The Little Foxes (1941) | Directed by William Wyler

"The Little Foxes" is a 1941 American drama film directed by William Wyler. The film is an adaptation of Lillian Hellman's play of the same name. The notable cast includes Bette Davis, Herbert Marshall, Teresa Wright, Richard Carlson, and Dan Duryea.

Set in a small town in Alabama in 1900, "The Little Foxes" revolves around the Hubbard family, particularly the siblings Regina Giddens (played by Bette Davis), Ben Hubbard (played by Charles Dingle), and Oscar Hubbard (played by Carl Benton Reid). The family schemes to increase their wealth by exploiting the labor of black workers and manipulating business deals. Tensions rise when Regina's ailing husband, Horace (played by Herbert Marshall), becomes aware of the family's ruthless pursuits, leading to a power struggle and familial betrayal.

"The Little Foxes" is widely celebrated for its powerful performances, particularly that of Bette Davis as the cunning and ambitious Regina. Davis's portrayal of a Southern woman driven by greed and ambition earned her critical acclaim and an Academy Award nomination. The supporting cast, including Teresa Wright and Herbert Marshall, also received praise for their compelling performances.

William Wyler's direction captures the intensity and complexity of the characters and their relationships. The film is noted for its sharp dialogue, atmospheric cinematography, and the depiction of the societal and familial dynamics in the American South during the turn of the century.

The narrative of "The Little Foxes" is a scathing critique of greed, deceit, and the moral decay within a wealthy Southern family. Lillian Hellman's script, adapted from her own play, is both gripping and socially relevant. The film stands as a classic example of Hollywood's Golden Age, combining top-notch acting, skilled direction, and a thought-provoking story.

In summary, "The Little Foxes" is a cinematic achievement, featuring stellar performances from its cast and expert direction from William Wyler. It remains a compelling exploration of family dynamics, morality, and the consequences of unchecked ambition in the context of Southern aristocracy.