The Cult - AWESOME Live Playlist

The Cult Playlist https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult at Finsbury Park on June 6, 1992 was a triumphant homecoming: Astbury commanding the stage with pure charisma, Duffy unleashing blistering riffs, the band locked tight and radiating confidence under a perfect London summer sky. They owned every second of that massive outdoor headline slot, delivering a powerful, feel-good performance that reminded everyone why they were one of the best live rock acts on the planet. Pure magic and total swagger. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult at Finsbury Park on June 6, 1992 was a triumphant homecoming: Astbury commanding the stage with pure charisma, Duffy unleashing blistering riffs, the band locked tight and radiating confidence under a perfect London summer sky. They owned every second of that massive outdoor headline slot, delivering a powerful, feel-good performance that reminded everyone why they were one of the best live rock acts on the planet. Pure magic and total swagger. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult at Finsbury Park on June 6, 1992 was a triumphant homecoming: Astbury commanding the stage with pure charisma, Duffy unleashing blistering riffs, the band locked tight and radiating confidence under a perfect London summer sky. They owned every second of that massive outdoor headline slot, delivering a powerful, feel-good performance that reminded everyone why they were one of the best live rock acts on the planet. Pure magic and total swagger. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult at Finsbury Park on June 6, 1992 was a triumphant homecoming: Astbury commanding the stage with pure charisma, Duffy unleashing blistering riffs, the band locked tight and radiating confidence under a perfect London summer sky. They owned every second of that massive outdoor headline slot, delivering a powerful, feel-good performance that reminded everyone why they were one of the best live rock acts on the planet. Pure magic and total swagger. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Band Live Playlist - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult's 1995 concert at the Hollywood Palladium in Los Angeles on February 20, 1995, was a dynamic performance during their tour supporting the self-titled album The Cult with Ian Astbury on vocals and Billy Duffy on guitar leading the band through a set blending post-punk roots and hard rock anthems to a fired-up crowd in the iconic 4,000-capacity venue. Captured on FM broadcast (likely KLOS or a local rock station), the full show showcases Astbury's charismatic stage presence and Duffy's signature riffs on tracks from the new album like "The Witch" and "In the Clouds," mixed with classics such as "She Sells Sanctuary" and "Love Removal Machine," reflecting the band's evolution from goth revival to mainstream rock during a transitional era. The recording delivers solid quality with clear stereo separation and strong crowd energy, making it a fan favorite for capturing The Cult's raw, ritualistic live vibe in one of their key U.S. markets. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Band Live Playlist - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult's 1995 concert at the Hollywood Palladium in Los Angeles on February 20, 1995, was a dynamic performance during their tour supporting the self-titled album The Cult with Ian Astbury on vocals and Billy Duffy on guitar leading the band through a set blending post-punk roots and hard rock anthems to a fired-up crowd in the iconic 4,000-capacity venue. Captured on FM broadcast (likely KLOS or a local rock station), the full show showcases Astbury's charismatic stage presence and Duffy's signature riffs on tracks from the new album like "The Witch" and "In the Clouds," mixed with classics such as "She Sells Sanctuary" and "Love Removal Machine," reflecting the band's evolution from goth revival to mainstream rock during a transitional era. The recording delivers solid quality with clear stereo separation and strong crowd energy, making it a fan favorite for capturing The Cult's raw, ritualistic live vibe in one of their key U.S. markets. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.