Premium Only Content

Last Call: James Bond Retrospective w/ RetroBlasting
“History is moving pretty quickly these days and the heroes and villains keep on changing parts.” ― James Bond, Casino Royale
From Fleming's first bond novel, Casino Royal, in 1952, through the last film (as of the time of this stream) “No Time to Die” in 2021, we will take a look back at the franchise with special Subject Matter Expert, Michael French of Retroblasting.
Canarble Wagon rolls at 9C/10E
Check out RetroBlasting's recent video on The Living Daylights Aston Martin V8 Lego build! - https://youtu.be/nGN-hS2he7k
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As always, please subscribe to everyone who makes this stream happen behind the scenes …
Guest Bartender - @retroblasting
Designated Driver - @AgedBoomer
Bouncer - @NettersNetwork
Hostess - @ladymyst8809
Maître d' - @deletedscenes
Waitstaff -
@BigAlPresents @conniecleary1863 @TheContinuumChronicles @tiredmdntblggr @D.Pensak @ladyvelements9093 @sertorrhenclegane @theskeptictank
Business Manager - @OrvilleNation / @Inzpiration_TV
Buy me a drink: https://www.paypal.com/paypalme/thegrotshoppe
Join the Discord and the MeWe group to stay up to date and keep the conversation going between shows:
https://discord.gg/H27uJtYBtB
https://mewe.com/join/fridaynightlastcall
Also on MeWe:
The Fans Strike Back Against Disney Star Wars: https://mewe.com/join/thefansstrikebackagainstdisneystarwars
Fixing the DC Cinematic Universe:
https://mewe.com/join/fixingthedccinematicuniverse
Fixing the Universal Monsters Shared Universe
https://mewe.com/join/fixingtheuniversalmonstersshareduniverse
Disclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of the channel, its agents or the brand.
FAIR USE NOTICE. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. All content falls under fair use: any copying of copyrighted material done for a limited and “transformative” purpose, such as to comment upon, criticize, or parody a copyrighted work. Such uses can be done without permission from the copyright owner.
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