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The Amazing Digital Circus Outta Context

Chicago performing their full set when they played at the Tanglewood, Massachusettes outdoor venue normally reserved for classical music. A number of artists played there in 1970, utilizing the amazing acoustics that orchestras enjoy.

Side A "Rocks Off" ( 4:31 ) - A Jagger-Richards barnburner, with Richards’ riff, Bobby Keys’ sax, and Jagger’s druggy slur (“I’m zipping through the days at lightning speed”). Watts’ drums and horns (Jim Price) kick it into overdrive—a chaotic opener. "Rip This Joint" ( 2:22 ) - A frenetic rockabilly sprint, with Jagger’s rapid-fire ode to American excess. Keys’ sax and Watts’ breakneck tempo make it a breathless thrill. "Shake Your Hips" ( 2:59 ) - A Slim Harpo blues cover, with Jagger’s harmonica and Taylor’s slide. Its loose, swampy groove sets the album’s raw tone. "Casino Boogie" ( 3:33 ) - A sleazy Jagger-Richards blues-rocker, with lyrics cut up Burroughs-style. Taylor’s guitar and Richards’ bass (Wyman sat out) grind hard. "Tumbling Dice" ( 3:45 ) - The album’s lead single, a gospel-infused rocker about a gambler’s life. Richards’ riff, Taylor’s slide, and Clydie King’s backing vocals lift it—a US #7, UK #5 hit. Side B "Sweet Virginia" ( 4:27 ) - A country-blues gem, with Jagger’s drawl and harmonica over acoustic strums. Its “got to scrape the shit right off your shoes” lyric is pure Stones—raw and heartfelt. "Torn and Frayed" ( 4:17 ) - A Jagger-Richards country-rock ode to the road, with Taylor’s slide and Al Perkins’ steel guitar. Jagger’s weary vocal shines—a fan favorite. "Sweet Black Angel" ( 2:54 ) - A Jagger-Richards acoustic tribute to Angela Davis, with marimba (Richard Washington) and bluesy charm. It’s political yet understated. "Loving Cup" ( 4:25 ) - A soulful Jagger-Richards anthem, with Nicky Hopkins’ piano and King’s backing vocals. Its joyous build and Taylor’s guitar make it a standout. Side C "Happy" ( 3:04 ) - Richards’ lead-vocal gem, a gritty rocker about resilience. With Keys’ sax and Jimmy Miller on drums (Watts was absent), it’s a US #22 hit—pure Keith cool. "Turd on the Run" ( 2:36 ) - A frantic blues-rocker, with Jagger’s harmonica and Richards’ riff. Its raw energy and throwaway vibe epitomize the album’s chaos. "Ventilator Blues" ( 3:24 ) - A Jagger-Richards-Taylor co-write, a brooding blues with Taylor’s slide and Hopkins’ piano. Jagger’s claustrophobic vocal nails the Nellcôte vibe. "I Just Want to See His Face" ( 2:52 ) - A gospel-blues sketch, with Jagger’s ad-libbed vocal and female backing (King, Venetta Fields). Its murky spirituality feels like a basement prayer. "Let It Loose" ( 5:16 ) - A soulful Jagger-Richards epic, with gospel backing and Taylor’s soaring guitar. Jagger’s passionate vocal makes it a hidden gem. Side D "All Down the Line" ( 3:49 ) - A high-energy rocker, with Taylor’s slide and Keys’ sax. Jagger’s vocal and Watts’ drums drive it—a live staple, almost a single. "Stop Breaking Down" ( 4:34 ) - A Robert Johnson blues cover, with Taylor’s slide and Jagger’s harmonica. Its raw, electric take is a nod to their roots. "Shine a Light" ( 4:14 ) - A gospel-soul Jagger-Richards hymn, with Billy Preston’s organ and backing vocals. Its redemptive vibe (inspired by Leon Russell) glows—later a film title. "Soul Survivor" ( 3:49 ) - A gritty closer, with Richards’ bass (Wyman absent) and Taylor’s guitar. Jagger’s tale of endurance (“I’ll be the last one to kiss that sinking ship”) ends the album defiantly. The production, led by Miller, is deliberately raw—Nellcôte’s humid basement gave a murky, live feel, with Sunset Sound’s overdubs adding polish. Richards’ open tunings and Taylor’s fluid solos create a dual-guitar attack, while Jagger’s vocals—slurred, soulful, desperate—are his best. Wyman and Watts anchor it (Watts shines on “Rocks Off”), with guests like Hopkins, Keys, Price, Preston, and King adding soulful depth. The 17 originals and one cover show Jagger-Richards’ mastery, even amid heroin-fueled chaos. In 1972, Exile on Main St. hit #1 in the UK and US, going platinum in both. “Tumblin

Remastered studio version.

Studio version of their monster hit.

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