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Edge of Darkness (1943) | Directed by Lewis Milestone
I Was a Fireman (aka Fires Were Started) (1943) | Directed by Humphrey Jennings
Candlelight in Algeria (1944) | Directed by George King
Flying Tigers (1940) | Directed by David Miller
The White Cliffs of Dover (1944) | Directed by Clarence Brown
Bright Victory (1951) | Directed by Mark Robson
Air Force (1943) | Directed by Howard Hawks
The Sea Shall Not Have Them (1954) | Directed by Lewis Gilbert
They Who Dare (1954) | Directed by Lewis Milestone
Captains of the Clouds (1942) | Directed by Michael Curtiz
The Caine Mutiny (1954) | Directed by Edward Dmytryk
The Black Watch (1929) | Directed by John Ford
Fear and Desire (1953) | American war film directed by Stanley Kubrick
Stalag 17 (1953) | Directed by Billy Wilder
Paris Underground / Madame Pimpernel (1945) | American war film directed by Gregory Ratoff
Invasion, U.S.A. (1952) | American Cold War-era film directed by Alfred E. Green
Air Cadet (1951) | American war film directed by Joseph Pevney & starring Rock Hudson
China Girl (1942) | War film directed by Henry Hathaway
Submarine Base (1943) | A war film directed by Albert H. Kelley
The Desert Fox: The Story of Rommel (1951) | Biographical war film directed by Henry Hathaway
Tonight We Raid Calais (1943) | World War II spy thriller directed by John Brahm
A Wing and a Prayer (1944) | A war film directed by Henry Hathaway
For Whom the Bell Tolls (1943) | A epic war drama directed by Sam Wood
Man Hunt (1941) | Directed by the legendary Fritz Lang
The Red Beret / Paratrooper (1953) | British war film directed by Terence Young
Sailor of the King (1953) | Directed by Roy Boulting
Crash Dive (1943) | World War II drama directed by Archie Mayo
The Purple Heart (1944) | Directed by Lewis Milestone
The Way to the Stars (1945) | Directed by Anthony Asquith
Thunder Birds: Soldiers of the Air (1942) | Directed by William A. Wellman
The Bells Go Down (1943) | Directed by Basil Dearden and Charles Frend
The Silver Fleet (1943) | Directed by Vernon Sewell and Gordon Wellesley
The Pied Piper (1942) | Directed by Irving Pichel
A Farewell to Arms (1932) | Directed by Frank Borzage
The True Glory (1945) | Directed by Carol Reed and Garson Kanin
Immortal Sergeant (1943) | Directed by John M. Stahl
The Purple Plain (1954) | Directed by Robert Parrish
American Guerrilla in the Philippines (1950) | Directed by Fritz Lang
A Walk in the Sun (1945) | Directed by Lewis Milestone
The Way Ahead (1945) | Directed by Carol Reed
They Were Not Divided (1950) | Directed by Terence Young
Flat Top (1952) | A war film directed by Lesley Selander
Submarine Alert (1943) | A war film directed by Frank McDonald
Malta Story (1953) | Focuses on the historical events surrounding the Siege of Malta
The Fighting Sullivans (1944) | A war film based on the true story of the five Sullivan brothers
Submarine Raider (1942) | A war film directed by Lew Landers
Destroyer (1943) | A war film directed by William A. Seiter
Blood on the Sun (1945) | A film noir and war drama directed by Frank Lloyd
Twelve O'Clock High (1949) | A 1949 American war film directed by Henry King & starring Gregory Peck
To the Shores of Tripoli (1942) | A 1942 war film directed by H. Bruce Humberstone
What Price Glory (1952) | A war film directed by John Ford and starring James Cagney
The North Star (1943) | A war film directed by Lewis Milestone
Seven Were Saved (1947) | A 1947 American drama film directed by William H. Pine
49th Parallel (1941) | WWII movie directed by Michael Powell with Laurence Olivier
Close Quarters (1943) | Directed by Jack Hively
Three Came Home (1950) | Directed by Jean Negulesco
The Cruel Sea (1953) | Directed by Charles Frend
China Venture (1953) | Directed by Don Siegel
The Story of G.I. Joe (1945) | Directed by William A. Wellman
Take the High Ground! (1953) | Directed by Richard Brooks
