The Cult - AWESOME Live Playlist

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult delivered a powerful night at Toad’s Place in New Haven, Connecticut on October 29, 1994, bringing their Beauty Is on the Streets Tour into one of the region’s most iconic small venues. With the band supporting their freshly released self titled album, Ian Astbury’s emotional vocals and Billy Duffy’s sharp guitar work filled the room with the kind of intensity that thrives in a close quarters club setting. The show’s energy comes through vividly on the fantastic audience recording that circulates among collectors, capturing the raw drive of a band fully locked in and giving fans exactly the kind of high impact performance that made this era stand out. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult delivered a powerful night at Toad’s Place in New Haven, Connecticut on October 29, 1994, bringing their Beauty Is on the Streets Tour into one of the region’s most iconic small venues. With the band supporting their freshly released self titled album, Ian Astbury’s emotional vocals and Billy Duffy’s sharp guitar work filled the room with the kind of intensity that thrives in a close quarters club setting. The show’s energy comes through vividly on the fantastic audience recording that circulates among collectors, capturing the raw drive of a band fully locked in and giving fans exactly the kind of high impact performance that made this era stand out. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult delivered a powerful night at Toad’s Place in New Haven, Connecticut on October 29, 1994, bringing their Beauty Is on the Streets Tour into one of the region’s most iconic small venues. With the band supporting their freshly released self titled album, Ian Astbury’s emotional vocals and Billy Duffy’s sharp guitar work filled the room with the kind of intensity that thrives in a close quarters club setting. The show’s energy comes through vividly on the fantastic audience recording that circulates among collectors, capturing the raw drive of a band fully locked in and giving fans exactly the kind of high impact performance that made this era stand out. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult delivered a powerful night at Toad’s Place in New Haven, Connecticut on October 29, 1994, bringing their Beauty Is on the Streets Tour into one of the region’s most iconic small venues. With the band supporting their freshly released self titled album, Ian Astbury’s emotional vocals and Billy Duffy’s sharp guitar work filled the room with the kind of intensity that thrives in a close quarters club setting. The show’s energy comes through vividly on the fantastic audience recording that circulates among collectors, capturing the raw drive of a band fully locked in and giving fans exactly the kind of high impact performance that made this era stand out. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult delivered a powerful night at Toad’s Place in New Haven, Connecticut on October 29, 1994, bringing their Beauty Is on the Streets Tour into one of the region’s most iconic small venues. With the band supporting their freshly released self titled album, Ian Astbury’s emotional vocals and Billy Duffy’s sharp guitar work filled the room with the kind of intensity that thrives in a close quarters club setting. The show’s energy comes through vividly on the fantastic audience recording that circulates among collectors, capturing the raw drive of a band fully locked in and giving fans exactly the kind of high impact performance that made this era stand out. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult delivered a powerful night at Toad’s Place in New Haven, Connecticut on October 29, 1994, bringing their Beauty Is on the Streets Tour into one of the region’s most iconic small venues. With the band supporting their freshly released self titled album, Ian Astbury’s emotional vocals and Billy Duffy’s sharp guitar work filled the room with the kind of intensity that thrives in a close quarters club setting. The show’s energy comes through vividly on the fantastic audience recording that circulates among collectors, capturing the raw drive of a band fully locked in and giving fans exactly the kind of high impact performance that made this era stand out. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult brought a bright, high energy night to the House of Blues in Chicago on June 29, 2001, delivering a standout stop on the Beyond Good and Evil Tour just weeks after the album’s release. Ian Astbury’s tremendous vocals and Billy Duffy’s guitar drive filled the intimate room with a strong, focused presence, and fans eager for the band’s heavy return got exactly what they came for. The reunited core lineup — with Matt Sorum on drums and Billy Morrison on bass — gave the show a raw power that collectors still appreciate from this era, capturing a band fully locked in and playing with real momentum. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult brought a bright, high energy night to the House of Blues in Chicago on June 29, 2001, delivering a standout stop on the Beyond Good and Evil Tour just weeks after the album’s release. Ian Astbury’s tremendous vocals and Billy Duffy’s guitar drive filled the intimate room with a strong, focused presence, and fans eager for the band’s heavy return got exactly what they came for. The reunited core lineup — with Matt Sorum on drums and Billy Morrison on bass — gave the show a raw power that collectors still appreciate from this era, capturing a band fully locked in and playing with real momentum. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult brought a bright, high energy night to the House of Blues in Chicago on June 29, 2001, delivering a standout stop on the Beyond Good and Evil Tour just weeks after the album’s release. Ian Astbury’s tremendous vocals and Billy Duffy’s guitar drive filled the intimate room with a strong, focused presence, and fans eager for the band’s heavy return got exactly what they came for. The reunited core lineup — with Matt Sorum on drums and Billy Morrison on bass — gave the show a raw power that collectors still appreciate from this era, capturing a band fully locked in and playing with real momentum. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.

The Cult Playlist - https://rumble.com/playlists/aOAYmUdgd18?e9s=src_v1_upp_pl 70+ Bands Playlists - https://rumble.com/user/VigilanteMan/playlists Concerts - https://rumble.com/c/ClassicRockConcerts/videos?sort=views The Cult brought a bright, high energy night to the House of Blues in Chicago on June 29, 2001, delivering a standout stop on the Beyond Good and Evil Tour just weeks after the album’s release. Ian Astbury’s tremendous vocals and Billy Duffy’s guitar drive filled the intimate room with a strong, focused presence, and fans eager for the band’s heavy return got exactly what they came for. The reunited core lineup — with Matt Sorum on drums and Billy Morrison on bass — gave the show a raw power that collectors still appreciate from this era, capturing a band fully locked in and playing with real momentum. The Cult are a fantastic English rock band formed in 1983 in Bradford, West Yorkshire, evolving from Ian Astbury’s Southern Death Cult into Death Cult before settling on their current name in 1984. Fronted by Astbury and guitarist Billy Duffy, the band first gained traction in the UK’s post punk/goth scene with Dreamtime (1984) and broke through with Love (1985), which featured the iconic “She Sells Sanctuary.” They shifted toward hard rock with Electric (1987), produced by Rick Rubin, and reached their commercial peak with Sonic Temple (1989), produced by Bob Rock, delivering hits like “Fire Woman.” Though tensions marked Ceremony (1991) and the self titled The Cult (1994), they regrouped with Beyond Good and Evil (2001) and later continued their legacy with Born into This (2007), Choice of Weapon (2012), Hidden City (2016), and Under the Midnight Sun (2022), cementing their reputation as one of rock’s most enduring and shape shifting bands.