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Undercover Man (1942) | Directed by Lesley Selander
West of Rainbow's End (1938) | Directed by Alan James
Rip Roarin' Buckaroo (1936) | Directed by Robert F. Hill
Border Caballero (1936) | Directed by Sam Newfield
Shadows of Death (1945) | Directed by Sam Newfield
Trigger Fingers (1946) | Directed by Lambert Hillyer
Hondo (1953) | Directed by John Farrow
High Noon (1952) | Directed by Fred Zinnemann
Powder River (1953) | Directed by Louis King
Wild Horse Canyon (1938) | Directed by Robert F. Hill
The Tall Texan (1953) | Directed by Elmo Williams
The Great Jesse James Raid (1953) | Directed by Reginald Le Borg
Law and Order (1953) | Directed by Nathan Juran
The Naked Spur (1953) | Directed by Anthony Mann
3 Godfathers (1948) | Directed by John Ford
River of No Return (1954) | Directed by Otto Preminger
Abilene Town (1946) | Directed by Edwin L. Marin
Siege at Red River (1954) | Directed by Rudolph Maté
High Lonesome (1950) | Directed by Alan Le May
Black Stallion (aka King of the Sierras) (1938) | Directed by Samuel Diege & Arthur Rosson
The Outcast (1954) | Directed by William Witney
A Bullet Is Waiting (1954) | Directed by John Farrow
The Texas Rangers (1951) | Directed by Phil Karlson
Cattle Drive (1951) | Directed by Kurt Neumann
The Savage Horde (1950) | Directed by Joseph Kane
The Return of Daniel Boone (1941) | Directed by Lambert Hillyer
The Furies (1950) | Directed by Anthony Mann
Stranger on Horseback (1954) | Directed by Jacques Tourneur
The Far Country (1954) | Directed by Anthony Mann
Rawhide Rangers (1941) | Directed by Ray Taylor
Rawhide (1951) | Western film directed by Henry Hathaway
Ambush at Tomahawk Gap (1953) | A Western film set in the post-Civil War era
The Gunfighter (1950) | A classic Western film directed by Henry King
The Capture (1950) | Western film directed by John Sturges
Train to Tombstone (1950) | Western film directed by William Berke
Panhandle (1948) | A Western film directed by Lesley Selander & starring Rod Cameron
Outlaw Women (1952) | Directed by Sam Newfield & Ron Ormond
The Big Trail (1930) | Directed by Raoul Walsh
The Desperadoes (1943) | Directed by Charles Vidor
Masterson of Texas (1954) | Directed by William Castle
Silver Lode (1954) | Directed by Allan Dwan
Garden of Evil (1954) | Directed by Henry Hathaway
Frontier Marshal (1939) | Directed by Allan Dwan
Coroner Creek (1948) | Directed by Ray Enright
Oklahoma Annie (1952) | Directed by R.G. Springsteen
They Rode West (1954) | Directed by Phil Karlson
Southwest Passage (1954) | Directed by Ray Nazarro
The Paleface (1948) | A classic Western comedy directed by Norman Z. McLeod Private Video
The Last of the Comanches (1953) | Western film directed by Andre DeToth
Kit Carson (1940) | Directed by George B. Seitz
Yellow Sky (1948) | Directed by William A. Wellman
In Old Oklahoma (1943) | Western directed by Albert S. Rogell
Two Flags West (1950) | A Western war film directed by Robert Wise
The Ox-Bow Incident (1943) | Directed by William A. Wellman
Indian Uprising (1952) | A Western film directed by Ray Nazarro
Bugles in the Afternoon (1952) | A Western film directed by Roy Rowland
Angel and the Badman (1947) | Directed by James Edward Grant
Green Grass of Wyoming (1948) | Western film directed by Louis King
My Darling Clementine (1946) | Western directed by John Ford
Flame of Barbary Coast (1945) | Western film directed by Joseph Kane
Lust for Gold (1949) | Directed by S. Sylvan Simon
Passion (1954) | Directed by Allan Dwan
They Died with Their Boots On (1941) | Directed by Raoul Walsh
Bend of the River (1952) | Classic Western film directed by Anthony Mann
The Cowboy and the Lady (1938) | Directed by H.C. Potter
The Secret of Convict Lake (1951) | Directed by Michael Gordon
Distant Drums (1951) | Directed by Raoul Walsh
Hellgate (1952) | Directed by Charles Marquis Warren
Only The Valiant (1951) | Directed by Gordon Douglas
Angel and the Badman (1947) | Directed by James Edward Grant
The Thundering Trail (1951) | Directed by Ron Ormond
Comanche Territory (1950) | Directed by George Sherman
Vengeance Valley (1951) | Directed by Richard Thorpe
The Doolins of Oklahoma (1949) | Directed by Gordon Douglas
Fury at Furnace Creek (1948) | Directed by H. Bruce Humberstone
War Paint (1953) | Western film directed by Lesley Selander
Two Flags West (1950) | Western drama directed by Robert Wise
Buffalo Bill (1944) | A biographical Western film directed by William A. Wellman.
