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Prehistoric Art: The Psycho-pathogenesis of Man.
Prehistoric Cave Art: The Psycho-pathogenesis of Man.
A Prince, an artist and a Catholic Priest walk into a cave…
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The Roman Empire 2.0 fabricated prehistoric art in a desperate attempt to eliminate the Christ Consciousness from this earth once and for all.
They had tolerated Mary Magdalene during the Renaissance but now it was time to ritually dispose of her, so great a threat did she pose to their plans for humanity’s “evolution”.
This story takes place in France on the sacred ground where Mary Magdalene once traversed, sharing her spiritual wisdom throughout the realm with the Cathars. Delving deep into the psychopathic mind of these occult forces may have also revealed the true burial ground of Mary Magdalene!
According to the Cathar faith, a good God called Rex Deus made the heavens and the human soul, while an evil god called Rex Mundi entrapped that soul to suffer in the flesh of the human body on earth.
The Roman Catholic Church devised a psychological operation building on what they had established during the Renaissance to have dominion over all the earth, piggy backing off the best selling Origin of Species, published in 1859.
Applying Fomenko’s chronology we find out that Christ was born as recently as the 11th century and the resonance of his teachings through Mary was still most palpable in France, hence the slaughter of 500,000 Cathars at the order of Pope Innocent III from 1209–1229.
During the 1800’s Abbe Henri Breuil was tasked by the Catholic Church to finish the job. Employing the bedazzlement of the World Fairs, the belittling of humanity as once ape-like beings, the genius of an artist and the power of Institutions he sought to fulfill this monumental “undertaking”.
With the publication of Darwin’s Descent of Man in 1871, the beginning of the battle for the Catholic Church’s great psychological attempt to curtail the ascension of man by destroying every last remnant of the Christ Consciousness from living memory began. Thus was the very first prehistoric cave art “discovered” in Altamira Spain in 1877 followed by many more to litter the once sacred Cathari landscape, once again employing human creative currency to pay for its own demise.
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