So This is New York (1948) | Directed by Richard Fleischer

So This is New York is a satirical comedy based on the 1920s novel "The Big Town" by Ring Lardner. The film follows small-town couple Ernie and Ella Finch as they visit New York City with dreams of mingling with high society and striking it rich. However, they quickly discover that the bustling metropolis is filled with con artists, social climbers, and dubious characters. The movie humorously skewers the pretensions and vanities of big-city life, as the naive couple becomes entangled in various schemes. Directed with a light comedic touch, the film offers a sharp commentary on the clash between small-town simplicity and urban sophistication.

Cast:
Henry Morgan as Ernie Finch – A small-town man who becomes overwhelmed by the fast-paced life of New York City.
Rudy Vallée as Herbert Daley – A slick and wealthy businessman who plays a key role in the Finches' misadventures.
Billie Burke as Mrs. Minerva Proctor – A socialite who befriends the Finches, pulling them into the whirlwind of New York society.
Virginia Grey as Ella Finch – Ernie's wife, who shares his ambitions of making it big in the city but quickly learns the pitfalls of high society.
Leo Gorcey as Jimmy Ralston – A schemer who adds to the chaos with his various get-rich-quick ideas.
Hugh Herbert as Lester Schupper – A quirky character who becomes involved in the Finches' escapades.

Director:
Richard Fleischer – Known for his versatility across genres, Fleischer brings a satirical tone to this comedy, highlighting the absurdities of New York high society and the disconnect between small-town and city life. His direction is fast-paced, allowing the film's humor and wit to shine through in its portrayal of urban culture.

Public Reaction:
Upon its release, So This is New York was appreciated for its witty and sharp humor, though it did not achieve major commercial success. Critics praised Henry Morgan’s deadpan delivery and the film’s clever satire of New York’s upper class. The movie’s humorous take on the cultural divide between small towns and big cities resonated with audiences, especially those familiar with the rapid changes in post-war America. Over time, it has gained a reputation as an underrated gem, appreciated for its comedic timing and satirical edge.