Tonalist Form Interpretation -169

Focusing on the articulation of form for planar tonalists and how it differs from nature and from the Boston School in particular. The visible markings of planar impressionists, of broken color impressionists and how nature looks is discussed.

In response to Tapia

QUESTION: “Australian Tonal Impressionism (Max Meldrum’s School) also sees form as 2D (no tactile 3D).”

Tapia