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Undercover Man (1942) | Directed by Lesley Selander
West of Rainbow's End (1938) | Directed by Alan James
Rip Roarin' Buckaroo (1936) | Directed by Robert F. Hill
Border Caballero (1936) | Directed by Sam Newfield
Shadows of Death (1945) | Directed by Sam Newfield
Trigger Fingers (1946) | Directed by Lambert Hillyer
Hondo (1953) | Directed by John Farrow
High Noon (1952) | Directed by Fred Zinnemann
Powder River (1953) | Directed by Louis King
Wild Horse Canyon (1938) | Directed by Robert F. Hill
The Tall Texan (1953) | Directed by Elmo Williams
The Great Jesse James Raid (1953) | Directed by Reginald Le Borg
Law and Order (1953) | Directed by Nathan Juran
The Naked Spur (1953) | Directed by Anthony Mann
3 Godfathers (1948) | Directed by John Ford
River of No Return (1954) | Directed by Otto Preminger
Abilene Town (1946) | Directed by Edwin L. Marin
Siege at Red River (1954) | Directed by Rudolph Maté
High Lonesome (1950) | Directed by Alan Le May
Black Stallion (aka King of the Sierras) (1938) | Directed by Samuel Diege & Arthur Rosson
The Outcast (1954) | Directed by William Witney
A Bullet Is Waiting (1954) | Directed by John Farrow
The Texas Rangers (1951) | Directed by Phil Karlson
Cattle Drive (1951) | Directed by Kurt Neumann
The Savage Horde (1950) | Directed by Joseph Kane
The Return of Daniel Boone (1941) | Directed by Lambert Hillyer
The Furies (1950) | Directed by Anthony Mann
Stranger on Horseback (1954) | Directed by Jacques Tourneur
The Far Country (1954) | Directed by Anthony Mann
Rawhide Rangers (1941) | Directed by Ray Taylor
Rawhide (1951) | Western film directed by Henry Hathaway
Ambush at Tomahawk Gap (1953) | A Western film set in the post-Civil War era
The Gunfighter (1950) | A classic Western film directed by Henry King
The Capture (1950) | Western film directed by John Sturges
Train to Tombstone (1950) | Western film directed by William Berke
Panhandle (1948) | A Western film directed by Lesley Selander & starring Rod Cameron
Outlaw Women (1952) | Directed by Sam Newfield & Ron Ormond
The Big Trail (1930) | Directed by Raoul Walsh
The Desperadoes (1943) | Directed by Charles Vidor
Masterson of Texas (1954) | Directed by William Castle
Silver Lode (1954) | Directed by Allan Dwan
Garden of Evil (1954) | Directed by Henry Hathaway
Frontier Marshal (1939) | Directed by Allan Dwan
Coroner Creek (1948) | Directed by Ray Enright
Oklahoma Annie (1952) | Directed by R.G. Springsteen
They Rode West (1954) | Directed by Phil Karlson
Southwest Passage (1954) | Directed by Ray Nazarro
The Paleface (1948) | A classic Western comedy directed by Norman Z. McLeod Private Video
The Last of the Comanches (1953) | Western film directed by Andre DeToth
Kit Carson (1940) | Directed by George B. Seitz
Yellow Sky (1948) | Directed by William A. Wellman
In Old Oklahoma (1943) | Western directed by Albert S. Rogell
Two Flags West (1950) | A Western war film directed by Robert Wise
The Ox-Bow Incident (1943) | Directed by William A. Wellman
Indian Uprising (1952) | A Western film directed by Ray Nazarro
Bugles in the Afternoon (1952) | A Western film directed by Roy Rowland
Angel and the Badman (1947) | Directed by James Edward Grant
Green Grass of Wyoming (1948) | Western film directed by Louis King
My Darling Clementine (1946) | Western directed by John Ford
Flame of Barbary Coast (1945) | Western film directed by Joseph Kane
Lust for Gold (1949) | Directed by S. Sylvan Simon
Passion (1954) | Directed by Allan Dwan
They Died with Their Boots On (1941) | Directed by Raoul Walsh
Bend of the River (1952) | Classic Western film directed by Anthony Mann
The Cowboy and the Lady (1938) | Directed by H.C. Potter
The Secret of Convict Lake (1951) | Directed by Michael Gordon
Distant Drums (1951) | Directed by Raoul Walsh
Hellgate (1952) | Directed by Charles Marquis Warren
Only The Valiant (1951) | Directed by Gordon Douglas
Angel and the Badman (1947) | Directed by James Edward Grant
The Thundering Trail (1951) | Directed by Ron Ormond
Comanche Territory (1950) | Directed by George Sherman
Vengeance Valley (1951) | Directed by Richard Thorpe
The Doolins of Oklahoma (1949) | Directed by Gordon Douglas
Fury at Furnace Creek (1948) | Directed by H. Bruce Humberstone
War Paint (1953) | Western film directed by Lesley Selander
Two Flags West (1950) | Western drama directed by Robert Wise
Buffalo Bill (1944) | A biographical Western film directed by William A. Wellman.
South of St. Louis (1949) | Western film directed by Ray Enright
Woman They Almost Lynched (1953) | A Western film directed by Allan Dwan.
Operation Haylift (1950) | Post War Western
The Westerner (1940) | Directed by William Wyler
Bells of San Angelo (1947) | Directed by William Witney
Gunfire (1950) | Directed by William Berke
Renegade Girl (1946) | Directed by William Berke
Little Big Horn (1951) | Directed by Charles Marquis Warren
The Raiders (1952) | Directed by Lesley Selander
The Beautiful Blonde from Bashful Bend (1949) | Directed by Preston Sturges
The Daring Caballero (1949) | Directed by Wallace Fox
Pursued (1947) | Directed by Raoul Walsh
Jesse James (1939) | Directed by Henry King
The Return of Frank James (1940) | Directed by Fritz Lang
El Paso (1949) | Directed by Lewis R. Foster
The Walking Hills (1949) | Directed by John Sturges
The Gal Who Took the West (1949) | Directed by Frederick de Cordova
The Outlaw (1943) | Directed by Howard Hughes
Silver River (1948) | Directed by Raoul Walsh
Relentless (1948) | Directed by George Sherman
Western Union (1941) | Directed by Fritz Lang
Pirates on Horseback (1941) | Directed by Lesley Selander
The Ox-Bow Incident (1943) | Directed by William A. Wellman
"The Ox-Bow Incident" (1943) is a gripping and thought-provoking Western directed by William A. Wellman. Adapted from Walter Van Tilburg Clark's novel, the film unfolds in a small, tense frontier town during the Old West. Starring Henry Fonda, Dana Andrews, and Anthony Quinn, the narrative revolves around the dark consequences of a seemingly impromptu posse formed to address the alleged theft and murder of a local rancher.
As the posse embarks on a pursuit of justice, emotions escalate, and the line between guilt and innocence becomes increasingly blurred. Fueled by moral ambiguity and a haunting sense of inevitability, the film explores themes of mob mentality, justice, and the harsh realities of frontier life.
"The Ox-Bow Incident" is a masterfully crafted and morally challenging work, praised for its stark cinematography and powerful performances. The film remains a significant entry in the Western genre, offering a compelling exploration of human nature and the consequences of unchecked vigilante justice.
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