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Four Men and a Prayer (1938) | Directed by John Ford
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Robinson Crusoe (1954) | Directed by Luis Buñuel
Long John Silver (1954) | Directed by Byron Haskin
Spy Hunt (1950) | American adventure film directed by George Sherman
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Sea Devils (1953) | British-American adventure film directed by Raoul Walsh
The King of the Khyber Rifles (1953) | An adventure film directed by Henry King
The Most Dangerous Game (1932) | Adventure film directed by Irving Pichel & Ernest B. Schoedsack
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Thunder in the Pines (1949) | Directed by Robert Gordon
Jungle Goddess (1948) | Directed by Lewis D. Collins
Fangs of the Wild (1954) | Directed by William F. Claxton
Beneath the 12-Mile Reef (1953) | Directed by Robert D. Webb
Alaska Seas (1954) | Directed by Jerry Hopper
Blowing Wild (1953) | American adventure drama film directed by Hugo Fregonese
The Son of Zorro (1947) | Directed by Spencer Gordon Bennet
Son of Fury (1942) | Directed by John Cromwell
White Woman (1933) | Directed by Stuart Walker
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The Scarlet Pimpernel (1934) | Directed by Harold Young
Beau Geste (1939) | Directed by William A. Wellman
The Bandit of Sherwood Forest (1946) | Directed by Henry Levin
Mighty Joe Young (1949) | Directed by Ernest B. Schoedsack and Merian C. Cooper
Genevieve (1953) | Directed by Henry Cornelius
Elephant Boy (1937) | Directed by Robert J. Flaherty & Zoltan Korda
The Call of the Wild (1935) | Directed by William A. Wellman
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Kim (1950) | Directed by Victor Saville
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Under Two Flags (1936) | Directed by Frank Lloyd
Thief of Damascus (1952) | A historical adventure film directed by Will Jason
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Golden Salamander (1950) | Directed by Ronald Neame
The Black Arrow (1948) | Directed by Gordon Douglas
The Lives of a Bengal Lancer (1935) | Directed by Henry Hathaway
The Brigand (1952) | Directed by Phil Karlson
Wake of the Red Witch (1948) | Directed by Edward Ludwig
Man-Eater of Kumaon (1948) | Directed by Byron Haskin
Northwest Passage (1940) | Directed by King Vidor
Raiders of the Seven Seas (1953) | Directed by Sidney Salkow
The Jungle (1952) | Directed by William Berke
Mutiny (1952) | Directed by Edward Dmytryk
Return to Paradise (1953) | Directed by Mark Robson
If I Were King (1938) | Directed by Frank Lloyd
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Botany Bay (1953) | Directed by John Farrow
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Prince of Foxes (1949) | Directed by John Frankenheimer
The Four Feathers (1939) | Directed by Zoltan Korda
The Three Musketeers (1948) | Directed by George Sidney
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Arabian Nights (1942) | Directed by John Rawlins
Elephant Boy (1937) | Directed by Robert J. Flaherty & Zoltan Korda
"Elephant Boy" (1937) is a British adventure film directed by Robert J. Flaherty and Zoltan Korda. It is based on "Toomai of the Elephants," a story by Rudyard Kipling. The film stars Sabu Dastagir in his debut role as Toomai, a young Indian boy who aspires to become an elephant driver.
Directed by Robert J. Flaherty and Zoltan Korda, "Elephant Boy" is notable for its early collaboration with documentary filmmaker Flaherty, known for "Nanook of the North." The film is a captivating blend of fiction and documentary elements, capturing the beauty and mystique of the Indian jungle.
Sabu Dastagir's performance as Toomai is a standout, considering it was his first acting role. His natural charm and the authenticity he brings to the character contribute to the film's success. The movie follows Toomai's journey as he befriends an elephant and becomes a vital part of the community.
The cinematography, especially the lush visuals of the Indian jungle, adds to the film's allure. The use of real elephants and the authentic portrayal of the Indian setting give "Elephant Boy" a documentary-like feel, creating an immersive experience for the audience.
While "Elephant Boy" is celebrated for its cultural authenticity and Sabu's compelling performance, some critics may point out that the film's narrative is relatively straightforward, following a familiar coming-of-age template. Additionally, its portrayal of colonial attitudes may be viewed with a critical lens.
In conclusion, "Elephant Boy" (1937), directed by Robert J. Flaherty and Zoltan Korda, is a pioneering adventure film that successfully blends fiction with documentary elements. Sabu Dastagir's impressive debut, coupled with the film's visually striking portrayal of the Indian jungle, makes it a noteworthy classic in early British cinema.
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