Alice in Chains - Man In The Box ( Last Lover Acoustic Live Stream)

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Alice in Chains - Man In The Box (Lyrics)

I'm the man in the box
Buried in my shit
Won't you come and save me?
Save me
Feed my eyes, can you sew them shut?
Jesus Christ, deny your maker
He who tries, will be wasted
Feed my eyes now you've sewn them shut
I'm the dog who gets beat
Shove my nose in shit
Won't you come and save me
Save me
Feed my eyes, can you sew them shut?
Jesus Christ, deny your maker
He who tries, will be wasted
Feed my eyes now you've sewn them shut
Feed my eyes, can you sew them shut?
Jesus Christ, deny your maker
He who tries, will be wasted
Feed my eyes now you've sewn them shut

"Man in the Box" is a song by the American rock band Alice in Chains. It was released as a single in January 1991 after being featured on the group's debut studio album Facelift (1990). It peaked at No. 18 on Billboard's Mainstream Rock chart and was nominated for a Grammy Award for Best Hard Rock Performance in 1992. The song was included on the compilation albums Nothing Safe: Best of the Box (1999), Music Bank (1999), Greatest Hits (2001), and The Essential Alice in Chains (2006). "Man in the Box" was the second most-played song of the decade on mainstream rock radio between 2010 and 2019.
In the liner notes of 1999's Music Bank box set collection, guitarist Jerry Cantrell said of the song; "That whole beat and grind of that is when we started to find ourselves; it helped Alice become what it was."
"Man in the Box" is widely recognized for its distinctive "wordless opening melody, where Layne Staley's peculiar, tensed-throat vocals are matched in unison with an effects-laden guitar" followed by "portentous lines like: 'Feed my eyes, can you sew them shut?', 'Jesus Christ, deny your maker' and 'He who tries, will be wasted' with Cantrell's drier, less-urgent voice." along with harmonies provided by both Staley and Cantrell in the lines 'Won't you come and save me'.
The song makes use of a talk box to create the guitar effect. The idea of using a talk box came from producer Dave Jerden, who was driving to the studio one day when Bon Jovi's "Livin' on a Prayer" started playing on the radio.
The original Facelift track listing credited only vocalist Layne Staley and Jerry Cantrell with writing the song.[10] All post-Facelift compilations credited the entire band. It is unclear as to why the songwriter credits were changed.
In a 1992 interview with Rolling Stone, Layne Staley explained the origins of the song's lyrics:
I started writing about censorship. Around the same time, we went out for dinner with some Columbia Records people who were vegetarians. They told me how veal was made from calves raised in these small boxes, and that image stuck in my head. So I went home and wrote about government censorship and eating meat as seen through the eyes of a doomed calf.[12]
Jerry Cantrell said of the song:
But what it's basically about is, is how government and media control the public's perception of events in the world or whatever, and they build you into a box by feeding it to you in your home, ya know. And it's just about breaking out of that box and looking outside of that box that has been built for you.
In a recorded interview with MuchMusic in 1991, Staley stated that the lyrics are loosely based on media censorship, and "I was really really stoned when I wrote it, so it meant something different then", he said laughing.
"Man in the Box" was released as a single in 1991. "Man in the Box" is widely considered to be one of the band's signature songs, reaching number 18 on the Billboard Album Rock Tracks chart at the time of its release. According to Nielsen Music's year-end report for 2019, "Man in the Box" was the second most-played song of the decade on mainstream rock radio with 142,000 spins.
The song was number 19 on VH1's "40 Greatest Metal Songs", and its solo was rated the 77th greatest guitar solo by Guitar World in 2008.[16] It was number 50 on VH1's "100 Greatest Songs of the 90s" in 2007.[17] The song was nominated for the Grammy Award for Best Hard Rock Performance in 1992.
Steve Huey of AllMusic called the song "an often overlooked but important building block in grunge's ascent to dominance" and "a meeting of metal theatrics and introspective hopelessness."

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