built, allegedly by the Tartarians. 20th century: The Tartarian Empire is said to have been covered up by a global conspiracy to suppress its existence and achievements. Conclusion The Old World Tartarian Empire is a conspiracy theory that proposes the existence of a lost civilization that was wiped out by a global catastrophe. According to this theory, the Tartarians were a highly advanced civilization that built many of the world’s most iconic structures, and their achievements and knowledge were lost to history. While there is no concrete evidence to support this theory, it remains a popular topic of discussion and speculation among conspiracy theorists and enthusiasts. The Lost Whole World Empire of Tartaria You have heard of the ancient lost civilizations of Atlantis. Perhaps you’ve also heard about the lost continents of Lemuria and Mu. You’ve heard me talk about beliefs in the lost cradles of civilization Hyperborea and Ultima Thule. But have you heard about the lost empire of Tartaria? Depending on your interests and thus the calibration of your YouTube recommendation and search algorithms and the pages you find promoted to you on Facebook, you may have learned a great deal about this globe-spanning mega-civilization in recent years. For example, you may have been surprised to find out that this ancient civilization, which originated in central Eurasia as a vast kingdom encompassing most of Siberia, was so successful that it spread around the world, even into the Americas, and that even today we can see the remnants of the civilization’s grand architecture. Your surprise may have turned to wonder and dismay as you learned of a great worldwide catastrophe, a flood akin to Noah’s but composed of mud that destroyed most evidence of this magnificent civilization. Your wonder and dismay likely further turned to shock and outrage as you learned of a global conspiracy to suppress the history of the Tartarian Empire, to cover up the existence of this mud flood, and to claim the impressive accomplishments of their advanced culture as our own. So throw out everything you know about the history of the world, disregard everything you think you understand about ethnology, geography, architecture, and geology, and prepare to be awakened from the sleep of ignorance, liberated from the herd of the sheeple, and initiated into the mystery of Tartaria! If you’re still reading, I’ll come clean. I don’t actually believe this claptrap. But there is something very satisfying to me about the idea that some proponent of the Tartarian Empire conspiracy mythos might stumble upon or seek out this blog post and think at first that I’m promoting this nonsense, when actually this is perhaps the most absurd pseudohistorical conspiracy delusion I’ve ever heard. It cannot be taken seriously, making it a perfect topic for my April Fools episode. However, there are other reasons I feel compelled to address this somewhat obscure claim now. First, it is new and growing. Some have likened it to Qanon because of its agglomeration of other conspiracy claims, and while it is still in its infancy, it seems important to make the public aware of it and its rather surprising implications. According to Brian Dunning, whose Skeptoid blog and podcast covered it briefly about a year ago, the Tartarian Empire claims exist solely online, having first appeared on Youtube conspiracist channels around 2016 and gaining traction in 2017 and beyond on Reddit, Facebook, and elsewhere. He confirmed this using Google Trends (though when I tried to reproduce his findings, I was seeing it spike more in 2018). A quick search of word frequency in publications using Google Ngram corroborates that the topic became more common in the mid- to late 2010s but also suggests that it was not a purely online phenomenon, although any early conspiracist publications could very well have been inspired from online content, rather than vice-versa. However, the reliability of these tools in determining the origin of such pseudohistories and conspiracy claims is decidedly questionable. For example, it is entirely possible that these conspiracy claims crossed over into the English-speaking world from foreign language publications that aren’t mined in an Ngram search, or from online content in another language that, if I understand the tool correctly, wouldn’t show up in a Google Trends search, even if it were set to conduct a worldwide search, because the keyword used is in in English. This appears to be the case with the claims about a global Tartarian Empire, as there is good reason to believe this pseudohistory originated in Russia and may have spread to the West as online propaganda or disinformation. So, surprisingly, this ridiculous topic is actually very relevant to current events, particularly the ongoing war and humanitarian crisis in the Ukraine. But I will get to that. Let us start with a simple refutation of the Tartaria mythos. It has been suggested that the entirety of the Tartaria conspiracy myth can be blamed on conspiracists looking at historical maps and getting confused because of their ignorance of certain aspects of history. In truth, there appears to be something far more insidious behind this conspiracy myth than simple misunderstanding and well-meant speculation, but let’s have a look at this explanation just the same, as we will have to address the name Tartaria anyway. So the idea goes that the whole thing is due to the fact that many old maps label massive swathes of inner Eurasia as Tartaria, or Tartary. It is claimed that, lacking the knowledge of what this term referred to, conspiracists jumped to the conclusion that there must have been a huge kingdom or nation-state called Tartaria that has since disappeared. From there, the theory goes, they let their speculation about this presumably lost civilization run wild. It is certainly true that these old maps using the label of Tartary or Tartaria are frequently raised as evidence for these outlandish conspiracy claims, and their proponents do indeed reject the simple and historically accurate explanation for why these regions were called Tartary. Prior to the 18th century, the West lacked much knowledge about the peoples and societies within Siberia and Central and Inner Asia and simply called all of them “Tatars”, which then became “Tartars,” and their lands “Tartary.” It was a blanket term, similar to the way ancient Greeks called all the lands northeast of Europe Scythia, and any nomadic people from that vague area came to be called Scythians. Some scholars suggest the initial name “Tatar” derived from a Chinese word, dada, which dated to the 9th century C.E. and was used to refer to any nomads north of China. Indeed, it was the bellicose northern peoples of the Eurasian Steppe that the Chinese had built the Great Wall to keep out who would eventually come to be called “Tatars” by the West, such as the Manchu and Mongol peoples, as well as Turkic tribes. As mentioned in my episode on Prester John, a legend that somewhat coincides with Tartaria claims since it talks of a magical kingdom in the same region, the term “Tatar” appears to have become “Tartar” because of a racist pun. According to Matthew Paris, King Louis IX of France, hearing news about the hellish ravages of Mongol forces invading Europe, said of the so-called Tatars, “Well, may they be called Tartars, for their deeds are those of fiends from Tartarus,” which of course was the Latin name for Hades. Thus the corruption “Tartars” was supposedly coined, basically calling the Mongol hordes demons from hell. As the West did not have much concrete knowledge of the political geography of the region from whence these hordes had come, European cartographers indiscriminately slapped the name Tartary, or Tartaria, onto vast tracts of land. In subsequent centuries, the label was persistently applied to a wide range of distinct peoples and regions, such that later maps might distinguish Lesser from Greater Tartary, or Eastern from Western Tartary. Eventually, as ethnological knowledge of the region’s peoples grew, further distinctions had to be made, such that those in Manchuria were called Manchu Tartars, and those in the eastern reaches of the Russian Tsardom were called Muscovite Tartars. Gradually, the term was dropped altogether, with only the occasional remnant to be found. As will be seen, the origin of the Tartarian Empire conspiracy claims found online today are not the result of simple ignorance of the story behind some old cartographic labels, but this ignorance is clearly exploited by or feeds into the conspiracy claim, providing plenty of fodder for supposed primary source evidence that may seem convincing to a lay person who encounters these conspiracy claims online. It is because of such out of date and inaccurate maps, along with a heaping portion of racial stereotyping, that the belief in a Tartarian Empire in the Americas can be found. That’s right, we are not only talking about an inner Eurasian lost civilization. As I indicated in the beginning, believers claim the remnants of a lost Tartarian Empire can be found all over the United States as well. As evidence, they will cite maps from the 17th century that happen to have the word “Tartorum” near the Bering Strait and visually group North America with Eastern Asia according to the same color. With a simple translation of the Latin, they would be able to tell that the blurb with the word “Tartorum” is describing the Mongol tribes on the other side of the strait, not in North America, and describes a simple rural life that is very different from the technologically advanced civilization they imagine Tartaria was. Likewise, they will bring up a 19th century map of the “Distribution of Races in the World” that, again, color codes sections of Eurasia and much of North America to indicate the presence of the same culture. This racist 19th century map chooses the color yellow for Asia and these portions of North America, and tellingly, it labels these areas Mongolian, not Tartarian. The cartographer appears to have mistakenly conflated Mongolian and Inuit cultures, as the portions of North America identified as Mongolian are predominately north of the Arctic Circle. Of course, in the distant past, Native American peoples likely did migrate across the strait and were distantly related to Eurasian nomads. Specifically, ethnologists recognize that the Yupik aboriginal peoples dwell in both Alaska and Siberia. But again, we are talking about rural nomads, not an advanced civilization that, according to believers, is responsible for the construction of architecturally magnificent edifices. Nevertheless, to the proponents of the Tartarian Empire fiction, these cherry-picked maps are evidence that Grand Tartary, the mythical civilization that they have built up in their minds to Atlantean proportions, was present in the Americas, and though their own false evidence would suggest it could only be found above the Arctic Circle, they claim it was present everywhere. As proof, they point to almost any ornate building constructed in any architectural style other than modern, and they say that must have been a Tartarian structure, because we don’t build things like that in our culture. This may sound like hyperbole, but it’s not. They really do point to any pre-modern structure that is especially impressive and elaborately decorative, and they claim it was not built, could not have been built, by builders of our culture. In some ways the conspiracist proponents of a global Tartarian Empire are traditionalists, or nostalgists. They seem to value only an old-fashioned or ancient style of building and reject all modernist architecture as ugly, nondescript, and thus inferior. One Norwegian Youtuber focused on Tartaria, Joachim Skaar, lumps all of modernist, and therefore non-Tartarian, architecture together under the label of Brutalism, although that is a very specific offshoot of Modernist architecture that emerged in the 1950s and declined in the 1970s. However, the name and the aesthetics provide a striking counterpoint to what he and others call Tartarian architecture, which again lumps together many known styles, from Classical, Baroque, Gothic and Renaissance to Beaux Arts, Neoclassical, Second Empire and Greek Revival. Again, any sufficiently ornate building, with columns supporting entablatures with carved friezes and cornices with scrollwork, or any building with an especially elaborate roof like a mansard or a cupola or a large dome, seems, in their fevered imaginations, to be a relic of this lost civilization. As evidence, they hold up old photos from 19th century America, in which can be seen such grand edifices, usually municipal buildings like city halls or state capitols, rising above simple wood frame houses and shacks, or on otherwise empty stretches of dirt fields. To them, these are evidence that 19th century Americans were living among the ruins of this vanished civilization, when in fact the photos depict nation building. With a basic grasp of the fact that the construction of such government buildings was well funded, and that architects were specifically sought out and well paid to design impressive architectural structures, it’s quite clear why such projects were initially surrounded by empty space and simple A-frame clapboard hovels. But like most conspiracists, the Tartarian Empire proponents believe there are secrets to uncover in almost any old book or photo they pore over, no matter how widely available they might be. They find beautiful old buildings that no longer exist, and they decide they have uncovered another clue about the destruction of Tartarian structures. For example, the Chicago Federal Building, whose dome was larger than the U.S. Capitol’s dome, but which was demolished after about 60 years, or the slender, 27-story Singer Building in New York City, which for a time was the tallest building in the world but was leveled in the 1960s. Their speculation about the ancient and mysterious origins of such buildings simply disregard their known history. To wit, the head of the Singer Manufacturing Company, makers of the famous sewing machines, commissioned the Singer building as their New York Headquarters and hired architect Ernest Flagg to design it. Such historical details, to the Tartaria conspiracists, are just more lies covering up the truth. Perhaps the most absurd claim they’ve made is that the impressive temporary complex of ornate facades built out of straw and plaster of Paris for the 1893 World’s Fair in Chicago—the so-called White City—was actually a grand Tartarian metropolis that “they” have pretended was not real. Much of their idiotic claims boil down to not just ignorance of history, but amateurish misunderstandings about architecture that I imagine would really gall any actual architects. They point to the fact that grand buildings of certain distinct styles can be found all over the world, but of course that is because architectural trends spread internationally. They claim that the shift away from these ornate buildings that are so aesthetically pleasing to them, and the movement toward the concrete and steel architecture of modernism, is a clear sign of the disappearance of the Tartarian culture, when in fact, there are plenty of books written by Modernist architects and city planners like Le Corbusier that expound on their reasoning and argument for moving away from more classical styles. And finally, they claim that our culture simply couldn’t have produced such beautiful structures, and yet plenty of New Classical architects design such buildings even today. Take for example, the neo-Gothic Whitman College at Princeton, built in 2002, or the Classical Greek architecture of the Schermerhorn Symphony Center built in Nashville, the so-called Athens of the South, in 2006. Simply put, one gets the impression that these Tartarian Empire Youtubers and Reddit posters are just basement dwellers in boring towns who have only recently discovered the beauty of fancy buildings and simply cannot believe such structures are American. Instead, they envision a massive mega-culture of advanced builders. Joachim Skaar, the aforementioned Youtuber, has been quoted as claiming, “The same people that built the Capitol in Washington built the pyramids in Egypt,” and that gives us a sense of the great depths of ignorance displayed by these conspiracists. Equally absurd are their explanations for why there does not exist ample archaeological evidence of this widespread culture, aside, from, oh, say, all the surviving buildings they claim are artifacts of the culture and all the photographs of their buildings that are no longer standing. Well, they say there was a worldwide catastrophe that destroyed much of their culture. It was much like the Flood of Genesis, in that it swept into every Tartarian city across the globe, destroying the inhabitants and their records and monuments. They call it the “great reset.” Unlike the biblical flood, though, this was a “mud flood,” and in its wake, entire grand Tartarian cities were left entirely or partially buried. Just what would cause such a global flow of mud is not typically clarified. Some have suggested that it was the result of a worldwide volcanic event, caused by mud volcanos. Mud volcanos are real, and instead of producing magma flows they produce slurries of warm mud. However, even some cursory research into mud volcanos would reveal that they are typically small and don’t cause mass destruction. In fact, they are often identified more as hot springs, and can be enjoyed as natural mud baths. It’s pretty clear some Tartaria “researcher” went looking for a feasible reason for the “mud flood” they invented, found mention of a mud volcano, and said “Bingo!” not bothering to read much more into the topic. But of course, anyone who would believe in a global mud flood isn’t thinking too hard about the science of geology or the analysis of strata performed at any dig site that could handily disprove their “theory.” But they still find supposed evidence for their mud flood, once again in old photos. They bring up black and white photos from the 19th century that show people digging, whether employing hand shovels, mule teams, or steam shovels, especially if there is a fancy building around them. Of course, civic engineering requires a lot of digging like this, even today. Hills must be flattened and depressions filled in order to make streets flat. It’s no great mystery. But Tartarian Empire conspiracists go further, pointing to photos of Gilded Age buildings with windows at ground level and saying that they all appear to be sunken into the ground. Again, these “theorists” seem woefully unfamiliar with buildings generally, but maybe they aren’t basement dwellers after all, since if they were, they would easily recognize these as basement windows. But perhaps the most ridiculous thing about this mud flood aspect of their claims is that, since they’re using photos from the 1800s as evidence, they played themselves and had to place their supposed worldwide mud flood catastrophe in the 19th century. That’s right. These geniuses claim that a global catastrophe happened sometime between the Industrial Revolution and the Gilded Age, and there is no record of it anywhere, and they don’t even bother explaining how it only seemed to affect the Tartarians and us lousy non-Tartarians escaped it just fine. But hold on! The other element of the so-called “great reset,” besides the global destruction caused by the mud flood, was the purposeful erasure of Tartarian history. Or at least, that’s what they claim. In fact, believers in Tartaria claim that most major armed conflicts of the 19th and 20th centuries were actually about Tartaria. They say Napoleon’s 1812 invasion of Russia was really a war against Tartaria, and that after the mud flood, the World Wars of the 20th century were all actually just excuses to destroy all remaining traces of Tartaria. What is their evidence of such a cover-up? Well, they too use Google Ngram, and they find it suspicious that use of the words “Tartaria” and “Tartary” plummet to nonexistent following the 19th century. But of course, we know why that is. It’s because we stopped using an inaccurate blanket term that was actually a pun suggesting they were from hell and instead started calling them Mongols or some other more accurate name. However, never let it be said that conspiracy speculators aren’t ingenious, for they managed in their blindly focused keyword searches to turn up an obscure declassified CIA report on “National Cultural Development under Communism.” In it, there exists a paragraph that is presented as smoking gun evidence of a cover-up of Tartaria’s history. It reads as follows: …let us take the matter of history, which, along with religion, language and literature, constitute the core of a people’s cultural heritage. Here again the Communists have interfered in a shameless manner. For example, on 9 August 1944, the Central Committee of the Communist Party, sitting in Moscow, issues a directive ordering the party’s Tartar Provincial Committee “to proceed to a scientific revision of the history of Tartaria, to liquidate serious shortcomings and mistakes of a nationalistic character committed by individual writers and historians in dealing with Tartar history.” In other words, Tartar history was to be rewritten—let us be frank, was to be falsified… The obvious problem here, of course, is that the CIA appear to be condemning Communist revision of “Tartar” history, which simply isn’t in keeping with the idea that the erasure of Tartarian history was a global conspiracy, which likely would have to involve the CIA. But the real issue is that this oft-used quote is taken entirely out of context. Only this paragraph in the entire report mentions “Tartaria,” and this is only because they are quoting a Communist committee that uses the term. The rest of the report makes it clear that the CIA is talking about Communist attacks on Islam and the Muslim peoples within their authority. Furthermore, if they even gave enough context to quote the entirety of the last sentence, it would be revealed that the history of these Muslim people was being rewritten, or falsified, “in order to eliminate references to Great Russian aggressions…so that the Russians always appear in a good light.” And this, the fact that Russians have long been engaged in a revision of history, producing a pseudohistory intended to serve their political purposes and falsely burnish their image, leads us to what may be the true origin and sinister purpose of this batshit crazy conspiracy claim. The way that the Tartaria conspiracy claims blithely do away with massive parts of world history somewhat reminds me of the claims of chronological revisionists that I previously discussed at great length in a three part series. Indeed, searching Google Trends for Tartaria, one sees Phantom Time, the chronological revision theory of Herbert Illig that I spoke about in my series, listed as a related query. Furthermore, it has been suggested that the origins of the Tartaria claims can actually be traced to the chronological revisionist writings of Russian mathematician Anatoly Fomenko. I encourage listeners to go back to my Chronological Revision Chronicles series, specifically Part One, The Fomenko Timeline, to hear more about this figure and his theories. In brief, Fomenko claims to use statistical analysis and astronomical data to prove that entire eras of accepted history didn’t actually occur. Instead, he argues that much of accepted history is actually duplicated from medieval history. He has been nicknamed The Terminator due to his penchant for finding reasons to delete vast swathes of history, and his rewriting of biblical history has drawn the ire of the Russian Orthodox church. But Fomenko found popularity and success in writing about history, with his “New Chronology” book series, History: Fiction or Science, bringing him far more fame than he had ever earned as a mathematician. He claims to be politically impartial, but historians and critics of his work, especially Konstantin Sheiko, who wrote extensively about the implications of Fomenko’s claims in his PhD thesis, point out that Fomenko’s work fits clearly into an ethno-nationalist tradition of producing pseudohistory and alternative history that presents the Russian people and their history in certain favorable ways. As the CIA report I referenced indicates, this historical negation, denialism, and revisionism had been perpetrated by the Soviets, but as Sheiko describes, it continued, in a somewhat different vein, after the fall of the Soviet Union, as Russia sought