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Santa Fe Trail (1940) | Directed by Michael Curtiz
The Bad Lord Byron (1949) | Directed by David MacDonald
The Court-Martial of Billy Mitchell (1955) | Directed by Otto Preminger
Drums Along the Mohawk (1939) | Directed by John Ford
Sangaree (1953) | Directed by Edward Ludwig
Knights of the Round Table (1953) | Directed by Richard Thorpe
The Taming of the Shrew (1929) | Directed by Sam Taylor
Ulysses (1954) | Directed by Mario Camerini
King Richard and the Crusaders (1954) | Directed by David Butler
The Ten Commandments (1923) | Directed by Cecil B. DeMille
Devotion (1946) | Directed by Curtis Bernhardt
Sitting Bull (1954) | Directed by Sidney Salkow
Hiawatha (1952) | Directed by Kurt Neumann
Tower of London (1951) | Directed by Lew Landers
Black Magic (1949) | Directed by Gregory Ratoff
The Silver Chalice (1954) | Directed by Victor Saville
Demetrius and the Gladiators (1954) | Directed by Delmer Daves
The Robe (1953) | Directed by Henry Koster
Désirée (1954) | Directed by Henry Koster
Beau Brummell (1954) | Directed by Curtis Bernhardt
Scaramouche (1923) | Directed by Rex Ingram
The Black Rose (1950) | Directed by Henry Hathaway
David and Bathsheba (1951) | Biblical epic film directed by Henry King
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Abraham Lincoln (1930) | Directed by D.W. Griffith
Salome, Where She Danced (1945) | A historical drama directed by Charles Lamont
Drake of England (1935) Colorised | British historical adventure film directed by Arthur B. Woods
Scrooge (1951) | Directed by Brian Desmond Hurst
The Private Life of Henry VIII (1933) | Directed by Alexander Korda
1984 (1954) | Directed by Rudolph Cartier
D.W. Griffith’s “The Birth of a Nation” (1915): A Cinematic Landmark & Controversial Legacy
The Egyptian (1954) | Directed by Michael Curtiz and Darryl F. Zanuck
Romeo and Juliet (1954) | Directed by Renato Castellani
Crazylegs (1953) | Directed by Francis D. Lyon
Young Mr. Lincoln (1939) | Directed by John Ford
The Crusades (1935) | Directed by Cecil B. DeMille
The President's Lady (1953) | A captivating historical drama
Thief of Damascus (1952) | A historical adventure film directed by Will Jason
The Baron of Arizona (1950) | Historical drama directed by Samuel Fuller
Martin Luther (1953) | Directed by Irving Pichel
Joan of Arc (1948) | Directed by Victor Fleming
Lillian Russell (1940) | Directed by Irving Cummings
Under Capricorn (1949) | Directed by Alfred Hitchcock
Viva Zapata! (1952) | Directed by Elia Kazan
Stars and Stripes Forever (1952) | Directed by Henry Koster
Hearts in Bondage (1936) | Directed by Lew Ayres
Northwest Passage (1940) | Directed by King Vidor
Follow the Sun (1951) | Directed by Sidney Lanfield
Becky Sharp (1935) | Directed by Rouben Mamoulian
The Song of Bernadette (1943) | Directed by Henry King
Lloyd's of London (1936) | Directed by Henry King
Serpent of the Nile (1953) | Directed by William Castle
Becky Sharp (1935) | Directed by Rouben Mamoulian
"Becky Sharp" (1935) is a historical drama film adapted from William Makepeace Thackeray's novel *Vanity Fair*. It is significant for being the first feature film to be produced in three-color Technicolor, marking a major milestone in cinematic history.
The story follows Becky Sharp, a scheming and ambitious young woman who rises through British society during the Napoleonic Wars. Starting from humble beginnings, Becky uses her wit, charm, and cunning to manipulate her way into the upper echelons of society. Along the way, she forms friendships and romances but ultimately faces the consequences of her ruthless ambition. Set against a backdrop of political and military upheaval, the film explores themes of class, social mobility, and morality.
Star Cast:
- Miriam Hopkins as Becky Sharp, the ambitious protagonist who climbs the social ladder.
- Frances Dee as Amelia Sedley, Becky’s close friend, whose fortunes contrast sharply with Becky's.
- Cedric Hardwicke as Marquis of Steyne, a powerful figure Becky tries to manipulate.
- Nigel Bruce as Joseph Sedley, Amelia’s wealthy but awkward brother.
Director:
The film was directed by Rouben Mamoulian, known for his innovative use of color and groundbreaking technical work in cinema. His direction in *Becky Sharp* showcases the vibrant use of three-color Technicolor, enhancing the film’s visual appeal and setting it apart from other productions of the time.
This adaptation of *Vanity Fair* blends rich visual spectacle with a sharp critique of social climbing and moral compromise.
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