Reggae Roots

🎵 Credits: Artist: George Faith Producer: Bunny Lee Label: Originally released via Hollywood Records / Gorgon Music Album: Soulfull (1979) ✨ About the Song: "Love and Affection" (specifically the popular Disco Style version) is a staple of smooth reggae. This track highlights Faith’s incredible vocal range and his ability to blend American soul influences with authentic island rhythms. The song features an all-star lineup of legendary session musicians, including the iconic duo Sly & Robbie (Sly Dunbar and Robbie Shakespeare), Tommy McCook on saxophone, and Earl "Chinna" Smith on guitar. 📍 Recording Details: When: The track was primarily recorded in late 1978 and officially released on January 1, 1979. Where: Recording sessions took place at the famous Harry J Studios in Kingston, Jamaica. Production: The song was produced by the legendary Bunny Lee (Edward O'Sullivan Lee) and mixed by the dub pioneer Scientist at King Tubby’s Studios. Whether you're a lifelong reggae fan or discovering George Faith for the first time, this track remains a definitive example of 1970s soulful reggae.

Artist: Chalice Album: Stand Up! Genre: Reggae Release Date: January 1, 1984 Label: Pipe Music International Experience the uplifting vibrations of "Shine On," one of the standout tracks from the legendary Jamaican reggae band, Chalice. Released as part of their acclaimed 1984 album Stan' Up, this song perfectly captures the band’s signature blend of roots reggae and melodic pop sensibilities that dominated the 1980s reggae scene. "Shine On" (sometimes known as "Shine On Your Way") is a powerful anthem of perseverance and hope. Written by band members Winston "Alla" Lloyd and Wayne Armond, the lyrics speak to the struggle of life ("all I want from livity is a life of peace") while maintaining a spiritual focus on eventual release and light. Recorded In: 1983 Location: Kingston, Jamaica Studio Details: The sessions for the Stan' Up album were held at major Jamaican hubs, with chief recording and mixing handled by the renowned Steven Stanley. Additional mixing for the album took place at the world-famous Tuff Gong Studios and was later mastered by Bob Ludwig at Masterdisk in New York. During the recording of this classic, Chalice featured its most iconic lineup: Trevor Roper: Lead Vocals / Guitar Wayne Armond: Guitar / Vocals Keith Francis: Bass Desi Jones: Drums / Percussion Mikey Wallace: Keyboards / Vocals Winston "Alla" Lloyd: Keyboards / Vocals Robi Peart: Guitar / Vocals Don't forget to Subscribe and Like for more timeless reggae classics and musical history!

Dive into the smooth, romantic sounds of June Lodge (also known as J.C. Lodge) with her iconic reggae rendition of "More Than I Can Say." Originally a 1960s pop hit, June Lodge transformed this track into a definitive Lovers Rock anthem that captured hearts across the globe. "More Than I Can Say" is a soulful cover of the song originally written by Sonny Curtis and Jerry Allison of The Crickets. While many remember the 1980 soft rock version by Leo Sayer, June Lodge’s reggae interpretation brought a fresh, rhythmic pulse to the lyrics of longing and devotion. Following the massive success of her hit "Someone Loves You Honey," this track solidified her status as a leading voice in the reggae-pop crossover scene. The song was recorded in 1980, shortly after her debut success. It was officially released as a single in 1980 and later featured on her 1982 album, Someone Loves You Honey. The track was recorded at the legendary Joe Gibbs Recording Studio in Kingston, Jamaica. It was produced by the powerhouse duo of Joe Gibbs and Errol Thompson, often referred to as "The Mighty Two".

"Mother-To-Be" is a roots reggae single by Earl Sixteen (born Earl John Daley), a prominent Jamaican singer known for his soulful voice and collaborations with various producers and bands like Dreadzone Originally released in 1979 on the 56 Hope Road label in Jamaica, "Mother-To-Be" is a heartfelt tribute and a staple for fans of conscious reggae. This 7-inch vinyl classic showcases Earl Sixteen's signature smooth vocals over a steady, melodic riddim, reflecting the transition of reggae into the polished production styles of the late 1970s. This track beautifully captures the emotions surrounding love, family, and new beginnings. With its mellow rhythm, rich bassline, and gentle vocal delivery, Mother-To-Be blends roots reggae consciousness with romantic expression, making it a favorite among reggae selectors and vinyl collectors worldwide. Album: Boss Man Release Year: 1979 Label: 56 Hope Road Location: Recorded in Kingston, Jamaica, the heart of the reggae movement Genre: Reggae / Roots Reggae

"Play Me A Love Song" is a classic reggae track and the title song of the 1981 solo album by Jamaican singer Nora Dean. Known for her soulful and expressive voice, Dean transitioned from early rocksteady and reggae hits like "Barbwire" to smoother "lovers rock" and gospel later in her career. Released in 1981 as the title track of her solo album under the Nationwide label (NWLP 007), "Play Me A Love Song" remains a definitive anthem of the Lovers Rock era. While Nora Dean is legendary for her early 1970s rocksteady hits like "Barbwire," this track showcases her transition into a more mature, soulful sound. The album was produced and arranged by Charles Reid (son of the legendary Duke Reid). Although specific studio credits are often debated, it was recorded during a period when Dean was working between Jamaica and the UK, and the tracks are widely believed to feature the powerhouse rhythm section of Sly & Robbie. Release Year: 1981. Genre: Reggae / Lovers Rock. Label: Nationwide (NWLP 007). Theme: The lyrics describe a longing for romantic music to celebrate a partner's return, asking a DJ to play "something soft and nasty".

