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I Cover the Waterfront (1933) | Directed by James Cruze

Manhattan Tower (1932) | Directed by Frank R. Strayer

Between Yesterday and Tomorrow (1947) | Directed by Harald Braun

The Best Years of Our Lives (1946) | Directed by William Wyler

Court Martial / Carrington V.C. (1954) | Directed by Anthony Asquith

All About Eve (1950) | Directed by Joseph L. Mankiewicz

Turn the Key Softly (1953) | Directed by Jack Lee

Bright Road (1953) | Directed by Gerald Mayer

The Kidnappers (1953) | Directed by Philip Leacock

Mr. Smith Goes to Washington (1939) | Directed by Frank Capra

The Secret of Dr. Kildare (1939) | Directed by Harold S. Bucquet

Carnival Story (1954) | Directed by Kurt Neumann

Great Expectations (1946) | Directed by David Lean

The Diary of a Chambermaid (1946) | Directed by Jean Renoir

The Wagons Roll at Night (1941) | Directed by Ray Enright

The Wreck of the Hesperus (1948) | Directed by John Hoffman

In This Our Life (1942) | Directed by John Huston

A Bill of Divorcement (1940) | Directed by John Farrow

It Always Rains on Sundays (1947) | Directed by Robert Hamer

Challenge to Lassie (1949) | Directed by Richard Thorpe

State of the Union (1948) | Directed by Frank Capra

Life Begins at Eight-Thirty (1942) | Directed by Irving Pichel

Home Town Story (1951) | Directed by Arthur Pierson

Corridor of Mirrors (1948) | Directed by Terence Young

Boots Malone (1952) | Directed by William Dieterle

Ruby Gentry (1952) | Southern Gothic melodrama directed by King Vidor

Bad for Each Other (1953 ) | American drama film directed by Irving Rapper

Dragonwyck (1946) | A Gothic drama film directed by Joseph L. Mankiewicz

Oliver Twist (1948) | Directed by David Lean

The Turning Point (1952) | British drama film directed by Michael Relph

The Bigamist (1953) | American drama film directed by and starring Ida Lupino

The Bells of St. Mary's (1945) | American drama film directed by Leo McCarey

The Pickwick Papers (1952) | Directed by Noel Langley

Little Lord Fauntleroy (1936) | American drama film directed by John Cromwell

The Rains Came (1939) | American drama film directed by Clarence Brown

Jane Eyre (1943) : Director - Robert Stevenson

Always Goodbye (1938) | Directed by Sidney Lanfield

Molly and Me (1945) | Directed by Lewis Seiler

Pinky (1949) | Groundbreaking drama directed by Elia Kazan

The Keys of the Kingdom (1944) | Directed by John M. Stahl

How Green Was My Valley (1941) | Directed by John Ford

The Razor's Edge (1946) | Drama directed by Edmund Goulding

Swamp Water (1941) | A compelling drama directed by Jean Renoir

A Tree Grows in Brooklyn (1945) | Directed by Elia Kazan

The Southerner (1945) | Drama directed by Jean Renoir

Four in a Jeep (1951) | A drama film directed by Leopold Lindtberg

Come to the Stable (1949) | Directed by Henry Koster

National Velvet (1944) | Directed by Clarence Brown

Sentimental Journey (1946) | Directed by Walter Lang

Since You Went Away (1944) | American drama film directed by John Cromwell

"Three Faces West" (1940) | Directed by Bernard Vorhaus

The Green Promise (1949) | A family drama directed by William D. Russell

They Were Sisters (1945) | British drama film directed by Arthur Crabtree

The Woman in the Hall (1947) | British drama film directed by Jack Lee

Tobacco Road (1941) | Directed by John Ford

Lady for a Night (1942) | A captivating drama directed by Leigh Jason

Deadline USA (1952) | Directed by Richard Brooks

Penny Serenade (1941) | Directed by George Stevens

Wuthering Heights (1934) | Directed by William Wyler

The Little Princess (1939) | Directed by Walter Lang

