REGGAE HITS

🎵 Credits: Artist: George Faith Producer: Bunny Lee Label: Originally released via Hollywood Records / Gorgon Music Album: Soulfull (1979) ✨ About the Song: "Love and Affection" (specifically the popular Disco Style version) is a staple of smooth reggae. This track highlights Faith’s incredible vocal range and his ability to blend American soul influences with authentic island rhythms. The song features an all-star lineup of legendary session musicians, including the iconic duo Sly & Robbie (Sly Dunbar and Robbie Shakespeare), Tommy McCook on saxophone, and Earl "Chinna" Smith on guitar. 📍 Recording Details: When: The track was primarily recorded in late 1978 and officially released on January 1, 1979. Where: Recording sessions took place at the famous Harry J Studios in Kingston, Jamaica. Production: The song was produced by the legendary Bunny Lee (Edward O'Sullivan Lee) and mixed by the dub pioneer Scientist at King Tubby’s Studios. Whether you're a lifelong reggae fan or discovering George Faith for the first time, this track remains a definitive example of 1970s soulful reggae.

Artist: Joyce Bond Album: Call Me Released: 1989 "Starting Over" is a standout track from Joyce Bond's acclaimed 1989 album, Call Me. Written by Bob McDill, the song showcases Bond’s unique ability to blend the grit of American soul with the rhythmic sway of Jamaican Lovers Rock. The lyrics—"It's not easy, everyone knows when you're starting over"—resonate as a universal anthem for resilience and emotional rebirth. This track was recorded during the late 1980s (released in 1989) at a time when Bond was working closely with legendary producer Sonny Roberts. The sessions took place in England, primarily at Roberts' influential Orbitone Studios in London. Orbitone was a cornerstone for the development of the UK's Lovers Rock sound, and this recording features top-tier production from Derrick Fevrier and mixing by the iconic Mad Professor. Vocals: Joyce Bond Producer: Sonny Roberts Arrangement: Mick Lynch & Sonny Roberts Mixing: Mad Professor & Derrick Fevrier Backing Vocals: Kofi, Dimple Hinds, and Donna Robinson Whether you are a lifelong fan of Trojan Records or a new listener exploring the roots of UK reggae, "Starting Over" remains a masterclass in vocal delivery and soulful production. Enjoy the music? Subscribe for more rare reggae gems and soul classics!

Artist: Chalice Album: Stand Up! Genre: Reggae Release Date: January 1, 1984 Label: Pipe Music International Experience the uplifting vibrations of "Shine On," one of the standout tracks from the legendary Jamaican reggae band, Chalice. Released as part of their acclaimed 1984 album Stan' Up, this song perfectly captures the band’s signature blend of roots reggae and melodic pop sensibilities that dominated the 1980s reggae scene. "Shine On" (sometimes known as "Shine On Your Way") is a powerful anthem of perseverance and hope. Written by band members Winston "Alla" Lloyd and Wayne Armond, the lyrics speak to the struggle of life ("all I want from livity is a life of peace") while maintaining a spiritual focus on eventual release and light. Recorded In: 1983 Location: Kingston, Jamaica Studio Details: The sessions for the Stan' Up album were held at major Jamaican hubs, with chief recording and mixing handled by the renowned Steven Stanley. Additional mixing for the album took place at the world-famous Tuff Gong Studios and was later mastered by Bob Ludwig at Masterdisk in New York. During the recording of this classic, Chalice featured its most iconic lineup: Trevor Roper: Lead Vocals / Guitar Wayne Armond: Guitar / Vocals Keith Francis: Bass Desi Jones: Drums / Percussion Mikey Wallace: Keyboards / Vocals Winston "Alla" Lloyd: Keyboards / Vocals Robi Peart: Guitar / Vocals Don't forget to Subscribe and Like for more timeless reggae classics and musical history!

Dive into the smooth, romantic sounds of June Lodge (also known as J.C. Lodge) with her iconic reggae rendition of "More Than I Can Say." Originally a 1960s pop hit, June Lodge transformed this track into a definitive Lovers Rock anthem that captured hearts across the globe. "More Than I Can Say" is a soulful cover of the song originally written by Sonny Curtis and Jerry Allison of The Crickets. While many remember the 1980 soft rock version by Leo Sayer, June Lodge’s reggae interpretation brought a fresh, rhythmic pulse to the lyrics of longing and devotion. Following the massive success of her hit "Someone Loves You Honey," this track solidified her status as a leading voice in the reggae-pop crossover scene. The song was recorded in 1980, shortly after her debut success. It was officially released as a single in 1980 and later featured on her 1982 album, Someone Loves You Honey. The track was recorded at the legendary Joe Gibbs Recording Studio in Kingston, Jamaica. It was produced by the powerhouse duo of Joe Gibbs and Errol Thompson, often referred to as "The Mighty Two".