"Soul Rebel" is a classic reggae song written by Bob Marley and famously covered by the Jamaican group The Gladiators. Experience the powerful roots reggae sounds of The Gladiators with their legendary cover of "Soul Rebel," originally written by Bob Marley. This track captures the true essence of Jamaican reggae with its deep basslines, soul-stirring vocals by Albert Griffiths, and timeless message of resilience and spiritual rebellion. Whether you're a lifelong fan of roots reggae or discovering the golden era of 1970s Jamaican music for the first time, this performance is a must-listen. The Gladiators remain one of the most influential bands in reggae history, known for hits like "Hello Carol" and "Bongo Red." Artist: The Gladiators Album: Trenchtown Mix Up Released: 1976 Genre: Reggae Songwriters: Bob Marley Lyrics I'm a rebel, soul rebel I'm a capturer, soul adventurer See the morning sun (uh-uh-uh) on the hillside (ooh) Not living good, yeah, travel wide Said, I'm a living man (ah-ah-ah-ah), I've got work to do (ooh) If you're not happy, children, must be blue (must be blue, must be blue) I'm a rebel, soul rebel I'm a capturer, soul adventurer I'm a rebel, I'm a rebel, soul rebel I'm a capturer, soul adventurer See the morning sun (uh-uh-uh-uh) on the hillside (ooh) Not living good, yeah, travel wide Say, I'm a living man (ah-ah-ah-ah), I've got work to do (ooh) If you're not happy, children, must be blue (must be blue, must be blue) I'm a rebel, soul rebel I'm a capturer, soul adventurer I'm a rebel, I'm a rebel, soul rebel I'm a capturer, soul adventurer I'm a rebel Rebel in the thin air

Artist: The Mighty Diamonds Song Title: Come Tomorrow Album: The Moment of Truth Genre: Roots Reggae / Rockers Composer: Herwin Auld Released: 1992 Experience the timeless harmony and soulful message of “Come Tomorrow” by the legendary Mighty Diamonds — one of Jamaica’s most influential roots reggae trios. Formed by Donald “Tabby” Shaw, Fitzroy “Bunny” Simpson, and Lloyd “Judge” Ferguson, the Mighty Diamonds became known for their smooth vocal blend and conscious yet romantic storytelling. “Come Tomorrow” is a heartfelt roots reggae love song recorded during the group’s golden era in the late 1970s, a period when Jamaican reggae was shaping global culture. The song reflects patience, hope, and emotional commitment, capturing the warmth and sincerity that defined classic roots reggae recordings from Kingston studios of that time. With its mellow riddim, rich harmonies, and uplifting message, this track stands as a reminder of reggae’s ability to heal, inspire love, and speak directly to the soul. Whether you’re rediscovering this classic or hearing it for the first time, “Come Tomorrow” remains a powerful expression of real reggae music and timeless emotion. 🎧 Sit back, turn up the volume, and let the roots speak. 💬 Drop a comment: What does this song mean to you? 👍 Like, share, and follow Rasta Vibration for more classic roots reggae, rare gems, and conscious music.

"Thank You Lord" by The Heptones is a popular Reggae track released in 1986, featured on their album Changing Times, known for its uplifting message and signature three-part harmonies from the classic Jamaican vocal group, a song that remains a beloved piece in their extensive catalog. Artist: The Heptones (Barry Llewellyn, Leroy Dallass, Earl Morgan). Album: Changing Times. Release Year: 1986 (specifically July 14, 1986). Genre: Reggae. Producers: Often associated with Winston "Niney" Holness or KP&P - Celluloid.

Artist: Mighty Diamonds Album: Jam Session Released: 1990 Mighty Diamonds – A Feather in a Richman’s Hat — a timeless slice of authentic Jamaican roots reggae! This powerful track showcases the signature harmonies, lyrical depth, and spiritual message that made The Mighty Diamonds one of reggae’s most beloved groups. Recorded in the mid-1970s at Channel One Studio in Kingston, Jamaica, this song reflects the era’s social consciousness and the band’s unique ability to blend cultural commentary with sweet vocal harmony. Throughout the track, The Mighty Diamonds highlight themes of pride, inequality, and dignity — wrapped in a warm, roots-heavy rhythm that continues to resonate with reggae lovers worldwide. The Mighty Diamonds, formed in Trench Town in 1969, rose to global acclaim with their smooth voices and message-oriented songwriting. “A Feather in a Richman’s Hat” remains a strong example of their enduring legacy and influence in roots reggae culture. If you’re a fan of conscious reggae, 70s roots classics, or the golden voices of Jamaica, this one is for you. Enjoy, share, and keep the roots alive! 🌿🔥

Dive into the powerful vibes of “Invisible Wall,” by legendary reggae group The Wailing Souls — a haunting roots-reggae song that speaks truth to social and political barriers built by systems. Released on their 2020 album Back A Yard, “Invisible Wall” blends soulful call-and-response harmonies with stripped-back production that draws the listener into its urgent message. Hailing from Kingston, Jamaica and formed in 1968, The Wailing Souls have been icons of reggae — led by longtime members Winston "Pipe" Matthews and Lloyd "Bread" McDonald — carrying decades of musical heritage and socially conscious storytelling. “Back A Yard,” recorded as a reunion between the veteran duo and acclaimed producer Alborosie, hits hard in 2020 — showing that Wailing Souls’ voice remains as relevant and resonant today as ever. 👉 If you’ve ever felt walls dividing people — socially, geographically, or by class — this track calls for unity and awareness. Let it move you, reflect, and inspire. 🎧 Listen, Share & Spread Jah Vibes!