The Happy Years (1950) | Directed by William A. Wellman

Heidi (1937) | Directed by Allan Dwan

The Green Cockatoo (1937) | British comedy directed by William Cameron Menzies

Now and Forever (1934) | Directed by Henry Hathaway

Leave Her to Heaven (1945) | Directed by John M. Stahl

The Prince and the Pauper (1937) | Directed by William Keighley

Beloved Enemy (1936) | Directed by H.C. Potter

Titanic (1953) | Directed by Jean Negulesco

No Way Out (1950) | Directed by Joseph L. Mankiewicz

The Adventures of Tom Sawyer (1938) | Directed by Norman Taurog

The Glass Wall (1953) | Directed by Maxwell Shane

Paula (1952) | Directed by Rudolph Maté

Cyrano de Bergerac (1950) | Directed by Michael Gordon

The Soldier and the Lady (1937) | Directed by George Nichols Jr.

Hamlet (1948) | Directed by Sir Laurence Olivier

The Seventh Veil (1945) | Directed by Compton Bennett

In Old Chicago (1937) | Directed by Henry King

The First of the Few (1942) / Spitfire | Directed by Leslie Howard

The Rocking Horse Winner (1949) | Directed by Anthony Pelissier

The Prisoner of Shark Island (1936) | Directed by John Ford

Wee Willie Winkie (1937) | Directed by John Ford

Golden Boy (1939) | Directed by Rouben Mamoulian

They Call It Sin (1932) | Directed by Thornton Freeland

A Letter to Three Wives (1949) | Directed by Joseph L. Mankiewicz

Nurse Edith Cavell (1939) | Directed by Herbert Wilcox

No Highway in the Sky (1951) | Directed by Henry Koster

Hell's House (1932) | Directed by Howard Higgin

Fourteen Hours (1951) | Directed by Henry Hathaway

The Little Foxes (1941) | Directed by William Wyler

The Bad Sister (1931) | Directed by Hobart Henley

The Fountainhead (1949) | Directed by King Vidor

Of Human Bondage (1934) | Directed by John Cromwell

Arrowsmith (1931) | Directed by John Ford

From Here to Eternity (1953) | Directed by Fred Zinnemann

Oliver Twist (1933) | Directed by William J. Cowen

King's Row (1942) | Directed by Sam Wood

Not Wanted (1949) | Directed by Elmer Clifton

Summer Storm (1944) | Directed by Douglas Sirk

Arch of Triumph (1948) | Directed by Lewis Milestone

Journey to Italy (1954) | Directed by Roberto Rossellini

Tokyo Joe (1949) | Directed by Stuart Heisler

The World Moves On (1934) | Directed by John Ford

That's My Man (1947) | Directed by Frank Borzage

Brute Force (1947) | Directed by Jules Dassin

Wicked Woman (1953) | Directed by Russell Rouse

Lifeboat (1944) | Directed by Alfred Hitchcock

21 Days (1940) | Directed by Basil Dean

The President's Lady (1953) | A captivating historical drama

I Was a Shoplifter (1950) | A film noir crime drama directed by Charles Lamont

Man on a Tightrope (1953) | A gripping drama directed by the renowned Elia Kazan

The Baron of Arizona (1950) | Historical drama directed by Samuel Fuller

The Long Memory (1953) | Directed by Robert Hamer

Ruthless (1948) | Directed by Edgar G. Ulmer

Edge of Doom (1950) | Directed by Mark Robson

Man in Grey (1943) | Directed by Leslie Arliss

Miracle on 34th Street (1947) | Directed by George Seaton

Three Secrets (1950) | Directed by Robert Wise

Bright Leaf (1950) | Directed by Michael Curtiz

Tales of Manhattan (1942) | Directed by Julien Duvivier

The Wild One (1953) | Directed by László Benedek

The Prowler (1951) | Directed by Joseph Losey

Kiss of Death (1947) | Directed by Henry Hathaway

Pitfall (1948) | Directed by André de Toth

Hard, Fast and Beautiful! (1951) | Directed by Ida Lupino

The Dark Horse (1946) | Directed by Delmer Daves

Hearts in Bondage (1936) | Directed by Lew Ayres

The Letter (1929) | Directed by Jean de Limur

All That Money Can Buy (aka The Devil and Daniel Webster) (1941) | Directed by William Dieterle

