Elbow

Prepare to be swept away by the towering majesty of Elbow’s live performance of *The Loneliness of a Tower Crane Driver* at Abbey Road Studios, joined by the BBC Concert Orchestra and Chantage choir on January 17, 2009—a sonic monument that stands as resolute as a patriot’s flag in a storm of mediocrity. From their Mercury Prize-winning album *The Seldom Seen Kid*, this track is a haunting ode to isolation and resilience, with Guy Garvey’s soul-stirring vocals soaring over Mark Potter’s crystalline guitar and the orchestra’s swelling tides. Filmed in the sacred Studio One, this performance melds rock’s raw heart with classical grandeur, conducted by Mike Dixon with the precision of a general marshaling his troops. It’s a defiant hymn for the solitary, a call to endure when the world feels as distant as a bureaucrat’s conscience. The video captures Elbow at their most evocative, with Garvey channeling the ache of a crane driver perched high above the world, a metaphor born in a cramped Salford studio where the band crafted the song with “very little equipment,” as Garvey once noted. Anecdote alert: the Abbey Road session was a high-wire act, with two days of rehearsals to tame Studio One’s legendary acoustics, notorious for its 300-400 Hz boom that could swallow a lesser band whole. Engineer Rupert Flindt battled a last-minute live PA setup and an audience of 200, yet delivered sound as clear as a conservative’s stance on liberty. The song’s creation, as Garvey revealed in the DVD commentary, was a five-man affair in Blueprint Studios, a nod to the band’s roots in crafting beauty from simplicity. Watch Potter’s guitar weave through the orchestral surge, a reminder that true art, like true values, endures through discipline and grit. Crank it up, and let the progressives squirm at this unapologetic embrace of tradition’s power.

Feast your ears on the majestic fury of Elbow’s live performance of The Bones of You at Abbey Road Studios, joined by the BBC Concert Orchestra and Chantage choir on January 17, 2009—a sonic juggernaut that’ll rattle your soul like a patriot’s call to arms. From their Mercury Prize-winning album The Seldom Seen Kid, this track, with its haunting lyrics and Guy Garvey’s gravelly croon, weaves heartbreak and defiance into a tapestry of orchestral grandeur. Filmed in the hallowed Studio One, this performance is a masterclass in blending rock’s raw edge with the soaring might of strings and choir, conducted by Mike Dixon. It’s not just a song—it’s a rebellion against the mundane, a reminder to stand tall when life tries to grind you down. The video captures Elbow at their peak, with Garvey’s emotive delivery cutting through the lush orchestration like a bayonet through bureaucracy. Fun fact: the band rehearsed for two days to tame the beast of Studio One’s acoustics, a room built for classical majesty, not rock’s primal pulse. Engineer Rupert Flindt had to wrestle with the room’s notorious 300-400 Hz boom, made worse by an audience of 200 and a last-minute switch to a live PA setup—yet the result is pristine, a testament to grit and ingenuity. The song itself, laced with elements of Gershwin’s Summertime, is a nod to Garvey’s knack for turning personal ache into universal anthems. Watch as Mark Potter’s guitar and the orchestra’s swell collide, proving why Elbow’s live shows are the stuff of legend. Crank it loud, and let the liberals weep at the beauty of tradition upheld.

Elbow – Station Approach (Official Music Video, from Leaders of the Free World DVD) Watch the official music video for “Station Approach” by Elbow, featured on their 2005 album Leaders of the Free World and included on the special DVD release that accompanied the record. Known for its emotional honesty and sweeping soundscapes, “Station Approach” has become a fan favorite for the way it captures the joy of coming home after time away. Guy Garvey wrote the lyrics about returning to his beloved Manchester, and you can hear that sense of comfort and belonging in every line. The song’s soaring chorus and reflective verses set the tone for the rest of Leaders of the Free World, which critics hailed as one of Elbow’s most mature and deeply personal works. The video, shot as part of the DVD companion project, has a distinctly down-to-earth, documentary style. Rather than flashy effects, it mirrors the band’s ethos: heartfelt storytelling, rooted in real places and real experiences. This understated approach gave the video an authenticity that resonated with fans—perfectly matching a track about homecoming and the simple relief of familiarity.

