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Please Murder Me (1956) | Directed by Peter Godfrey
Virgin Sacrifice (1960) | Directed by Fernando Wagner
The Miami Story (1954) | Directed by Fred F. Sears
Cast a Dark Shadow (1955) | Directed by Lewis Gilbert
The Good Die Young (1957) | Directed by Lewis Gilbert
Plunder Road (1957) | Directed by Hubert Cornfield
Odds Against Tomorrow (1959) | Directed by Robert Wise
New Orleans Uncensored (1955) | Directed by William Castle
Account Rendered (1957) | Directed by Peter Graham Scott
The Intimate Stranger (1956) | Directed by Joseph Losey
Wicked as They Come (1956) | Directed by Ken Hughes
Night of the Demon (1957) | Directed by Jacques Tourneur
The Lost Missile (1956) | Directed by William Berke
Liane Jungle Goddess (1956) | Directed by Eduard von Borsody
Guns Girls and Gangsters (1959) | Directed by Edward L. Cahn
The Phantom from 10,000 Leagues (1955) | Directed by Dan Milner
Tight Spot (1955) | Directed by Phil Karlson
Summertime (1955) | Directed by David Lean
I Died a Thousand Times (1955) | Directed by Stuart Heisler
The Court-Martial of Billy Mitchell (1955) | Directed by Otto Preminger
Violent Saturday (1955) | Directed by Richard Fleischer
Hondo (1953) | Directed by John Farrow
High Noon (1952) | Directed by Fred Zinnemann
Powder River (1953) | Directed by Louis King
Cell Block 11 (1954) | Directed by Don Siegel
Bright Victory (1951) | Directed by Mark Robson
Court Martial / Carrington V.C. (1954) | Directed by Anthony Asquith
All About Eve (1950) | Directed by Joseph L. Mankiewicz
The Maze (1953) | Directed by William Cameron Menzies
Sangaree (1953) | Directed by Edward Ludwig
The City That Never Sleeps (1953) | Directed by John H. Auer
Top of the Form (1953) | Directed by John Paddy Carstairs
A Day to Remember (1953) | Directed by Ralph Thomas
The Tall Texan (1953) | Directed by Elmo Williams
The Neanderthal Man (1953) | Directed by Ewald André Dupont
Terror on a Train (1953) | Directed by Ted Tetzlaff
Beat the Devil (1953) | Directed by John Huston
Turn the Key Softly (1953) | Directed by Jack Lee
Bright Road (1953) | Directed by Gerald Mayer
Split Second (1953) | Directed by Dick Powell
The Kidnappers (1953) | Directed by Philip Leacock
The Great Jesse James Raid (1953) | Directed by Reginald Le Borg
Law and Order (1953) | Directed by Nathan Juran
Terminal Station (1953) | Directed by Vittorio De Sica
The Naked Spur (1953) | Directed by Anthony Mann
Knights of the Round Table (1953) | Directed by Richard Thorpe
The Sea Shall Not Have Them (1954) | Directed by Lewis Gilbert
They Who Dare (1954) | Directed by Lewis Milestone
Ulysses (1954) | Directed by Mario Camerini
King Richard and the Crusaders (1954) | Directed by David Butler
Carnival Story (1954) | Directed by Kurt Neumann
River of No Return (1954) | Directed by Otto Preminger
Final Appointment (1954) | Directed by Terence Fisher
The Angel Who Pawned Her Harp (1954) | Directed by Alan Bromly
Operation Manhunt (1954) | Directed by Jack Alexander
Doctor in the House (1954) | Directed by Ralph Thomas
Siege at Red River (1954) | Directed by Rudolph Maté
High Lonesome (1950) | Directed by Alan Le May
Target Earth (1954) | Directed by Sherman A. Rose
The Black Rider (1954) | Directed by Wolf Rilla
The Outcast (1954) | Directed by William Witney
Sitting Bull (1954) | Directed by Sidney Salkow
A Woman's World (1954) | Directed by Jean Negulesco
Gorilla at Large (1954) | Directed by Harmon Jones
A Bullet Is Waiting (1954) | Directed by John Farrow
A Life at Stake (1954) | Directed by Paul Guilfoyle
The Mad Magician (1954) | Directed by John Brahm
Ma and Pa Kettle at Home (1954) | Directed by Charles Lamont
Hiawatha (1952) | Directed by Kurt Neumann
Ace in the Hole (1951) | Directed by Billy Wilder
Naked Alibi (1954) | Directed by Jerry Hopper
The Blue Gardenia (1953) | Directed by Fritz Lang
