Episode 1196: Our Lady of Pompeii

Bartolo Longo started restoring a church in disrepair in October 1873 and promoted a festival in honor of Our Lady of the Rosary.[3] In 1875, Longo obtained a painting of Our Lady of the Rosary from a convent in Naples and raised funds to restore the image so as to locate it in the church. Miracles began to be reported and pilgrims began flocking in droves to the church. Three hundred people of the area pledged a penny a month for the work. Bartolo Longo was encouraged by Giuseppe Formisano, Bishop of Nola, to begin the construction of a larger church—the cornerstone being laid on the 8 May 1876. The church was consecrated on the 7 May 1891 by Cardinal Raffaele Monaco La Valletta, representing Pope Leo XIII.

Pope Benedict XVI presented his sixth Golden Rose to the shrine on the 19 October 2008.

The painting of "Our Lady of the Rosary" with its bronze gilt frame is presented to the pilgrims on the high altar. The venerated painting depicts the Virgin Mary and Child Jesus presenting rosaries to Saint Dominic and Saint Catherine of Siena. Originally bought by Dominican priest Alberto Radente for eight carlini in Naples,[5] it was offered to Bartolo Longo on the 13 November 1875 for the church he was building in Pompei.

An attempt was made by an amateur to restore it, and it was placed in the church on 13 February 1876, the foundation day for the Confraternity of the Holy Rosary there. In 1880 the famous Italian painter, Federico Madlarelli, offered to restore the image. It was again finally restored by Vatican artists in 1965.

Bartolo Longo composed the "Novena of Petition" in July 1879, testing it by himself while he suffered from typhoid fever. The text was inspired by a daily vision of a miraculous portrait of Our Lady of the Rosary, to which the Novena was first dedicated in Pompei.

The full Prayer consists in a daily pronunciation of at least three decades (three Holy Mysteries) of the Rosary each day followed by the Novena. It takes 54 days of time, without interruption.

On 23 April 1965, the painting was personally crowned by Pope Paul VI.