The 1957 Stratford Festival production of Oedipus Rex is a film version of the play by Sophocles, directed by Tyrone Guthrie, and adapted by William Butler Yeats. The production is known for its use of large, expressive masks, which were inspired by ancient Greek theater conventions and designed by Tanya Moiseiwitsch Cast & Characters: Douglas Campbell as Oedipus Eleanor Stuart as Jocasta Robert Goodier as Creon William Hutt as Chorus Leader Donald Davis as Tiresias Douglas Rain as Messenger Tony Van Bridge as Man From Corinth Eric House as Shepherd / Old Priest Roland Bull as Chorus Robert Christie as Chorus Ted Follows as Chorus David Gardner as Chorus Bruno Gerussi as Chorus Richard Howard as Chorus Roland Hewgill as Chorus Edward Holmes as Chorus James Manser as Chorus Louis Negin as Chorus Grant Reddick as Chorus William Shatner as Chorus Bruce Swerdfager as Chorus Neil Vipond as Chorus Gertrude Tyas as Nurse Naomi Cameron as Ismene Barbara Franklin as Antigone The film features a notable cast, including Douglas Campbell as Oedipus and a young William Shatner as a member of the chorus. The production is known for its use of large, expressive masks, which were inspired by ancient Greek theater conventions and designed by Tanya Moiseiwitsch.

Theatre Night is the umbrella title under which adaptations of classic and contemporary stage plays were usually broadcast on BBC 2 between 15 September 1985 and 21 July 1990. Click on CC for optional English subtitles. The Devil’s Disciple is a Play by George Bernard Shaw about loyalties and commitments during the American Revolutionary War. Starring Ian Richardson, Mike Gwilym, Patrick Stewart, Elizabeth Spriggs, Graham Turner and Susan Woodridge. Shaw turned to the classic Victorian melodrama to focus on the insincerity of much that his audience held dear, especially family and marriage. In 1777 as the American War of Independence rages, Dick Dudgeon returns to the family he revolted against years ago. But his life is about to take another twist as the british arrive and seem set on an execution...

Based on the 1894 play by Henrik Ibsen, starring Anthony Hopkins, Diana Rigg, Peggy Ashcroft, Emma Piper, Charles Dance, Timothy Stark. Click on CC for English optional subtitles. Little Eyolf tells the story of the Allmers family. At the outset of the play, the father, Alfred, has just returned from a trip to the mountains. While there, he resolved to focus foremost on raising his son Eyolf, rather than continue work on his book, Human Responsibility. Eyolf, though described as having "beautiful, intelligent eyes", is paralyzed in one of his legs, and thus his life is a sheltered one. He craves more than anything else to live the life of a normal boy, but his father knows that this is not possible. As such, Alfred wants to turn Eyolf towards loftier, intellectual pursuits.

Adaptation of the classic Oscar Wilde play involving blackmail and political corruption. Directed by Rudolph Cartier and starring Margaret Leighton, Jeremy Brett and Susan Hampshire. Click on CC for English optional subtitles. Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously. Cast & Characters: Mabel Chiltern: Susan Hampshire The Earl of Caversham, KG: Charles Carson Viscount Goring, his son:Jeremy Brett Sir Robert Chiltern, Bt, Under-secretary for Foreign Affairs: Keith Michell Vicomte de Nanjac: Michel Faure Mason, butler to Sir Robert: Raymond Graham Phipps, Lord Goring's servant: Erik Chitty Lady Chiltern: Dinah Sheridan Lady Markby: Zena Dare The Countess of Basildon: Magda Miller Mrs Marchmont: Penelope Lee Miss Mabel Chiltern, Sir Robert's sister: Susan Hampshire Mrs Cheveley: Margaret Leighton

A 1979 BBC television play by Ian Curteis. Produced by Cedric Messina and Directed by Michael Darlow. It stars Michael Gough as Sir Anthony Eden, Robert Stephens as President Nasser, Richard Vernon and Wensley Pithey among others. In 1956, the British Prime Minister Anthony Eden grapples with the Suez Crisis, which brings an end to his political career.

The Apple Cart: A Political Extravaganza is a 1928 play by George Bernard Shaw. It is a satirical comedy about several political philosophies which are expounded by the characters, often in lengthy monologues. The plot follows the fictional English King Magnus as he spars with, and ultimately outwits, Prime Minister Proteus and his cabinet, who seek to strip the monarchy of its remaining political influence. Magnus opposes the corporation "Breakages, Limited", which controls politicians and impedes technical progress. The Apple Cart was presented as part of the BBC Television's Play of the Month series in 1975. Produced by Alan Shallcross, directed by Cedric Messina, starring; Nigel Davenport, Helen Mirren, Peter Barkworth, Prunella Scales, Bill Fraser, Trevor Baxter, Beryl Reid, Reg Pritchard, Simon Lack.

