Rare Tunes

Israel Vibration - Falling Angels 🇯🇲✨ Artist: Israel Vibration Album: IV (1993) Genre: Roots Reggae / Dub Themes: Spiritual warfare, Rastafari, Truth and Rights Lyrics: What you don't like for yourself, don't give it You with your ego, glutness a greecly, won't achieve it Telling Jah people that you cam When you are just in for the sham Me say whoa, them blasphemers Their plan is to destroy you You watch them, them blasphemers Falling angels, them hypnotize you They just want to be the leaders To divide, confuse the readers Having a form of Godliness on the outside But they are full of wickedness on the inside Whoa, them blasphemers Their plan is to destroy you You watch them, them blasphemers Falling angels, them hypnotize you Say them can fool some people sometimes, yeah But they can't fool Jah people in this time, no no But true we know Jah low is right Children stand up in Jah light, whoa Failing angel in the garden to make you go wrong Hypocrite is in the garden, it won't he for long Failing angel in the garden to make you go wrong Hypocrite is in the garden, it won't he for long They don't care who they trample, yeah (woo-oo) They are the worst example (woo-oo) They just want to reach the top (woo-oo) They don't care about the flock, oh no Me say whoa, them blasphemers Their plan is to destroy you You watch them, them blasphemers Falling angels, them hypnotize you, whioa They creep into your area (woo-oo) yeah With their devilish behavior (woo-oo) yeah Poisoning the minds of Jah children Destructive force-Jah will defuse them Me say whoa, them blasphemers Their plan is to destroy you You watch them, them blasphemers Falling angels, them hypnotize you Me say whoa, them blasphemers Falling angels, them hypnotize you Children watch them, them blasphemers Yes, their plan is to destroy you Songwriters: Albert Craig

Experience the powerful spiritual vibrations of "Guide Us Jah," an undisputed masterpiece of UK Roots Reggae by the legendary band Matumbi. Released in 1977 as a 12" single on Matumbi Music Corp and later featured on their seminal 1978 album Seven Seals, this track remains a cornerstone of the British reggae movement. Led by the visionary producer and guitarist Dennis Bovell (also known as Blackbeard), Matumbi combined traditional Jamaican roots sensibilities with high-fidelity UK production. "Guide Us Jah" is a poignant prayer for spiritual deliverance and strength. The lyrics, "The spirit is willing but the flesh is weak," reflect the Rastafarian struggle against the metaphor of "Babylon" and the historical trauma of captivity. While the band was famous for hits like "Point of View," "Guide Us Jah" showcased their deeper, more meditative side, featuring Bevin Fagan’s soulful lead vocals and Bovell’s signature fluid guitar lines. The track was originally recorded in late 1977, during sessions that transitioned the band from Trojan Records to EMI’s Harvest label The sessions were held at Berry Street Studio in London, a legendary hub for independent and reggae artists of the era. Produced by Matumbi, the track features Eaton "Jah" Blake on bass, Jah Bunny Donaldson on drums, and Webster "Scratch" Johnson on keyboards. Whether you are a longtime fan of the British reggae scene or discovering the "Matumbi sound" for the first time, "Guide Us Jah" is an essential listen for anyone seeking music with soul, purpose, and deep bass. Artist: Matumbi. Lead Vocals: Bevin Fagan. Original Release: 1977 (as a 12" single on Matumbi Music Corp). Album: Featured on the 1978 album Seven Seals (Harvest/EMI). Key Personnel: Dennis Bovell (Lead Guitar/Production), Eaton Blake (Bass), and Euton Jones (Percussion).

