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			Behind Green Lights (1946) | Directed by Otto Brower
"Behind Green Lights" is a 1946 film noir directed by Otto Brower. The film features Carole Landis, William Gargan, and John Ireland in lead roles.
The story unfolds in a small town where Police Lieutenant Sam Carson (played by William Gargan) is investigating the murder of a local district attorney. As the investigation progresses, Carson discovers a web of corruption and deceit involving prominent figures in the community. The plot takes a twist when Carson's girlfriend, newspaper reporter Kathy Lawrence (played by Carole Landis), becomes entangled in the dangerous pursuit of truth. The film explores themes of crime, corruption, and the pursuit of justice against the backdrop of a noir-infused narrative.
"Behind Green Lights" is a lesser-known film noir that has gained some recognition for its atmospheric storytelling and engaging plot. William Gargan delivers a solid performance as the determined police lieutenant, and Carole Landis adds a layer of intrigue as the journalist caught in the midst of a murder investigation. The film features typical noir elements, including shadowy cinematography and a sense of moral ambiguity.
Directed by Otto Brower, the film navigates the complexities of a murder mystery within a corrupt small-town setting. While it may not have achieved the same level of acclaim as some major film noirs of the era, it is appreciated for its genre-appropriate style and the performances of its cast.
"Behind Green Lights" is often commended for its efficient storytelling and the noir aesthetics that characterize the atmosphere of the film. It captures the essence of the crime genre prevalent in the post-war years, offering an engaging narrative with elements of suspense and intrigue.
In summary, "Behind Green Lights" is a solid entry in the film noir genre, featuring capable performances from its cast and delivering a compelling narrative. While it may not be as widely recognized as some other classics of the era, it remains a noteworthy addition to the noir canon.
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