out some post-Soviet identity. Among these pseudo-historians, Russian identity, its greatness, is in its power and control of space on the world map, thus they find reason to suggest that a great Russian Empire existed long before the Soviet Union or the Tsardom of Rus. Others in this category see Russian identity wrapped up in racial heritage, and they trot out the old myth of an Aryan people. Though he feigns academic impartiality, Fomenko’s work is at the forefront of this movement to forge a false ethno-nationalist historical identity for Russia. When he eliminates entire periods of history, he typically claims that they are duplications of Russian ancient history. The Holy Roman Empire? Well that is just the appropriated history of a great Russian Empire. His alternate history is at its heart, one in which the accomplishments of Russia are far greater, and its greatness has been stolen from it and attributed to other regions and historical periods. According to Fomenko, the Mongols, formerly known as Tatars or Tartars, did not exist, as such. Instead, he claims that there existed a vast Slav-Turk Empire, not a Mongol Horde but rather a Russian Horde. In this way, he and other Russians can deny that they ever came under the Mongol Yoke. The Mongol invasion, he claims, was a myth invented by the Romanov Dynasty and the Church. In fact, Genghis Khan was a Russian, complete with European features. So under it all, all the mathematical reasoning, the elaborate statistical and astronomical proofs, behind Anatoly Fomenko’s New Chronology, we see the ugly head of Aryan mythology, of white supremacy, rearing. Is the Tartaria nonsense actually the New Chronology repackaged? In turn, is it just Russian ethno-nationalist propaganda as the work of Fomenko is revealing itself to be? Well, you could describe both as the myth of a vast Siberian / Inner Asian empire whose history has been stolen and erased. Tartarian conspiracy nuts also scrutinize old portraits of Genghis Khan and speculate that he may have been more European-looking, more white, than he is otherwise portrayed. In their reaction against the historical distortions of Tsarist and Church propaganda, Communists initiated their own revision and falsification of history, as the CIA observed in the aforementioned report, and after the fall of Communism, a new false history has emerged, still intent on painting Russia in the best light, and justifying its geopolitical powerplays. Just as Vladimir Putin today justifies his invasion of the Ukraine with falsehoods, claiming that it has always been a part of Russia and has no historical right to independence, his nationalist rhetoric is validated by, or perhaps inspired by, the pseudo-historian Anatoly Fomenko, who claims that Ukraine has no identity apart from Russia, for its people were always only part of his “Russian Horde.” This pseudo-history tacitly justifies war crimes. So what am I arguing? I suppose I am arguing what others before me have argued: that the Tartarian Empire conspiracy myth originates from Russian disinformation, spread online to the Western world by professional Russian propagandists, and transforming along the way, through a weird digital version of the telephone game, to something almost unrecognizable. This may itself sound like conspiracy speculation, but the fact that Russian propaganda programs are active in spreading disinformation through bots and puppet accounts run out of troll farms is well known. We also know that they are involved with the encouragement of the growth of conspiracy claims. Hell, that goes back a long time before Qanon and COVID-19 conspiracies on social media. Back in the 1980s, the KGB ran a disinformation campaign aimed at encouraging the baseless conspiracy claim that the U.S. government was responsible for the creation and spread of HIV/AIDS. Now, there is a fast-spreading conspiracy theory about the existence of an ancient, suppressed mega-empire that originated in their region, and it is remarkably similar to the ethno-national propaganda Russia’s president spouts as a pretext for expansion, asserting the Russians are just reclaiming what has always been theirs. Tell me that doesn’t sound like there is a connection. What’s really scary is if Putin starts to assert that the ancestral claim of the Russian people extends all the way to America, where the Tartarian Empire is said to have formerly reigned. As with that other conspiracy mythos, Qanon, that has likely been encouraged every step of the way by Russian disinformation campaigns online, the Tartarian Empire hoax has grown to become a mega-theory as its proponents take a buffet-style approach, incorporating into the myth complex any pet theory or crazy notion they fancy. One can imagine that it’s especially hard to control a conspiracy narrative once it has been fed to the conspiracy nut community. Thus we see claims about the Illuminati come in to explain the worldwide cover-up, or of the Jewish World Conspiracy, which isn’t that surprising considering its connection to Russian claims of Aryan supremacy. To further explain why the existence of Tartaria had to be covered up, conspiracists have incorporated elements of the fantastical claims about Atlantis or hollow earth civilizations: namely that the Tartarians had advanced technology, free wireless energy technology to be more specific, and that the powers that be conspired to hide this from the energy dependent masses. And then, there is the doozy—that Tartaria was actually peopled by giants. Never mind that all the buildings they identify as Tartarian are made for regular size people. They found a few photos of grand, oversized doors, and of course they found statuary and paintings depicting, you guessed it, giants. They link the existence of giants in the lands of Tartary through the tales of Gog and Magog, which have historically been associated with Mongolians, as I discussed in my episode on Prester John. And from there, it just devolved into photoshopped hoaxes of gigantic bones. But the argument against the historical existence of giants deserves to have its own episode and would be too much of a digression here at the end of this one. To conclude, let’s just hope that the fringe nutcases who have taken up the Tartarian standard and run with it online continue to take the idea in such ridiculous and fantastical directions that it becomes ever more laughable, and thus, if we’re lucky, useless as Russian propaganda. On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user @cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money the only thing that really matters and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff the global mud flood, the ancient energy weapons, the vanished race of giants the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. World We Inherited Old World Photographs Over 1,000 Images Before 1900s Era - https://rumble.com/v4xkpbl-world-we-inherited-old-world-photographs-over-1000-images-before-1900s-era.html The True World We Inherited Old World Photographs Pre-Modern Buildings That We Venerate Are Sometimes Said To Be More Than 1,000 Years Old. Old World Tartarian Empire Timeline And The Old World Tartarian Empire Is A Conspiracy Theory That Proposes The Existence Of A Lost Civilization That Was Wiped Out By A Global Catastrophe, Known As The “Mud Flood.” The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. 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Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. GREATEST STORY - Part 1 - Our Journey Begins – 0 Mins 16 Sec. https://www.bitchute.com/ The secret is out, thanks to people like Michelle Gibson and Jon Levi. The more you delve into history and understand the required technology to build the infrastructure and buildings of the past, the more you realize we are missing part of the story - The Greatest Story. Just who did all this work and what happened to them? Who now controls us and makes us pay for energy that once was free? This series includes various composition styles and historical subjects, together with music gear explanations used. GREATEST STORY - Part 2 – Ruthless – 3 Mins 50 Sec. https://www.bitchute.com/ There are so many anomolies during the 1800s and early 1900s, whereas this video selects only a few and how ruthless the 'controllers' are in hiding our true history. FYI... when you see that giant ferris wheel, keep in mind that the axle alone weighed over 90,000 pounds and was so thick of steell that they could not cut it up and destroy it... it was buried under a golf course. GREATEST STORY - Part 3 -Strange Days – 0 Mins 27 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 3A -Strange Days – 5 Mins 41 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 4 - Paradise Lost – 2 Mins 41 Sec. https://www.bitchute.com/ In two years, this is what was built with horse, oxen, shovels and wheelbarrows... LOL. It would take that long just to create the canal system and get all the land landscaped, not to mention pouring the foundations and footings, etc., etc. And all that just to tear it down after a few months of viewing. Even the 'build' photos are suspect. Let me know when it makes sense. Welcome to the Chicago's World Fair 1893. GREATEST STORY - Part 5 - Boer War – 3 Mins 00 Sec. https://www.bitchute.com/ With photography and film around at the time of the Boer War, why do we not have any official footage or pictures of battles; rather, we get reinactments. And how curious that wonderous architecture was around in Africa prior to this war even taking place. GREATEST STORY - Part 6 - The Way It Should Be – 2 Mins 55 Sec. https://www.bitchute.com/ At one time the world was beautiful, and the architecture so uniform from one country to the next, that it had to have been created by the same people, living harmoniously. Today, architecture is mostly bland, box-like and consistnig of materials that won't last (a lot of steel framing and glass). We couldn't replicate the building of the past even if we wanted to. GREATEST STORY - Part 7 - Guatemalan Facade – 2 Mins 51 Sec. https://www.bitchute.com/ No matter where you go in the world, there are buildings that have the same characteristics and from the same timeline. Guatemala is no exception. It may be Central America, but it the architecture is no different than Europe, Australia, South America or the United States. Something very 'common' happened world-wide and during a particular time. GREATEST STORY - Part 8 - Most Beautiful – 2 Mins 10 Sec. https://www.bitchute.com/ There literally are hundreds of amazing architectural wonders, whereas this is a very small sample. The sheer beauty and unobtainable structures tells us the people of the past were not simple, and any claims that some of these were built in the mid 1800s to early 1900s is hogwash and a deception of our timeline and who we were (and what we were cable of, with horse, wagon, shovel and hammer). GREATEST STORY - Part 9 - Time Shifters – 8 Mins 59 Sec. https://www.bitchute.com/ Something happened during our timeline. This video broaches some of the events and individuals that may have played a role. GREATEST STORY - Part 10 - The Inheritors – 3 Mins 13 Sec. https://www.bitchute.com/ Something very odd appears within the mid to late 1800s - a people unskilled to create the world as we knew it (and see it in photographs). They not only look out of place, relative to the majesty and beauty, but 'floods' of people in certain situations occurred, but immigration to baby incubators at trade shows. GREATEST STORY - Part 11 – Homecoming – 3 Mins 25 Sec. https://www.bitchute.com/ I grew up in a small city in Northern Ontario, but when it was nothing more than a town, there was (and still is) some very interesting and overbuilt structures for such a small population. Research your own town/city and ask: "are these structures appropriate for the times and people, and could they have built those structure with the people and resources of the time?" GREATEST STORY - Part 12 - Cabinet of Curiosities – 5 Mins 46 Sec. https://www.bitchute.com/ A few very interesting artifacts, photos and more that suggest our timeline is not what we have been told. GREATEST STORY - Part 13 - Free Energy – 5 Mins 10 Sec. https://www.bitchute.com/ Technology to harness energy has existed far longer and before Nicola Tesla (who like reversed engineered what already was around). GREATEST STORY - Part 14 - Mud Flood – 2 Mins 46 Sec. https://www.bitchute.com/ Nearly every modern civilization is built upon another. And some past civilization are built upon others still. A fascinating mystery that suggests many parts of the world are older than we realize, or that there has been multiple resets and destruction. GREATEST STORY - Part 15 - Bullshit Train – 1 Mins 46 Sec. https://www.bitchute.com/ Do you really think that most railroad tracks and the entire infrastructure was built in only 20-30 years across North America? Or were much of the structure excavated from a previous people? GREATEST STORY - Part 16 - Question His Story – 3 Mins 29 Sec. https://www.bitchute.com/ There are far too many anomalies in world history; this video takes a glimpse at Mount Rushmore and the USA road/highway system. I could be wrong on these aspects, but... GREATEST STORY - Part 17 – Havoc – 2 Mins 54 Sec. https://www.bitchute.com/ Ancient tech abound. How many things can you spot that most likely was carved or made of wood that petrified? GREATEST STORY - Part 18 – Yesteryear – 2 Mins 45 Sec. https://www.bitchute.com/ The glorious structures of India in early photos appears to be a blend of Tartarian, Moorish and Turkish, creating some of the most mysterious and detailed buildings (and those highly carved walls likely were wood that later petrified or was put through a 'rock' or hardening process). Please consider supporting this channel with any amount you wish, and thank you. GREATEST STORY - Part 19 - Galveston... Oh... Galveston – 2 Mins 30 Sec. https://www.bitchute.com/ Glen Campbell was fond of Gavelston, and this place certainly had a lot going for it, more than any other city in the USA during its time. A sliver of an island, yet strategically built and considered by the people at the time. Thanks to Jarid Boosters' channel for compiling the time-line info and many photos. GREATEST STORY - Part 20 - Tech Lords – 3 Mins 20 Sec. https://www.bitchute.com/ Here is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 21 - Can't Judge a Book by Its Cover – 3 Mins 35 Sec. https://www.bitchute.com/ There is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 22 - In the Swamp – 2 Mins 50 Sec. https://www.bitchute.com/ Let's take a look at Louisiana, known for the Bayou, jazz, Mardi Gras, spicy foods... and perhaps... a bit more that seems to conflict with what the historical narrative suggests. GREATEST STORY - Part 23- Civil Warp – 3 Mins 12 Sec. https://www.bitchute.com/ Music by Me and based on historical fiction ?. Certainly people died and there may have been actual battles. But the reason for this war (initiated by the Roths) may have been more elaborate and for reasons of destruction. A touch of humor at the end. GREATEST STORY - Part 24 - Impossible Dream – 3 Mins 45 Sec. https://www.bitchute.com/ Dream the impossible dream - all 'built' not long ago, between 1885-1900. Yes, I've had professionals in the areas of architecture and stone masonry, and they agree that they have no idea how to rebuild any of this. No blueprints exist. Who built them? Let's take a trip around the world and look at some fabulous structures! Of course, this is all a work of fiction . GREATEST STORY - Part 25 - Mind Fudge (Pt. 1) – 7 Mins 28 Sec. https://www.bitchute.com/ GREATEST STORY - Part 26 - Mind Fudge (Part 2) – 5 Mins 54 Sec. https://www.bitchute.com/ GREATEST STORY - Part 27 - Head in the Clouds – 2 Mins 43 Sec. https://www.bitchute.com/ Something is happening with our world and atmosphere, whether from microwave pollution, 'kem' trails, pollution or another warning of a future reset. GREATEST STORY - Part 28 - Where Did All the People Go q – 11 Mins 05 Sec. https://www.bitchute.com/ It may be eerie to see few people around walking or with horse and cart, but nothing compared to cities that are nearly vacant or totally vacant, but why? Where are all the people if these major cities and locations have been populated for hundreds or thousands of years (according to the narrative)? What happened prior to these photos, all taken around the mid 1800s? GREATEST STORY - Part 29 - Everywhere a Castle – 3 Mins 56 Sec. https://www.bitchute.com/ If anything, the world is consistent; no one in any country has a clue how to rebuild the castles found in their own countries. GREATEST STORY - Part 30 - Ready... Reset... Go – 8 Mins 48 Sec. https://www.bitchute.com/ A hypothetical look at when and how the Resets may have come about. GREATEST STORY - Part 31 - Feast for the Eyes – 13 Mins 08 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32 - Rewriting History – 0 Mins 51 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32A - Rewriting History – 17 Mins 58 Sec. https://www.bitchute.com/ GREATEST STORY - Part 33 – Fasces – 2 Mins 18 Sec. https://www.bitchute.com/ GREATEST STORY - Part 34 - Post-Reset Postcards – 0 Mins 44 Sec. https://www.bitchute.com/ A look into the past with various vintage postcards showing old-world architecture, but also art heavily influenced by the Phoenicians. GREATEST STORY - Part 35 - Rise Up – 0 Mins 34 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 35A - Rise Up – 3 Mins 27 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 36 - Let There Be Light – 6 Mins 23 Sec. https://www.bitchute.com/ The timeline seems off... we were told electricity was invented around 1891, by Tesla. However, there were world fairs, opera houses and estates of the elite that had power well before that. It seems the controllers and elite had access to past technology that they kept from the rest of us slobs. Real Timeline Of Deception Part 0 Exploring Tartaria 1000 Years Exploring Tartaria - Old World Secrets Revealed https://rumble.com/v2u8ef4-real-timeline-of-deception-part-0-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 1 Exploring Tartaria 1000 Years The Timeline Deception - Part I - Exploring Tartaria https://rumble.com/v2ua8sa-real-timeline-of-deception-part-1-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 2 Exploring Tartaria 1000 Years The Timeline Deception - Part II - Exploring Tartaria https://rumble.com/v2ubf4w-real-timeline-of-deception-part-2-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 3 Exploring Tartaria 1000 Years The King of Tartaria - Exploring Tartaria https://rumble.com/v2ueih6-real-timeline-of-deception-part-3-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 4 Exploring Tartaria 1000 Years The Saints - Relics, Reliquaries, & The First Resurrection https://rumble.com/v2ugl92-real-timeline-of-deception-part-4-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 5 Exploring Tartaria 1000 Years The Saints - The Ruling Class - Exploring Tartaria https://rumble.com/v2uij7w-real-timeline-of-deception-part-5-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 6 Exploring Tartaria 1000 Years From Atheism, Agnosticism, New Age, Protestantism, to Roman Catholicism https://rumble.com/v2ujvr6-real-timeline-of-deception-part-6-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 7 Exploring Tartaria 1000 Years The Millennial Kingdom of God - Exploring Tartaria https://rumble.com/v2uldss-real-timeline-of-deception-part-7-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 8 Exploring Tartaria 1000 Years Magic of the White City 1893 Chicago World's Fair https://rumble.com/v2un20g-real-timeline-of-deception-part-8-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 9 Exploring Tartaria 1000 Years 1000 Years Added To Our History & Dark Ages Never Existed https://rumble.com/v2uo07i-real-timeline-of-deception-part-9-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 10 Exploring Tartaria 1000 Years Church History - Complete Documentary AD 33 to Present https://rumble.com/v2uprfu-real-timeline-of-deception-part-10-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 11 Exploring Tartaria 1000 Years Christmas Unveiled - Pied Piper - Templars Secret - Saturn's Workshop - Giants Stealing Children https://rumble.com/v2urmd0-real-timeline-of-deception-part-11-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 12 Exploring Tartaria 1000 Years Ancient Cloning Factories - Foundlings - Incubators - Test-Tube Babies https://rumble.com/v2uu8ck-real-timeline-of-deception-part-12-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 13 Exploring Tartaria 1000 Years Homunculus Unveiled - Jesus - Artificial Generation - Liber Vaccae - Lost Esoteric Secrets https://rumble.com/v2uwmvc-real-timeline-of-deception-part-13-exploring-tartaria-1000-years-added-to-o.html Archaix Chronology Anunnaki Sumerian Gods Crystalinks Timelines 2040B.C. 2046A.D. https://rumble.com/v2v0zks-archaix-chronology-anunnaki-sumerian-gods-crystalinks-timelines-2040b.c.