"Play Me A Love Song" is a classic reggae track and the title song of the 1981 solo album by Jamaican singer Nora Dean. Known for her soulful and expressive voice, Dean transitioned from early rocksteady and reggae hits like "Barbwire" to smoother "lovers rock" and gospel later in her career. Released in 1981 as the title track of her solo album under the Nationwide label (NWLP 007), "Play Me A Love Song" remains a definitive anthem of the Lovers Rock era. While Nora Dean is legendary for her early 1970s rocksteady hits like "Barbwire," this track showcases her transition into a more mature, soulful sound. The album was produced and arranged by Charles Reid (son of the legendary Duke Reid). Although specific studio credits are often debated, it was recorded during a period when Dean was working between Jamaica and the UK, and the tracks are widely believed to feature the powerhouse rhythm section of Sly & Robbie. Release Year: 1981. Genre: Reggae / Lovers Rock. Label: Nationwide (NWLP 007). Theme: The lyrics describe a longing for romantic music to celebrate a partner's return, asking a DJ to play "something soft and nasty".

Album: Best Of The Early Years Artist: Bob Marley Featured artist: Peter Tosh "Go Tell It on the Mountain" is a traditional spiritual recorded by Bob Marley and The Wailers in 1970. Experience a timeless reggae take on a classic Christmas spiritual with “Go Tell It On The Mountain” by The Wailers. This powerful rendition blends traditional gospel roots with authentic Jamaican reggae rhythms, delivering a message of joy, faith, and celebration that transcends generations. Recorded during the early Wailers era in Jamaica, this version reflects the group’s deep connection to spirituality, African-Christian heritage, and cultural expression. Long before reggae became a global force, The Wailers were already re-shaping traditional songs into something uniquely Jamaican — soulful, uplifting, and full of rhythm. With warm harmonies, steady one-drop grooves, and a joyful message announcing the birth of Christ, this track stands out as a reggae Christmas classic. Whether you’re celebrating the holiday season, revisiting roots reggae history, or just enjoying conscious music with meaning, this song delivers pure vibes and timeless spirit. 🎄 Turn up the volume, feel the joy, and let reggae spread the message. 💬 Comment below: Do you prefer reggae Christmas songs or traditional carols? 👍 Like, share, and subscribe for more classic reggae, roots music, and cultural gems.

Artist: Gregory Isaacs Song: Christmas Time Once Again / Jingle Bells Producer: King Tubby Label: Taurus Records Release Year: 1988 Get into the holiday spirit with the "Cool Ruler" himself! 🎶 🎅 Enjoy this rare 1988 reggae holiday gem, "Christmas Time Once Again" (also known as "It's Christmas Time Again"), performed by the legendary Gregory Isaacs. Celebrate the festive season with the smooth, unmistakable voice of the Cool Ruler, Gregory Isaacs, in “Christmas Time Once Again (Jingle Bells).” This reggae Christmas classic blends traditional holiday joy with authentic Jamaican flavor, turning a familiar seasonal theme into a warm, soulful reggae experience. Recorded during the later years of Gregory Isaacs’ legendary career, this song reflects his ability to adapt timeless melodies into reggae while keeping the message uplifting, joyful, and family-oriented. Gregory Isaacs, one of reggae’s most influential voices, brought lovers rock, roots, and conscious reggae to global audiences, and this track shows his versatility beyond love songs and cultural anthems. With laid-back rhythms, festive lyrics, and Isaacs’ signature smooth delivery, Christmas Time Once Again reminds listeners of togetherness, gratitude, and celebration — reggae style. Whether you’re relaxing at home, sharing vibes with family, or building a holiday reggae playlist, this song delivers pure Christmas spirit with Caribbean warmth. 🎶 Press play, feel the vibes, and let reggae set the mood this holiday season. 💬 Comment below and tell us: What’s your favorite reggae Christmas song of all time? 👍 Like, share, and subscribe for more classic reggae, seasonal gems, and timeless Jamaican music right here on Rumble.