Private Hell 36 (1954) | Directed by Don Siegel
Tower of London (1951) | Directed by Lew Landers
The Enforcer (1951) | Directed by Bretaigne Windust
The Texas Rangers (1951) | Directed by Phil Karlson
Cattle Drive (1951) | Directed by Kurt Neumann
Leave It to the Marines (1951) | Directed by Sam Newfield
Assignment – Paris (1952) | Directed by Robert Parrish
The Silver Chalice (1954) | Directed by Victor Saville
Demetrius and the Gladiators (1954) | Directed by Delmer Daves
The Robe (1953) | Directed by Henry Koster
Désirée (1954) | Directed by Henry Koster
Beau Brummell (1954) | Directed by Curtis Bernhardt
The Caine Mutiny (1954) | Directed by Edward Dmytryk
The Savage Horde (1950) | Directed by Joseph Kane
Woman on the Run (1950) | Directed by Norman Foster
The Black Rose (1950) | Directed by Henry Hathaway
The Furies (1950) | Directed by Anthony Mann
At War with the Army (1950) | Directed by Hal Walker
Home Town Story (1951) | Directed by Arthur Pierson
I'll Never Forget You (1951) | Directed by Roy Ward Baker
Bullfighter and the Lady (1951) | Directed by Budd Boetticher
Angels in the Outfield (1951) | Directed by Clarence Brown
D.O.A. (1950) | Directed by Rudolph Maté
Robinson Crusoe (1954) | Directed by Luis Buñuel
Long John Silver (1954) | Directed by Byron Haskin
Boots Malone (1952) | Directed by William Dieterle
The Paradine Case (1947) | Directed by Alfred Hitchcock
Man in the Dark (1953) | Directed by Lew Landers
711 Ocean Drive (1950) | Directed by Joseph M. Newman
Drive a Crooked Road (1954) | Directed by Richard Quine
Sabrina (1954) | Directed by Billy Wilder
Stranger on Horseback (1954) | Directed by Jacques Tourneur
The Far Country (1954) | Directed by Anthony Mann
Francis Joins the WACS (1954) | Directed by Arthur Lubin
On the Waterfront (1954) | Directed by Elia Kazan
Night People (1954) | Directed by Nunnally Johnson
Them! (1954) | Directed by Gordon Douglas
Rear Window (1954) | Directed by Alfred Hitchcock
Hell's Half Acre (1954) | Directed by John H. Auer
Dial M for Murder (1954) | Directed by Alfred Hitchcock
Creature from the Black Lagoon (1954) | Directed by Jack Arnold
The Shanghai Story (1954) | Directed by Frank Lloyd
Cry Vengeance (1954) | Directed by Mark Stevens
Rawhide (1951) | Western film directed by Henry Hathaway
Ambush at Tomahawk Gap (1953) | A Western film set in the post-Civil War era
Fear and Desire (1953) | American war film directed by Stanley Kubrick
The Clouded Yellow (1950) | British film noir thriller directed by Ralph Thomas
I'll Get You (1952) | A gripping espionage thriller directed by Seymour Friedman
The Gunfighter (1950) | A classic Western film directed by Henry King
Convicted (1950) | A crime drama film directed by Henry Levin
Spy Hunt (1950) | American adventure film directed by George Sherman
The House by the River (1950) | Film Noir directed by Fritz Lang
The Snows of Kilimanjaro (1952) | American adventure film directed by Henry King
Outside the Wall (1950) | directed by Crane Wilbur
David and Bathsheba (1951) | Biblical epic film directed by Henry King
When Willie Comes Marching Home (1950) | Directed by the legendary John Ford
Ruby Gentry (1952) | Southern Gothic melodrama directed by King Vidor
Diplomatic Courier (1952) | American film noir directed by Henry Hathaway
One Way Street (1950) | Film noir crime drama directed by Hugo Fregonese
The Capture (1950) | Western film directed by John Sturges
Sea Devils (1953) | British-American adventure film directed by Raoul Walsh
Pickup (1951) | Film noir directed by Hugo Haas
Quicksand (1950) | Film noir directed by Irving Pichel
Bad for Each Other (1953 ) | American drama film directed by Irving Rapper
The King of the Khyber Rifles (1953) | An adventure film directed by Henry King
Those Redheads from Seattle (1953) | American musical film directed by Lewis R. