Cathy's Curse (French: Une si gentille petite fille, lit. 'Such a sweet little girl', released in Quebec as Cauchemares, 'Nightmares') is a 1977 supernatural horror film co-written, produced and directed by Eddy Matalon and starring Alan Scarfe, Beverly Murray, and Randi Allen. The film follows a young girl who is possessed by the spirit of her deceased aunt. A co-production between Canada and France, it was shot on location in Westmount and Montreal, Quebec. Though the film was critically panned upon initial release, with many deriding it as being overly derivative of other films of the period including The Exorcist and Carrie, it has since become a cult classic, some calling the film "so bad it's good".

Horrors of the Black Museum is a 1959 British horror film directed by Arthur Crabtree and starring Michael Gough, June Cunningham, Graham Curnow and Shirley Anne Field. It was the first film in what film critic David Pirie dubbed Anglo-Amalgamated's "Sadian trilogy" (the other two being Circus of Horrors (1960) and Peeping Tom (1960)), with an emphasis on sadism, cruelty and violence (with sexual undertones), in contrast to the supernatural horror of the Hammer films of the same era.

Cat People is a 1942 American supernatural horror film directed by Jacques Tourneur and produced for RKO by Val Lewton. The film tells the story of Irena Dubrovna, a newly married Serbian fashion illustrator obsessed with the idea that she is descended from an ancient tribe of Cat People who metamorphose into black panthers when aroused. When her husband begins to show interest in one of his co-workers, Irena begins to stalk her. The film stars Simone Simon as Irena, and features Kent Smith, Tom Conway, Jane Randolph, and Jack Holt in supporting roles.

Beast from Haunted Cave is a 1959 horror heist film directed by Monte Hellman and starring Michael Forest, Frank Wolff and Richard Sinatra. It was produced by Gene Corman, Roger Corman's brother. Filmed in South Dakota at the same time as Ski Troop Attack, it tells the story of bank robbers fleeing in the snow who run afoul of a giant spider-like monster that feeds on humans. The movie began an association between Roger Corman and Monte Hellman that lasted for fifteen years. Hellman would work on several of Corman's films and he would finance several movies that Hellman would direct.

Daughters of Darkness is a 1971 erotic horror film co-written and directed by Harry Kümel and starring Delphine Seyrig, John Karlen, Andrea Rau, and Danielle Ouimet. Set in a nearly deserted seaside hotel in Belgium, the film follows a newlywed couple who encounter a mysterious Hungarian countess, Elizabeth Báthory, and her enigmatic companion. As tensions rise, the couple is drawn into a disturbing psychological and sexual game, with fatal consequences. A surreal, stylish take on the vampire mythos, Daughters of Darkness blends gothic horror with psychological drama and eroticism. Kümel infuses the film with visual references to Marlene Dietrich and Louise Brooks, while exploring themes of gender, power, and identity. The narrative draws inspiration from historical accounts of Erzsébet Báthory, but recasts her as a seductive, controlling figure in a postwar, decadent setting.

Satan's Cheerleaders is a 1977 American comedy horror film directed by Greydon Clark and starring John Ireland, Yvonne De Carlo, and John Carradine. Benedict High School's cheerleaders are not shy or sweet. The football team knows them well – and Billy, the school's disturbed janitor, would like to. In the locker room, the girls shower and dress, unaware of the eyes which secretly watch them. They do not know that a curse has been placed on their clothes and that their trip to the first big football game of the season might sideline them for eternity.

Night of the Living Dead is a 1968 American independent zombie horror film directed, photographed, and edited by George A. Romero, written by Romero and John Russo, produced by Russell Streiner and Karl Hardman, and starring Duane Jones and Judith O'Dea. The story follows seven people trapped in a farmhouse in rural Pennsylvania, under assault by flesh-eating reanimated corpses. Although the monsters that appear in the film are referred to as "ghouls", they are credited with popularizing the modern portrayal of zombies in popular culture.

Monstrosity is a 1963 American science fiction horror film produced by Jack Pollexfen and Dean Dillman Jr. and directed by Joseph V. Mascelli. The film stars Marjorie Eaton, Frank Gerstle, Erika Peters, and Xerxes the cat. It tells the story of a wealthy elderly woman who wants to have her brain transplanted into the head of a young woman. Actor Bradford Dillman, the younger brother of co-writer and producer Dean Dillman, Jr., narrated the film. Monstrosity was broadcast on television under the title The Atomic Brain.

A Bucket of Blood is a 1959 American comedy horror film directed by Roger Corman. It stars Dick Miller and is set in the West Coast beatnik culture of the late 1950s. The film, produced on a $50,000 budget, was shot in five days and shares many of the low-budget filmmaking aesthetics commonly associated with Corman's work. Written by Charles B. Griffith, the film is a dark comic satire about a dimwitted, impressionable young busboy at a Bohemian café who is acclaimed as a brilliant sculptor when he accidentally kills his landlady's cat and covers its body in clay to hide the evidence. When he is pressured to create similar work, he becomes a serial murderer

Chandu the Magician is a 1932 American pre-Code fantasy horror mystery film and starring Edmund Lowe, Irene Ware, Bela Lugosi and Herbert Mundin. Based on the radio play of the same name, written by Harry A. Earnshaw, Vera M. Oldham and R.R. Morgan. The radio series was broadcast from 1932 to 1933, and Fox obtained the rights hoping the film would appeal to a ready-made audience. In 1934 Chandu returned in a twelve part serial, The Return of Chandu, with Bela Lugosi playing the title role

Island of Lost Souls is a 1932 American science fiction horror film directed by Erle C. Kenton. Produced and distributed by Paramount Productions, it is based on H. G. Wells' 1896 novel The Island of Doctor Moreau, and stars Charles Laughton, Richard Arlen, and Kathleen Burke. Island of Lost Souls is about Edward Parker (Arlen), a sailor who finds himself stranded on an island that is occupied by the scientist Dr. Moreau (Laughton). Parker agrees to stay until the next boat arrives; Moreau introduces him to Lota (Burke), who unknown to Parker, is part-panther. It is revealed all of the island's inhabitants are the results of Moreau's experiments to create humans from animals. Moreau tries to persuade Lota to have sex with Parker so he can continue his experiments.

The Brain That Wouldn't Die (also known as The Head That Wouldn't Die or The Brain That Couldn't Die) is a 1962 American science fiction horror film directed by Joseph Green and written by Green and Rex Carlton. The film was completed in 1959 under the working title The Black Door but was not theatrically released until May 3, 1962, under its new title as a double feature with Invasion of the Star Creatures.

The Most Dangerous Game is a 1932 American pre-Code horror film, directed by Ernest B. Schoedsack and Irving Pichel, starring Joel McCrea, Fay Wray and Leslie Banks. The movie is an adaptation of the 1924 short story of the same name by Richard Connell; it is the first film version of the story. In the United Kingdom, the film was released as The Hounds of Zaroff. Bob Rainsford is stranded on a remote island after a yacht crash. He discovers a luxurious house owned by a big game hunter, Zaroff, who is hosting two other shipwreck survivors, siblings Eve and Martin Trowbridge. Zaroff hints that he has rediscovered the thrill of hunting after pursuing "the most dangerous game." That evening, Eve and Rainsford find a trophy room with human heads mounted on the wall and they realize that Zaroff has been hunting humans.

Spider Baby: or, the Maddest Story Ever Told is a 1967 American comedy horror film, written and directed by Jack Hill. It stars Lon Chaney Jr. as Bruno, the chauffeur and caretaker of three orphaned siblings who suffer from "Merrye Syndrome", a genetic condition starting in early puberty that causes them to regress mentally, socially and physically. Jill Banner, Carol Ohmart, Quinn Redeker, Beverly Washburn, Sid Haig, Mary Mitchel, Karl Schanzer and Mantan Moreland also star. The film was released to relative obscurity, but eventually achieved cult status

The Terror is a 1963 American independent horror film produced and directed by Roger Corman. The film stars Boris Karloff and Jack Nicholson, the latter of whom portrays a French officer who is seduced by a woman who is also a shapeshifting devil. The film is sometimes linked to Corman's Poe cycle, a series of movies based on the works of Edgar Allan Poe; however, The Terror is not based on any text written by Poe but relies on the Poe theme of a deceased wife that continues to haunt the husband such as in "Ligeia" and "Morella" which were part of the Cycle. The movie has become infamous because of the circumstances including its chaotic production and disjointed narrative, including that all of Boris Karloff's scenes were shot in two days, the long time it took to complete, the number of people who worked on it that became famous, and the part the film played in the financing and production of Targets (1968), directed by Peter Bogdanovich and starring Karloff

The Last Man on Earth is a 1964 post-apocalyptic science fiction horror film based on the 1954 novel I Am Legend by Richard Matheson. The film was produced by Robert L. Lippert and directed by Ubaldo Ragona and Sidney Salkow, and stars Vincent Price and Franca Bettoia. The screenplay was written in part by Matheson, but he was dissatisfied with the result and chose to be credited as "Logan Swanson". William Leicester, Furio M. Monetti, and Ubaldo Ragona finished the script. It is 1968, and Dr. Robert Morgan lives in a world where everyone else has been infected by a plague that has turned them into undead, vampiric creatures that cannot stand sunlight, fear mirrors, and are repelled by garlic. They would kill Morgan if they could, but they are weak and unintelligent. Every day Morgan carries out the same routine: he wakes up, marks another day on the calendar, gathers his weapons, and then goes hunting for vampires, killing as many as he can and then burning the bodies to prevent them from coming back. At night, he locks himself inside his house.

Revolt of the Zombies is a 1936 American horror film directed by Victor Halperin, produced by Edward Halperin, and starring Dean Jagger and Dorothy Stone. One of the earliest zombie films, it was initially conceived as a loose sequel to the director's moderately successful White Zombie (1932) but, due to a lawsuit, was unable to promote itself as such. Although uncredited, Bela Lugosi's eyes appear in Revolt whenever zombifying-powers are used; it is the same image of Lugosi's eyes used in White Zombie.

The Devil Bat is a 1940 black-and-white American horror film produced by Producers Releasing Corporation (PRC) and directed by Jean Yarborough. The film stars Bela Lugosi along with Suzanne Kaaren, Guy Usher, Yolande Mallott and the comic team of Dave O'Brien and Donald Kerr as the protagonists. It was the first horror film from PRC.

Creature from the Haunted Sea is a 1961 horror comedy movie directed by Roger Corman. Written by Charles B. Griffith, the movie is a parody of spy, gangster, and monster movies (mostly Creature from the Black Lagoon), concerning a secret agent, XK150 (played by Robert Towne credited as Edward Wain), who uses the name "Sparks Moran" in order to infiltrate a criminal gang commanded by Renzo Capetto (Antony Carbone), who is trying to transport an exiled Cuban general with an entourage and a large portion of the Cuban treasury out of Cuba. Filmgroup released the movie as a double feature with Devil's Partner.

The Vampire Bat is a 1933 American Pre-Code horror film directed by Frank R. Strayer and starring Lionel Atwill, Fay Wray, Melvyn Douglas, and Dwight Frye. When the villagers of Kleinschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism, but police inspector Karl Brettschneider remains skeptical. Scientist Dr. Otto von Niemann, who cares for the victims, visits a patient who was attacked by a bat, Martha Mueller. Out of appreciation for her kindness, Martha is visited by a highly eccentric man named Hermann Gleib, who claims he likes bats because they are "soft like cat" and "nice".