-20.html Archaix 2.0 Doomsday Chronology Five color charts with extensive Legend-chronology; exhibits 62 dates involving 300 events in linear timeline combining the Phoenix and Nemesis X Object appearances, the Mayan Long-Count baktuns and the Anunnaki NER 600 year periods, a history spanning over 74 centuries to May 2040 and November 2046. https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. A Must See Video What On Earth Happened Parts (14) All 13 Parts Together Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 0:00 - Part One: "Turning Inwards" 7:19 - Part Two: "Of Maps and Magicians" 34:40 - Part Three: "Flattening the Curve" 57:16 - Part Four: "Vanishing Points & the Old Clock" 1:21:34 - Part Five: "The Red Shield" 1:47:28 - Part Six: "Infiltration Instead of Invasion" 2:11:36 - Part Seven: "Eyes Wide Open" 3:01:55 - Part Eight: "The Looking Glass" 3:59:06 - Part Nine: "Panic" 4:37:30 - Part Ten: "The Energetic Earth" 5:24:53 - Part Eleven: "The Bumblebee & the Hexagon" 6:07:37 - Part Twelve: "Stranger than Fiction" 7:04:43 - Part Thirteen: "Down the Rabbit Hole" A Must See Video Everyone - All 13 Parts - What On Earth Happened ? (1) Turning Inwards (2) Of Maps and Magicians (3) Flattening the Curve (4) Vanishing Points and The Old Clock (5) The Red Shield (6) Infiltration Instead of Invasion (7) Eyes Wide Open (8) The Looking Glass (9) Panic ! (10) The Energetic Earth (11) The Bumblebee and The Hexagon (12) Stranger Than Fiction (13) Down The Rabbit Hole (14) All 13 Parts Together - Nice Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. A Must See Video Everyone - All 14 Parts - What On Earth Happened ? – Links Below ! https://rumble.com/v27xg2j-a-must-see-video-what-on-earth-happened-parts-1turning-inwards.html https://rumble.com/v27xjm4-a-must-see-video-what-on-earth-happened-parts-2ofmapsandmagicians.html https://rumble.com/v27xnav-a-must-see-video-what-on-earth-happened-parts-3flattening-thecurve.html https://rumble.com/v27xqt0-a-must-see-video-what-on-earth-happened-parts-4vanishing-pointsand-the-oldc.html https://rumble.com/v27xv72-a-must-see-video-what-on-earth-happened-parts-5thered-shield.html https://rumble.com/v27y144-a-must-see-video-what-on-earth-happened-parts-6infiltrationinstead-ofinvasi.html https://rumble.com/v27y5mw-a-must-see-video-what-on-earth-happened-parts-7eyes-wide-open.html https://rumble.com/v27y9ri-a-must-see-video-what-on-earth-happened-parts-8thelooking-glass.html https://rumble.com/v27yfhm-a-must-see-video-what-on-earth-happened-parts-9panic-a-must-see-video.html https://rumble.com/v27yjdm-a-must-see-video-what-on-earth-happened-parts-10theenergetic-earth.html https://rumble.com/v27ymp1-a-must-see-video-what-on-earth-happened-parts-11the-bumblebee-and-thehexago.html https://rumble.com/v27yswn-a-must-see-video-what-on-earth-happened-parts-12stranger-than-fiction.html https://rumble.com/v27ziz7-a-must-see-video-what-on-earth-happened-parts-13down-therabbit-hole.html https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 00:00:00 - Episode 1: Questioning His-story 00:13:25 - Episode 2: A Lens Into The Past 00:38:28 - Episode 3: Inheritors Of Mud & Magnificence 01:19:19 - Episode 4: Back To The Future 02:15:38 - Episode 5: The Whispering Of The Water 03:27:28 - Episode 6: Offerus And The Alchemist 04:31:57 - Episode 7: The Known World The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Episode 1: Questioning His-story Episode 2: A Lens Into The Past Episode 3: Inheritors Of Mud & Magnificence Episode 4: Back To The Future Episode 5: The Whispering Of The Water Episode 6: Offer us And The Alchemist Episode 7: The Known World Episode 8: All 7 Parts History Of A Lost Earth Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth – Links Below ! https://rumble.com/v28afys-a-must-see-video-lhfe-part-1-buried-in-plain-sight-lost-history-of-earth.html https://rumble.com/v28ahvo-a-must-see-video-lhfe-part-2-lens-into-the-past-lost-history-of-earth.html https://rumble.com/v28alqa-a-must-see-video-lhfe-part-3-inheritors-of-mud-and-magnificense-lost-histor.html https://rumble.com/v28aobw-a-must-see-video-lhfe-part-4-back-to-the-future-lost-history-of-earth.html https://rumble.com/v28arc8-a-must-see-video-lhfe-part-5-whispering-of-the-water-lost-history-of-earth.html https://rumble.com/v28av42-a-must-see-video-lhfe-part-6-offer-us-and-the-alchemist-lost-history-of-ear.html https://rumble.com/v28axuo-a-must-see-video-lhfe-part-7-the-known-world-lost-history-of-earth-w0w.html https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. GREATEST STORY - Part 1 - Our Journey Begins – 0 Mins 16 Sec. https://www.bitchute.com/ The secret is out, thanks to people like Michelle Gibson and Jon Levi. The more you delve into history and understand the required technology to build the infrastructure and buildings of the past, the more you realize we are missing part of the story - The Greatest Story. Just who did all this work and what happened to them? Who now controls us and makes us pay for energy that once was free? This series includes various composition styles and historical subjects, together with music gear explanations used. GREATEST STORY - Part 2 – Ruthless – 3 Mins 50 Sec. https://www.bitchute.com/ There are so many anomolies during the 1800s and early 1900s, whereas this video selects only a few and how ruthless the 'controllers' are in hiding our true history. FYI... when you see that giant ferris wheel, keep in mind that the axle alone weighed over 90,000 pounds and was so thick of steell that they could not cut it up and destroy it... it was buried under a golf course. GREATEST STORY - Part 3 -Strange Days – 0 Mins 27 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 3A -Strange Days – 5 Mins 41 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 4 - Paradise Lost – 2 Mins 41 Sec. https://www.bitchute.com/ In two years, this is what was built with horse, oxen, shovels and wheelbarrows... LOL. It would take that long just to create the canal system and get all the land landscaped, not to mention pouring the foundations and footings, etc., etc. And all that just to tear it down after a few months of viewing. Even the 'build' photos are suspect. Let me know when it makes sense. Welcome to the Chicago's World Fair 1893. GREATEST STORY - Part 5 - Boer War – 3 Mins 00 Sec. https://www.bitchute.com/ With photography and film around at the time of the Boer War, why do we not have any official footage or pictures of battles; rather, we get reinactments. And how curious that wonderous architecture was around in Africa prior to this war even taking place. GREATEST STORY - Part 6 - The Way It Should Be – 2 Mins 55 Sec. https://www.bitchute.com/ At one time the world was beautiful, and the architecture so uniform from one country to the next, that it had to have been created by the same people, living harmoniously. Today, architecture is mostly bland, box-like and consistnig of materials that won't last (a lot of steel framing and glass). We couldn't replicate the building of the past even if we wanted to. GREATEST STORY - Part 7 - Guatemalan Facade – 2 Mins 51 Sec. https://www.bitchute.com/ No matter where you go in the world, there are buildings that have the same characteristics and from the same timeline. Guatemala is no exception. It may be Central America, but it the architecture is no different than Europe, Australia, South America or the United States. Something very 'common' happened world-wide and during a particular time. GREATEST STORY - Part 8 - Most Beautiful – 2 Mins 10 Sec. https://www.bitchute.com/ There literally are hundreds of amazing architectural wonders, whereas this is a very small sample. The sheer beauty and unobtainable structures tells us the people of the past were not simple, and any claims that some of these were built in the mid 1800s to early 1900s is hogwash and a deception of our timeline and who we were (and what we were cable of, with horse, wagon, shovel and hammer). GREATEST STORY - Part 9 - Time Shifters – 8 Mins 59 Sec. https://www.bitchute.com/ Something happened during our timeline. This video broaches some of the events and individuals that may have played a role. GREATEST STORY - Part 10 - The Inheritors – 3 Mins 13 Sec. https://www.bitchute.com/ Something very odd appears within the mid to late 1800s - a people unskilled to create the world as we knew it (and see it in photographs). They not only look out of place, relative to the majesty and beauty, but 'floods' of people in certain situations occurred, but immigration to baby incubators at trade shows. GREATEST STORY - Part 11 – Homecoming – 3 Mins 25 Sec. https://www.bitchute.com/ I grew up in a small city in Northern Ontario, but when it was nothing more than a town, there was (and still is) some very interesting and overbuilt structures for such a small population. Research your own town/city and ask: "are these structures appropriate for the times and people, and could they have built those structure with the people and resources of the time?" GREATEST STORY - Part 12 - Cabinet of Curiosities – 5 Mins 46 Sec. https://www.bitchute.com/ A few very interesting artifacts, photos and more that suggest our timeline is not what we have been told. GREATEST STORY - Part 13 - Free Energy – 5 Mins 10 Sec. https://www.bitchute.com/ Technology to harness energy has existed far longer and before Nicola Tesla (who like reversed engineered what already was around). GREATEST STORY - Part 14 - Mud Flood – 2 Mins 46 Sec. https://www.bitchute.com/ Nearly every modern civilization is built upon another. And some past civilization are built upon others still. A fascinating mystery that suggests many parts of the world are older than we realize, or that there has been multiple resets and destruction. GREATEST STORY - Part 15 - Bullshit Train – 1 Mins 46 Sec. https://www.bitchute.com/ Do you really think that most railroad tracks and the entire infrastructure was built in only 20-30 years across North America? Or were much of the structure excavated from a previous people? GREATEST STORY - Part 16 - Question His Story – 3 Mins 29 Sec. https://www.bitchute.com/ There are far too many anomalies in world history; this video takes a glimpse at Mount Rushmore and the USA road/highway system. I could be wrong on these aspects, but... GREATEST STORY - Part 17 – Havoc – 2 Mins 54 Sec. https://www.bitchute.com/ Ancient tech abound. How many things can you spot that most likely was carved or made of wood that petrified? GREATEST STORY - Part 18 – Yesteryear – 2 Mins 45 Sec. https://www.bitchute.com/ The glorious structures of India in early photos appears to be a blend of Tartarian, Moorish and Turkish, creating some of the most mysterious and detailed buildings (and those highly carved walls likely were wood that later petrified or was put through a 'rock' or hardening process). Please consider supporting this channel with any amount you wish, and thank you. GREATEST STORY - Part 19 - Galveston... Oh... Galveston – 2 Mins 30 Sec. https://www.bitchute.com/ Glen Campbell was fond of Gavelston, and this place certainly had a lot going for it, more than any other city in the USA during its time. A sliver of an island, yet strategically built and considered by the people at the time. Thanks to Jarid Boosters' channel for compiling the time-line info and many photos. GREATEST STORY - Part 20 - Tech Lords – 3 Mins 20 Sec. https://www.bitchute.com/ Here is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 21 - Can't Judge a Book by Its Cover – 3 Mins 35 Sec. https://www.bitchute.com/ There is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 22 - In the Swamp – 2 Mins 50 Sec. https://www.bitchute.com/ Let's take a look at Louisiana, known for the Bayou, jazz, Mardi Gras, spicy foods... and perhaps... a bit more that seems to conflict with what the historical narrative suggests. GREATEST STORY - Part 23- Civil Warp – 3 Mins 12 Sec. https://www.bitchute.com/ Music by Me and based on historical fiction ?. Certainly people died and there may have been actual battles. But the reason for this war (initiated by the Roths) may have been more elaborate and for reasons of destruction. A touch of humor at the end. GREATEST STORY - Part 24 - Impossible Dream – 3 Mins 45 Sec. https://www.bitchute.com/ Dream the impossible dream - all 'built' not long ago, between 1885-1900. Yes, I've had professionals in the areas of architecture and stone masonry, and they agree that they have no idea how to rebuild any of this. No blueprints exist. Who built them? Let's take a trip around the world and look at some fabulous structures! Of course, this is all a work of fiction . GREATEST STORY - Part 25 - Mind Fudge (Pt. 1) – 7 Mins 28 Sec. https://www.bitchute.com/ GREATEST STORY - Part 26 - Mind Fudge (Part 2) – 5 Mins 54 Sec. https://www.bitchute.com/ GREATEST STORY - Part 27 - Head in the Clouds – 2 Mins 43 Sec. https://www.bitchute.com/ Something is happening with our world and atmosphere, whether from microwave pollution, 'kem' trails, pollution or another warning of a future reset. GREATEST STORY - Part 28 - Where Did All the People Go q – 11 Mins 05 Sec. https://www.bitchute.com/ It may be eerie to see few people around walking or with horse and cart, but nothing compared to cities that are nearly vacant or totally vacant, but why? Where are all the people if these major cities and locations have been populated for hundreds or thousands of years (according to the narrative)? What happened prior to these photos, all taken around the mid 1800s? GREATEST STORY - Part 29 - Everywhere a Castle – 3 Mins 56 Sec. https://www.bitchute.com/ If anything, the world is consistent; no one in any country has a clue how to rebuild the castles found in their own countries. GREATEST STORY - Part 30 - Ready... Reset... Go – 8 Mins 48 Sec. https://www.bitchute.com/ A hypothetical look at when and how the Resets may have come about. GREATEST STORY - Part 31 - Feast for the Eyes – 13 Mins 08 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32 - Rewriting History – 0 Mins 51 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32A - Rewriting History – 17 Mins 58 Sec. https://www.bitchute.com/ GREATEST STORY - Part 33 – Fasces – 2 Mins 18 Sec. https://www.bitchute.com/ GREATEST STORY - Part 34 - Post-Reset Postcards – 0 Mins 44 Sec. https://www.bitchute.com/ A look into the past with various vintage postcards showing old-world architecture, but also art heavily influenced by the Phoenicians. GREATEST STORY - Part 35 - Rise Up – 0 Mins 34 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 35A - Rise Up – 3 Mins 27 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 36 - Let There Be Light – 6 Mins 23 Sec. https://www.bitchute.com/ The timeline seems off... we were told electricity was invented around 1891, by Tesla. However, there were world fairs, opera houses and estates of the elite that had power well before that. It seems the controllers and elite had access to past technology that they kept from the rest of us slobs. Real Timeline Of Deception Part 0 Exploring Tartaria 1000 Years Exploring Tartaria - Old World Secrets Revealed https://rumble.com/v2u8ef4-real-timeline-of-deception-part-0-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 1 Exploring Tartaria 1000 Years The Timeline Deception - Part I - Exploring Tartaria https://rumble.com/v2ua8sa-real-timeline-of-deception-part-1-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 2 Exploring Tartaria 1000 Years The Timeline Deception - Part II - Exploring Tartaria https://rumble.com/v2ubf4w-real-timeline-of-deception-part-2-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 3 Exploring Tartaria 1000 Years The King of Tartaria - Exploring Tartaria https://rumble.com/v2ueih6-real-timeline-of-deception-part-3-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 4 Exploring Tartaria 1000 Years The Saints - Relics, Reliquaries, & The First Resurrection https://rumble.com/v2ugl92-real-timeline-of-deception-part-4-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 5 Exploring Tartaria 1000 Years The Saints - The Ruling Class - Exploring Tartaria https://rumble.com/v2uij7w-real-timeline-of-deception-part-5-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 6 Exploring Tartaria 1000 Years From Atheism, Agnosticism, New Age, Protestantism, to Roman Catholicism https://rumble.com/v2ujvr6-real-timeline-of-deception-part-6-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 7 Exploring Tartaria 1000 Years The Millennial Kingdom of God - Exploring Tartaria https://rumble.com/v2uldss-real-timeline-of-deception-part-7-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 8 Exploring Tartaria 1000 Years Magic of the White City 1893 Chicago World's Fair https://rumble.com/v2un20g-real-timeline-of-deception-part-8-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 9 Exploring Tartaria 1000 Years 1000 Years Added To Our History & Dark Ages Never Existed https://rumble.com/v2uo07i-real-timeline-of-deception-part-9-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 10 Exploring Tartaria 1000 Years Church History - Complete Documentary AD 33 to Present https://rumble.com/v2uprfu-real-timeline-of-deception-part-10-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 11 Exploring Tartaria 1000 Years Christmas Unveiled - Pied Piper - Templars Secret - Saturn's Workshop - Giants Stealing Children https://rumble.com/v2urmd0-real-timeline-of-deception-part-11-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 12 Exploring Tartaria 1000 Years Ancient Cloning Factories - Foundlings - Incubators - Test-Tube Babies https://rumble.com/v2uu8ck-real-timeline-of-deception-part-12-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 13 Exploring Tartaria 1000 Years Homunculus Unveiled - Jesus - Artificial Generation - Liber Vaccae - Lost Esoteric Secrets https://rumble.com/v2uwmvc-real-timeline-of-deception-part-13-exploring-tartaria-1000-years-added-to-o.html Archaix Chronology Anunnaki Sumerian Gods Crystalinks Timelines 2040B.C. 2046A.D. https://rumble.com/v2v0zks-archaix-chronology-anunnaki-sumerian-gods-crystalinks-timelines-2040b.c.-20.html Archaix 2.0 Doomsday Chronology Five color charts with extensive Legend-chronology; exhibits 62 dates involving 300 events in linear timeline combining the Phoenix and Nemesis X Object appearances, the Mayan Long-Count baktuns and the Anunnaki NER 600 year periods, a history spanning over 74 centuries to May 2040 and November 2046. https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. A Must See Video What On Earth Happened Parts (14) All 13 Parts Together Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 0:00 - Part One: "Turning Inwards" 7:19 - Part Two: "Of Maps and Magicians" 34:40 - Part Three: "Flattening the Curve" 57:16 - Part Four: "Vanishing Points & the Old Clock" 1:21:34 - Part Five: "The Red Shield" 1:47:28 - Part Six: "Infiltration Instead of Invasion" 2:11:36 - Part Seven: "Eyes Wide Open" 3:01:55 - Part Eight: "The Looking Glass" 3:59:06 - Part Nine: "Panic" 4:37:30 - Part Ten: "The Energetic Earth" 5:24:53 - Part Eleven: "The Bumblebee & the Hexagon" 6:07:37 - Part Twelve: "Stranger than Fiction" 7:04:43 - Part Thirteen: "Down the Rabbit Hole" A Must See Video Everyone - All 13 Parts - What On Earth Happened ? (1) Turning Inwards (2) Of Maps and Magicians (3) Flattening the Curve (4) Vanishing Points and The Old Clock (5) The Red Shield (6) Infiltration Instead of Invasion (7) Eyes Wide Open (8) The Looking Glass (9) Panic ! (10) The Energetic Earth (11) The Bumblebee and The Hexagon (12) Stranger Than Fiction (13) Down The Rabbit Hole (14) All 13 Parts Together - Nice Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. A Must See Video Everyone - All 14 Parts - What On Earth Happened ? – Links Below ! https://rumble.com/v27xg2j-a-must-see-video-what-on-earth-happened-parts-1turning-inwards.html https://rumble.com/v27xjm4-a-must-see-video-what-on-earth-happened-parts-2ofmapsandmagicians.html https://rumble.com/v27xnav-a-must-see-video-what-on-earth-happened-parts-3flattening-thecurve.html https://rumble.com/v27xqt0-a-must-see-video-what-on-earth-happened-parts-4vanishing-pointsand-the-oldc.html https://rumble.com/v27xv72-a-must-see-video-what-on-earth-happened-parts-5thered-shield.html https://rumble.com/v27y144-a-must-see-video-what-on-earth-happened-parts-6infiltrationinstead-ofinvasi.html https://rumble.com/v27y5mw-a-must-see-video-what-on-earth-happened-parts-7eyes-wide-open.html https://rumble.com/v27y9ri-a-must-see-video-what-on-earth-happened-parts-8thelooking-glass.html https://rumble.com/v27yfhm-a-must-see-video-what-on-earth-happened-parts-9panic-a-must-see-video.html https://rumble.com/v27yjdm-a-must-see-video-what-on-earth-happened-parts-10theenergetic-earth.html https://rumble.com/v27ymp1-a-must-see-video-what-on-earth-happened-parts-11the-bumblebee-and-thehexago.html https://rumble.com/v27yswn-a-must-see-video-what-on-earth-happened-parts-12stranger-than-fiction.html https://rumble.com/v27ziz7-a-must-see-video-what-on-earth-happened-parts-13down-therabbit-hole.html https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 00:00:00 - Episode 1: Questioning His-story 00:13:25 - Episode 2: A Lens Into The Past 00:38:28 - Episode 3: Inheritors Of Mud & Magnificence 01:19:19 - Episode 4: Back To The Future 02:15:38 - Episode 5: The Whispering Of The Water 03:27:28 - Episode 6: Offerus And The Alchemist 04:31:57 - Episode 7: The Known World The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Episode 1: Questioning His-story Episode 2: A Lens Into The Past Episode 3: Inheritors Of Mud & Magnificence Episode 4: Back To The Future Episode 5: The Whispering Of The Water Episode 6: Offer us And The Alchemist Episode 7: The Known World Episode 8: All 7 Parts History Of A Lost Earth Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth – Links Below ! https://rumble.com/v28afys-a-must-see-video-lhfe-part-1-buried-in-plain-sight-lost-history-of-earth.html https://rumble.com/v28ahvo-a-must-see-video-lhfe-part-2-lens-into-the-past-lost-history-of-earth.html https://rumble.com/v28alqa-a-must-see-video-lhfe-part-3-inheritors-of-mud-and-magnificense-lost-histor.html https://rumble.com/v28aobw-a-must-see-video-lhfe-part-4-back-to-the-future-lost-history-of-earth.html https://rumble.com/v28arc8-a-must-see-video-lhfe-part-5-whispering-of-the-water-lost-history-of-earth.html https://rumble.com/v28av42-a-must-see-video-lhfe-part-6-offer-us-and-the-alchemist-lost-history-of-ear.html https://rumble.com/v28axuo-a-must-see-video-lhfe-part-7-the-known-world-lost-history-of-earth-w0w.html https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. GREATEST STORY - Part 1 - Our Journey Begins – 0 Mins 16 Sec. https://www.bitchute.com/ The secret is out, thanks to people like Michelle Gibson and Jon Levi. The more you delve into history and understand the required technology to build the infrastructure and buildings of the past, the more you realize we are missing part of the story - The Greatest Story. Just who did all this work and what happened to them? Who now controls us and makes us pay for energy that once was free? This series includes various composition styles and historical subjects, together with music gear explanations used. GREATEST STORY - Part 2 – Ruthless – 3 Mins 50 Sec. https://www.bitchute.com/ There are so many anomolies during the 1800s and early 1900s, whereas this video selects only a few and how ruthless the 'controllers' are in hiding our true history. FYI... when you see that giant ferris wheel, keep in mind that the axle alone weighed over 90,000 pounds and was so thick of steell that they could not cut it up and destroy it... it was buried under a golf course. GREATEST STORY - Part 3 -Strange Days – 0 Mins 27 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 3A -Strange Days – 5 Mins 41 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 4 - Paradise Lost – 2 Mins 41 Sec. https://www.bitchute.com/ In two years, this is what was built with horse, oxen, shovels and wheelbarrows... LOL. It would take that long just to create the canal system and get all the land landscaped, not to mention pouring the foundations and footings, etc., etc. And all that just to tear it down after a few months of viewing. Even the 'build' photos are suspect. Let me know when it makes sense. Welcome to the Chicago's World Fair 1893. GREATEST STORY - Part 5 - Boer War – 3 Mins 00 Sec. https://www.bitchute.com/ With photography and film around at the time of the Boer War, why do we not have any official footage or pictures of battles; rather, we get reinactments. And how curious that wonderous architecture was around in Africa prior to this war even taking place. GREATEST STORY - Part 6 - The Way It Should Be – 2 Mins 55 Sec. https://www.bitchute.com/ At one time the world was beautiful, and the architecture so uniform from one country to the next, that it had to have been created by the same people, living harmoniously. Today, architecture is mostly bland, box-like and consistnig of materials that won't last (a lot of steel framing and glass). We couldn't replicate the building of the past even if we wanted to. GREATEST STORY - Part 7 - Guatemalan Facade – 2 Mins 51 Sec. https://www.bitchute.com/ No matter where you go in the world, there are buildings that have the same characteristics and from the same timeline. Guatemala is no exception. It may be Central America, but it the architecture is no different than Europe, Australia, South America or the United States. Something very 'common' happened world-wide and during a particular time. GREATEST STORY - Part 8 - Most Beautiful – 2 Mins 10 Sec. https://www.bitchute.com/ There literally are hundreds of amazing architectural wonders, whereas this is a very small sample. The sheer beauty and unobtainable structures tells us the people of the past were not simple, and any claims that some of these were built in the mid 1800s to early 1900s is hogwash and a deception of our timeline and who we were (and what we were cable of, with horse, wagon, shovel and hammer). GREATEST STORY - Part 9 - Time Shifters – 8 Mins 59 Sec. https://www.bitchute.com/ Something happened during our timeline. This video broaches some of the events and individuals that may have played a role. GREATEST STORY - Part 10 - The Inheritors – 3 Mins 13 Sec. https://www.bitchute.com/ Something very odd appears within the mid to late 1800s - a people unskilled to create the world as we knew it (and see it in photographs). They not only look out of place, relative to the majesty and beauty, but 'floods' of people in certain situations occurred, but immigration to baby incubators at trade shows. GREATEST STORY - Part 11 – Homecoming – 3 Mins 25 Sec. https://www.bitchute.com/ I grew up in a small city in Northern Ontario, but when it was nothing more than a town, there was (and still is) some very interesting and overbuilt structures for such a small population. Research your own town/city and ask: "are these structures appropriate for the times and people, and could they have built those structure with the people and resources of the time?" GREATEST STORY - Part 12 - Cabinet of Curiosities – 5 Mins 46 Sec. https://www.bitchute.com/ A few very interesting artifacts, photos and more that suggest our timeline is not what we have been told. GREATEST STORY - Part 13 - Free Energy – 5 Mins 10 Sec. https://www.bitchute.com/ Technology to harness energy has existed far longer and before Nicola Tesla (who like reversed engineered what already was around). GREATEST STORY - Part 14 - Mud Flood – 2 Mins 46 Sec. https://www.bitchute.com/ Nearly every modern civilization is built upon another. And some past civilization are built upon others still. A fascinating mystery that suggests many parts of the world are older than we realize, or that there has been multiple resets and destruction. GREATEST STORY - Part 15 - Bullshit Train – 1 Mins 46 Sec. https://www.bitchute.com/ Do you really think that most railroad tracks and the entire infrastructure was built in only 20-30 years across North America? Or were much of the structure excavated from a previous people? GREATEST STORY - Part 16 - Question His Story – 3 Mins 29 Sec. https://www.bitchute.com/ There are far too many anomalies in world history; this video takes a glimpse at Mount Rushmore and the USA road/highway system. I could be wrong on