Artist: Richie Spice Album: Rasta Man Label: Tad's Record Country: Jamaica Genre: Reggae “Rasta Man” by Richie Spice is a powerful roots-reggae anthem that speaks directly to identity, dignity, and spiritual awareness. Released in 2023 on his acclaimed album Book of Job, the song was recorded in Jamaica during the mid-2000s, a period when Richie Spice was firmly establishing himself as one of the strongest voices in modern conscious reggae. In Rasta Man, Richie Spice uses heartfelt lyrics and a deep, meditative riddim to explain the true meaning of being a Rasta — not just in appearance, but in mindset, behavior, and faith. The song addresses struggles faced by Rastafarians, misconceptions in society, and the importance of standing firm in righteousness despite pressure from Babylon. Richie Spice, born Richell Bonner, is known for blending classic roots reggae foundations with contemporary production, making his music resonate with both old-school reggae lovers and new listeners. Rasta Man stands out as one of his most respected cultural statements, often praised for its sincerity, lyrical depth, and spiritual conviction. This song is more than entertainment — it’s education, testimony, and resistance wrapped in melody. Whether you’re a longtime roots reggae fan or discovering Richie Spice for the first time, Rasta Man delivers timeless truth and upliftment. 💬 Let’s reason: What does being a Rasta mean to you? Which lyric from this song speaks to your spirit the most? 👍 Like, share, and follow Rasta Vibration for more conscious reggae, roots classics, and music with a message.

Artist: Chalice Album: Crossfire "Ital Love" is a popular reggae track by the Jamaican band Chalice, often celebrated for its vibrant energy and "natural" romantic themes. The song describes a deep, organic connection with a partner, frequently using metaphors related to natural ingredients and spices to emphasize the purity of the affection The song centers on the concept of "ital" love—a term derived from the Rastafarian "ital" lifestyle, which emphasizes natural, pure, and salt-free living. Natural Metaphors: The lyrics compare the feeling of this love to organic spices, describing it as "salt and pepper," "a little cinnamon," and "natural spice". The Subject: The narrator describes meeting a "teenage queen" who is "tall and lean." He expresses that while he didn't previously favor younger girls, this specific woman's affection was irresistible. Emotional Depth: The singer highlights the intensity of the connection, stating he "never knew a thing so nice" and that her touch makes him "cry for more". “Ital Love” by Chalice is a true roots reggae treasure—warm, uplifting, and spiritually grounded in Rastafari culture. Released in the early 1980s, this track captures the signature Chalice sound: sweet harmonies, crisp instrumentals, and a soulful message that speaks directly to the heart. Chalice, formed in Jamaica in 1980, quickly became one of the island’s most beloved reggae bands, known for their melodic style and deep cultural messaging. “Ital Love” reflects the group’s commitment to positivity and natural living, blending gentle rhythms with lyrics that promote purity, unity, and conscious living. This classic tune was recorded during the band’s powerful early era, when Chalice was rising quickly on the international scene. Its timeless vibe still resonates today, making it a favorite among roots reggae lovers worldwide. If you’re a fan of authentic, feel-good, spiritually charged reggae music, this is one you’ll want to keep on repeat. Enjoy the vibes, share with a friend, and keep the roots alive!

Artist: Ed Robinson Released: 1992 Album: Once Again Lyrics I heard them say Mama take this badge off of me I can't use it any more It's getting dark, too dark to see Feel like I'm knockin' on heaven's door And right now I'm knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door They say I gotta put my guns to the ground yeah I can't shoot them any more They see the long black cloud is coming down I feel like I'm knockin' on heaven's door And right now I'm knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door Knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door Wll somebody take this gun off of me now I can't shoot them any more Well the long black cloud is coming down yeeah I feel like I'm knockin' on heaven's door And then right now I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door Oh well I'm knock, knock, knockin' on heavens door I'm knock, knock, knockin' on heavens door Right now Knock, knock, knockin' on heavens door Somebody please Knock, knock, knockin' on heavens door (Somebody please take this gun off of me yeah) Knock, knock, knockin' on heavens door (I see the long black cloud, it's coming down on me) (I see the long black cloud, it's coming down yeah) “Knocking On Heaven’s Door” by Ed Robinson is one of the most beloved reggae reinterpretations of a worldwide classic. Originally written by Bob Dylan in 1973, the song found new life when Jamaican singer Ed Robinson recorded this smooth, soulful reggae version in 1992, bringing a warm island vibe to one of the most emotionally powerful songs ever written. Ed Robinson’s version was recorded at Digital B Studio in Kingston, Jamaica, during a period when reggae was entering a golden age of crisp production and globally appealing sound. His unique voice — rich, expressive, and deeply rooted in reggae culture — transformed the track into a lovers rock–styled anthem that fans still cherish more than 30 years later. Born in St. Mary, Jamaica, Ed Robinson started his career as a drummer and vocalist before shifting fully into singing, earning international recognition with this very song. Over the years, he worked with legendary producers including Bobby “Digital” Dixon, Sly & Robbie, and Gussie Clarke, carving out a respected place in modern reggae history. This upload celebrates one of the finest reggae covers ever recorded — a song that continues to touch hearts, heal spirits, and reach new generations of listeners. Turn it up, share the vibes, and enjoy this timeless classic reimagined through Jamaican soul.