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Edge of Darkness (1943) | Directed by Lewis Milestone
I Was a Fireman (aka Fires Were Started) (1943) | Directed by Humphrey Jennings
Candlelight in Algeria (1944) | Directed by George King
Flying Tigers (1940) | Directed by David Miller
The White Cliffs of Dover (1944) | Directed by Clarence Brown
Bright Victory (1951) | Directed by Mark Robson
Air Force (1943) | Directed by Howard Hawks
The Sea Shall Not Have Them (1954) | Directed by Lewis Gilbert
They Who Dare (1954) | Directed by Lewis Milestone
Captains of the Clouds (1942) | Directed by Michael Curtiz
The Caine Mutiny (1954) | Directed by Edward Dmytryk
The Black Watch (1929) | Directed by John Ford
Fear and Desire (1953) | American war film directed by Stanley Kubrick
Stalag 17 (1953) | Directed by Billy Wilder
Paris Underground / Madame Pimpernel (1945) | American war film directed by Gregory Ratoff
Invasion, U.S.A. (1952) | American Cold War-era film directed by Alfred E. Green
Air Cadet (1951) | American war film directed by Joseph Pevney & starring Rock Hudson
China Girl (1942) | War film directed by Henry Hathaway
Submarine Base (1943) | A war film directed by Albert H. Kelley
The Desert Fox: The Story of Rommel (1951) | Biographical war film directed by Henry Hathaway
Tonight We Raid Calais (1943) | World War II spy thriller directed by John Brahm
A Wing and a Prayer (1944) | A war film directed by Henry Hathaway
For Whom the Bell Tolls (1943) | A epic war drama directed by Sam Wood
Man Hunt (1941) | Directed by the legendary Fritz Lang
The Red Beret / Paratrooper (1953) | British war film directed by Terence Young
Sailor of the King (1953) | Directed by Roy Boulting
Crash Dive (1943) | World War II drama directed by Archie Mayo
The Purple Heart (1944) | Directed by Lewis Milestone
The Way to the Stars (1945) | Directed by Anthony Asquith
Thunder Birds: Soldiers of the Air (1942) | Directed by William A. Wellman
The Bells Go Down (1943) | Directed by Basil Dearden and Charles Frend
The Silver Fleet (1943) | Directed by Vernon Sewell and Gordon Wellesley
The Pied Piper (1942) | Directed by Irving Pichel
A Farewell to Arms (1932) | Directed by Frank Borzage
The True Glory (1945) | Directed by Carol Reed and Garson Kanin
Immortal Sergeant (1943) | Directed by John M. Stahl
The Purple Plain (1954) | Directed by Robert Parrish
American Guerrilla in the Philippines (1950) | Directed by Fritz Lang
A Walk in the Sun (1945) | Directed by Lewis Milestone
The Way Ahead (1945) | Directed by Carol Reed
They Were Not Divided (1950) | Directed by Terence Young
Flat Top (1952) | A war film directed by Lesley Selander
Submarine Alert (1943) | A war film directed by Frank McDonald
Malta Story (1953) | Focuses on the historical events surrounding the Siege of Malta
The Fighting Sullivans (1944) | A war film based on the true story of the five Sullivan brothers
Submarine Raider (1942) | A war film directed by Lew Landers
Destroyer (1943) | A war film directed by William A. Seiter
Blood on the Sun (1945) | A film noir and war drama directed by Frank Lloyd
Twelve O'Clock High (1949) | A 1949 American war film directed by Henry King & starring Gregory Peck
To the Shores of Tripoli (1942) | A 1942 war film directed by H. Bruce Humberstone
What Price Glory (1952) | A war film directed by John Ford and starring James Cagney
The North Star (1943) | A war film directed by Lewis Milestone
Seven Were Saved (1947) | A 1947 American drama film directed by William H. Pine
49th Parallel (1941) | WWII movie directed by Michael Powell with Laurence Olivier
Close Quarters (1943) | Directed by Jack Hively
Three Came Home (1950) | Directed by Jean Negulesco
The Cruel Sea (1953) | Directed by Charles Frend
China Venture (1953) | Directed by Don Siegel
The Story of G.I. Joe (1945) | Directed by William A. Wellman
Take the High Ground! (1953) | Directed by Richard Brooks
The Frogmen (1951) | Directed by Lloyd Bacon
This Above All (1942) | Directed by Anatole Litvak
Hangmen Also Die! (1943) | Directed by Fritz Lang
Go for Broke! (1951) | Directed by Robert Pirosh
Underground (1941) | Directed by Vincent Sherman
Western Approaches (1944) | Directed by Pat Jackson
Submarine Command (1951) | Directed by John Farrow
Theirs Is the Glory (1946) | Directed by Brian Desmond Hurst
Flight Nurse (1953) | Directed by Allan Dwan
Outpost in Morocco (1949) | Directed by Robert Florey
Sundown (1941) | Directed by Henry Hathaway
The Navy Way (1944) | Directed by William Berke
Secret Mission (Secret Mission: Casablanca in USA) (1942 | Directed by Harold French
Guerrilla Girl (1953) | Directed by John Christian
Gung Ho! (1943) | Directed by Ray Enright
China (1943) | Directed by John Farrow
Hell's Angels (1930) | Directed by Howard Hughes
The Pied Piper (1942) | Directed by Irving Pichel
"The Pied Piper" (1942), directed by Irving Pichel, is a war drama set in the early days of World War II. Starring Monty Woolley, Roddy McDowall, Anne Baxter, and Otto Preminger, the film is an adaptation of Nevil Shute's novel of the same name.
The narrative follows an Englishman, Mr. Howard (Monty Woolley), who becomes involved in the lives of a group of children in the French village of Hamelin during the German invasion. Howard's character, akin to the Pied Piper of Hamelin from the famous folk tale, takes on the responsibility of leading the children to safety across enemy lines.
One of the film's notable strengths is the engaging performance of Monty Woolley as Mr. Howard. Woolley's portrayal adds a layer of complexity to the character, blending warmth, determination, and a touch of melancholy. The dynamic between Howard and the children, especially portrayed by a young Roddy McDowall, contributes significantly to the emotional core of the film.
The film effectively captures the wartime atmosphere and the challenges faced by civilians caught in the conflict. It explores themes of sacrifice, resilience, and the impact of war on innocence, using the Pied Piper allegory to convey a poignant message about the cost of conflict on the lives of children.
Irving Pichel's direction offers a mix of drama and sentimentality, balancing the emotional weight of the narrative with moments of hope and camaraderie. The cinematography captures the picturesque French countryside and the sense of urgency as the characters navigate the war-torn landscape.
However, some critics might argue that the film's narrative, while emotionally resonant, occasionally leans towards sentimentality and melodrama. Additionally, the portrayal of certain characters and events may be seen as oversimplified or idealized.
In conclusion, "The Pied Piper" (1942) is a touching war drama directed by Irving Pichel, featuring a standout performance from Monty Woolley. The film successfully combines elements of allegory and historical drama to deliver a poignant exploration of the impact of war on children and civilians. While it may have moments of sentimentality, its emotional resonance and engaging performances make it a noteworthy entry in wartime cinema.
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1:36:28
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