The Walls of Jericho (1948) | Directed by John M. Stahl

Remember the Day (1941) | Directed by Henry King

The Grapes of Wrath (1940) | Directed by John Ford

The Moon is Down (1943) | Directed by Irving Pichel

Beyond Tomorrow (1940) | Directed by A. Edward Sutherland

Personal Affair (1953) | Directed by Anthony Pelissier

Under My Skin (1950) | Directed by Jean Negulesco

Serpent of the Nile (1953) | Directed by William Castle

Black Narcissus (1947) | Directed by Michael Powell & Emeric Pressburger

The Last Command (1928) | Directed by Josef von Sternberg

Deep Waters (1948) | Directed by Henry King

Disputed Passage (1939) | Directed by Frank Borzage

Little Men (1940) | Directed by Norman Z. McLeod

The Old Swimmin' Hole (1940) | Directed by Robert F. McGowan

The Weaker Sex (1948) | Directed by Roy Ward Baker

Lloyd's of London (1936) | Directed by Henry King

So Ends Our Night (1941) | Directed by John Cromwell

The Shanghai Gesture (1941) | Directed by Josef von Sternberg

This Happy Breed (1944) | Directed by David Lean

A Place of One's Own (1945) | Directed by Bernard Knowles

Little Man, What Now? (1934) | Directed by Frank Borzage

Of One Blood (1944) | Directed by Spencer Williams

When the Bough Breaks (1947) | Directed by Lawrence Huntington

Angel on My Shoulder (1946) | Directed by Archie Mayo

Brilliant Marriage" (1936) | Directed by Phil Rosen

The Song of Bernadette (1943) | Directed by Henry King

Cheers for Miss Bishop (1941) | Directed by Tay Garnett

Becky Sharp (1935) | Directed by Rouben Mamoulian

All My Sons (1948) | Directed by Irving Reis

Paid in Full (1950) | Directed by William Dieterle

Serpent of the Nile (1953) | Directed by William Castle
"Serpent of the Nile" (1953) is a historical drama set in ancient Egypt, directed by William Castle, a filmmaker known for his later ventures into horror but who dabbled in various genres throughout his career. This film focuses on the legendary love triangle involving Julius Caesar, Cleopatra, and Marc Antony.
The film dramatizes Cleopatra's attempts to solidify her power and influence by aligning herself with Rome's mightiest leaders, Julius Caesar and later Marc Antony. Rhonda Fleming stars as Cleopatra, bringing a seductive and strategic edge to her portrayal of the iconic Egyptian queen. Raymond Burr plays Marc Antony, depicted as a rugged and somewhat conflicted Roman general, while William Lundigan portrays Julius Caesar. The plot navigates through political intrigue, romantic entanglements, and the famous historical events that have captivated imaginations for centuries.
"Serpent of the Nile" is known for its lavish costumes and set pieces, typical of the peplum genre films (Italian historical or biblical epics) of the era, though it was produced on a considerably lower budget compared to its contemporaries. While the historical accuracy of the film is dubious, it compensates with entertainment value through melodramatic performances and engaging storytelling. Rhonda Fleming's portrayal of Cleopatra is both charismatic and visually compelling, though the film's script doesn’t allow for much depth beyond the surface level of political seduction and romance. Raymond Burr and William Lundigan both provide solid performances, but the character development is limited, making the historical figures feel a bit one-dimensional.
- Rhonda Fleming as Cleopatra
- Raymond Burr as Marc Antony
- William Lundigan as Julius Caesar
- Michael Ansara as Captain Florus
- Julie Newmar (credited as Julie Newmeyer) as a palace girl
Despite its flaws, "Serpent of the Nile" offers a visually appealing and straightforward narrative that might appeal to fans of mid-century cinematic depictions of ancient histories, though it won't satisfy those seeking historical accuracy or deep character studies.
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1:15:21
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