these aspects, but... GREATEST STORY - Part 17 – Havoc – 2 Mins 54 Sec. https://www.bitchute.com/ Ancient tech abound. How many things can you spot that most likely was carved or made of wood that petrified? GREATEST STORY - Part 18 – Yesteryear – 2 Mins 45 Sec. https://www.bitchute.com/ The glorious structures of India in early photos appears to be a blend of Tartarian, Moorish and Turkish, creating some of the most mysterious and detailed buildings (and those highly carved walls likely were wood that later petrified or was put through a 'rock' or hardening process). Please consider supporting this channel with any amount you wish, and thank you. GREATEST STORY - Part 19 - Galveston... Oh... Galveston – 2 Mins 30 Sec. https://www.bitchute.com/ Glen Campbell was fond of Gavelston, and this place certainly had a lot going for it, more than any other city in the USA during its time. A sliver of an island, yet strategically built and considered by the people at the time. Thanks to Jarid Boosters' channel for compiling the time-line info and many photos. GREATEST STORY - Part 20 - Tech Lords – 3 Mins 20 Sec. https://www.bitchute.com/ Here is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 21 - Can't Judge a Book by Its Cover – 3 Mins 35 Sec. https://www.bitchute.com/ There is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 22 - In the Swamp – 2 Mins 50 Sec. https://www.bitchute.com/ Let's take a look at Louisiana, known for the Bayou, jazz, Mardi Gras, spicy foods... and perhaps... a bit more that seems to conflict with what the historical narrative suggests. GREATEST STORY - Part 23- Civil Warp – 3 Mins 12 Sec. https://www.bitchute.com/ Music by Me and based on historical fiction ?. Certainly people died and there may have been actual battles. But the reason for this war (initiated by the Roths) may have been more elaborate and for reasons of destruction. A touch of humor at the end. GREATEST STORY - Part 24 - Impossible Dream – 3 Mins 45 Sec. https://www.bitchute.com/ Dream the impossible dream - all 'built' not long ago, between 1885-1900. Yes, I've had professionals in the areas of architecture and stone masonry, and they agree that they have no idea how to rebuild any of this. No blueprints exist. Who built them? Let's take a trip around the world and look at some fabulous structures! Of course, this is all a work of fiction . GREATEST STORY - Part 25 - Mind Fudge (Pt. 1) – 7 Mins 28 Sec. https://www.bitchute.com/ GREATEST STORY - Part 26 - Mind Fudge (Part 2) – 5 Mins 54 Sec. https://www.bitchute.com/ GREATEST STORY - Part 27 - Head in the Clouds – 2 Mins 43 Sec. https://www.bitchute.com/ Something is happening with our world and atmosphere, whether from microwave pollution, 'kem' trails, pollution or another warning of a future reset. GREATEST STORY - Part 28 - Where Did All the People Go q – 11 Mins 05 Sec. https://www.bitchute.com/ It may be eerie to see few people around walking or with horse and cart, but nothing compared to cities that are nearly vacant or totally vacant, but why? Where are all the people if these major cities and locations have been populated for hundreds or thousands of years (according to the narrative)? What happened prior to these photos, all taken around the mid 1800s? GREATEST STORY - Part 29 - Everywhere a Castle – 3 Mins 56 Sec. https://www.bitchute.com/ If anything, the world is consistent; no one in any country has a clue how to rebuild the castles found in their own countries. GREATEST STORY - Part 30 - Ready... Reset... Go – 8 Mins 48 Sec. https://www.bitchute.com/ A hypothetical look at when and how the Resets may have come about. GREATEST STORY - Part 31 - Feast for the Eyes – 13 Mins 08 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32 - Rewriting History – 0 Mins 51 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32A - Rewriting History – 17 Mins 58 Sec. https://www.bitchute.com/ GREATEST STORY - Part 33 – Fasces – 2 Mins 18 Sec. https://www.bitchute.com/ GREATEST STORY - Part 34 - Post-Reset Postcards – 0 Mins 44 Sec. https://www.bitchute.com/ A look into the past with various vintage postcards showing old-world architecture, but also art heavily influenced by the Phoenicians. GREATEST STORY - Part 35 - Rise Up – 0 Mins 34 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 35A - Rise Up – 3 Mins 27 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 36 - Let There Be Light – 6 Mins 23 Sec. https://www.bitchute.com/ The timeline seems off... we were told electricity was invented around 1891, by Tesla. However, there were world fairs, opera houses and estates of the elite that had power well before that. It seems the controllers and elite had access to past technology that they kept from the rest of us slobs. 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This mind blowing documentary will shift your perspective of the world monumentally. https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. A Must See Video What On Earth Happened Parts (14) All 13 Parts Together Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 0:00 - Part One: "Turning Inwards" 7:19 - Part Two: "Of Maps and Magicians" 34:40 - Part Three: "Flattening the Curve" 57:16 - Part Four: "Vanishing Points & the Old Clock" 1:21:34 - Part Five: "The Red Shield" 1:47:28 - Part Six: "Infiltration Instead of Invasion" 2:11:36 - Part Seven: "Eyes Wide Open" 3:01:55 - Part Eight: "The Looking Glass" 3:59:06 - Part Nine: "Panic" 4:37:30 - Part Ten: "The Energetic Earth" 5:24:53 - Part Eleven: "The Bumblebee & the Hexagon" 6:07:37 - Part Twelve: "Stranger than Fiction" 7:04:43 - Part Thirteen: "Down the Rabbit Hole" A Must See Video Everyone - All 13 Parts - What On Earth Happened ? (1) Turning Inwards (2) Of Maps and Magicians (3) Flattening the Curve (4) Vanishing Points and The Old Clock (5) The Red Shield (6) Infiltration Instead of Invasion (7) Eyes Wide Open (8) The Looking Glass (9) Panic ! (10) The Energetic Earth (11) The Bumblebee and The Hexagon (12) Stranger Than Fiction (13) Down The Rabbit Hole (14) All 13 Parts Together - Nice Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. A Must See Video Everyone - All 14 Parts - What On Earth Happened ? – Links Below ! https://rumble.com/v27xg2j-a-must-see-video-what-on-earth-happened-parts-1turning-inwards.html https://rumble.com/v27xjm4-a-must-see-video-what-on-earth-happened-parts-2ofmapsandmagicians.html https://rumble.com/v27xnav-a-must-see-video-what-on-earth-happened-parts-3flattening-thecurve.html https://rumble.com/v27xqt0-a-must-see-video-what-on-earth-happened-parts-4vanishing-pointsand-the-oldc.html https://rumble.com/v27xv72-a-must-see-video-what-on-earth-happened-parts-5thered-shield.html https://rumble.com/v27y144-a-must-see-video-what-on-earth-happened-parts-6infiltrationinstead-ofinvasi.html https://rumble.com/v27y5mw-a-must-see-video-what-on-earth-happened-parts-7eyes-wide-open.html https://rumble.com/v27y9ri-a-must-see-video-what-on-earth-happened-parts-8thelooking-glass.html https://rumble.com/v27yfhm-a-must-see-video-what-on-earth-happened-parts-9panic-a-must-see-video.html https://rumble.com/v27yjdm-a-must-see-video-what-on-earth-happened-parts-10theenergetic-earth.html https://rumble.com/v27ymp1-a-must-see-video-what-on-earth-happened-parts-11the-bumblebee-and-thehexago.html https://rumble.com/v27yswn-a-must-see-video-what-on-earth-happened-parts-12stranger-than-fiction.html https://rumble.com/v27ziz7-a-must-see-video-what-on-earth-happened-parts-13down-therabbit-hole.html https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 00:00:00 - Episode 1: Questioning His-story 00:13:25 - Episode 2: A Lens Into The Past 00:38:28 - Episode 3: Inheritors Of Mud & Magnificence 01:19:19 - Episode 4: Back To The Future 02:15:38 - Episode 5: The Whispering Of The Water 03:27:28 - Episode 6: Offerus And The Alchemist 04:31:57 - Episode 7: The Known World The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Episode 1: Questioning His-story Episode 2: A Lens Into The Past Episode 3: Inheritors Of Mud & Magnificence Episode 4: Back To The Future Episode 5: The Whispering Of The Water Episode 6: Offer us And The Alchemist Episode 7: The Known World Episode 8: All 7 Parts History Of A Lost Earth Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth – Links Below ! https://rumble.com/v28afys-a-must-see-video-lhfe-part-1-buried-in-plain-sight-lost-history-of-earth.html https://rumble.com/v28ahvo-a-must-see-video-lhfe-part-2-lens-into-the-past-lost-history-of-earth.html https://rumble.com/v28alqa-a-must-see-video-lhfe-part-3-inheritors-of-mud-and-magnificense-lost-histor.html https://rumble.com/v28aobw-a-must-see-video-lhfe-part-4-back-to-the-future-lost-history-of-earth.html https://rumble.com/v28arc8-a-must-see-video-lhfe-part-5-whispering-of-the-water-lost-history-of-earth.html https://rumble.com/v28av42-a-must-see-video-lhfe-part-6-offer-us-and-the-alchemist-lost-history-of-ear.html https://rumble.com/v28axuo-a-must-see-video-lhfe-part-7-the-known-world-lost-history-of-earth-w0w.html https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. GREATEST STORY - Part 1 - Our Journey Begins – 0 Mins 16 Sec. https://www.bitchute.com/ The secret is out, thanks to people like Michelle Gibson and Jon Levi. The more you delve into history and understand the required technology to build the infrastructure and buildings of the past, the more you realize we are missing part of the story - The Greatest Story. Just who did all this work and what happened to them? Who now controls us and makes us pay for energy that once was free? This series includes various composition styles and historical subjects, together with music gear explanations used. GREATEST STORY - Part 2 – Ruthless – 3 Mins 50 Sec. https://www.bitchute.com/ There are so many anomolies during the 1800s and early 1900s, whereas this video selects only a few and how ruthless the 'controllers' are in hiding our true history. FYI... when you see that giant ferris wheel, keep in mind that the axle alone weighed over 90,000 pounds and was so thick of steell that they could not cut it up and destroy it... it was buried under a golf course. GREATEST STORY - Part 3 -Strange Days – 0 Mins 27 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 3A -Strange Days – 5 Mins 41 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 4 - Paradise Lost – 2 Mins 41 Sec. https://www.bitchute.com/ In two years, this is what was built with horse, oxen, shovels and wheelbarrows... LOL. It would take that long just to create the canal system and get all the land landscaped, not to mention pouring the foundations and footings, etc., etc. And all that just to tear it down after a few months of viewing. Even the 'build' photos are suspect. Let me know when it makes sense. Welcome to the Chicago's World Fair 1893. GREATEST STORY - Part 5 - Boer War – 3 Mins 00 Sec. https://www.bitchute.com/ With photography and film around at the time of the Boer War, why do we not have any official footage or pictures of battles; rather, we get reinactments. And how curious that wonderous architecture was around in Africa prior to this war even taking place. GREATEST STORY - Part 6 - The Way It Should Be – 2 Mins 55 Sec. https://www.bitchute.com/ At one time the world was beautiful, and the architecture so uniform from one country to the next, that it had to have been created by the same people, living harmoniously. Today, architecture is mostly bland, box-like and consistnig of materials that won't last (a lot of steel framing and glass). We couldn't replicate the building of the past even if we wanted to. GREATEST STORY - Part 7 - Guatemalan Facade – 2 Mins 51 Sec. https://www.bitchute.com/ No matter where you go in the world, there are buildings that have the same characteristics and from the same timeline. Guatemala is no exception. It may be Central America, but it the architecture is no different than Europe, Australia, South America or the United States. Something very 'common' happened world-wide and during a particular time. GREATEST STORY - Part 8 - Most Beautiful – 2 Mins 10 Sec. https://www.bitchute.com/ There literally are hundreds of amazing architectural wonders, whereas this is a very small sample. The sheer beauty and unobtainable structures tells us the people of the past were not simple, and any claims that some of these were built in the mid 1800s to early 1900s is hogwash and a deception of our timeline and who we were (and what we were cable of, with horse, wagon, shovel and hammer). GREATEST STORY - Part 9 - Time Shifters – 8 Mins 59 Sec. https://www.bitchute.com/ Something happened during our timeline. This video broaches some of the events and individuals that may have played a role. GREATEST STORY - Part 10 - The Inheritors – 3 Mins 13 Sec. https://www.bitchute.com/ Something very odd appears within the mid to late 1800s - a people unskilled to create the world as we knew it (and see it in photographs). They not only look out of place, relative to the majesty and beauty, but 'floods' of people in certain situations occurred, but immigration to baby incubators at trade shows. GREATEST STORY - Part 11 – Homecoming – 3 Mins 25 Sec. https://www.bitchute.com/ I grew up in a small city in Northern Ontario, but when it was nothing more than a town, there was (and still is) some very interesting and overbuilt structures for such a small population. Research your own town/city and ask: "are these structures appropriate for the times and people, and could they have built those structure with the people and resources of the time?" GREATEST STORY - Part 12 - Cabinet of Curiosities – 5 Mins 46 Sec. https://www.bitchute.com/ A few very interesting artifacts, photos and more that suggest our timeline is not what we have been told. GREATEST STORY - Part 13 - Free Energy – 5 Mins 10 Sec. https://www.bitchute.com/ Technology to harness energy has existed far longer and before Nicola Tesla (who like reversed engineered what already was around). GREATEST STORY - Part 14 - Mud Flood – 2 Mins 46 Sec. https://www.bitchute.com/ Nearly every modern civilization is built upon another. And some past civilization are built upon others still. A fascinating mystery that suggests many parts of the world are older than we realize, or that there has been multiple resets and destruction. GREATEST STORY - Part 15 - Bullshit Train – 1 Mins 46 Sec. https://www.bitchute.com/ Do you really think that most railroad tracks and the entire infrastructure was built in only 20-30 years across North America? Or were much of the structure excavated from a previous people? GREATEST STORY - Part 16 - Question His Story – 3 Mins 29 Sec. https://www.bitchute.com/ There are far too many anomalies in world history; this video takes a glimpse at Mount Rushmore and the USA road/highway system. I could be wrong on these aspects, but... GREATEST STORY - Part 17 – Havoc – 2 Mins 54 Sec. https://www.bitchute.com/ Ancient tech abound. How many things can you spot that most likely was carved or made of wood that petrified? GREATEST STORY - Part 18 – Yesteryear – 2 Mins 45 Sec. https://www.bitchute.com/ The glorious structures of India in early photos appears to be a blend of Tartarian, Moorish and Turkish, creating some of the most mysterious and detailed buildings (and those highly carved walls likely were wood that later petrified or was put through a 'rock' or hardening process). Please consider supporting this channel with any amount you wish, and thank you. GREATEST STORY - Part 19 - Galveston... Oh... Galveston – 2 Mins 30 Sec. https://www.bitchute.com/ Glen Campbell was fond of Gavelston, and this place certainly had a lot going for it, more than any other city in the USA during its time. A sliver of an island, yet strategically built and considered by the people at the time. Thanks to Jarid Boosters' channel for compiling the time-line info and many photos. GREATEST STORY - Part 20 - Tech Lords – 3 Mins 20 Sec. https://www.bitchute.com/ Here is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 21 - Can't Judge a Book by Its Cover – 3 Mins 35 Sec. https://www.bitchute.com/ There is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 22 - In the Swamp – 2 Mins 50 Sec. https://www.bitchute.com/ Let's take a look at Louisiana, known for the Bayou, jazz, Mardi Gras, spicy foods... and perhaps... a bit more that seems to conflict with what the historical narrative suggests. GREATEST STORY - Part 23- Civil Warp – 3 Mins 12 Sec. https://www.bitchute.com/ Music by Me and based on historical fiction ?. Certainly people died and there may have been actual battles. But the reason for this war (initiated by the Roths) may have been more elaborate and for reasons of destruction. A touch of humor at the end. GREATEST STORY - Part 24 - Impossible Dream – 3 Mins 45 Sec. https://www.bitchute.com/ Dream the impossible dream - all 'built' not long ago, between 1885-1900. Yes, I've had professionals in the areas of architecture and stone masonry, and they agree that they have no idea how to rebuild any of this. No blueprints exist. Who built them? Let's take a trip around the world and look at some fabulous structures! Of course, this is all a work of fiction . GREATEST STORY - Part 25 - Mind Fudge (Pt. 1) – 7 Mins 28 Sec. https://www.bitchute.com/ GREATEST STORY - Part 26 - Mind Fudge (Part 2) – 5 Mins 54 Sec. https://www.bitchute.com/ GREATEST STORY - Part 27 - Head in the Clouds – 2 Mins 43 Sec. https://www.bitchute.com/ Something is happening with our world and atmosphere, whether from microwave pollution, 'kem' trails, pollution or another warning of a future reset. GREATEST STORY - Part 28 - Where Did All the People Go q – 11 Mins 05 Sec. https://www.bitchute.com/ It may be eerie to see few people around walking or with horse and cart, but nothing compared to cities that are nearly vacant or totally vacant, but why? Where are all the people if these major cities and locations have been populated for hundreds or thousands of years (according to the narrative)? What happened prior to these photos, all taken around the mid 1800s? GREATEST STORY - Part 29 - Everywhere a Castle – 3 Mins 56 Sec. https://www.bitchute.com/ If anything, the world is consistent; no one in any country has a clue how to rebuild the castles found in their own countries. GREATEST STORY - Part 30 - Ready... Reset... Go – 8 Mins 48 Sec. https://www.bitchute.com/ A hypothetical look at when and how the Resets may have come about. GREATEST STORY - Part 31 - Feast for the Eyes – 13 Mins 08 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32 - Rewriting History – 0 Mins 51 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32A - Rewriting History – 17 Mins 58 Sec. https://www.bitchute.com/ GREATEST STORY - Part 33 – Fasces – 2 Mins 18 Sec. https://www.bitchute.com/ GREATEST STORY - Part 34 - Post-Reset Postcards – 0 Mins 44 Sec. https://www.bitchute.com/ A look into the past with various vintage postcards showing old-world architecture, but also art heavily influenced by the Phoenicians. GREATEST STORY - Part 35 - Rise Up – 0 Mins 34 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 35A - Rise Up – 3 Mins 27 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 36 - Let There Be Light – 6 Mins 23 Sec. https://www.bitchute.com/ The timeline seems off... we were told electricity was invented around 1891, by Tesla. However, there were world fairs, opera houses and estates of the elite that had power well before that. It seems the controllers and elite had access to past technology that they kept from the rest of us slobs. Real Timeline Of Deception Part 0 Exploring Tartaria 1000 Years Exploring Tartaria - Old World Secrets Revealed https://rumble.com/v2u8ef4-real-timeline-of-deception-part-0-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 1 Exploring Tartaria 1000 Years The Timeline Deception - Part I - Exploring Tartaria https://rumble.com/v2ua8sa-real-timeline-of-deception-part-1-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 2 Exploring Tartaria 1000 Years The Timeline Deception - Part II - Exploring Tartaria https://rumble.com/v2ubf4w-real-timeline-of-deception-part-2-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 3 Exploring Tartaria 1000 Years The King of Tartaria - Exploring Tartaria https://rumble.com/v2ueih6-real-timeline-of-deception-part-3-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 4 Exploring Tartaria 1000 Years The Saints - Relics, Reliquaries, & The First Resurrection https://rumble.com/v2ugl92-real-timeline-of-deception-part-4-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 5 Exploring Tartaria 1000 Years The Saints - The Ruling Class - Exploring Tartaria https://rumble.com/v2uij7w-real-timeline-of-deception-part-5-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 6 Exploring Tartaria 1000 Years From Atheism, Agnosticism, New Age, Protestantism, to Roman Catholicism https://rumble.com/v2ujvr6-real-timeline-of-deception-part-6-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 7 Exploring Tartaria 1000 Years The Millennial Kingdom of God - Exploring Tartaria https://rumble.com/v2uldss-real-timeline-of-deception-part-7-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 8 Exploring Tartaria 1000 Years Magic of the White City 1893 Chicago World's Fair https://rumble.com/v2un20g-real-timeline-of-deception-part-8-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 9 Exploring Tartaria 1000 Years 1000 Years Added To Our History & Dark Ages Never Existed https://rumble.com/v2uo07i-real-timeline-of-deception-part-9-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 10 Exploring Tartaria 1000 Years Church History - Complete Documentary AD 33 to Present https://rumble.com/v2uprfu-real-timeline-of-deception-part-10-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 11 Exploring Tartaria 1000 Years Christmas Unveiled - Pied Piper - Templars Secret - Saturn's Workshop - Giants Stealing Children https://rumble.com/v2urmd0-real-timeline-of-deception-part-11-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 12 Exploring Tartaria 1000 Years Ancient Cloning Factories - Foundlings - Incubators - Test-Tube Babies https://rumble.com/v2uu8ck-real-timeline-of-deception-part-12-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 13 Exploring Tartaria 1000 Years Homunculus Unveiled - Jesus - Artificial Generation - Liber Vaccae - Lost Esoteric Secrets https://rumble.com/v2uwmvc-real-timeline-of-deception-part-13-exploring-tartaria-1000-years-added-to-o.html Archaix Chronology Anunnaki Sumerian Gods Crystalinks Timelines 2040B.C. 2046A.D. https://rumble.com/v2v0zks-archaix-chronology-anunnaki-sumerian-gods-crystalinks-timelines-2040b.c.