Premium Only Content
Key Witness (1947) | A film noir directed by D. Ross Lederman
"Key Witness" is a film noir released in 1947, directed by D. Ross Lederman. Starring John Beal, Trudy Marshall, and Jimmy Lloyd, the movie is a classic example of the crime drama genre prevalent in the post-war era. The story revolves around a man wrongfully accused of murder and the efforts to clear his name.
The plot centers on Johnny March (John Beal), a mild-mannered accountant who becomes entangled in a murder investigation when he stumbles upon the body of a nightclub singer, Jenny Wren (Trudy Marshall). Johnny is mistakenly identified as the prime suspect, and the police, led by Detective Lieutenant Louie Ferrari (Jimmy Lloyd), believe they have an open-and-shut case.
Determined to prove his innocence, Johnny goes on the run, trying to uncover the truth behind the murder. Along the way, he encounters a variety of characters, including a sympathetic journalist named Terry Connors (Helen Chambers), who decides to help him. Together, they navigate the criminal underworld and face numerous obstacles in their quest for justice.
As the investigation unfolds, secrets are revealed, and Johnny's journey takes unexpected turns. The film delves into themes of mistaken identity, corruption, and the search for truth in a noir-infused atmosphere of suspense and intrigue.
John Beal delivers a convincing performance as the beleaguered Johnny March, and Trudy Marshall adds depth to the narrative as the ill-fated nightclub singer. Jimmy Lloyd's portrayal of Detective Ferrari adds a layer of tension to the film, reflecting the classic noir motif of a dogged law enforcement officer.
The cinematography, likely influenced by the noir aesthetic, uses shadows and low-key lighting to create a moody atmosphere fitting for a crime drama. The musical score, composed by Paul Sawtell, complements the film's tension and suspense, accentuating key moments in the narrative.
"Key Witness" is an example of the B-movie crime dramas that were prevalent in the 1940s and 1950s, featuring a relatively short runtime and a straightforward narrative. While it may not be as well-known as some other films from the era, it captures the essence of the crime genre with its themes of innocence, pursuit, and the quest for truth, making it a notable addition to the classic noir tradition.
-
1:05:36
Classic Films & Movies Archive
3 days agoSmooth as Silk (1946) | Directed by Charles Barton
96 -
1:44:01
Tucker Carlson
5 hours agoTucker Carlson on the Israel First Meltdown and the Future of the America First Movement
57.8K386 -
4:02:08
Alex Zedra
5 hours agoLIVE! Phasmaphobia New Map!
49.4K2 -
2:16:06
Laura Loomer
7 hours agoEP155: Jihad Makes Its Move On The White House
37.7K53 -
2:18:47
TheSaltyCracker
7 hours agoDem's Epstein Drop Backfires ReeEEStream 11-12-25
96.3K212 -
17:08
Demons Row
7 hours ago $4.81 earnedMost Dangerous Motorcycle Clubs That Ever Existed 💀🔥
31.2K3 -
12:51
The Gun Collective
8 hours agoWOW! -- LOTS of new GUNS just came out!
14.7K10 -
2:06:53
I_Came_With_Fire_Podcast
15 hours agoWhat IS America First | Al Qaeda in the White House | China's Spy Highway
12.5K4 -
1:46:55
Adam Does Movies
10 hours ago $0.71 earnedTalking Movies + Ask Me Anything - LIVE
9.46K -
1:30:33
Glenn Greenwald
9 hours agoMAGA Outrage Over Trump's Plan for More H-1B Visas: With Prof. Ron Hira; Latest Epstein/Israel Revelations and Newly Released Emails: With Drop Site's Murtaza Hussain | SYSTEM UPDATE #546
126K44