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Motionless in White 🕯️ Ghoul Brothers 🏚️ The Addams Family
Charity [Scares that Care]
Support [HORROR STREAM]
AI [ChatGPT]
Get on the Show [HORROR STREAM]
Stephen King Video Works [Official Website]
Vincent Price’s Pumpkin Pie makes for a perfect Thanksgiving treat [Vincent Price Legacy]
10 Ways to Survive the Zombie Apocalypse [Roxy Theatre]
Replacing Hollywood - #SolutionsWatch [James Corbett]
The Ontario Paranormal Society [Official Website]
Do Zombies Eat Dead People [Zombie Research Society]
Why you are not the Final Girl [Arbogast on Film]
Blockbuster (entertainment) [Wikipedia]
The Phantasm ’Cuda [Dodge Garage]
The Kandarian Demon from The Evil Dead Franchise [Fandom]
10 Halloween Pranks That Went Horribly and Tragically Wrong [How Stuff Works]
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Troma News [Official Website]
Frankie Avalon Biography [Brian’s Drive-In Theater]
Racks and Razors [Official Website]
The Horror Hall of Fame – A Monster Salute (1974) [The Sound of Vincent Price]
Friday the 13th Special – The Hockey Mask in Films and Other Media [Cultsploitation]
Neil D’monte on the Art of the Storyboard [Modern Horrors]
Legal update notice [Playstation]
48 Easy Halloween Makeup Ideas to Get You Through Spooky Season [Allure]
10 of the Best Monsters in Literature [Interesting Literature]
23 Easy Halloween Food Ideas to Keep Halloween Simple [Instacart]
Clinical Vampirism [Wikipedia]
55 Scary-Delicious Halloween Recipes To Make This October [Delish]
24 Scary Jokes to Spook You With Laughter [Beano]
2,094+ Free Dark 4K & HD Stock Videos [Pixabay]
15 of the World’s Scariest Travel Destinations [Culture Trip]
How to Make a Coffin [WikiHow]
Tingler Television [Bitter Biddy Productions]
Scream Factory TV [Shout Factory]
Screambox [Bloody Disgusting]
Top 20 Horror Goth Characters in Film [Horror Land]
John Carpenter Quotes [Brainy Quote]
Top 10 Famous Vampires [EnkiVillage]
Mummification – The lost art of embalming the dead [Live Science]
145 Laugh-Out-Loud Halloween Jokes and Riddles for Kids and Adults [Country Living]
The End of LBRY Inc [Odysee]
Supernatural & Paranormal [Rumble]
Blockbuster Who, The Magic of the Mom-and-Pop Video Shop [Nightmare Nostalgia]
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Parrot Analytics Destroyed Hollywood by Confusing ‘Outrage’ with ‘Demand’ [Bleeding Fool]
Odysee's New Spooky Category [Odysee]
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Monsters, Marvels, and Mythical Beasts – Monsters of the Early Modern Period
The Psychology Behind Why We Love Horror [Rumble]
Academy Establishes Representation and Inclusion Standards for Oscars Eligibility [Oscars]
Another Reason to Rebuild Pop Culture… [The Dave Cullen Show]
The Company Destroying Hollywood [Upper Echelon Gamers]
Horror Hall of Fame [Talk Horror]
Ten Mythical Creatures in Ancient Folklore from Around the World [Ancient Origins]
Zombie Proof Your Apartment [For Rent]
House of the Unusual [Official Website]
The Horror Hall of Fame [Realm of Horror]
A Day in the Life of Horror [Staying Scared]
Vampires vs Werewolves Part 1 of 4 [Horror Land]
Vampires vs Werewolves – Part 2 of 4 [Horror Land]
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Mickster’s Totally Eighties Holiday Funhouse [kindertrauma]
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Offscreen [Official Website]
‘Halloween Ends’ Star Jamie Lee Curtis Reportedly Gives Cold Shoulder To Fellow Franchise Stars
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Is Halloween Pagan – Part 2 of 2 [History for Atheists]
Is Halloween Pagan – Part 1 of 2 [History for Atheists]
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THIS DAY IN HALLOWEEN – A Daily History of Horror
Offscreen [Official Website]
Offscreen [Official Website]
Offscreen has been online since 1997, along with its French language sister journal Hors Champ. Based in Montréal, Offscreen is a wide-ranging film journal that covers film festivals, retrospectives, film forums, and both popular and more academic events. Part of our mandate is to cover the Montreal film scene, but within an international context. The scope of its content, and the type of material featured and promoted in Offscreen can be summarized as follows:
personal and independent film above big budget, formulaic film
the under-represented (young, up and coming filmmakers)
films with creative design and broad social commitment
local and Canadian films/filmmakers
Asian and alternative cinemas (horror, exploitation, esoteric,
experimental, documentary, etc.)
Unlike most online journals that offer the brief review format, Offscreen features extensive interviews, in-depth festival coverage, and lengthy, well-researched essays. The latter is in line with the guiding editorial policy
at Offscreen, which is to allow for the flexibility to feature rigorous, well-researched texts alongside material that does not fit into traditional scholarly formats (director interviews, film festival reports, DVD reviews, etc.).
In short, our goal is to produce intelligent, thoughtful, and combative film criticism, analysis, discussion, and theory. We are driven to this end because we feel strongly that, within today’s image saturated info-entertainment landscape, cinema needs to be rigorously discussed in order to continue being an important voice of cultural and artistic expression well into the 21st century.
Offscreen is edited and maintained by Donato Totaro, Ph.D, who has also been a film studies lecturer at Concordia University since 1990. Through the years Offscreen has been fortunate to establish a core group of fine writers who have contributed significantly to the development of the journal with consistently fine texts. They include: Peter Rist (Associate Professor in Film Studies, Ph.D), Randolph Jordan (MA, Ph.D Candidate), Roberto Curti (freelance writer based in Italy), and Daniel Garrett (freelance writer based in New York city). With luck, this group will continue to grow.
For copyright purposes, Offscreen has an ISSN number of 1712-9559.
https://offscreen.com/
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