Experience the raw, heavyweight sound of The Psalms with their legendary 1980 roots anthem, "Hell Up In A Harlem." This track stands as a cornerstone of the "Foundation" era, showcasing the peak of Jamaican musical craftsmanship. "Hell Up In A Harlem" is a powerful piece of social commentary set against a driving, hypnotic riddim. The song captures the intensity and struggle of urban life, using "Harlem" as a symbol for the universal hardships faced by the African diaspora and the marginalized in inner cities. Its haunting vocal delivery and militant drum-and-bass structure make it a quintessential "sound system killer" that remains a favorite among collectors and reggae enthusiasts in 2026. The track was recorded in 1980 at the world-renowned Channel One Studios in Kingston, Jamaica. During this era, Channel One was the epicenter of the "Rockers" and early "Rub-a-Dub" sounds. The session was helmed by the unstoppable "Rhythm Twins," Sly Dunbar (drums) and Robbie Shakespeare (bass), under their iconic Taxi label. The crisp, punchy percussion and deep, melodic bassline are trademarks of the Channel One sound, mixed with the precision that only Sly & Robbie could provide. Personnel: Vocals: The Psalms Drums: Sly Dunbar Bass: Robbie Shakespeare Label: Taxi / Sonic Sounds Recording Date: 1980 Series: Sly & Robbie Taxi Collectors Series Country: Jamaica Genre: Reggae Style: Roots Reggae, Dub Whether you are a lifelong fan of roots reggae or a newcomer to the sounds of Jamaica, "Hell Up In A Harlem" is an essential listen that perfectly captures the spiritual and political energy of the 1980s.

Experience the deep, soulful rhythms of "Feel The Vibration" by the legendary Don Taylor. Originally released in 1979, this track is a quintessential piece of Roots Reggae history that captures the spiritual and rhythmic essence of Jamaica’s golden era of music. "Feel The Vibration" is celebrated for its hypnotic bassline and smooth vocal delivery, characteristic of the late '70s reggae scene. The lyrics invite listeners to immerse themselves in the "sweet emotion" of the music, reflecting the era's focus on positive vibrations and cultural unity. While Don Taylor is often remembered in music history as the manager for Bob Marley, his own contributions as an artist provided the genre with rare gems like this one. The track was recorded in 1979, during the peak of the roots movement. The sessions took place in Kingston, Jamaica, the heartbeat of the reggae world. The single was originally pressed on the Solid Gold label and distributed through the famous Dynamic Sounds network at 187½ Spanish Town Road in Kingston. This high-quality audio upload preserves the authentic vinyl warmth of the original 7-inch release. Whether you are a lifelong reggae collector or a new fan of island sounds, let this classic track take you back to the roots of the vibration. Artists: DJ Karkiro, Don Taylor Album: Feel The Vibration Released: 1979 Genre: Reggae

Experience a soulful reggae masterpiece with Owen Gray’s timeless cover of "The Greatest Love of All." Originally written by Michael Masser and Linda Creed, and made famous by George Benson in 1977, Owen Gray brought his signature Jamaican flair to the track just a year later, creating a version that resonates deeply within the lovers rock and roots reggae communities. This iconic version was recorded in 1978. The track was recorded in the United Kingdom, where Gray was a prominent figure in the London reggae scene after emigrating from Jamaica in 1962. Produced by the renowned Clem Bushay, the song features the smooth deejay style of Ranking Jah Son (also known as Jah-Son). Released on the Bushranger and Trojan Records labels, this track showcases why Owen Gray is celebrated as Jamaica's first home-grown singing star. Gray, who passed away on July 20, 2025, remains a pillar of Jamaican music history, from the birth of Ska to the evolution of Reggae. Whether you are a long-time collector of vintage vinyl or a new listener discovering the "Godfather of Ska," this 1978 recording captures a legend at the height of his soulful powers. Artist: Owen Gray Album: Reggae Trio Label: Trojan Records – TRO 9039 Country: UK Released: 1978 Genre: Reggae Style: Ska

Experience the timeless message of hope and resilience in "Better Days Are Coming" by the legendary Jamaican reggae artist Eric Donaldson. Originally released in 1984 as a 12-inch single on the J.J. International label, "Better Days Are Coming" later appeared on Donaldson's acclaimed 1985 album, The System. The track stands as a powerful anthem of optimism, urging listeners to look past current struggles toward a brighter future. Known for his unique falsetto and his record-breaking seven wins at the Jamaican Festival Song Competition, Donaldson delivers a performance that blends soulful roots reggae with a universal message of peace. Like many of his classic hits, this track was produced and recorded in Kingston, Jamaica, primarily involving the J.J. Syndicate production team. During this era, Donaldson frequently collaborated with top-tier Jamaican musicians to capture the authentic "Rockers" and "Roots" sound that made him a household name across the Caribbean and Africa. Whether you are a lifelong fan of Eric Donaldson or discovering his music for the first time, let the uplifting vibrations of this 1984 classic inspire your journey. Don't forget to Like, Share, and Subscribe for more classic Reggae vibes! Artist: Eric Donaldson Album: The System Released: 1985 Genre: Reggae.