A 1977 BBC adaptation play written by Bernard Shaw, directed by Cedric Messina, starring John Gielgud as Shotover, Barbara Murray as Ariadne and Siân Phillips as Hesione. Click on CC for English subtitles. "Heartbreak House: A Fantasia in the Russian Manner on English Themes" is a play written by Bernard Shaw during the First World War, published in 1919 and first performed in November 1920 at the Garrick Theatre, New York, followed by a West End production the following year. The play reflects Shaw's disillusion with post-war Britain. It contrasts cultured but self-absorbed and politically irresponsible people on the one hand and aggressive philistines on the other. Heartbreak House contains a self-mocking depiction of Shaw himself in the central character, Captain Shotover. On the eve of World War I, Ellie Dunn, her father, and her fiancé are invited to one of Hesione Hushabye's infamous dinner parties. Unfortunately, her fiancé is a scoundrel, her father's a bumbling prig, and she's actually in love with Hector, Hesione's husband. This bold mix of farce and tragedy lampoons British society as it blithely sinks toward disaster. Cast & Characters: Captain Shotover: John Gielgud Hesione Hushabye: Sian Phillips Lady Utterword: Barbara Murray Hector Hushabye: Daniel Massey Ellie Dunn: Lesley-Anne Down Mangan: David Waller Randall Utterword: Donald Pickering Mazzini Dunn: Richard Pearson Burglar: Barry Jackson Nurse Guinness: Joyce Grant

A 1972 BBC adaptation of George Bernard Shaw play, produced by Cedric Messina and directed by William Slater. Starring Dame Maggie Smith as Epifania, with Peter Barkworth, James Villiers, Tom Baker. Epifania is the richest woman in England. She's also strong-willed, highly intelligent, fiercely determined and an expert at Judo, which makes her hard to live with. She's also married, but her husband is now in love with another woman. She's also seeing another man socially, but he seems to be more interested in his food than her. Will or can this poor little rich girl ever find true happiness? A chance meeting with an Egyptian doctor may prove interesting... Cast & Characters: Epifania: Maggie Smith The Woman: Avril Angers The Doctor: Tom Baker Julius Sagamore: Peter Barkworth The Man: John Garrie Adrian Blenderbland: Charles Gray Patricia Smith: Priscilla Morgan The Manager: Donald Pickering Alastair Fitzfassenden: James Villiers

BBC Play of the Month, 1979, based on the novel "The Wings of the Dove" by Henry James. Click on CC for English subtitles. Kate Croy's mother was born to wealth and privilege, but she threw it all away to marry Kate's father, a penniless opium addict who admits to having stolen from his wife. After her mother's death, Kate is offered an opportunity to return to the life her mother gave up. There is a condition, however: Kate must sever all of her old ties, not only to her father, but also to her lover, the muck-raking journalist Merton Densher, whom she has promised marriage. Kate reluctantly agrees to this, and in the meantime becomes friendly with "the world's richest orphan," Millie Theale, an American making the Grand Tour. Desperate to see Kate, Merton crashes a party that she and Millie are attending, and Millie is attracted to him. When Kate learns that Millie is dying, she comes up with a plan to have her cake and eat it too... but all does not go as planned. Dramatised by: Denis Constanduros Costume Designer: Michael Burdle Lighting: John Summers Designer: David Spode Producer: Alan Shallcross Director: John Gorrie Cast & Characters: Maud Lowder: Elizabeth Spriggs Susan Stringham: Betsy Blair Merton Densher: John Castle Kate Croy: Suzanne Bertlsh Milly Theale: Lisa Eichhorn Lord Mark: Rupert Frazer Sir Luke Strett: Alan Rowe Eugenio: Gino Melvazzi

BBC Play of the Month, 1977, based on the novel "The Ambassadors" by Henry James. Dramatised by Denis Constanduros Directed by James Cellan Starring: Paul Scofield, Lee Remick, Delphine Seyrig, David Huffman, Gayle Hunnicutt, Don Fellows, William Hootkins Lambert Strether embarks on a delicate and challenging mission in Europe. He is sent to Europe to rescue a young American - the son of his widowed fiancée - from the charms of a mysterious French beauty. Upon his arrival, he encounters Maria Gostrey.

Danton's Death is a "freely adaptation" of Georg Büchners' play (incorporating some material from Büchner's Woyzeck) for a BBC Play of the Month in 1978 by Stuart Griffiths and director Alan Clarke, with Norman Rodway as Danton and Ian Richardson as Robespierre. Danton's Death (Dantons Tod) was the first play written by Georg Büchner, set during the French Revolution. Georg Büchner wrote his works in the period between Romanticism and Realism in the so-called Vormärz era in German history and literature (1815/1830-1848). The play follows the story of Georges Danton, a leader of the French Revolution, during the lull between the first and second terrors. Georges Danton created the office of the Revolutionary Tribunal as a strong arm for the Revolutionary Government. With this, to be accused of anything real or imagined was to be condemned to death without trial, proofs, evidence or witnesses. Within months he knew this power was a terrible mistake and fought to have it ended. Robespierre stopped him and used the Tribunal to have Danton and all opposition killed, consolidate his power and slaughter uncounted thousands of French men, women, and children. Ultimately he followed Danton to the guillotine. Witnesses describe Danton as dying bravely comforting other innocents executed with him. Main Cast & Characters: Norman Rodway as Danton Ian Richardson as Robespierre Michael Pennington as Saint-Just Anthony Higgins as Camille Desmoulins James Aubrey as Lacroix Kate Fahy as Julie (Danton's wife) Zoë Wanamake as Lucile Desmoulins Shane Briant as Marie-Jean Hérault de Séchelles Roger Sloman as Bertrand Barère John Woodnutt as Fouquier-Tinville Michael Hughes as Louis Legendre Jonathan Adam as Jean-Marie Collot d'Herbois Emma Garden as Marion (a prostitute)