The Ghost Train is a 1941 British thriller mystery film directed by Walter Forde and starring Arthur Askey and Richard Murdoch. It is based on the 1923 play The Ghost Train by Arnold Ridley. The film is set in Cornwall. Several passengers leave a train, and find no other train available at the train station. They are stranded there during a rainy night, and learn that the station is supposedly haunted by a ghost train.

King of the Zombies is a 1941 American zombie comedy film directed by Jean Yarbrough and starring Dick Purcell, Joan Woodbury, and Mantan Moreland. The film was produced by Monogram Pictures, and was typical of its B films produced by the Pine-Thomas team. Along with flying scenes, the use of zany characters and slapstick efforts were juxtaposed with a spy and zombie story

The City of the Dead (also titled Horror Hotel in the United States) is a British 1960 supernatural horror film directed by John Llewellyn Moxey and starring Christopher Lee, Venetia Stevenson, Betta St. John, Patricia Jessel and Valentine Dyall. The film marks the directorial debut of Moxey. It was produced in the United Kingdom but set in America, and the British actors were required to speak with North American accents throughout. In 1692 in fictional Whitewood, Massachusetts, a witch named Elizabeth Selwyn is burned at the stake. Before her death, Selwyn and her accomplice, Jethrow Keane, sold their souls to Lucifer for eternal life and revenge on Whitewood in return for providing the Devil with two yearly virgin human sacrifices on the Hour of Thirteen during Candlemas Eve and the Witches' Sabbath. In the present day, following his lecture on witchcraft, a university history professor, Alan Driscoll, advises an interested student named Nan Barlow to visit Whitewood during her vacation to slake her interest in witchcraft by studying Whitewood's history. Nan settles in The Raven's Inn, a hotel owned by eccentric Mrs. Newless, becoming acquainted with the only normal-seeming local resident Patricia Russell, who loans her a book on witchcraft. Reading the book, Nan learns that this night is Candlemas Eve.

Carnival of Souls is a 1962 American psychological horror film produced and directed by Herk Harvey and written by John Clifford from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout. The film is set to an organ score by Gene Moore. Filmed in Lawrence, Kansas, and Salt Lake City, Carnival of Souls was shot on a budget of $33,000, and Harvey employed various guerrilla filmmaking techniques to finish the production. The film is loosely based on the French short An Occurrence at Owl Creek Bridge (1961), an adaptation of the 1890 story of the same name by Ambrose Bierce, and Harvey was inspired by the visual style of filmmakers such as Ingmar Bergman and Jean Cocteau. Carnival of Souls was Harvey's only feature film, and did not gain widespread attention when originally released as a double feature with the now mostly forgotten The Devil's Messenger in 1962.

House on Haunted Hill is a 1959 American horror film produced and directed by William Castle, written by Robb White and starring Vincent Price, Carol Ohmart, Richard Long, Alan Marshal, Carolyn Craig, and Elisha Cook Jr. Price plays an eccentric millionaire, Frederick Loren, who, along with his wife Annabelle, has invited five people to the house for a "haunted house" party. Whoever stays in the house for one night will earn $10,000. As the night progresses, the guests are trapped within the house with an assortment of terrors. This film is perhaps best known for its promotional gimmick Emergo, in some theaters that showed the film, exhibitors rigged an elaborate pulley system near the theater screen which allowed a plastic skeleton to be flown over the audience during a corresponding scene late in the film

Horror Express (Spanish: Pánico en el Transiberiano, lit. "Panic on the Trans-Siberian" is a 1972 science fiction horror film directed by Eugenio Martín. It stars Christopher Lee and Peter Cushing, with Alberto de Mendoza, Silvia Tortosa, Julio Peña, George Rigaud, Ángel del Pozo, and Telly Savalas in supporting roles. Set in 1906, the film's storyline follows the various passengers aboard a European-bound Trans-Siberian Railway train. They are soon stalked, one by one, by an alien intelligence inhabiting the frozen body of an ancient primitive humanoid brought onboard by an anthropologist.