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The Misfits, Paddle ball scene, Marilyn Monroe, classic film
573F4N0The Misfits is a 1961 American Contemporary Western film written by Arthur Miller, directed by John Huston, and starring Clark Gable, Marilyn Monroe, and Montgomery Clift. The supporting cast includes Thelma Ritter and Eli Wallach. Adapted by Miller from his own short story of the same name published in Esquire in October 1957, The Misfits was the last completed film for both Clark Gable and Marilyn Monroe. For Gable, the film was posthumously released, while Monroe died in August 1962 after its release. The plot centers on Roslyn Tabor (Monroe), a newly divorced woman from Reno, and her relationships with friendly landlady Isabelle Steers (Thelma Ritter), an old-school cowboy Gaylord Langland (Gable), his tow-truck driving and plane-flying best friend (Wallach), and their rodeo-riding, bronc-busting friend (Clift). The Misfits was a commercial failure at the time of its initial release, but received critical acclaim for its script and performances. Its reputation has shifted over the following years, and many critics now consider the film to be a masterpiece and one of the best films of the 1960s.33 views -
Tokyo - Perry King, Sylvester Stallone, The Lords of Flatbush
573F4N0The Lords of Flatbush - The Lords of Flatbush (stylized on-screen as The Lord's of Flatbush) is a 1974 American drama film directed by Martin Davidson and Stephen F. Verona. The film stars Perry King, Sylvester Stallone, Paul Mace and Henry Winkler.30 views -
Where soars the Silver Surfer - Richard Gere and Valérie Kaprisky in Breathless
573F4N0Where soars the Silver Surfer - Richard Gere and Valérie Kaprisky in Breathless. Breathless is a 1983 American neo-noir romantic thriller film[2] directed by Jim McBride, written by McBride and L. M. Kit Carson, and starring Richard Gere and Valérie Kaprisky. It is a remake of the 1960 French film of the same name directed by Jean-Luc Godard and written by Godard and François Truffaut. The original film is about an American woman and a French criminal in Paris, while the remake is vice versa in Los Angeles.39 views -
Digitalart 2000 from La Biennale di Venezia photography Italy Venice
573F4N0Digitalart 2000 from La Biennale di Venezia photography Italy Venice11 views -
The Winners circle - Promo - Music written and performed by Stefano Belluz
573F4N0The Winners circle - Promo - Music written and performed by Stefano Belluz © 202520 views -
Kiss Tomorrow Goodbye 1950 film noir James Cagney, Barbara Payton, Helena Carter
573F4N0Kiss Tomorrow Goodbye is a 1950 film noir starring James Cagney, directed by Gordon Douglas, produced by William Cagney and based on the novel by Horace McCoy. The film was banned in Ohio as "a sordid, sadistic presentation of brutality and an extreme presentation of crime with explicit steps in commission." Supporting Cagney are Luther Adler as a crooked lawyer, and Ward Bond and Barton MacLane as two crooked cops. starring James Cagney Barbara Payton Helena Carter13 views -
Perspectives, cultures, values, Ideas, Ideals, goals, realities
573F4N0Perspectives, cultures, values, Ideas, Ideals, goals, realities13 views -
Serial Experiments Lain, Title music, Japanese, anime, television series, rock, pop
573F4N0Serial Experiments Lain is a Japanese anime television series created and co-produced by Yasuyuki Ueda, written by Chiaki J. Konaka and directed by Ryūtarō Nakamura. Animated by Triangle Staff and featuring original character designs by Yoshitoshi Abe, the series was broadcast for 13 episodes on TV Tokyo and its affiliates from July to September 1998. It follows Lain Iwakura, an adolescent girl in suburban Japan, and her relation to the Wired, a global communications network similar to the internet. Lain features surreal and avant-garde imagery and explores philosophical topics such as reality, identity, and communication.[6] The series incorporates creative influences from computer history, cyberpunk, and conspiracy theories. Critics and fans have praised Lain for its originality, visuals, atmosphere, themes, and its dark depiction of a world fraught with paranoia, social alienation, and reliance on technology considered insightful of 21st century life. It received the Excellence Prize at the Japan Media Arts Festival in 1998.32 views