BBC Play of the Month, 1974, based on the Play "The Importance of Being Earnest" by Oscar Wilde. Directed by James MacTaggart. Starring: Coral Browne, Michael Jaystone, Julian Holloway, Gemma Jones, Celia Bannerman, Lally Bowers and Richard Pearson. In 1890s London, two friends use the same pseudonym ("Ernest") for their on-the-sly activities. Hilarity ensues. The Importance of Being Earnest, a Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage and the resulting satire of Victorian conformity. Its high farce and witty dialogue have helped make The Importance of Being Earnest a very popular play. The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off, and Queensberry was refused admission. Their feud came to a climax in court in April 1895 when Wilde sued for libel. The proceedings provided enough evidence for Wilde’s arrest, trial, and conviction on charges of 'gross indecency'. Wilde's homosexuality was revealed to the Victorian public, and he was sentenced to two years imprisonment with hard labour. Despite the play's early success, Wilde's notoriety caused it to be closed after 86 performances. After his release from prison, he published the play from exile in Paris, but he wrote no more comic or dramatic works.

A 1969 BBC TV Special written by Derek Ingrey and directed by Jonathan Alwyn. Audio in English with English subtitles (click on CC). This is a pilot from the Drama Playhouse strand for a series that never emerged. It tells the story of the Earl of Warwick and Perkin Warbeck, during the reign of King Henry VII. Just after the end of the war of the Roses the King finds that there is a plot to take the crown away from him and that a prisoner in the Tower may have a rightful claim to Kingship. Cast: John Abineri, Bernard Archard, Corin Redgrave, Paul Bacon, Peter Copley, Laurence Jeffrey, Edward Kelsey, James Maxwell, Wolfe Morris, Roy Patrick, Robert Powell, Simon Turner, Philippa Urquhart, Peter Welch.

"Twelfth Night" is a 1970 British TV adaptation of the play Twelfth Night by William Shakespeare. It was directed by John Sichel and broadcast as the 44th episode of second season of ITV Sunday Night Theatre. The score was composed by Marc Wilkinson. After a shipwreck, believing her brother has been killed, Viola disguises herself as a boy named Cesario and becomes a courtier to Orsino, who sends her to deliver a message of his love to Olivia, but she falls for the messenger instead. Main Cast: Tommy Steele as Feste Ralph Richardson as Sir Toby Belch Alec Guinness as Malvolio Joan Plowright as Viola/Sebastian Gary Raymond as Orsino Adrienne Corri as Olivia John Moffatt as Sir Andrew Aguecheek Sheila Reid as Maria Riggs O'Hara as Fabian Richard Leech as Antonio Kurt Christian as Curio Christopher Timothy as Valentine

A 1962 The Royal Shakespeare Company/BBC Television version of Anton Chekhov's "The Cherry Orchard", translated by John Gielgud and directed by Michael Elliott from Michel Saint-Denis stage production. It features Peggy Ashcroft as Ranevskaya, John Gielgud as Gayev, Dorothy Tutin as Varya, Ian Holm as Trofimov, Judi Dench as Anya, and Patsy Byrne as Dunyasha. Set in fin-de-siecle Russia, this adaptations of Anton Chekhov's famous play chronicles a noblewoman's return to her family estate after a five-year absence. She finds that the family fortune has dwindled to practically nothing, and that she and her brother are faced with the difficult choice of selling the family's treasured cherry orchard or losing everything. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Yermolai Alexeyevich Lopahin (George Murcell), her former serf, who has his own agenda. The Cherry Orchard is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by Znaniye (Book Two, 1904), and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers. On 17 January 1904, it opened at the Moscow Art Theatre in a production directed by Konstantin Stanislavski. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. It is often identified as one of the three or four outstanding plays by Chekhov, along with The Seagull, Three Sisters, and Uncle Vanya. The story presents themes of cultural futility – both the futile attempts of the aristocracy to maintain its status and of the bourgeoisie to find meaning in its new-found materialism. It dramatizes the socioeconomic forces in Russia at the turn of the 20th century, including the rise of the middle class after the abolition of serfdom in the mid-19th century and the decline of the power of the aristocracy. Widely regarded as a classic of 20th-century theatre, the play has been translated and adapted into many languages and produced around the world. It has influenced many other playwrights, including Eugene O'Neill, George Bernard Shaw, David Mamet, and Arthur Miller.