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The Shocking Truth About the Floors in Titanic's Grand Staircase
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The set of large ornate staircases in the first-class section of the RMS Titanic, sometimes collectively referred to as the Grand Staircase, is one of the most recognizable features of the British transatlantic ocean liner which sank on her maiden voyage in 1912 after a collision with an iceberg. Reflecting and reinforcing the staircase's iconic status is its frequent, and prominent, portrayal in media.
The forward Grand Staircase was the pièce de resistance of the Titanic's first-class public rooms. The two-story-high A-Deck level featured a large wrought iron and glass dome overhead that allowed natural light to enter the stairwell during the day. The dome was fringed with a delicately molded plaster entablature and rested on the deck housing surrounding the stairwell. It was covered by a protective box to protect the dome from the elements and which also contained the lighting to illuminate the dome from behind in the evening. In the center of the dome hung a large crystal and gilt chandelier. The small beaded crystal chandelier fixtures identified on the wreck only hung in the forward parts of the A and Boat Deck levels, the rest contained cut-glass shades.
Each staircase was built of solid irish oak, with each banister containing elaborate wrought iron grilles with ormolu swags in the Louis XIV style. The staircases were 20 ft. wide and projected 17 ft. from the bulkhead. The surrounding entrance halls were appointed in the same polished oak paneling carved in the Neoclassical William & Mary style. The panels of the newel posts were carved with high relief garlands, each one of unique design, and topped by pineapple finials. Just behind the staircase were three elevator shafts that provided passengers access from their staterooms to the promenade deck. The floors were laid with cream-colored linoleum ("lino") tiles interspersed with black medallions. Armchairs and sofas upholstered in blue were provided just off the staircases and potted palms in raised holders dotted each level. On the Boat Deck level was an upright piano allowing the ship's orchestra to hold impromptu concerts in the stairwell.
The Grand Staircase of the Olympic with the famous clock, thought to be identical to the one on Titanic. On the central landing of the A-Deck staircase was a clock flanked by two carved allegorical figures symbolizing "Honour and Glory crowning Time". A bronze cherub sculpture, holding an illuminated torch, graced the central newel post at the base of this staircase. There were likely smaller replica cherubs which graced either end of the B and C-Deck levels. On the D-Deck level, as the staircase opened onto the reception room, the central post held a huge gilt candelabra with electric lighting.
The B, C, D and E-Deck central landings all contained landscape and still-life oil paintings instead of the Honour and Glory crowning Time clock. These were probably painted by a Belfast artist on commission to Harland and Wolff.
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