The Frogmen (1951) | Directed by Lloyd Bacon
This Above All (1942) | Directed by Anatole Litvak
Hangmen Also Die! (1943) | Directed by Fritz Lang
Go for Broke! (1951) | Directed by Robert Pirosh
Underground (1941) | Directed by Vincent Sherman
Western Approaches (1944) | Directed by Pat Jackson
Submarine Command (1951) | Directed by John Farrow
Theirs Is the Glory (1946) | Directed by Brian Desmond Hurst
Flight Nurse (1953) | Directed by Allan Dwan
Outpost in Morocco (1949) | Directed by Robert Florey
Sundown (1941) | Directed by Henry Hathaway
The Navy Way (1944) | Directed by William Berke
Secret Mission (Secret Mission: Casablanca in USA) (1942 | Directed by Harold French
Guerrilla Girl (1953) | Directed by John Christian
Gung Ho! (1943) | Directed by Ray Enright
China (1943) | Directed by John Farrow
Hell's Angels (1930) | Directed by Howard Hughes
Submarine Command (1951) | Directed by John Farrow
"Submarine Command" is a gripping post-World War II drama that explores the emotional and psychological effects of wartime decisions on those who served. The film centers on Lt. Cmdr. Ken White (William Holden), a U.S. Navy submarine commander who struggles with guilt after making a controversial decision during the war. He ordered a crash dive, leading to the loss of a fellow submarine and its crew. This decision haunts him, affecting his post-war life and career. As he returns to civilian life, White finds it difficult to adjust, and his internal conflict strains his marriage to Carol White (Nancy Olson). The narrative deepens as White is called back into service during the Korean War, where he must confront his past actions and redeem himself.
"Submarine Command" is notable for its exploration of the psychological toll of war, a theme that resonates with post-WWII audiences. William Holden delivers a compelling performance, capturing the internal struggle of a man burdened by guilt and responsibility. The film's direction by John Farrow, known for his efficient storytelling and taut pacing, ensures that the drama remains engaging despite its heavy themes. Farrow successfully uses the confined setting of the submarine to heighten tension and underscore the isolation and pressure faced by the characters.
The supporting cast, particularly William Bendix and Nancy Olson, provide strong performances that complement Holden's portrayal. The film's cinematography, with its stark contrasts and claustrophobic angles, reinforces the sense of entrapment felt by the protagonist.
While "Submarine Command" was not a major box office hit, it received praise for its mature handling of complex themes and for its realistic depiction of military life. Critics have often highlighted its significance in the war drama genre, noting its influence on later films that similarly deal with the psychological aftermath of conflict.
"Submarine Command" stands out as a significant entry in the post-war film canon, offering an introspective look at the personal costs of war. Though overshadowed by other war films of its time, it remains a poignant character study, bolstered by strong performances and adept direction. Its exploration of themes such as guilt, duty, and redemption adds depth to the narrative, making it a film that continues to resonate with audiences interested in the psychological dimensions of warfare.
Overall, "Submarine Command" is a well-crafted, emotionally resonant film that merits appreciation for its thoughtful approach to a soldier's internal battle, as well as its contribution to the genre of war dramas.
William Holden as Lt. Cmdr. Ken White
Nancy Olson as Carol White
William Bendix as Cmdr. Josh Rice
Don Taylor as Lt. Arnie Carlson
Arthur Franz as Lt. Cmdr. Paul Eggers
Moorhead Clark as Lt. Cmdr. Joshua
Jack Gregson as Adm. Tobias
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1:36:14
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