South of St. Louis (1949) | Western film directed by Ray Enright
Woman They Almost Lynched (1953) | A Western film directed by Allan Dwan.
Operation Haylift (1950) | Post War Western
The Westerner (1940) | Directed by William Wyler
Bells of San Angelo (1947) | Directed by William Witney
Gunfire (1950) | Directed by William Berke
Renegade Girl (1946) | Directed by William Berke
Little Big Horn (1951) | Directed by Charles Marquis Warren
The Raiders (1952) | Directed by Lesley Selander
The Beautiful Blonde from Bashful Bend (1949) | Directed by Preston Sturges
The Daring Caballero (1949) | Directed by Wallace Fox
Pursued (1947) | Directed by Raoul Walsh
Jesse James (1939) | Directed by Henry King
The Return of Frank James (1940) | Directed by Fritz Lang
El Paso (1949) | Directed by Lewis R. Foster
The Walking Hills (1949) | Directed by John Sturges
The Gal Who Took the West (1949) | Directed by Frederick de Cordova
The Outlaw (1943) | Directed by Howard Hughes
Silver River (1948) | Directed by Raoul Walsh
Relentless (1948) | Directed by George Sherman
Western Union (1941) | Directed by Fritz Lang
Pirates on Horseback (1941) | Directed by Lesley Selander
The Cowboy and the Lady (1938) | Directed by H.C. Potter
"The Cowboy and the Lady" (1938), directed by H.C. Potter, is a romantic comedy that blends elements of the Western genre with the charm of a classic love story. Starring Gary Cooper and Merle Oberon, the film explores the unlikely romance between a cowboy and a socialite, offering a lighthearted and entertaining cinematic experience.
Gary Cooper, known for his roles in Westerns and romantic dramas, brings his signature stoic charm to the character of Stretch Willoughby, a cowboy with a heart of gold. Merle Oberon, in the role of Mary Smith, a socialite seeking a break from her privileged life, provides a delightful contrast to Cooper's rugged persona. The chemistry between the two leads is a key strength of the film, as they navigate the challenges of their disparate worlds.
H.C. Potter's direction infuses the film with a sense of humor and warmth. The narrative unfolds with a blend of comedy, romance, and Western elements, creating a delightful atmosphere that caters to a broad audience. Potter's ability to balance the genre elements while delivering a heartwarming love story contributes to the film's overall appeal.
The screenplay, written by S.N. Behrman and Sonya Levien, showcases witty dialogue and clever situational humor. The narrative follows Mary's attempt to escape societal expectations by pretending to be a maid, leading to her unexpected encounter with Stretch. The ensuing romantic complications and comedic misunderstandings drive the film's engaging plot.
The supporting cast, including Walter Brennan, Fuzzy Knight, and Patsy Kelly, adds humor and depth to the film. Brennan, in particular, brings his comedic prowess to the role of George, Stretch's loyal sidekick. The ensemble cast effectively contributes to the film's comedic and romantic dynamics.
While "The Cowboy and the Lady" may be considered a product of its time with certain narrative conventions, it remains a charming and enjoyable film for those who appreciate classic Hollywood romance and humor. The film's ability to blend the Western genre with romantic comedy elements showcases the versatility of its director and cast.
The cinematography by Harry Fischbeck captures the picturesque landscapes of the Western setting, providing a visually appealing backdrop for the unfolding romance. The film's production design and costume choices also contribute to the overall period charm.
In conclusion, "The Cowboy and the Lady" (1938) is a delightful romantic comedy directed by H.C. Potter, featuring strong performances from Gary Cooper and Merle Oberon. With its blend of Western charm and classic Hollywood romance, the film remains an entertaining example of the era's filmmaking, providing audiences with a lighthearted escape into the world of love and laughter.
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