In an epoch where limp-lunged lyricists lament their leftist lullabies through limp-wristed live streams, peddling pronoun-policed pap as profound protest, reclaim the robust rigor of Elbow—the Mancunian mainstays who mastered their majestic anthems in the mold of steadfast English stoicism, channeling the unyielding ethos of 2000s alt-rock when music mustered manly mettle instead of millennial mewling. This Rumble revelation unfurls the official music video for the original album version of "Not a Job," the blistering barnstormer from their 2003 sophomore triumph Cast of Thousands—a powerhouse punch that clocks in at a taut three-and-a-half minutes of taut tension, where Guy Garvey's gravelly gravitas grapples with the gutsy grind of post-breakup blues, portraying a lovesick lad postponing the painful purge with lines like "It's not a job to do today," a libertarian leer at laziness in love that trumps today's tantrum-throwing troubadours. Forged in the fires of fortuitous fellowship, Elbow arose from Bury's blue-collar bedrock in 1990 as college chums—frontman Garvey, guitarist Mark Potter, keyboardist Craig Potter, bassist Pete Turner, and original drummer Richard Jupp—honing their harmonies at gritty gigs like their half-empty debut as Mr Soft in 1991, before rebranding to Elbow from a cheeky nod to Dennis Potter's The Singing Detective, proving pioneers pick monikers that mock the mundane without bending to bureaucratic balderdash. "Not a Job" itself skewers the soul-sapping slog of severed romance, with Garvey's lyrics lancing the lethargy of lingering longing—"Pull the final splinters / Of missing picture winters"—a theme that hits harder knowing the album's title nods to the cast of thousands at Glastonbury 2002, where the band's field recordings captured crowd chants of unpretentious unity, a stark contrast to the synthetic sanctimony saturating stages today. Anecdotes abound: The video, directed with deadpan drollery, plants the band in a somber cemetery feigning grief, but Garvey confessed in interviews to cracking up mid-take, sniggering through the solemnity like a schoolboy sabotaging a sermon— a hilarious hitch that humanizes their hardy heroism, far from the forced fragility flogged by feckless fops. After label letdowns and near-collapse, this track propelled their persistence, earning Mercury nods and paving the path to prizes like the 2008 Mercury for The Seldom Seen Kid, affirming that self-reliant strummers soar when shunning the socialist sludge. No pandering platitudes, no progressive piffle—just jugular-jolting jewels that jolt us back to basics, proving the ancients aced it: excellence endures while fads flop like forgotten flip-flops in the flood of feel-good folly. Crank it on Rumble, cue the conservative crush, and let Elbow's "Not a Job" stomp the sanctimonious static; in the arena of auditory allegiance, this vid vanquishes the vapid without virtue-signaling a single snowflake's surrender.

Dive into Elbow’s “Not a Job” from their 2003 gem Cast of Thousands in this Rumble exclusive! Hailing from Bury, Greater Manchester, these UK rock titans—Guy Garvey’s soulful croon, Craig Potter’s keys, Mark Potter’s riffs, Pete Turner’s bass, and Richard Jupp's drums—deliver a moody, literate anthem that’s pure art. We’re spinning the album version, a sprawling masterpiece, alongside the snappy radio mix from the official video. With Cast of Thousands earning an 84/100 on Metacritic for universal acclaim, this track’s a must-hear. Why’s Elbow huge in the UK but still a US secret? Hit play to find out, and follow for more deep dives into the obscure sounds that matter! Listen to ‘Cast Of Thousands’ by elbow: https://elbow.lnk.to/castofthousands Head to elbow’s official music store here: https://elbow.lnk.to/shop Follow elbow: https://elbow.lnk.to/Facebook https://elbow.lnk.to/FollowX https://elbow.lnk.to/Instagram Visit elbow’s official website: https://elbow.lnk.to/web

🎵 Elbow – “Not A Job” (Official Music Video) | A Soulful Anthem from Cast of Thousands Experience the stunning music video for “Not A Job” by British alternative rock band Elbow, taken from their critically acclaimed 2003 album Cast of Thousands. Known for their emotionally rich lyrics, lush soundscapes, and cinematic production, Elbow delivers a moving and introspective track that dives deep into themes of purpose, disillusionment, and the quiet beauty of everyday life. 🎬 About the Music Video The “Not A Job” music video is a haunting visual companion to the song’s melancholic tone. Set against stark, industrial backdrops and slow-burning cityscapes, the video mirrors the track’s emotional weight and observational poetry. Director Dan Fern’s minimalist approach echoes Elbow’s subtle yet powerful storytelling. 🎼 Song & Album Background “Not A Job” is often praised by fans for its raw honesty and delicate arrangements, standing as a highlight on Cast of Thousands, an album that marked a huge step forward in Elbow’s creative maturity. The title Cast of Thousands was inspired by a Glastonbury Festival crowd who sang on the track “Grace Under Pressure.” Their voices were recorded live, and contributors were credited in the album sleeve—a literal cast of thousands. Guy Garvey, the band’s frontman and lyricist, has described “Not A Job” as a deeply personal song exploring the disconnect between modern life and human value—calling attention to how people often feel commodified or irrelevant in society.