Paul Ingbretson talks about Sargent’s “Points and Angles” #97

How the ‘points’ in the visual impression have relationships with each other that create long angles, and various abstract two dimensional phenomena that offer ways of getting to the likeness of what you paint including those associated with the individual objects as well as the impression of the whole.

In Response to Han

QUESTION: Talk about seeing proportions and angles, how to understand boxes, triangles, etc.