The Affairs of Susan (1945) | Directed by William A. Seiter

"The Affairs of Susan" is a romantic comedy film released on March 28, 1945. Directed by William A. Seiter, the film stars Joan Fontaine as the eponymous Susan, alongside George Brent, Dennis O'Keefe, Walter Abel, and Don DeFore. The screenplay, written by Thomas Monroe and Laszlo Gorog, explores the complexities of love and perception through the lens of its charming and multifaceted protagonist, Susan.

The narrative unfolds as Richard Aiken (played by George Brent), a wealthy and conservative businessman, prepares to marry Susan Darell, a woman known for her vivacious and somewhat unconventional character. However, Richard's certainty about his bride-to-be is challenged when he encounters three of Susan's former lovers, each of whom describes Susan in strikingly different terms. These accounts, presented in flashback sequences, paint Susan as a different woman in each of her past relationships—ranging from a free-spirited actress to a refined socialite, and finally, a down-to-earth girl-next-door. This exploration of Susan's diverse personalities and love affairs leads to comedic and confusing situations, ultimately questioning the nature of true love and identity.

"The Affairs of Susan" is notable for its inventive narrative structure and Joan Fontaine's versatile performance. Fontaine skillfully navigates her character's complex personas, showcasing her range as an actress and bringing depth to what might otherwise have been a conventional romantic lead. The film cleverly plays with themes of perception and the multifaceted nature of individuals within romantic relationships, making it a standout piece for its time.

While "The Affairs of Susan" was innovative in its storytelling and praised for Fontaine's performance, it also faced criticism for its somewhat superficial exploration of its central themes. The film's comedic approach to Susan's varying relationships and personalities sometimes glosses over the deeper emotional and psychological implications of its premise. Moreover, the resolution can feel rushed and overly simplistic, wrapping up complex issues in a tidy, conventional ending that may not satisfy all viewers.

"The Affairs of Susan" remains an interesting artifact from the mid-1940s, offering a blend of comedy and romance that showcases Joan Fontaine's talents. While it might not delve deeply into the complexities of identity and perception in romantic relationships, its entertainment value and unique narrative approach make it a worthwhile watch for fans of classic cinema. The film's exploration of how one woman can be seen so differently by various people in her life remains a compelling concept, even if not fully realized to its potential.