[TRUMPET EXCERPTS] Leonore Ov. No.3 Op.72b (Beethoven) - by Heinz Karl Schwebel (HQ Sound Reference)

OVERTURE LEONORE 3 - Beethoven - OPERA FIDELIO - Trumpet Excerpt

How to study and play it? go to LEONORE TRUMPET MASTERCLASS: https://youtu.be/kttblWgoDi0

TRUMPET EXCERPTS PLAYLIST: https://www.youtube.com/playlist?list=PLkml7ZJ51KixoMsUsZDoAX7nCJXMeR-Yp

You can order your excerpt at qPress:
Transposed Orchestral Excerpts for Trumpet by Eddy, Taz
https://qpress.ca/product/transposed-orchestral-excerpts-for-trumpet/ref/3/

Excerto de Trompete / Audição de trompete
Trumpet Excerpt / Trumpet Audition

#trumpetersstuff #trumpetexcerpt #leonore3 #leonore #beethoven #trompete #trompeta

"The Leonore No.3 presents a special challenge. First, to keep the notes C and G in tune at the end. I have heard some pretty strange intervals passing for fourth's. I'd like to hear a #Bbtrumpet sound on this excerpt. Some people can do this on a #Ctrumpet, but many can't. Perhaps people need to practice it first on a Bb and then try to make that sound on the C trumpet. The brain is a marvelous thing, it can copy something without knowing what actually took place to get that copy. This excerpt needs to be performed at a full forte dynamic without a trace of force in the sound. I would have someone practice it mezzo-piano first, and then have them try to play it with exactly the same sound, only forte. All loud excerpts should be prepared this way. The idea is to have the same relaxation in the body when playing forte as when playing the piano. The only thing that changes is the amount of air flowing through the horn. The soft version gives you a perfect idea of what your body should feel like when playing loud. It must sound big, rather than loud. The vibrato would help to take the laser quality out of the sound if the size of the vibrato matches the size and volume of the sound. Above all, a singing sound should be the objective in this excerpt."
Jay Friedman

"Leonore Overture No. 3 -- This off-stage excerpt works very well to begin around. Like the “Promenade,” it is not difficult technically and is primarily about the consistency of articulation and tone quality with specific reference to the low notes. There are many interpretations of this excerpt, but it primarily starts slow, speeds up in the
middle and slows down at the end. In the overture, this solo is performed twice; usually, the second time is performed differently. Depending on the interpretation of the piece, it is usually louder and more heroic. Also, depending on the interpretation, this excerpt is often performed without vibrato."