-20.html Archaix 2.0 Doomsday Chronology Five color charts with extensive Legend-chronology; exhibits 62 dates involving 300 events in linear timeline combining the Phoenix and Nemesis X Object appearances, the Mayan Long-Count baktuns and the Anunnaki NER 600 year periods, a history spanning over 74 centuries to May 2040 and November 2046. https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. A Must See Video What On Earth Happened Parts (14) All 13 Parts Together Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 0:00 - Part One: "Turning Inwards" 7:19 - Part Two: "Of Maps and Magicians" 34:40 - Part Three: "Flattening the Curve" 57:16 - Part Four: "Vanishing Points & the Old Clock" 1:21:34 - Part Five: "The Red Shield" 1:47:28 - Part Six: "Infiltration Instead of Invasion" 2:11:36 - Part Seven: "Eyes Wide Open" 3:01:55 - Part Eight: "The Looking Glass" 3:59:06 - Part Nine: "Panic" 4:37:30 - Part Ten: "The Energetic Earth" 5:24:53 - Part Eleven: "The Bumblebee & the Hexagon" 6:07:37 - Part Twelve: "Stranger than Fiction" 7:04:43 - Part Thirteen: "Down the Rabbit Hole" A Must See Video Everyone - All 13 Parts - What On Earth Happened ? (1) Turning Inwards (2) Of Maps and Magicians (3) Flattening the Curve (4) Vanishing Points and The Old Clock (5) The Red Shield (6) Infiltration Instead of Invasion (7) Eyes Wide Open (8) The Looking Glass (9) Panic ! (10) The Energetic Earth (11) The Bumblebee and The Hexagon (12) Stranger Than Fiction (13) Down The Rabbit Hole (14) All 13 Parts Together - Nice Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. A Must See Video Everyone - All 14 Parts - What On Earth Happened ? – Links Below ! https://rumble.com/v27xg2j-a-must-see-video-what-on-earth-happened-parts-1turning-inwards.html https://rumble.com/v27xjm4-a-must-see-video-what-on-earth-happened-parts-2ofmapsandmagicians.html https://rumble.com/v27xnav-a-must-see-video-what-on-earth-happened-parts-3flattening-thecurve.html https://rumble.com/v27xqt0-a-must-see-video-what-on-earth-happened-parts-4vanishing-pointsand-the-oldc.html https://rumble.com/v27xv72-a-must-see-video-what-on-earth-happened-parts-5thered-shield.html https://rumble.com/v27y144-a-must-see-video-what-on-earth-happened-parts-6infiltrationinstead-ofinvasi.html https://rumble.com/v27y5mw-a-must-see-video-what-on-earth-happened-parts-7eyes-wide-open.html https://rumble.com/v27y9ri-a-must-see-video-what-on-earth-happened-parts-8thelooking-glass.html https://rumble.com/v27yfhm-a-must-see-video-what-on-earth-happened-parts-9panic-a-must-see-video.html https://rumble.com/v27yjdm-a-must-see-video-what-on-earth-happened-parts-10theenergetic-earth.html https://rumble.com/v27ymp1-a-must-see-video-what-on-earth-happened-parts-11the-bumblebee-and-thehexago.html https://rumble.com/v27yswn-a-must-see-video-what-on-earth-happened-parts-12stranger-than-fiction.html https://rumble.com/v27ziz7-a-must-see-video-what-on-earth-happened-parts-13down-therabbit-hole.html https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 00:00:00 - Episode 1: Questioning His-story 00:13:25 - Episode 2: A Lens Into The Past 00:38:28 - Episode 3: Inheritors Of Mud & Magnificence 01:19:19 - Episode 4: Back To The Future 02:15:38 - Episode 5: The Whispering Of The Water 03:27:28 - Episode 6: Offerus And The Alchemist 04:31:57 - Episode 7: The Known World The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Episode 1: Questioning His-story Episode 2: A Lens Into The Past Episode 3: Inheritors Of Mud & Magnificence Episode 4: Back To The Future Episode 5: The Whispering Of The Water Episode 6: Offer us And The Alchemist Episode 7: The Known World Episode 8: All 7 Parts History Of A Lost Earth Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth – Links Below ! https://rumble.com/v28afys-a-must-see-video-lhfe-part-1-buried-in-plain-sight-lost-history-of-earth.html https://rumble.com/v28ahvo-a-must-see-video-lhfe-part-2-lens-into-the-past-lost-history-of-earth.html https://rumble.com/v28alqa-a-must-see-video-lhfe-part-3-inheritors-of-mud-and-magnificense-lost-histor.html https://rumble.com/v28aobw-a-must-see-video-lhfe-part-4-back-to-the-future-lost-history-of-earth.html https://rumble.com/v28arc8-a-must-see-video-lhfe-part-5-whispering-of-the-water-lost-history-of-earth.html https://rumble.com/v28av42-a-must-see-video-lhfe-part-6-offer-us-and-the-alchemist-lost-history-of-ear.html https://rumble.com/v28axuo-a-must-see-video-lhfe-part-7-the-known-world-lost-history-of-earth-w0w.html https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. GREATEST STORY - Part 1 - Our Journey Begins – 0 Mins 16 Sec. https://www.bitchute.com/ The secret is out, thanks to people like Michelle Gibson and Jon Levi. The more you delve into history and understand the required technology to build the infrastructure and buildings of the past, the more you realize we are missing part of the story - The Greatest Story. Just who did all this work and what happened to them? Who now controls us and makes us pay for energy that once was free? This series includes various composition styles and historical subjects, together with music gear explanations used. GREATEST STORY - Part 2 – Ruthless – 3 Mins 50 Sec. https://www.bitchute.com/ There are so many anomolies during the 1800s and early 1900s, whereas this video selects only a few and how ruthless the 'controllers' are in hiding our true history. FYI... when you see that giant ferris wheel, keep in mind that the axle alone weighed over 90,000 pounds and was so thick of steell that they could not cut it up and destroy it... it was buried under a golf course. GREATEST STORY - Part 3 -Strange Days – 0 Mins 27 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 3A -Strange Days – 5 Mins 41 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 4 - Paradise Lost – 2 Mins 41 Sec. https://www.bitchute.com/ In two years, this is what was built with horse, oxen, shovels and wheelbarrows... LOL. It would take that long just to create the canal system and get all the land landscaped, not to mention pouring the foundations and footings, etc., etc. And all that just to tear it down after a few months of viewing. Even the 'build' photos are suspect. Let me know when it makes sense. Welcome to the Chicago's World Fair 1893. GREATEST STORY - Part 5 - Boer War – 3 Mins 00 Sec. https://www.bitchute.com/ With photography and film around at the time of the Boer War, why do we not have any official footage or pictures of battles; rather, we get reinactments. And how curious that wonderous architecture was around in Africa prior to this war even taking place. GREATEST STORY - Part 6 - The Way It Should Be – 2 Mins 55 Sec. https://www.bitchute.com/ At one time the world was beautiful, and the architecture so uniform from one country to the next, that it had to have been created by the same people, living harmoniously. Today, architecture is mostly bland, box-like and consistnig of materials that won't last (a lot of steel framing and glass). We couldn't replicate the building of the past even if we wanted to. GREATEST STORY - Part 7 - Guatemalan Facade – 2 Mins 51 Sec. https://www.bitchute.com/ No matter where you go in the world, there are buildings that have the same characteristics and from the same timeline. Guatemala is no exception. It may be Central America, but it the architecture is no different than Europe, Australia, South America or the United States. Something very 'common' happened world-wide and during a particular time. GREATEST STORY - Part 8 - Most Beautiful – 2 Mins 10 Sec. https://www.bitchute.com/ There literally are hundreds of amazing architectural wonders, whereas this is a very small sample. The sheer beauty and unobtainable structures tells us the people of the past were not simple, and any claims that some of these were built in the mid 1800s to early 1900s is hogwash and a deception of our timeline and who we were (and what we were cable of, with horse, wagon, shovel and hammer). GREATEST STORY - Part 9 - Time Shifters – 8 Mins 59 Sec. https://www.bitchute.com/ Something happened during our timeline. This video broaches some of the events and individuals that may have played a role. GREATEST STORY - Part 10 - The Inheritors – 3 Mins 13 Sec. https://www.bitchute.com/ Something very odd appears within the mid to late 1800s - a people unskilled to create the world as we knew it (and see it in photographs). They not only look out of place, relative to the majesty and beauty, but 'floods' of people in certain situations occurred, but immigration to baby incubators at trade shows. GREATEST STORY - Part 11 – Homecoming – 3 Mins 25 Sec. https://www.bitchute.com/ I grew up in a small city in Northern Ontario, but when it was nothing more than a town, there was (and still is) some very interesting and overbuilt structures for such a small population. Research your own town/city and ask: "are these structures appropriate for the times and people, and could they have built those structure with the people and resources of the time?" GREATEST STORY - Part 12 - Cabinet of Curiosities – 5 Mins 46 Sec. https://www.bitchute.com/ A few very interesting artifacts, photos and more that suggest our timeline is not what we have been told. GREATEST STORY - Part 13 - Free Energy – 5 Mins 10 Sec. https://www.bitchute.com/ Technology to harness energy has existed far longer and before Nicola Tesla (who like reversed engineered what already was around). GREATEST STORY - Part 14 - Mud Flood – 2 Mins 46 Sec. https://www.bitchute.com/ Nearly every modern civilization is built upon another. And some past civilization are built upon others still. A fascinating mystery that suggests many parts of the world are older than we realize, or that there has been multiple resets and destruction. GREATEST STORY - Part 15 - Bullshit Train – 1 Mins 46 Sec. https://www.bitchute.com/ Do you really think that most railroad tracks and the entire infrastructure was built in only 20-30 years across North America? Or were much of the structure excavated from a previous people? GREATEST STORY - Part 16 - Question His Story – 3 Mins 29 Sec. https://www.bitchute.com/ There are far too many anomalies in world history; this video takes a glimpse at Mount Rushmore and the USA road/highway system. I could be wrong on these aspects, but... GREATEST STORY - Part 17 – Havoc – 2 Mins 54 Sec. https://www.bitchute.com/ Ancient tech abound. How many things can you spot that most likely was carved or made of wood that petrified? GREATEST STORY - Part 18 – Yesteryear – 2 Mins 45 Sec. https://www.bitchute.com/ The glorious structures of India in early photos appears to be a blend of Tartarian, Moorish and Turkish, creating some of the most mysterious and detailed buildings (and those highly carved walls likely were wood that later petrified or was put through a 'rock' or hardening process). Please consider supporting this channel with any amount you wish, and thank you. GREATEST STORY - Part 19 - Galveston... Oh... Galveston – 2 Mins 30 Sec. https://www.bitchute.com/ Glen Campbell was fond of Gavelston, and this place certainly had a lot going for it, more than any other city in the USA during its time. A sliver of an island, yet strategically built and considered by the people at the time. Thanks to Jarid Boosters' channel for compiling the time-line info and many photos. GREATEST STORY - Part 20 - Tech Lords – 3 Mins 20 Sec. https://www.bitchute.com/ Here is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 21 - Can't Judge a Book by Its Cover – 3 Mins 35 Sec. https://www.bitchute.com/ There is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 22 - In the Swamp – 2 Mins 50 Sec. https://www.bitchute.com/ Let's take a look at Louisiana, known for the Bayou, jazz, Mardi Gras, spicy foods... and perhaps... a bit more that seems to conflict with what the historical narrative suggests. GREATEST STORY - Part 23- Civil Warp – 3 Mins 12 Sec. https://www.bitchute.com/ Music by Me and based on historical fiction ?. Certainly people died and there may have been actual battles. But the reason for this war (initiated by the Roths) may have been more elaborate and for reasons of destruction. A touch of humor at the end. GREATEST STORY - Part 24 - Impossible Dream – 3 Mins 45 Sec. https://www.bitchute.com/ Dream the impossible dream - all 'built' not long ago, between 1885-1900. Yes, I've had professionals in the areas of architecture and stone masonry, and they agree that they have no idea how to rebuild any of this. No blueprints exist. Who built them? Let's take a trip around the world and look at some fabulous structures! Of course, this is all a work of fiction . GREATEST STORY - Part 25 - Mind Fudge (Pt. 1) – 7 Mins 28 Sec. https://www.bitchute.com/ GREATEST STORY - Part 26 - Mind Fudge (Part 2) – 5 Mins 54 Sec. https://www.bitchute.com/ GREATEST STORY - Part 27 - Head in the Clouds – 2 Mins 43 Sec. https://www.bitchute.com/ Something is happening with our world and atmosphere, whether from microwave pollution, 'kem' trails, pollution or another warning of a future reset. GREATEST STORY - Part 28 - Where Did All the People Go q – 11 Mins 05 Sec. https://www.bitchute.com/ It may be eerie to see few people around walking or with horse and cart, but nothing compared to cities that are nearly vacant or totally vacant, but why? Where are all the people if these major cities and locations have been populated for hundreds or thousands of years (according to the narrative)? What happened prior to these photos, all taken around the mid 1800s? GREATEST STORY - Part 29 - Everywhere a Castle – 3 Mins 56 Sec. https://www.bitchute.com/ If anything, the world is consistent; no one in any country has a clue how to rebuild the castles found in their own countries. GREATEST STORY - Part 30 - Ready... Reset... Go – 8 Mins 48 Sec. https://www.bitchute.com/ A hypothetical look at when and how the Resets may have come about. GREATEST STORY - Part 31 - Feast for the Eyes – 13 Mins 08 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32 - Rewriting History – 0 Mins 51 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32A - Rewriting History – 17 Mins 58 Sec. https://www.bitchute.com/ GREATEST STORY - Part 33 – Fasces – 2 Mins 18 Sec. https://www.bitchute.com/ GREATEST STORY - Part 34 - Post-Reset Postcards – 0 Mins 44 Sec. https://www.bitchute.com/ A look into the past with various vintage postcards showing old-world architecture, but also art heavily influenced by the Phoenicians. GREATEST STORY - Part 35 - Rise Up – 0 Mins 34 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 35A - Rise Up – 3 Mins 27 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 36 - Let There Be Light – 6 Mins 23 Sec. https://www.bitchute.com/ The timeline seems off... we were told electricity was invented around 1891, by Tesla. However, there were world fairs, opera houses and estates of the elite that had power well before that. It seems the controllers and elite had access to past technology that they kept from the rest of us slobs. Real Timeline Of Deception Part 0 Exploring Tartaria 1000 Years Exploring Tartaria - Old World Secrets Revealed https://rumble.com/v2u8ef4-real-timeline-of-deception-part-0-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 1 Exploring Tartaria 1000 Years The Timeline Deception - Part I - Exploring Tartaria https://rumble.com/v2ua8sa-real-timeline-of-deception-part-1-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 2 Exploring Tartaria 1000 Years The Timeline Deception - Part II - Exploring Tartaria https://rumble.com/v2ubf4w-real-timeline-of-deception-part-2-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 3 Exploring Tartaria 1000 Years The King of Tartaria - Exploring Tartaria https://rumble.com/v2ueih6-real-timeline-of-deception-part-3-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 4 Exploring Tartaria 1000 Years The Saints - Relics, Reliquaries, & The First Resurrection https://rumble.com/v2ugl92-real-timeline-of-deception-part-4-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 5 Exploring Tartaria 1000 Years The Saints - The Ruling Class - Exploring Tartaria https://rumble.com/v2uij7w-real-timeline-of-deception-part-5-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 6 Exploring Tartaria 1000 Years From Atheism, Agnosticism, New Age, Protestantism, to Roman Catholicism https://rumble.com/v2ujvr6-real-timeline-of-deception-part-6-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 7 Exploring Tartaria 1000 Years The Millennial Kingdom of God - Exploring Tartaria https://rumble.com/v2uldss-real-timeline-of-deception-part-7-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 8 Exploring Tartaria 1000 Years Magic of the White City 1893 Chicago World's Fair https://rumble.com/v2un20g-real-timeline-of-deception-part-8-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 9 Exploring Tartaria 1000 Years 1000 Years Added To Our History & Dark Ages Never Existed https://rumble.com/v2uo07i-real-timeline-of-deception-part-9-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 10 Exploring Tartaria 1000 Years Church History - Complete Documentary AD 33 to Present https://rumble.com/v2uprfu-real-timeline-of-deception-part-10-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 11 Exploring Tartaria 1000 Years Christmas Unveiled - Pied Piper - Templars Secret - Saturn's Workshop - Giants Stealing Children https://rumble.com/v2urmd0-real-timeline-of-deception-part-11-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 12 Exploring Tartaria 1000 Years Ancient Cloning Factories - Foundlings - Incubators - Test-Tube Babies https://rumble.com/v2uu8ck-real-timeline-of-deception-part-12-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 13 Exploring Tartaria 1000 Years Homunculus Unveiled - Jesus - Artificial Generation - Liber Vaccae - Lost Esoteric Secrets https://rumble.com/v2uwmvc-real-timeline-of-deception-part-13-exploring-tartaria-1000-years-added-to-o.html Archaix Chronology Anunnaki Sumerian Gods Crystalinks Timelines 2040B.C. 2046A.D. https://rumble.com/v2v0zks-archaix-chronology-anunnaki-sumerian-gods-crystalinks-timelines-2040b.c.-20.html Archaix 2.0 Doomsday Chronology Five color charts with extensive Legend-chronology; exhibits 62 dates involving 300 events in linear timeline combining the Phoenix and Nemesis X Object appearances, the Mayan Long-Count baktuns and the Anunnaki NER 600 year periods, a history spanning over 74 centuries to May 2040 and November 2046. https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. A Must See Video What On Earth Happened Parts (14) All 13 Parts Together Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 0:00 - Part One: "Turning Inwards" 7:19 - Part Two: "Of Maps and Magicians" 34:40 - Part Three: "Flattening the Curve" 57:16 - Part Four: "Vanishing Points & the Old Clock" 1:21:34 - Part Five: "The Red Shield" 1:47:28 - Part Six: "Infiltration Instead of Invasion" 2:11:36 - Part Seven: "Eyes Wide Open" 3:01:55 - Part Eight: "The Looking Glass" 3:59:06 - Part Nine: "Panic" 4:37:30 - Part Ten: "The Energetic Earth" 5:24:53 - Part Eleven: "The Bumblebee & the Hexagon" 6:07:37 - Part Twelve: "Stranger than Fiction" 7:04:43 - Part Thirteen: "Down the Rabbit Hole" A Must See Video Everyone - All 13 Parts - What On Earth Happened ? (1) Turning Inwards (2) Of Maps and Magicians (3) Flattening the Curve (4) Vanishing Points and The Old Clock (5) The Red Shield (6) Infiltration Instead of Invasion (7) Eyes Wide Open (8) The Looking Glass (9) Panic ! (10) The Energetic Earth (11) The Bumblebee and The Hexagon (12) Stranger Than Fiction (13) Down The Rabbit Hole (14) All 13 Parts Together - Nice Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. A Must See Video Everyone - All 14 Parts - What On Earth Happened ? – Links Below ! https://rumble.com/v27xg2j-a-must-see-video-what-on-earth-happened-parts-1turning-inwards.html https://rumble.com/v27xjm4-a-must-see-video-what-on-earth-happened-parts-2ofmapsandmagicians.html https://rumble.com/v27xnav-a-must-see-video-what-on-earth-happened-parts-3flattening-thecurve.html https://rumble.com/v27xqt0-a-must-see-video-what-on-earth-happened-parts-4vanishing-pointsand-the-oldc.html https://rumble.com/v27xv72-a-must-see-video-what-on-earth-happened-parts-5thered-shield.html https://rumble.com/v27y144-a-must-see-video-what-on-earth-happened-parts-6infiltrationinstead-ofinvasi.html https://rumble.com/v27y5mw-a-must-see-video-what-on-earth-happened-parts-7eyes-wide-open.html https://rumble.com/v27y9ri-a-must-see-video-what-on-earth-happened-parts-8thelooking-glass.html https://rumble.com/v27yfhm-a-must-see-video-what-on-earth-happened-parts-9panic-a-must-see-video.html https://rumble.com/v27yjdm-a-must-see-video-what-on-earth-happened-parts-10theenergetic-earth.html https://rumble.com/v27ymp1-a-must-see-video-what-on-earth-happened-parts-11the-bumblebee-and-thehexago.html https://rumble.com/v27yswn-a-must-see-video-what-on-earth-happened-parts-12stranger-than-fiction.html https://rumble.com/v27ziz7-a-must-see-video-what-on-earth-happened-parts-13down-therabbit-hole.html https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 00:00:00 - Episode 1: Questioning His-story 00:13:25 - Episode 2: A Lens Into The Past 00:38:28 - Episode 3: Inheritors Of Mud & Magnificence 01:19:19 - Episode 4: Back To The Future 02:15:38 - Episode 5: The Whispering Of The Water 03:27:28 - Episode 6: Offerus And The Alchemist 04:31:57 - Episode 7: The Known World The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Episode 1: Questioning His-story Episode 2: A Lens Into The Past Episode 3: Inheritors Of Mud & Magnificence Episode 4: Back To The Future Episode 5: The Whispering Of The Water Episode 6: Offer us And The Alchemist Episode 7: The Known World Episode 8: All 7 Parts History Of A Lost Earth Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth – Links Below ! https://rumble.com/v28afys-a-must-see-video-lhfe-part-1-buried-in-plain-sight-lost-history-of-earth.html https://rumble.com/v28ahvo-a-must-see-video-lhfe-part-2-lens-into-the-past-lost-history-of-earth.html https://rumble.com/v28alqa-a-must-see-video-lhfe-part-3-inheritors-of-mud-and-magnificense-lost-histor.html https://rumble.com/v28aobw-a-must-see-video-lhfe-part-4-back-to-the-future-lost-history-of-earth.html https://rumble.com/v28arc8-a-must-see-video-lhfe-part-5-whispering-of-the-water-lost-history-of-earth.html https://rumble.com/v28av42-a-must-see-video-lhfe-part-6-offer-us-and-the-alchemist-lost-history-of-ear.html https://rumble.com/v28axuo-a-must-see-video-lhfe-part-7-the-known-world-lost-history-of-earth-w0w.html https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. GREATEST STORY - Part 1 - Our Journey Begins – 0 Mins 16 Sec. https://www.bitchute.com/ The secret is out, thanks to people like Michelle Gibson and Jon Levi. The more you delve into history and understand the required technology to build the infrastructure and buildings of the past, the more you realize we are missing part of the story - The Greatest Story. Just who did all this work and what happened to them? Who now controls us and makes us pay for energy that once was free? This series includes various composition styles and historical subjects, together with music gear explanations used. GREATEST STORY - Part 2 – Ruthless – 3 Mins 50 Sec. https://www.bitchute.com/ There are so many anomolies during the 1800s and early 1900s, whereas this video selects only a few and how ruthless the 'controllers' are in hiding our true history. FYI... when you see that giant ferris wheel, keep in mind that the axle alone weighed over 90,000 pounds and was so thick of steell that they could not cut it up and destroy it... it was buried under a golf course. GREATEST STORY - Part 3 -Strange Days – 0 Mins 27 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 3A -Strange Days – 5 Mins 41 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 4 - Paradise Lost – 2 Mins 41 Sec. https://www.bitchute.com/ In two years, this is what was built with horse, oxen, shovels and wheelbarrows... LOL. It would take that long just to create the canal system and get all the land landscaped, not to mention pouring the foundations and footings, etc., etc. And all that just to tear it down after a few months of viewing. Even the 'build' photos are suspect. Let me know when it makes sense. Welcome to the Chicago's World Fair 1893. GREATEST STORY - Part 5 - Boer War – 3 Mins 00 Sec. https://www.bitchute.com/ With photography and film around at the time of the Boer War, why do we not have any official footage or pictures of battles; rather, we get reinactments. And how curious that wonderous architecture was around in Africa prior to this war even taking place. GREATEST STORY - Part 6 - The Way It Should Be – 2 Mins 55 Sec. https://www.bitchute.com/ At one time the world was beautiful, and the architecture so uniform from one country to the next, that it had to have been created by the same people, living harmoniously. Today, architecture is mostly bland, box-like and consistnig of materials that won't last (a lot of steel framing and glass). We couldn't replicate the building of the past even if we wanted to. GREATEST STORY - Part 7 - Guatemalan Facade – 2 Mins 51 Sec. https://www.bitchute.com/ No matter where you go in the world, there are buildings that have the same characteristics and from the same timeline. Guatemala is no exception. It may be Central America, but it the architecture is no different than Europe, Australia, South America or the United States. Something very 'common' happened world-wide and during a particular time. GREATEST STORY - Part 8 - Most Beautiful – 2 Mins 10 Sec. https://www.bitchute.com/ There literally are hundreds of amazing architectural wonders, whereas this is a very small sample. The sheer beauty and unobtainable structures tells us the people of the past were not simple, and any claims that some of these were built in the mid 1800s to early 1900s is hogwash and a deception of our timeline and who we were (and what we were cable of, with horse, wagon, shovel and hammer). GREATEST STORY - Part 9 - Time Shifters – 8 Mins 59 Sec. https://www.bitchute.com/ Something happened during our timeline. This video broaches some of the events and individuals that may have played a role. GREATEST STORY - Part 10 - The Inheritors – 3 Mins 13 Sec. https://www.bitchute.com/ Something very odd appears within the mid to late 1800s - a people unskilled to create the world as we knew it (and see it in photographs). They not only look out of place, relative to the majesty and beauty, but 'floods' of people in certain situations occurred, but immigration to baby incubators at trade shows. GREATEST STORY - Part 11 – Homecoming – 3 Mins 25 Sec. https://www.bitchute.com/ I grew up in a small city in Northern Ontario, but when it was nothing more than