2 years ago

Full interview: https://www.youtube.com/watch?v=zg-ZbEdPIQ8

0:00 Is Renaissance counterpoint useful or applicable for more modern styles of music?
1:09 What commonalities exist between Renaissance counterpoint and later styles?
2:10 Using Renaissance counterpoint as a good base for studying all tonal music
4:36 What are the different levels of expertise in improvised counterpoint and ear training?
5:58 What are the 6 levels of expertise?
7:15 Is improvised counterpoint a separate subject from written counterpoint?
7:46 What’s your opinion on Harmony and Counterpoint, are they two separate subjects?
10:40 Are Harmony and Counterpoint merging in some way today?
11:05 Is there any difficulty applying your process to later Romantic music?