"Trépak" Speedrun! CAN You KEEP UP with BRAIN MELTING SLURS?!? Do Not Play Along Pt.4

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Happy New Year Friends! We have the fourth piece from Suite 1 for Brass Duet with Piano of Pyotr Ilyich Tchaikovsky's famous ballet "The Nutracker" arranged for you by Drew Fennell today. This awesome Suite has four pieces: I. Ouverture Miniature, II. Danse des Mirlitons, III. Danse Arabe: “Café”, IV: Danse Russe: “Trépak” each with Transposing Parts in Every Practical Key and Clef (Full List Below). Hope you enjoy the IV: Danse Russe: “Trépak” Euphonium Duet with Piano.

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Musicians:

Matonizz (Principal Euphonium at RCB)
Online Lessons: [email protected]
Instrument Used:
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Birute Stundziaite (Piano)

Dmitry Babkin (Sound Engineer)
[email protected]

Included parts:

Below are the parts available for each suite. In addition to the primary parts, a few additional parts for E-flat and C trumpet/cornet are provided for the pieces for which those instruments might be appropriate choices. In general, the range is unsuitable for these instruments, so some movements are not included.

Higher octave:
Part 1. and 2. Treble-clef in Bb (Trumpet, Cornet, or Flugelhorn in Bb)

Supplemental parts for Suite No. 1:
Part 1. in Eb (Trumpet or Cornet in Eb) (Danse Russe: “Trépak”)
Part 1. in C (Trumpet or Cornet in C) (Danse des Mirlitons, Danse Russe: “Trépak”)
Part 2. in C (Trumpet or Cornet in C) (Danse Russe: “Trépak”)

Supplemental parts for Suite No. 2:
Part 1. and 2. in Eb (Trumpet or Cornet in Eb) (Danse Espagnole: “Chocolat”)
Part 1. in C (Trumpet or Cornet in C) (Marche, Danse Espagnole: “Chocolat”, Danse de la Fée-Dragée)
Part 2. in C (Trumpet or Cornet in C) (Danse Espagnole: “Chocolat”, Danse de la Fée-Dragée)

Lower Octave:
Part 1. and 2. Treble-clef (Euphonium or Baritone T.C.)
Part 1. and 2. Bass-clef (Trombone, Euphonium, or Baritone B.C.)
Part 1. and 2. Bass-clef (including Tenor-clef, where appropriate (Trombone)

Performance Notes:

Tchaikovsky premiered his ballet, “The Nutcracker,” in Saint Petersburg, Russia in 1892. While not immediately successful, it has become a staple of ballet companies the world over and has found great popularity in concert performances of the suite he later excerpted from the ballet. These two suites include eight—four in each—of the most recognizable pieces. The suites may be performed individually, sequentially, or intermingled with the individual pieces ordered in any way the performers might prefer.

Suite No. 1
I. Ouverture Miniature
II. Danse des Mirlitons
III. Danse Arabe: "Cafe"
IV. Danse Russe: "Trepak"

Suite No. 2
I. Marche
II. Danse Espagnole: “Chocolat”
III. Danse de la Fée-Dragée
IV. Valse des Fleurs

The pieces are optimized for the cornet/trumpet/flugelhorn family and the for euphonium/baritone. They may be performed on trombone as well, although the technique required makes some passages rather difficult and some not practically playable, except perhaps by world class performers. While trumpet or cornet would be preferable for most or all of the pieces, the flugelhorn provides contrast for a few of the movements-in particular, the Danse des Mirlitons, Danse Arabe: "Cafe", and the Danse de la Fee-Dragee.

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0:00 - Suite No.1 (from "The Nutcracker) - IV. Danse Russo: “Trépak”