a town, there was (and still is) some very interesting and overbuilt structures for such a small population. Research your own town/city and ask: "are these structures appropriate for the times and people, and could they have built those structure with the people and resources of the time?" GREATEST STORY - Part 12 - Cabinet of Curiosities – 5 Mins 46 Sec. https://www.bitchute.com/ A few very interesting artifacts, photos and more that suggest our timeline is not what we have been told. GREATEST STORY - Part 13 - Free Energy – 5 Mins 10 Sec. https://www.bitchute.com/ Technology to harness energy has existed far longer and before Nicola Tesla (who like reversed engineered what already was around). GREATEST STORY - Part 14 - Mud Flood – 2 Mins 46 Sec. https://www.bitchute.com/ Nearly every modern civilization is built upon another. And some past civilization are built upon others still. A fascinating mystery that suggests many parts of the world are older than we realize, or that there has been multiple resets and destruction. GREATEST STORY - Part 15 - Bullshit Train – 1 Mins 46 Sec. https://www.bitchute.com/ Do you really think that most railroad tracks and the entire infrastructure was built in only 20-30 years across North America? Or were much of the structure excavated from a previous people? GREATEST STORY - Part 16 - Question His Story – 3 Mins 29 Sec. https://www.bitchute.com/ There are far too many anomalies in world history; this video takes a glimpse at Mount Rushmore and the USA road/highway system. I could be wrong on these aspects, but... GREATEST STORY - Part 17 – Havoc – 2 Mins 54 Sec. https://www.bitchute.com/ Ancient tech abound. How many things can you spot that most likely was carved or made of wood that petrified? GREATEST STORY - Part 18 – Yesteryear – 2 Mins 45 Sec. https://www.bitchute.com/ The glorious structures of India in early photos appears to be a blend of Tartarian, Moorish and Turkish, creating some of the most mysterious and detailed buildings (and those highly carved walls likely were wood that later petrified or was put through a 'rock' or hardening process). Please consider supporting this channel with any amount you wish, and thank you. GREATEST STORY - Part 19 - Galveston... Oh... Galveston – 2 Mins 30 Sec. https://www.bitchute.com/ Glen Campbell was fond of Gavelston, and this place certainly had a lot going for it, more than any other city in the USA during its time. A sliver of an island, yet strategically built and considered by the people at the time. Thanks to Jarid Boosters' channel for compiling the time-line info and many photos. GREATEST STORY - Part 20 - Tech Lords – 3 Mins 20 Sec. https://www.bitchute.com/ Here is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 21 - Can't Judge a Book by Its Cover – 3 Mins 35 Sec. https://www.bitchute.com/ There is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 22 - In the Swamp – 2 Mins 50 Sec. https://www.bitchute.com/ Let's take a look at Louisiana, known for the Bayou, jazz, Mardi Gras, spicy foods... and perhaps... a bit more that seems to conflict with what the historical narrative suggests. GREATEST STORY - Part 23- Civil Warp – 3 Mins 12 Sec. https://www.bitchute.com/ Music by Me and based on historical fiction ?. Certainly people died and there may have been actual battles. But the reason for this war (initiated by the Roths) may have been more elaborate and for reasons of destruction. A touch of humor at the end. GREATEST STORY - Part 24 - Impossible Dream – 3 Mins 45 Sec. https://www.bitchute.com/ Dream the impossible dream - all 'built' not long ago, between 1885-1900. Yes, I've had professionals in the areas of architecture and stone masonry, and they agree that they have no idea how to rebuild any of this. No blueprints exist. Who built them? Let's take a trip around the world and look at some fabulous structures! Of course, this is all a work of fiction . GREATEST STORY - Part 25 - Mind Fudge (Pt. 1) – 7 Mins 28 Sec. https://www.bitchute.com/ GREATEST STORY - Part 26 - Mind Fudge (Part 2) – 5 Mins 54 Sec. https://www.bitchute.com/ GREATEST STORY - Part 27 - Head in the Clouds – 2 Mins 43 Sec. https://www.bitchute.com/ Something is happening with our world and atmosphere, whether from microwave pollution, 'kem' trails, pollution or another warning of a future reset. GREATEST STORY - Part 28 - Where Did All the People Go q – 11 Mins 05 Sec. https://www.bitchute.com/ It may be eerie to see few people around walking or with horse and cart, but nothing compared to cities that are nearly vacant or totally vacant, but why? Where are all the people if these major cities and locations have been populated for hundreds or thousands of years (according to the narrative)? What happened prior to these photos, all taken around the mid 1800s? GREATEST STORY - Part 29 - Everywhere a Castle – 3 Mins 56 Sec. https://www.bitchute.com/ If anything, the world is consistent; no one in any country has a clue how to rebuild the castles found in their own countries. GREATEST STORY - Part 30 - Ready... Reset... Go – 8 Mins 48 Sec. https://www.bitchute.com/ A hypothetical look at when and how the Resets may have come about. GREATEST STORY - Part 31 - Feast for the Eyes – 13 Mins 08 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32 - Rewriting History – 0 Mins 51 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32A - Rewriting History – 17 Mins 58 Sec. https://www.bitchute.com/ GREATEST STORY - Part 33 – Fasces – 2 Mins 18 Sec. https://www.bitchute.com/ GREATEST STORY - Part 34 - Post-Reset Postcards – 0 Mins 44 Sec. https://www.bitchute.com/ A look into the past with various vintage postcards showing old-world architecture, but also art heavily influenced by the Phoenicians. GREATEST STORY - Part 35 - Rise Up – 0 Mins 34 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 35A - Rise Up – 3 Mins 27 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 36 - Let There Be Light – 6 Mins 23 Sec. https://www.bitchute.com/ The timeline seems off... we were told electricity was invented around 1891, by Tesla. However, there were world fairs, opera houses and estates of the elite that had power well before that. It seems the controllers and elite had access to past technology that they kept from the rest of us slobs. Real Timeline Of Deception Part 0 Exploring Tartaria 1000 Years Exploring Tartaria - Old World Secrets Revealed https://rumble.com/v2u8ef4-real-timeline-of-deception-part-0-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 1 Exploring Tartaria 1000 Years The Timeline Deception - Part I - Exploring Tartaria https://rumble.com/v2ua8sa-real-timeline-of-deception-part-1-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 2 Exploring Tartaria 1000 Years The Timeline Deception - Part II - Exploring Tartaria https://rumble.com/v2ubf4w-real-timeline-of-deception-part-2-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 3 Exploring Tartaria 1000 Years The King of Tartaria - Exploring Tartaria https://rumble.com/v2ueih6-real-timeline-of-deception-part-3-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 4 Exploring Tartaria 1000 Years The Saints - Relics, Reliquaries, & The First Resurrection https://rumble.com/v2ugl92-real-timeline-of-deception-part-4-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 5 Exploring Tartaria 1000 Years The Saints - The Ruling Class - Exploring Tartaria https://rumble.com/v2uij7w-real-timeline-of-deception-part-5-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 6 Exploring Tartaria 1000 Years From Atheism, Agnosticism, New Age, Protestantism, to Roman Catholicism https://rumble.com/v2ujvr6-real-timeline-of-deception-part-6-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 7 Exploring Tartaria 1000 Years The Millennial Kingdom of God - Exploring Tartaria https://rumble.com/v2uldss-real-timeline-of-deception-part-7-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 8 Exploring Tartaria 1000 Years Magic of the White City 1893 Chicago World's Fair https://rumble.com/v2un20g-real-timeline-of-deception-part-8-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 9 Exploring Tartaria 1000 Years 1000 Years Added To Our History & Dark Ages Never Existed https://rumble.com/v2uo07i-real-timeline-of-deception-part-9-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 10 Exploring Tartaria 1000 Years Church History - Complete Documentary AD 33 to Present https://rumble.com/v2uprfu-real-timeline-of-deception-part-10-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 11 Exploring Tartaria 1000 Years Christmas Unveiled - Pied Piper - Templars Secret - Saturn's Workshop - Giants Stealing Children https://rumble.com/v2urmd0-real-timeline-of-deception-part-11-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 12 Exploring Tartaria 1000 Years Ancient Cloning Factories - Foundlings - Incubators - Test-Tube Babies https://rumble.com/v2uu8ck-real-timeline-of-deception-part-12-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 13 Exploring Tartaria 1000 Years Homunculus Unveiled - Jesus - Artificial Generation - Liber Vaccae - Lost Esoteric Secrets https://rumble.com/v2uwmvc-real-timeline-of-deception-part-13-exploring-tartaria-1000-years-added-to-o.html Archaix Chronology Anunnaki Sumerian Gods Crystalinks Timelines 2040B.C. 2046A.D. https://rumble.com/v2v0zks-archaix-chronology-anunnaki-sumerian-gods-crystalinks-timelines-2040b.c.-20.html Archaix 2.0 Doomsday Chronology Five color charts with extensive Legend-chronology; exhibits 62 dates involving 300 events in linear timeline combining the Phoenix and Nemesis X Object appearances, the Mayan Long-Count baktuns and the Anunnaki NER 600 year periods, a history spanning over 74 centuries to May 2040 and November 2046. https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. A Must See Video What On Earth Happened Parts (14) All 13 Parts Together Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 0:00 - Part One: "Turning Inwards" 7:19 - Part Two: "Of Maps and Magicians" 34:40 - Part Three: "Flattening the Curve" 57:16 - Part Four: "Vanishing Points & the Old Clock" 1:21:34 - Part Five: "The Red Shield" 1:47:28 - Part Six: "Infiltration Instead of Invasion" 2:11:36 - Part Seven: "Eyes Wide Open" 3:01:55 - Part Eight: "The Looking Glass" 3:59:06 - Part Nine: "Panic" 4:37:30 - Part Ten: "The Energetic Earth" 5:24:53 - Part Eleven: "The Bumblebee & the Hexagon" 6:07:37 - Part Twelve: "Stranger than Fiction" 7:04:43 - Part Thirteen: "Down the Rabbit Hole" A Must See Video Everyone - All 13 Parts - What On Earth Happened ? (1) Turning Inwards (2) Of Maps and Magicians (3) Flattening the Curve (4) Vanishing Points and The Old Clock (5) The Red Shield (6) Infiltration Instead of Invasion (7) Eyes Wide Open (8) The Looking Glass (9) Panic ! (10) The Energetic Earth (11) The Bumblebee and The Hexagon (12) Stranger Than Fiction (13) Down The Rabbit Hole (14) All 13 Parts Together - Nice Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. A Must See Video Everyone - All 14 Parts - What On Earth Happened ? – Links Below ! https://rumble.com/v27xg2j-a-must-see-video-what-on-earth-happened-parts-1turning-inwards.html https://rumble.com/v27xjm4-a-must-see-video-what-on-earth-happened-parts-2ofmapsandmagicians.html https://rumble.com/v27xnav-a-must-see-video-what-on-earth-happened-parts-3flattening-thecurve.html https://rumble.com/v27xqt0-a-must-see-video-what-on-earth-happened-parts-4vanishing-pointsand-the-oldc.html https://rumble.com/v27xv72-a-must-see-video-what-on-earth-happened-parts-5thered-shield.html https://rumble.com/v27y144-a-must-see-video-what-on-earth-happened-parts-6infiltrationinstead-ofinvasi.html https://rumble.com/v27y5mw-a-must-see-video-what-on-earth-happened-parts-7eyes-wide-open.html https://rumble.com/v27y9ri-a-must-see-video-what-on-earth-happened-parts-8thelooking-glass.html https://rumble.com/v27yfhm-a-must-see-video-what-on-earth-happened-parts-9panic-a-must-see-video.html https://rumble.com/v27yjdm-a-must-see-video-what-on-earth-happened-parts-10theenergetic-earth.html https://rumble.com/v27ymp1-a-must-see-video-what-on-earth-happened-parts-11the-bumblebee-and-thehexago.html https://rumble.com/v27yswn-a-must-see-video-what-on-earth-happened-parts-12stranger-than-fiction.html https://rumble.com/v27ziz7-a-must-see-video-what-on-earth-happened-parts-13down-therabbit-hole.html https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 00:00:00 - Episode 1: Questioning His-story 00:13:25 - Episode 2: A Lens Into The Past 00:38:28 - Episode 3: Inheritors Of Mud & Magnificence 01:19:19 - Episode 4: Back To The Future 02:15:38 - Episode 5: The Whispering Of The Water 03:27:28 - Episode 6: Offerus And The Alchemist 04:31:57 - Episode 7: The Known World The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Episode 1: Questioning His-story Episode 2: A Lens Into The Past Episode 3: Inheritors Of Mud & Magnificence Episode 4: Back To The Future Episode 5: The Whispering Of The Water Episode 6: Offer us And The Alchemist Episode 7: The Known World Episode 8: All 7 Parts History Of A Lost Earth Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth – Links Below ! https://rumble.com/v28afys-a-must-see-video-lhfe-part-1-buried-in-plain-sight-lost-history-of-earth.html https://rumble.com/v28ahvo-a-must-see-video-lhfe-part-2-lens-into-the-past-lost-history-of-earth.html https://rumble.com/v28alqa-a-must-see-video-lhfe-part-3-inheritors-of-mud-and-magnificense-lost-histor.html https://rumble.com/v28aobw-a-must-see-video-lhfe-part-4-back-to-the-future-lost-history-of-earth.html https://rumble.com/v28arc8-a-must-see-video-lhfe-part-5-whispering-of-the-water-lost-history-of-earth.html https://rumble.com/v28av42-a-must-see-video-lhfe-part-6-offer-us-and-the-alchemist-lost-history-of-ear.html https://rumble.com/v28axuo-a-must-see-video-lhfe-part-7-the-known-world-lost-history-of-earth-w0w.html https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. GREATEST STORY - Part 1 - Our Journey Begins – 0 Mins 16 Sec. https://www.bitchute.com/ The secret is out, thanks to people like Michelle Gibson and Jon Levi. The more you delve into history and understand the required technology to build the infrastructure and buildings of the past, the more you realize we are missing part of the story - The Greatest Story. Just who did all this work and what happened to them? Who now controls us and makes us pay for energy that once was free? This series includes various composition styles and historical subjects, together with music gear explanations used. GREATEST STORY - Part 2 – Ruthless – 3 Mins 50 Sec. https://www.bitchute.com/ There are so many anomolies during the 1800s and early 1900s, whereas this video selects only a few and how ruthless the 'controllers' are in hiding our true history. FYI... when you see that giant ferris wheel, keep in mind that the axle alone weighed over 90,000 pounds and was so thick of steell that they could not cut it up and destroy it... it was buried under a golf course. GREATEST STORY - Part 3 -Strange Days – 0 Mins 27 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 3A -Strange Days – 5 Mins 41 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 4 - Paradise Lost – 2 Mins 41 Sec. https://www.bitchute.com/ In two years, this is what was built with horse, oxen, shovels and wheelbarrows... LOL. It would take that long just to create the canal system and get all the land landscaped, not to mention pouring the foundations and footings, etc., etc. And all that just to tear it down after a few months of viewing. Even the 'build' photos are suspect. Let me know when it makes sense. Welcome to the Chicago's World Fair 1893. GREATEST STORY - Part 5 - Boer War – 3 Mins 00 Sec. https://www.bitchute.com/ With photography and film around at the time of the Boer War, why do we not have any official footage or pictures of battles; rather, we get reinactments. And how curious that wonderous architecture was around in Africa prior to this war even taking place. GREATEST STORY - Part 6 - The Way It Should Be – 2 Mins 55 Sec. https://www.bitchute.com/ At one time the world was beautiful, and the architecture so uniform from one country to the next, that it had to have been created by the same people, living harmoniously. Today, architecture is mostly bland, box-like and consistnig of materials that won't last (a lot of steel framing and glass). We couldn't replicate the building of the past even if we wanted to. GREATEST STORY - Part 7 - Guatemalan Facade – 2 Mins 51 Sec. https://www.bitchute.com/ No matter where you go in the world, there are buildings that have the same characteristics and from the same timeline. Guatemala is no exception. It may be Central America, but it the architecture is no different than Europe, Australia, South America or the United States. Something very 'common' happened world-wide and during a particular time. GREATEST STORY - Part 8 - Most Beautiful – 2 Mins 10 Sec. https://www.bitchute.com/ There literally are hundreds of amazing architectural wonders, whereas this is a very small sample. The sheer beauty and unobtainable structures tells us the people of the past were not simple, and any claims that some of these were built in the mid 1800s to early 1900s is hogwash and a deception of our timeline and who we were (and what we were cable of, with horse, wagon, shovel and hammer). GREATEST STORY - Part 9 - Time Shifters – 8 Mins 59 Sec. https://www.bitchute.com/ Something happened during our timeline. This video broaches some of the events and individuals that may have played a role. GREATEST STORY - Part 10 - The Inheritors – 3 Mins 13 Sec. https://www.bitchute.com/ Something very odd appears within the mid to late 1800s - a people unskilled to create the world as we knew it (and see it in photographs). They not only look out of place, relative to the majesty and beauty, but 'floods' of people in certain situations occurred, but immigration to baby incubators at trade shows. GREATEST STORY - Part 11 – Homecoming – 3 Mins 25 Sec. https://www.bitchute.com/ I grew up in a small city in Northern Ontario, but when it was nothing more than a town, there was (and still is) some very interesting and overbuilt structures for such a small population. Research your own town/city and ask: "are these structures appropriate for the times and people, and could they have built those structure with the people and resources of the time?" GREATEST STORY - Part 12 - Cabinet of Curiosities – 5 Mins 46 Sec. https://www.bitchute.com/ A few very interesting artifacts, photos and more that suggest our timeline is not what we have been told. GREATEST STORY - Part 13 - Free Energy – 5 Mins 10 Sec. https://www.bitchute.com/ Technology to harness energy has existed far longer and before Nicola Tesla (who like reversed engineered what already was around). GREATEST STORY - Part 14 - Mud Flood – 2 Mins 46 Sec. https://www.bitchute.com/ Nearly every modern civilization is built upon another. And some past civilization are built upon others still. A fascinating mystery that suggests many parts of the world are older than we realize, or that there has been multiple resets and destruction. GREATEST STORY - Part 15 - Bullshit Train – 1 Mins 46 Sec. https://www.bitchute.com/ Do you really think that most railroad tracks and the entire infrastructure was built in only 20-30 years across North America? Or were much of the structure excavated from a previous people? GREATEST STORY - Part 16 - Question His Story – 3 Mins 29 Sec. https://www.bitchute.com/ There are far too many anomalies in world history; this video takes a glimpse at Mount Rushmore and the USA road/highway system. I could be wrong on these aspects, but... GREATEST STORY - Part 17 – Havoc – 2 Mins 54 Sec. https://www.bitchute.com/ Ancient tech abound. How many things can you spot that most likely was carved or made of wood that petrified? GREATEST STORY - Part 18 – Yesteryear – 2 Mins 45 Sec. https://www.bitchute.com/ The glorious structures of India in early photos appears to be a blend of Tartarian, Moorish and Turkish, creating some of the most mysterious and detailed buildings (and those highly carved walls likely were wood that later petrified or was put through a 'rock' or hardening process). Please consider supporting this channel with any amount you wish, and thank you. GREATEST STORY - Part 19 - Galveston... Oh... Galveston – 2 Mins 30 Sec. https://www.bitchute.com/ Glen Campbell was fond of Gavelston, and this place certainly had a lot going for it, more than any other city in the USA during its time. A sliver of an island, yet strategically built and considered by the people at the time. Thanks to Jarid Boosters' channel for compiling the time-line info and many photos. GREATEST STORY - Part 20 - Tech Lords – 3 Mins 20 Sec. https://www.bitchute.com/ Here is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 21 - Can't Judge a Book by Its Cover – 3 Mins 35 Sec. https://www.bitchute.com/ There is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 22 - In the Swamp – 2 Mins 50 Sec. https://www.bitchute.com/ Let's take a look at Louisiana, known for the Bayou, jazz, Mardi Gras, spicy foods... and perhaps... a bit more that seems to conflict with what the historical narrative suggests. GREATEST STORY - Part 23- Civil Warp – 3 Mins 12 Sec. https://www.bitchute.com/ Music by Me and based on historical fiction ?. Certainly people died and there may have been actual battles. But the reason for this war (initiated by the Roths) may have been more elaborate and for reasons of destruction. A touch of humor at the end. GREATEST STORY - Part 24 - Impossible Dream – 3 Mins 45 Sec. https://www.bitchute.com/ Dream the impossible dream - all 'built' not long ago, between 1885-1900. Yes, I've had professionals in the areas of architecture and stone masonry, and they agree that they have no idea how to rebuild any of this. No blueprints exist. Who built them? Let's take a trip around the world and look at some fabulous structures! Of course, this is all a work of fiction . GREATEST STORY - Part 25 - Mind Fudge (Pt. 1) – 7 Mins 28 Sec. https://www.bitchute.com/ GREATEST STORY - Part 26 - Mind Fudge (Part 2) – 5 Mins 54 Sec. https://www.bitchute.com/ GREATEST STORY - Part 27 - Head in the Clouds – 2 Mins 43 Sec. https://www.bitchute.com/ Something is happening with our world and atmosphere, whether from microwave pollution, 'kem' trails, pollution or another warning of a future reset. GREATEST STORY - Part 28 - Where Did All the People Go q – 11 Mins 05 Sec. https://www.bitchute.com/ It may be eerie to see few people around walking or with horse and cart, but nothing compared to cities that are nearly vacant or totally vacant, but why? Where are all the people if these major cities and locations have been populated for hundreds or thousands of years (according to the narrative)? What happened prior to these photos, all taken around the mid 1800s? GREATEST STORY - Part 29 - Everywhere a Castle – 3 Mins 56 Sec. https://www.bitchute.com/ If anything, the world is consistent; no one in any country has a clue how to rebuild the castles found in their own countries. GREATEST STORY - Part 30 - Ready... Reset... Go – 8 Mins 48 Sec. https://www.bitchute.com/ A hypothetical look at when and how the Resets may have come about. GREATEST STORY - Part 31 - Feast for the Eyes – 13 Mins 08 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32 - Rewriting History – 0 Mins 51 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32A - Rewriting History – 17 Mins 58 Sec. https://www.bitchute.com/ GREATEST STORY - Part 33 – Fasces – 2 Mins 18 Sec. https://www.bitchute.com/ GREATEST STORY - Part 34 - Post-Reset Postcards – 0 Mins 44 Sec. https://www.bitchute.com/ A look into the past with various vintage postcards showing old-world architecture, but also art heavily influenced by the Phoenicians. GREATEST STORY - Part 35 - Rise Up – 0 Mins 34 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 35A - Rise Up – 3 Mins 27 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 36 - Let There Be Light – 6 Mins 23 Sec. https://www.bitchute.com/ The timeline seems off... we were told electricity was invented around 1891, by Tesla. However, there were world fairs, opera houses and estates of the elite that had power well before that. It seems the controllers and elite had access to past technology that they kept from the rest of us slobs. Real Timeline Of Deception Part 0 Exploring Tartaria 1000 Years Exploring Tartaria - Old World Secrets Revealed https://rumble.com/v2u8ef4-real-timeline-of-deception-part-0-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 1 Exploring Tartaria 1000 Years The Timeline Deception - Part I - Exploring Tartaria https://rumble.com/v2ua8sa-real-timeline-of-deception-part-1-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 2 Exploring Tartaria 1000 Years The Timeline Deception - Part II - Exploring Tartaria https://rumble.com/v2ubf4w-real-timeline-of-deception-part-2-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 3 Exploring Tartaria 1000 Years The King of Tartaria - Exploring Tartaria https://rumble.com/v2ueih6-real-timeline-of-deception-part-3-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 4 Exploring Tartaria 1000 Years The Saints - Relics, Reliquaries, & The First Resurrection https://rumble.com/v2ugl92-real-timeline-of-deception-part-4-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 5 Exploring Tartaria 1000 Years The Saints - The Ruling Class - Exploring Tartaria https://rumble.com/v2uij7w-real-timeline-of-deception-part-5-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 6 Exploring Tartaria 1000 Years From Atheism, Agnosticism, New Age, Protestantism, to Roman Catholicism https://rumble.com/v2ujvr6-real-timeline-of-deception-part-6-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 7 Exploring Tartaria 1000 Years The Millennial Kingdom of God - Exploring Tartaria https://rumble.com/v2uldss-real-timeline-of-deception-part-7-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 8 Exploring Tartaria 1000 Years Magic of the White City 1893 Chicago World's Fair https://rumble.com/v2un20g-real-timeline-of-deception-part-8-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 9 Exploring Tartaria 1000 Years 1000 Years Added To Our History & Dark Ages Never Existed https://rumble.com/v2uo07i-real-timeline-of-deception-part-9-exploring-tartaria-1000-years-added-to-ou.html Real Timeline Of Deception Part 10 Exploring Tartaria 1000 Years Church History - Complete Documentary AD 33 to Present https://rumble.com/v2uprfu-real-timeline-of-deception-part-10-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 11 Exploring Tartaria 1000 Years Christmas Unveiled - Pied Piper - Templars Secret - Saturn's Workshop - Giants Stealing Children https://rumble.com/v2urmd0-real-timeline-of-deception-part-11-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 12 Exploring Tartaria 1000 Years Ancient Cloning Factories - Foundlings - Incubators - Test-Tube Babies https://rumble.com/v2uu8ck-real-timeline-of-deception-part-12-exploring-tartaria-1000-years-added-to-o.html Real Timeline Of Deception Part 13 Exploring Tartaria 1000 Years Homunculus Unveiled - Jesus - Artificial Generation - Liber Vaccae - Lost Esoteric Secrets https://rumble.com/v2uwmvc-real-timeline-of-deception-part-13-exploring-tartaria-1000-years-added-to-o.html Archaix Chronology Anunnaki Sumerian Gods Crystalinks Timelines 2040B.C. 2046A.D. https://rumble.com/v2v0zks-archaix-chronology-anunnaki-sumerian-gods-crystalinks-timelines-2040b.c.