Artist: Teddy Pendergrass Album: TP (Expanded Edition) Released: 1980 Genre: R&B/Soul Experience the smooth, legendary baritone of Teddy Pendergrass with "Love T.K.O.," an undisputed masterpiece of 1980s soul. Often hailed as one of the greatest "Quiet Storm" ballads ever recorded, this track remains a definitive anthem of romantic surrender and emotional raw power. "Love T.K.O." (Technical Knockout) was written by the celebrated songwriting team of Cecil Womack, Gip Noble Jr., and Linda Womack. While originally recorded by David Oliver, it was Teddy Pendergrass who immortalized the song on his platinum-selling 1980 album, TP. The track reached No. 2 on the Billboard R&B chart and remains a staple for its metaphor of being "defeated" by the repeated bruises of heartbreak. When: The song was recorded between 1979 and 1980 during the sessions for the TP album. Where: Recording took place at the iconic Sigma Sound Studios in Philadelphia, Pennsylvania, the epicenter of the "Philly Soul" sound. Production: The track was produced by Dexter Wansel, Cecil Womack, and Cynthia Biggs, featuring the signature sophisticated arrangements that defined Pendergrass's solo career.

"Reggae Rock Lullabye" is a notable track by the British-based reggae artist King Sounds (born Roy Livingstone Plummer), typically performing with his band, The Israelites. "Reggae Rock Lullaby" is celebrated for its protective and hopeful themes, speaking of dreaming of better mornings and the reassuring presence of a mother's love. It remains a staple for fans of 80s reggae and lovers' rock. Artist: King Sounds (Roy Livingstone Plummer) & The Israelites. Release Date: Originally released on January 1, 1985, as a 7" and 12" single. Album: Appears on the album "There Is A Reward." Writer/Producer: Roy Livingstone Plummer Label: King And The I (UK). Location: While King Sounds began his career in Jamaica, this track was recorded in the United Kingdom during his period with the King And The I label. King Sounds was a key figure in the London reggae scene, often recording at prominent UK studios like Easy Street Studios and The Fallout Shelter.

The song was released as a single on the Oneness label, produced by H. Butler. Artist: Jaharmi Title: Psychic Mood / Morning Star Format: 7" vinyl record, 45 RPM Label: Oneness Country: Jamaica Released: 1983 Genre: Reggae, Dub Producer: H. Butler Arrangement: Harold Butler "Psychic Mood" is a classic reggae single by the artist Jaharmi (Harold Butler), released as a 7-inch vinyl record, with the instrumental version "Morning Star" on the B-side. The single was produced in the 1980s and is known for its "lovers" style reggae sound.

🎵 Credits: Artist: George Faith Producer: Bunny Lee Label: Originally released via Hollywood Records / Gorgon Music Album: Soulfull (1979) ✨ About the Song: "Love and Affection" (specifically the popular Disco Style version) is a staple of smooth reggae. This track highlights Faith’s incredible vocal range and his ability to blend American soul influences with authentic island rhythms. The song features an all-star lineup of legendary session musicians, including the iconic duo Sly & Robbie (Sly Dunbar and Robbie Shakespeare), Tommy McCook on saxophone, and Earl "Chinna" Smith on guitar. 📍 Recording Details: When: The track was primarily recorded in late 1978 and officially released on January 1, 1979. Where: Recording sessions took place at the famous Harry J Studios in Kingston, Jamaica. Production: The song was produced by the legendary Bunny Lee (Edward O'Sullivan Lee) and mixed by the dub pioneer Scientist at King Tubby’s Studios. Whether you're a lifelong reggae fan or discovering George Faith for the first time, this track remains a definitive example of 1970s soulful reggae.