-20.html Archaix 2.0 Doomsday Chronology Five color charts with extensive Legend-chronology; exhibits 62 dates involving 300 events in linear timeline combining the Phoenix and Nemesis X Object appearances, the Mayan Long-Count baktuns and the Anunnaki NER 600 year periods, a history spanning over 74 centuries to May 2040 and November 2046. https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. A Must See Video What On Earth Happened Parts (14) All 13 Parts Together Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 0:00 - Part One: "Turning Inwards" 7:19 - Part Two: "Of Maps and Magicians" 34:40 - Part Three: "Flattening the Curve" 57:16 - Part Four: "Vanishing Points & the Old Clock" 1:21:34 - Part Five: "The Red Shield" 1:47:28 - Part Six: "Infiltration Instead of Invasion" 2:11:36 - Part Seven: "Eyes Wide Open" 3:01:55 - Part Eight: "The Looking Glass" 3:59:06 - Part Nine: "Panic" 4:37:30 - Part Ten: "The Energetic Earth" 5:24:53 - Part Eleven: "The Bumblebee & the Hexagon" 6:07:37 - Part Twelve: "Stranger than Fiction" 7:04:43 - Part Thirteen: "Down the Rabbit Hole" A Must See Video Everyone - All 13 Parts - What On Earth Happened ? (1) Turning Inwards (2) Of Maps and Magicians (3) Flattening the Curve (4) Vanishing Points and The Old Clock (5) The Red Shield (6) Infiltration Instead of Invasion (7) Eyes Wide Open (8) The Looking Glass (9) Panic ! (10) The Energetic Earth (11) The Bumblebee and The Hexagon (12) Stranger Than Fiction (13) Down The Rabbit Hole (14) All 13 Parts Together - Nice Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. A Must See Video Everyone - All 14 Parts - What On Earth Happened ? – Links Below ! https://rumble.com/v27xg2j-a-must-see-video-what-on-earth-happened-parts-1turning-inwards.html https://rumble.com/v27xjm4-a-must-see-video-what-on-earth-happened-parts-2ofmapsandmagicians.html https://rumble.com/v27xnav-a-must-see-video-what-on-earth-happened-parts-3flattening-thecurve.html https://rumble.com/v27xqt0-a-must-see-video-what-on-earth-happened-parts-4vanishing-pointsand-the-oldc.html https://rumble.com/v27xv72-a-must-see-video-what-on-earth-happened-parts-5thered-shield.html https://rumble.com/v27y144-a-must-see-video-what-on-earth-happened-parts-6infiltrationinstead-ofinvasi.html https://rumble.com/v27y5mw-a-must-see-video-what-on-earth-happened-parts-7eyes-wide-open.html https://rumble.com/v27y9ri-a-must-see-video-what-on-earth-happened-parts-8thelooking-glass.html https://rumble.com/v27yfhm-a-must-see-video-what-on-earth-happened-parts-9panic-a-must-see-video.html https://rumble.com/v27yjdm-a-must-see-video-what-on-earth-happened-parts-10theenergetic-earth.html https://rumble.com/v27ymp1-a-must-see-video-what-on-earth-happened-parts-11the-bumblebee-and-thehexago.html https://rumble.com/v27yswn-a-must-see-video-what-on-earth-happened-parts-12stranger-than-fiction.html https://rumble.com/v27ziz7-a-must-see-video-what-on-earth-happened-parts-13down-therabbit-hole.html https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 00:00:00 - Episode 1: Questioning His-story 00:13:25 - Episode 2: A Lens Into The Past 00:38:28 - Episode 3: Inheritors Of Mud & Magnificence 01:19:19 - Episode 4: Back To The Future 02:15:38 - Episode 5: The Whispering Of The Water 03:27:28 - Episode 6: Offerus And The Alchemist 04:31:57 - Episode 7: The Known World The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Episode 1: Questioning His-story Episode 2: A Lens Into The Past Episode 3: Inheritors Of Mud & Magnificence Episode 4: Back To The Future Episode 5: The Whispering Of The Water Episode 6: Offer us And The Alchemist Episode 7: The Known World Episode 8: All 7 Parts History Of A Lost Earth Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth – Links Below ! https://rumble.com/v28afys-a-must-see-video-lhfe-part-1-buried-in-plain-sight-lost-history-of-earth.html https://rumble.com/v28ahvo-a-must-see-video-lhfe-part-2-lens-into-the-past-lost-history-of-earth.html https://rumble.com/v28alqa-a-must-see-video-lhfe-part-3-inheritors-of-mud-and-magnificense-lost-histor.html https://rumble.com/v28aobw-a-must-see-video-lhfe-part-4-back-to-the-future-lost-history-of-earth.html https://rumble.com/v28arc8-a-must-see-video-lhfe-part-5-whispering-of-the-water-lost-history-of-earth.html https://rumble.com/v28av42-a-must-see-video-lhfe-part-6-offer-us-and-the-alchemist-lost-history-of-ear.html https://rumble.com/v28axuo-a-must-see-video-lhfe-part-7-the-known-world-lost-history-of-earth-w0w.html https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion.

Greatest Story Ever Un-Told 10 Parts Set and This 1893 World Columbian Exposition In Chicago Is Really A 1,000 Years Old City From Past Antiquitech Tartarian Empire and the True Believers in the “Tartaria” conspiracy theory that 100s of old world fairs 1801 thru 1940 era are convinced that the elaborate temporary fairgrounds built for events like the Panama-Pacific International Exposition in San Francisco in 1915 and 100s of other city were really the ancient capital cities of a fictional empire ! "Expositions are the timekeepers of progress. They record the world's advancement. They stimulate the energy, enterprise, and intellect of the people; and quicken human genius. They go into the home. They broaden and brighten the daily life of the people. They open mighty storehouses of information to the student. Every exposition, great or small, has helped to some onward step." President William McKinley, speaking at the 1901 Pan-American Exposition in Buffalo, NY. The 1893 World Columbian Exposition in Chicago inaugurated an age of great fairs and expositions in the United States whose influence is felt to this day. The Chicago Exposition and the similar events that followed in Buffalo, NY; St. Louis, MO; Seattle, WA, San Francisco, CA and New York, NY dramatized technology and the fine arts, and illuminated the era ahead, as industrialism took hold, immigration peaked, science moved ever forward, and a vibrant, multi-faceted American music culture grew throughout the country. Though the 1876 Philadelphia Centennial Exposition in Philadelphia had been a great success, the Chicago Exposition took its immediate inspiration from the Exposition Universelle held in Paris in 1889. Like all previous world's fairs, the Paris exposition hosted music and other entertainment among its exhibits, but in greater variety and on a much larger scale. A major work, Esclarmonde, was commissioned from French composer Jules Massenet and was performed nightly. Music from all over the world was heard, including Javanese gamelan, which was to have a profound effect on composer Claude Debussy. Fairgoers could also hear indigenous music at the village nègre, where some 400 Africans from European colonies spent the duration of the fair demonstrating their culture and crafts. A similarly conceived Algerian Village was also an attraction. The organizers of the Chicago Exposition would try to match or outdo the 1889 Exposition in every way. For awhile, they even thought of creating a structure taller than the Eiffel Tower built for the 1889 fair, and the tallest building in the world at the time. In the end, they settled for a spectacular city-within-a-city that sprawled over 600 acres and featured 65,000 exhibits. "The White City," so named for its many white buidlings that were made even brighter by the night-time illumination supplied by General Electric, captured the imagination of the country, and drew over 27 million paying customers during its run from May 1st to October 30th, 1893. Within its walls, fairgoers could marvel at the ever-multiplying technological wonders of the age, enjoy art exhibits, concerts and sports; listen to lectures on various topics, view short films in the world's first dedicated movie theater, or ride the original Ferris Wheel. The Ferris Wheel loomed over the portion of the grounds billed as the "Midway Plaisance," or simply "the Midway," a sort of outdoor arcade 220 yards across that stretched for a mile outside the main fairgrounds in Jackson Park, where rides, music, food, amusements and sideshows of every description were on offer. The "Street in Cairo" exhibit was the most popular of all, drawing more than two million customers to see the first American display of Middle Eastern belly-dancing. Inside the ‘Tartarian Empire,’ the QAnon of Architecture On YouTube videos and Reddit boards, adherents of a bizarre conspiracy theory argue that everything you know about the history of architecture is wrong. In 1908, architect Ernest Flagg completed the Singer Building in Lower Manhattan, a Beaux-Arts showstopper made for the Singer sewing machine company. From a wide base, a slender 27-story tower rose, topped by a mansard roof and a delicate lantern spire. Every inch dripped with sumptuous detail inside and out; vaulted roofs, marble columns with bronze trim, window mullions with spiral fluting. The lobby was said to have a “celestial radiance.” A book was written just about its construction. For a year, it was the tallest building in the world at 612 feet, and a celebrated landmark for decades after that. But not for too much longer. Despite its great height, the pencil-thin tower lacked office space. In the 1960s the company sold its ornate headquarters; demolition proceeded in 1967. It’s the tallest building to ever be peacefully demolished. By any account, it’s a fantastical tale: Once the tallest building in the world and a New York icon, knocked down in just a handful of decades. For some, it’s too fantastical to believe … or perhaps not fantastical enough. A dedicated group of YouTubers and Reddit posters see the Singer Building and countless other discarded pre-modern beauties and extant Beaux-Arts landmarks as artifacts of a globe-spanning civilization called the Tartarian Empire, which was somehow erased from the history books. Adherents of this theory believe these buildings to be the keys to a hidden past, clandestinely obscured by malevolent actors. Who? Why? To what possible end? As in many other, more high-profile conspiracy theories, this baroque fantasy doesn’t offer much in the way of practical considerations, logic or evidence. But it’s grounded in some real anxieties, pointing toward the changes wrought by the modern world in general and modern architecture specifically — and rejecting both. Tartaria rises Tartarian-themed content is produced for YouTube videos that get picked over on Reddit. The r/Tartarianarchitecture sub, which began in December 2018, has 3,300 members, though not everyone who posts and comments appears to be a true believer. A larger and more general sub that appeared around the same time, r/Tartaria, has 8,700 members. As conspiracy theories go, Tartaria remains obscure; Twitter user cinemashoebox brought it to many people’s attention last year with this thread, and pseudoscience-debunking writer Brian Dunning recently devoted an episode of his podcast, Skeptoid, to the Tartaria theory, which appears to have first emerged in 2016 and 2017. The Tartaria storyline is not directly related to the adrenochrome-harvesting Satanic-pedophile cabal that lies at the heart of QAnon, the unfounded conspiracy theory that crashed into the real world in 2020. But it shares some of what Peter Ditto, a social psychologist at the University of California-Irvine who specializes in conspiracy theories, calls QAnon’s “cafeteria quality:” There’s no overarching narrative or single authorial voice interpreting events. It’s just a gusher of outlandish speculation; adherents can pick and choose which elements they want to sign on to. The overall premise is an alternative history. A vast, technologically advanced “Tartarian” empire, emanating from north-central Asia or thereabouts, either influenced or built vast cities and infrastructure all over the world. (Tartaria, or Tartary, though never a coherent empire, was indeed a general term for north-central Asia.) Either via a sudden cataclysm or a steady antagonistic decline — and perhaps as recently as 100 years ago — Tartaria fell. Its great buildings were buried, and its history was erased. After this “great reset,” the few surviving examples of Tartarian architecture were falsely recast as the work of contemporary builders who could never have executed buildings of such grace and beauty, and subjected them to clumsy alterations. “I think that it was one worldwide civilization,” says Joachim Skaar, a 26-year-old Norwegian who runs The Tartarian Meltdown YouTube channel. “It was all based on unity, oneness, peace, love, and harmony, which we don’t see in today’s society.” There’s an arch-traditionalism present in the theory, too. The pre-modern buildings that we venerate are sometimes said to be more than 1,000 years old. “The same people that built the Capitol in Washington built the pyramids in Egypt,” Skaar says. Reached at his recording studio, Skaar, who works as a plumber, is not an architect or historian, but he has strong opinions on both disciplines. “We have two very different types of architecture,” he says. There’s modern architecture “with the name Brutalism,” which he describes as “square concrete boxes which are designed to be produced very fast, very cheap and very effective.” And then there’s Tartarian architecture, a label that gets applied to anything that’s particularly ornate and pre-modern, encompassing many Western styles: Classical, Beaux-Arts, Second Empire. The term is also sometimes used for some non-Western structures, like the Taj Mahal. Structures that seem geographically or culturally dislocated, like the Beaux-Arts commercial buildings in Shanghai’s Bund district, are particularly attractive to this theory, as are those that are impressively massive, like the pyramids of Egypt or the Great Wall of China (built, the theory goes, by Tartarians to keep the Chinese out). Anywhere there’s a perceived gap between the refined craftwork of an old building and the “primitive” technology of the horse-and-buggy-era people building it, space for Tartarian speculation pops up. American cities of the 19th century are often rich with Tartarian appropriation, especially the young settlements of the West, when grand public structures seemed to emerge from the wilderness, surrounded by wood hovels and muddy streets. State capitol buildings and city halls are frequently fingered as palaces of ancient Tartaria rather than Gilded Age municipal buildings. (These photos of the Iowa State Capitol in Des Moines highlight the contrast Tartarian theorists point out.) The Tartarian milieu is an intensely visual medium, occupied with riffing on photos and maps, picking out apparent inconsistencies and making one-off conjectures instead of weaving together comprehensive timelines. The theory is notably light on reasoning as to why and how the greatest cover-up in history was undertaken, but it does offer a few options for how Tartaria was erased and the great reset propagated. Many say that an apocalyptic mud flood buried its great buildings; some suggest the use of high-tech weaponry to tactically remove Tartarian infrastructure. A consistent theme is that warfare is an often-used pretext to wipe away surviving traces of Tartarian civilization, with the two world wars of the 20th century finishing work that may have begun with Napoleon’s invasion of Russia. Despite their interest in architecture, most Tartaria theorists do not appear to have backgrounds in the building trades: Many of the more easily refuted arguments spring from very basic misunderstandings of how the built environment works, as well as broader confusion about how buildings function in the economy and culture. An abundance of posters appear convinced that below-grade basement windows in older buildings, for example, are evidence that the building had been “mud flooded,” and the rest of the structure is actually buried deep underground. Sometimes this will get some skeptical pushback (“I think they didn't have lights in the cellar so they build in windows for them?” was how one poster responded), but that’s more of an exception than the rule. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere.” Similarly, their grasp of historic labor and material costs is shaky. Before the Industrial Revolution, labor was cheap, so paying artisans to sculpt elaborate masonry — even for relatively humble structures — wasn’t the great expense it seems today, when labor prices are higher and factory-made steel, concrete and glass is cheap; that’s why we see so much of these materials in buildings today, and so much less filigreed terra cotta. One of the most adamant denials in Tartarian circles is that public buildings like schools and post offices were ever built with monumental proportions and elegant aesthetics. They sneer at the wedding-cake-topper Second Empire buildings designed by Alfred Mullett after the Civil War, for example. “How many stamps did you sell to build yourself a post office like this?,” says popular Tartarian YouTuber JonLevi in one of his videos. “Absolutely ridiculous. The post office has always struggled.” (He has more than 100,000 subscribers.) Some of this confusion is unfamiliarity: Mullett’s U.S. Customs House and Post Office in St. Louis, for example, was a huge federal project, built to process the mail of 10 states and four U.S. territories, not a neighborhood letter depot. But beyond that, there’s a broader refusal to believe that public architecture could ever have been built in an atmosphere of generosity and abundance. This is echoed by their astonishment at the double-height grand lobbies and arched doorways of old buildings, which they see as artifacts not meant for us. (Some theorists surmise that ancient Tartarians were giants.) The Tartarian community seems to have internalized the current era’s predilection for public sector austerity and the resulting aesthetics, which they abhor, more than they realize. At its core, the theory reflects a fear of how quickly things change. As they look at today’s cityscapes, Tartaria believers see an eerie and alienating place, filled with abstract monoliths that emerged out of nowhere in a brief period of time. They’re skeptical of the rapid rise and development of the U.S., and even more suspicious of how quickly Modernism came to dominate the landscape. One favorite case study, useful for illustrating this aesthetic whiplash, is the grand domed Henry Ives Cobb Chicago Federal Building, built in 1905. Like the Singer Building, it was razed after just 60 years in favor of an icy black Mies van Der Rohe tower. In one sense, the Tartaria theory is right: With modern architecture, a revolutionary new consensus on how the built environment should look and work did take hold in a very short period of time, conveniently overlapping with the world wars that these theorists see as the tail end of Tartaria’s influence. The world of 1960 indeed looked radically different from the world of 1920. Led by obscure and poorly understood forces (architects), architecture schools truly did throw out the history books to build a new world. But instead of making this excision the work of a colossal global mega-conspiracy worthy of a pulpy airport mystery novel, they wouldn’t shut up about it. In the Tartarian worldview, we’re a society that doesn’t properly understand or value the built environment, because we’ve been misled about who really built it. When he’s decrying the lack of regard for the cultural legacy of old buildings, Skaar sounds less like a conspiracy theorist than a board member of a preservation nonprofit. “The problem is that people don’t recognize these buildings,” he says. “They walk past them all the time, and they’re fascinated, but they don’t think any more deeply about it. They don’t know what they’re looking at because they have been told something else.” In search of a fabricated empire This disregard for architecture’s “true” history moves into a wider rejection of how disposably cheap and commodified the culture at large seems to be. As such, one canonical belief of Tartarian aficionados is that the elaborate temporary pavilions built for late 19th century and early 20th century World’s Fairs were in fact Tartarian capital cities. It strikes them as improbably wasteful that anyone would erect these magnificent complexes, full of fluted columns, domes and pediments, out of plaster of Paris, hemp fiber, and straw, as was done for the 1893 World’s Fair in Chicago. In Tartarian lore, these sites were ancient monuments that were co-opted to teach a falsified history of the world and make a few bucks selling popcorn and Ferris Wheel rides. Then they were demolished, to erase the handiwork of the real builders. In pointing out the eradication of an ancient culture by an expanding imperial power, Tartarian believers again stumble on something real, but they scramble the protagonists. In the European colonial era, Western nations fanned out over the globe, subjugating and destabilizing numerous non-white civilizations — and building many examples of what’s now considered Tartarian architecture as celebration of these victories. But when YouTuber JonLevi marvels at the Hong Kong Shanghai Bank and the rest of the 1920s banking infrastructure built along Shanghai’s Huangpu River, he doesn’t see the wealth-extracting handiwork of a rapacious 20th century empire: In the Tartaria-verse, these are the stately remnants of a far older and more benevolent one. The theory posits that only Tartarians, not British bankers or Belgian rubber barons, could move culture like architecture across geography. “You see these capital domes all over the world, which, to me, proves that the same people built everywhere,” says Skaar. Bastion star forts are another building type that Tartarians are obsessed with: They often point out that these cannon-resistant military fortifications, popular in the 16th and 17th centuries, are found all over Western Europe, like Portugal and the Netherlands, but also quite mysteriously, far away in Asia, in Sri Lanka. But since Sri Lanka was a Portuguese and Dutch colony, it’s not really very mysterious. Military historian Jeremy Black, author of two books on the history of fortifications, says that the geographic reoccurrence of the style reflects how effective Europeans were in spreading this technology across the globe. This ahistoricism can make the Tartarian architecture community occasionally receptive to reactionaries, racists and anti-Semites. A survey of videos and discussions will turn up all manner of other conspiratorial threads. Along with flat-Earth advocacy, anti-vaccination sentiments and 5G scaremongering, there’s talk of anti-Semitic banking cartel conspiracies and Holocaust denial. Some Tartarian histories recast populations of Central Asia, like Genghis Kahn’s Mongol Empire, as red-haired, blue-eyed, white people — “Silk Road Aryans.” The persistence of anti-Jewish tropes within current conspiracy theories is likely the result of cultural inertia, says UC-Irvine scholar Ditto. As successive generations of the conspiracy-minded seek evidence to back up their diverging worldview, they find it in texts that may go back centuries, which are riddled with anti-Semitism. But the face of the villains in the Tartarian narrative is not clearly defined. Skaar blames quasi-mystical “parasites” who thrive off pain and strife, and laments that contemporary life has become a place where “everything is based on tyranny, greed, and slavery.” The Tartaria commentariat is laced with economic discontent; they often decry the evaluation and disregard of buildings purely as salable commodities, untethered from broader notions of cultural legacy and achievement. There’s a reoccurring and implicit understanding that buildings, like the Singer Building, get torn down when they stop making money — the only thing that really matters — and that the world is a vast field of predation, where the rich and powerful consume the poor and weak. In fact, the governing ideology of the modern architecture that Tartarians despise was a critique of this system. Modernism argued for an egalitarian architecture that would help break the shackles of the past, rejecting backbreaking representational craftsmanship to honor omnipotent kings and divine beings in favor of simple, universal forms that would leverage restraint and efficacy into a broad uplift for the masses. Minus the weirdest stuff — the global mud flood, the ancient energy weapons, the vanished race of giants — the Tartaria theory is just an extreme form of aesthetic moralism, the idea that traditional architecture styles are inherently good and modern architecture is the product of a degenerate culture. The tastes of the community generally align with traditional architectural revival proponents (some of whom also embrace reactionary and white nationalist politics). This sort of aesthetic nativism flourished during the Trump era, and it appears to have fresh converts in Congress: Recently, representatives Marjorie Taylor Greene and Paul Gosar formed a new caucus dedicated to “uniquely Anglo-Saxon political traditions” and infrastructure that “befits the progeny of European architecture.” The language is different, but the sentiment wouldn’t appear out of place in r/Tartaria. Holding back a flood of conspiracies Though the Tartarian Empire seemed to wink into existence in the past few years, the themes its believers explore are familiar ones. Conspiracy theories are a way to channel restive populism in the face of rapid social and demographic change, Ditto says, and there’s plenty of that going around. They are also a way to gather up amorphous fears and put them in a specific place, to make them more manageable. Ditto calls this “over-intentionalization. “If your fate is controlled by impersonal, systemic forces, it doesn’t offer you much control over your own destiny,” he says. “But if you can localize it to a small group of people whose motives you understand — they are out to get you — then it at least offers some hope that you can overcome their malevolent intentions.” Belief in conspiracy theories can also be driven by loneliness, isolation and economic hardship, which made a pandemic a fertile Petri dish, and helped QAnon’s believers storm the Capitol by force and through the ballot box. The social atomization forced on us by Covid-19 is a hyperbolic retelling of the Tower of Babel (which has a special place in Tartarian lore) and its attendant anxiety at fracturing and divided cultures. The great reset that erased that tower — and the fabulous, fictional empire that built it — continues to reverberate, splintering us into ever-stranger factions. And Ditto says it does seem like reality is getting harder to decipher. The internet has made it easier to disseminate misinformation while eroding faith in the media hierarchies that once filtered it out. Polarization and a lack of trust in government and institutions creates a feedback loop, where leaders can’t solve problems because their political bases are too narrow, and the resulting failures engender more distrust. It’s not a new cycle — despite a spike in media attention, there’s not much evidence that conspiratorial thinking is more common now than in years past — but technology can make these currents of collective delusion more powerful, and harder to ignore. The basic human desires for community, stories (the more outrageous the better) and the need to feel like a protagonist in a wider struggle are what pulls us from moments of real social, economic and cultural dislocation into fabricated histories. Buildings and cities are made to grow old, to outlast people, and to be a testament to these cultural histories. They’re a yardstick for a culture’s ability to endure. When they’re not given the chance to do this, the contradiction can break something loose, and send people scavenging for cultural memory that feels ancient enough to anchor them in an uncertain now. This is a chronological list of international or colonial world's fairs. https://en.wikipedia.org/wiki/List_of_world's_fairs All elaborate temporary fairgrounds built are removed after the fair is over. GREATEST STORY - Part 1 - Our Journey Begins – 0 Mins 16 Sec. https://www.bitchute.com/ The secret is out, thanks to people like Michelle Gibson and Jon Levi. The more you delve into history and understand the required technology to build the infrastructure and buildings of the past, the more you realize we are missing part of the story - The Greatest Story. Just who did all this work and what happened to them? Who now controls us and makes us pay for energy that once was free? This series includes various composition styles and historical subjects, together with music gear explanations used. GREATEST STORY - Part 2 – Ruthless – 3 Mins 50 Sec. https://www.bitchute.com/ There are so many anomolies during the 1800s and early 1900s, whereas this video selects only a few and how ruthless the 'controllers' are in hiding our true history. FYI... when you see that giant ferris wheel, keep in mind that the axle alone weighed over 90,000 pounds and was so thick of steell that they could not cut it up and destroy it... it was buried under a golf course. GREATEST STORY - Part 3 -Strange Days – 0 Mins 27 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 3A -Strange Days – 5 Mins 41 Sec. https://www.bitchute.com/ Has there ever been a stranger time than the 1800s (early 1900s), with massive buildings of similar styles found world-wide, photographs of odd people, customs and animals? GREATEST STORY - Part 4 - Paradise Lost – 2 Mins 41 Sec. https://www.bitchute.com/ In two years, this is what was built with horse, oxen, shovels and wheelbarrows... LOL. It would take that long just to create the canal system and get all the land landscaped, not to mention pouring the foundations and footings, etc., etc. And all that just to tear it down after a few months of viewing. Even the 'build' photos are suspect. Let me know when it makes sense. Welcome to the Chicago's World Fair 1893. GREATEST STORY - Part 5 - Boer War – 3 Mins 00 Sec. https://www.bitchute.com/ With photography and film around at the time of the Boer War, why do we not have any official footage or pictures of battles; rather, we get reinactments. And how curious that wonderous architecture was around in Africa prior to this war even taking place. GREATEST STORY - Part 6 - The Way It Should Be – 2 Mins 55 Sec. https://www.bitchute.com/ At one time the world was beautiful, and the architecture so uniform from one country to the next, that it had to have been created by the same people, living harmoniously. Today, architecture is mostly bland, box-like and consistnig of materials that won't last (a lot of steel framing and glass). We couldn't replicate the building of the past even if we wanted to. GREATEST STORY - Part 7 - Guatemalan Facade – 2 Mins 51 Sec. https://www.bitchute.com/ No matter where you go in the world, there are buildings that have the same characteristics and from the same timeline. Guatemala is no exception. It may be Central America, but it the architecture is no different than Europe, Australia, South America or the United States. Something very 'common' happened world-wide and during a particular time. GREATEST STORY - Part 8 - Most Beautiful – 2 Mins 10 Sec. https://www.bitchute.com/ There literally are hundreds of amazing architectural wonders, whereas this is a very small sample. The sheer beauty and unobtainable structures tells us the people of the past were not simple, and any claims that some of these were built in the mid 1800s to early 1900s is hogwash and a deception of our timeline and who we were (and what we were cable of, with horse, wagon, shovel and hammer). GREATEST STORY - Part 9 - Time Shifters – 8 Mins 59 Sec. https://www.bitchute.com/ Something happened during our timeline. This video broaches some of the events and individuals that may have played a role. GREATEST STORY - Part 10 - The Inheritors – 3 Mins 13 Sec. https://www.bitchute.com/ Something very odd appears within the mid to late 1800s - a people unskilled to create the world as we knew it (and see it in photographs). They not only look out of place, relative to the majesty and beauty, but 'floods' of people in certain situations occurred, but immigration to baby incubators at trade shows. GREATEST STORY - Part 11 – Homecoming – 3 Mins 25 Sec. https://www.bitchute.com/ I grew up in a small city in Northern Ontario, but when it was nothing more than a town, there was (and still is) some very interesting and overbuilt structures for such a small population. Research your own town/city and ask: "are these structures appropriate for the times and people, and could they have built those structure with the people and resources of the time?" GREATEST STORY - Part 12 - Cabinet of Curiosities – 5 Mins 46 Sec. https://www.bitchute.com/ A few very interesting artifacts, photos and more that suggest our timeline is not what we have been told. GREATEST STORY - Part 13 - Free Energy – 5 Mins 10 Sec. https://www.bitchute.com/ Technology to harness energy has existed far longer and before Nicola Tesla (who like reversed engineered what already was around). GREATEST STORY - Part 14 - Mud Flood – 2 Mins 46 Sec. https://www.bitchute.com/ Nearly every modern civilization is built upon another. And some past civilization are built upon others still. A fascinating mystery that suggests many parts of the world are older than we realize, or that there has been multiple resets and destruction. GREATEST STORY - Part 15 - Bullshit Train – 1 Mins 46 Sec. https://www.bitchute.com/ Do you really think that most railroad tracks and the entire infrastructure was built in only 20-30 years across North America? Or were much of the structure excavated from a previous people? GREATEST STORY - Part 16 - Question His Story – 3 Mins 29 Sec. https://www.bitchute.com/ There are far too many anomalies in world history; this video takes a glimpse at Mount Rushmore and the USA road/highway system. I could be wrong on these aspects, but... GREATEST STORY - Part 17 – Havoc – 2 Mins 54 Sec. https://www.bitchute.com/ Ancient tech abound. How many things can you spot that most likely was carved or made of wood that petrified? GREATEST STORY - Part 18 – Yesteryear – 2 Mins 45 Sec. https://www.bitchute.com/ The glorious structures of India in early photos appears to be a blend of Tartarian, Moorish and Turkish, creating some of the most mysterious and detailed buildings (and those highly carved walls likely were wood that later petrified or was put through a 'rock' or hardening process). Please consider supporting this channel with any amount you wish, and thank you. GREATEST STORY - Part 19 - Galveston... Oh... Galveston – 2 Mins 30 Sec. https://www.bitchute.com/ Glen Campbell was fond of Gavelston, and this place certainly had a lot going for it, more than any other city in the USA during its time. A sliver of an island, yet strategically built and considered by the people at the time. Thanks to Jarid Boosters' channel for compiling the time-line info and many photos. GREATEST STORY - Part 20 - Tech Lords – 3 Mins 20 Sec. https://www.bitchute.com/ Here is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 21 - Can't Judge a Book by Its Cover – 3 Mins 35 Sec. https://www.bitchute.com/ There is far too much information that will blow your mind, and so... I selected only a few examples of past history tech I find impressive. More such videos to come. GREATEST STORY - Part 22 - In the Swamp – 2 Mins 50 Sec. https://www.bitchute.com/ Let's take a look at Louisiana, known for the Bayou, jazz, Mardi Gras, spicy foods... and perhaps... a bit more that seems to conflict with what the historical narrative suggests. GREATEST STORY - Part 23- Civil Warp – 3 Mins 12 Sec. https://www.bitchute.com/ Music by Me and based on historical fiction ?. Certainly people died and there may have been actual battles. But the reason for this war (initiated by the Roths) may have been more elaborate and for reasons of destruction. A touch of humor at the end. GREATEST STORY - Part 24 - Impossible Dream – 3 Mins 45 Sec. https://www.bitchute.com/ Dream the impossible dream - all 'built' not long ago, between 1885-1900. Yes, I've had professionals in the areas of architecture and stone masonry, and they agree that they have no idea how to rebuild any of this. No blueprints exist. Who built them? Let's take a trip around the world and look at some fabulous structures! Of course, this is all a work of fiction . GREATEST STORY - Part 25 - Mind Fudge (Pt. 1) – 7 Mins 28 Sec. https://www.bitchute.com/ GREATEST STORY - Part 26 - Mind Fudge (Part 2) – 5 Mins 54 Sec. https://www.bitchute.com/ GREATEST STORY - Part 27 - Head in the Clouds – 2 Mins 43 Sec. https://www.bitchute.com/ Something is happening with our world and atmosphere, whether from microwave pollution, 'kem' trails, pollution or another warning of a future reset. GREATEST STORY - Part 28 - Where Did All the People Go q – 11 Mins 05 Sec. https://www.bitchute.com/ It may be eerie to see few people around walking or with horse and cart, but nothing compared to cities that are nearly vacant or totally vacant, but why? Where are all the people if these major cities and locations have been populated for hundreds or thousands of years (according to the narrative)? What happened prior to these photos, all taken around the mid 1800s? GREATEST STORY - Part 29 - Everywhere a Castle – 3 Mins 56 Sec. https://www.bitchute.com/ If anything, the world is consistent; no one in any country has a clue how to rebuild the castles found in their own countries. GREATEST STORY - Part 30 - Ready... Reset... Go – 8 Mins 48 Sec. https://www.bitchute.com/ A hypothetical look at when and how the Resets may have come about. GREATEST STORY - Part 31 - Feast for the Eyes – 13 Mins 08 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32 - Rewriting History – 0 Mins 51 Sec. https://www.bitchute.com/ GREATEST STORY - Part 32A - Rewriting History – 17 Mins 58 Sec. https://www.bitchute.com/ GREATEST STORY - Part 33 – Fasces – 2 Mins 18 Sec. https://www.bitchute.com/ GREATEST STORY - Part 34 - Post-Reset Postcards – 0 Mins 44 Sec. https://www.bitchute.com/ A look into the past with various vintage postcards showing old-world architecture, but also art heavily influenced by the Phoenicians. GREATEST STORY - Part 35 - Rise Up – 0 Mins 34 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 35A - Rise Up – 3 Mins 27 Sec. https://www.bitchute.com/ Everything is connected, from the destruction of history to controlling the narrative with the current world-wide situation. Wake up and rise up! GREATEST STORY - Part 36 - Let There Be Light – 6 Mins 23 Sec. https://www.bitchute.com/ The timeline seems off... we were told electricity was invented around 1891, by Tesla. However, there were world fairs, opera houses and estates of the elite that had power well before that. It seems the controllers and elite had access to past technology that they kept from the rest of us slobs. 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This mind blowing documentary will shift your perspective of the world monumentally. https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html The Secret Life of Symbols with Jordan Maxwell Knowledge of the Heavens, Life on Earth https://rumble.com/v28wyns-the-secret-life-of-symbols-with-jordan-maxwell-knowledge-of-the-heavens-lif.html Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity https://rumble.com/v2wigv2-ancient-religions-from-alpha-to-stone-age-to-omega-to-modern-times-to-infin.html This 11.5 Hrs. Full Documentary With Sound Is About Ancient Religions From Alpha To Stone Age To Omega To Modern Times To Infinity. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. A Must See Video What On Earth Happened Parts (14) All 13 Parts Together Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 0:00 - Part One: "Turning Inwards" 7:19 - Part Two: "Of Maps and Magicians" 34:40 - Part Three: "Flattening the Curve" 57:16 - Part Four: "Vanishing Points & the Old Clock" 1:21:34 - Part Five: "The Red Shield" 1:47:28 - Part Six: "Infiltration Instead of Invasion" 2:11:36 - Part Seven: "Eyes Wide Open" 3:01:55 - Part Eight: "The Looking Glass" 3:59:06 - Part Nine: "Panic" 4:37:30 - Part Ten: "The Energetic Earth" 5:24:53 - Part Eleven: "The Bumblebee & the Hexagon" 6:07:37 - Part Twelve: "Stranger than Fiction" 7:04:43 - Part Thirteen: "Down the Rabbit Hole" A Must See Video Everyone - All 13 Parts - What On Earth Happened ? (1) Turning Inwards (2) Of Maps and Magicians (3) Flattening the Curve (4) Vanishing Points and The Old Clock (5) The Red Shield (6) Infiltration Instead of Invasion (7) Eyes Wide Open (8) The Looking Glass (9) Panic ! (10) The Energetic Earth (11) The Bumblebee and The Hexagon (12) Stranger Than Fiction (13) Down The Rabbit Hole (14) All 13 Parts Together - Nice Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. A Must See Video Everyone - All 14 Parts - What On Earth Happened ? – Links Below ! https://rumble.com/v27xg2j-a-must-see-video-what-on-earth-happened-parts-1turning-inwards.html https://rumble.com/v27xjm4-a-must-see-video-what-on-earth-happened-parts-2ofmapsandmagicians.html https://rumble.com/v27xnav-a-must-see-video-what-on-earth-happened-parts-3flattening-thecurve.html https://rumble.com/v27xqt0-a-must-see-video-what-on-earth-happened-parts-4vanishing-pointsand-the-oldc.html https://rumble.com/v27xv72-a-must-see-video-what-on-earth-happened-parts-5thered-shield.html https://rumble.com/v27y144-a-must-see-video-what-on-earth-happened-parts-6infiltrationinstead-ofinvasi.html https://rumble.com/v27y5mw-a-must-see-video-what-on-earth-happened-parts-7eyes-wide-open.html https://rumble.com/v27y9ri-a-must-see-video-what-on-earth-happened-parts-8thelooking-glass.html https://rumble.com/v27yfhm-a-must-see-video-what-on-earth-happened-parts-9panic-a-must-see-video.html https://rumble.com/v27yjdm-a-must-see-video-what-on-earth-happened-parts-10theenergetic-earth.html https://rumble.com/v27ymp1-a-must-see-video-what-on-earth-happened-parts-11the-bumblebee-and-thehexago.html https://rumble.com/v27yswn-a-must-see-video-what-on-earth-happened-parts-12stranger-than-fiction.html https://rumble.com/v27ziz7-a-must-see-video-what-on-earth-happened-parts-13down-therabbit-hole.html https://rumble.com/v2b2zqq-a-must-see-video-what-on-earth-happened-parts-14-all-13-parts-together-woeh.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion. Everything we were taught about the Earth, History, Science, Space, Energy and our Civilization was a lie. This mind blowing documentary will shift your perspective of the world monumentally. 00:00:00 - Episode 1: Questioning His-story 00:13:25 - Episode 2: A Lens Into The Past 00:38:28 - Episode 3: Inheritors Of Mud & Magnificence 01:19:19 - Episode 4: Back To The Future 02:15:38 - Episode 5: The Whispering Of The Water 03:27:28 - Episode 6: Offerus And The Alchemist 04:31:57 - Episode 7: The Known World The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth Episode 1: Questioning His-story Episode 2: A Lens Into The Past Episode 3: Inheritors Of Mud & Magnificence Episode 4: Back To The Future Episode 5: The Whispering Of The Water Episode 6: Offer us And The Alchemist Episode 7: The Known World Episode 8: All 7 Parts History Of A Lost Earth Maybe the History we've been told is a lie! Were some ancient buildings built by a different race and their true history was covered up? Did ancient peoples have advanced forms of technology that have now been forgotten? Was the massive kingdom of Tartaria visible on ancient maps much more advanced than we realize? This sub is an open forum for collaborative discussion of all topics "Tartaria" related, including Mud Flood, Tesla, AntiquiTech, Free Energy, Conspiracies, Hidden History, etc. I wonder if this video has been posted here before? If yes, then i am not sorry for posting it again, because its just one helluva epic video. If not, I highly recommend watching it if you are interested in perhaps how Tartarian technology worked. Its made by a guy who calls himself Ewaranon. Its put well together with a lot of great evidence, theories and findings of multiple topics. Its a long watch, I agree.....but its divided into several chapters. I recommend watching the first 20 or 30 min and see if it interests/sparks you. It sure got my attention as Ewaranon points out a lot of strange stuff in our world....and the narrative we know from history books. I am still thinking about all the stuff he said and points out to us. As its a lot to deal with and can shake one up. I find it fascinating though. But the tip of the iceberg is that this video also perhaps has the only real video footage of Tartarian technology. At one point he explains how Cathedrals and other old buildings really work, as in that they are energy generators. And after his explanation he shows footage of them and some other buildings in action. Fully electrified and radiating with a lot of light. The Lost History of Earth (Ewaranon) W0W - A Must See Video Lost Earth – Links Below ! https://rumble.com/v28afys-a-must-see-video-lhfe-part-1-buried-in-plain-sight-lost-history-of-earth.html https://rumble.com/v28ahvo-a-must-see-video-lhfe-part-2-lens-into-the-past-lost-history-of-earth.html https://rumble.com/v28alqa-a-must-see-video-lhfe-part-3-inheritors-of-mud-and-magnificense-lost-histor.html https://rumble.com/v28aobw-a-must-see-video-lhfe-part-4-back-to-the-future-lost-history-of-earth.html https://rumble.com/v28arc8-a-must-see-video-lhfe-part-5-whispering-of-the-water-lost-history-of-earth.html https://rumble.com/v28av42-a-must-see-video-lhfe-part-6-offer-us-and-the-alchemist-lost-history-of-ear.html https://rumble.com/v28axuo-a-must-see-video-lhfe-part-7-the-known-world-lost-history-of-earth-w0w.html https://rumble.com/v28b4q6-a-must-see-video-lhfe-part-8-history-of-a-lost-earth-all-7-parts-together-l.html Welcome To New World Order Year Zero – What If Everything You Were Taught Was A Lie? All Info. shared for non-race and historical purposes to educate, elevate, entertain, enlighten, and empower through old and new film and document allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. non-profit, educational or personal use tips the balance in favour of fair use. As with the other video, this is not monetized by me, and now I understand it's not monetized by ewar either. He's using music that has copyrights, a lot of it, which is ok as the original composers are getting some well deserved backpay on these pieces :). Anyway, there is no money or incentive here just in-form-at-ion.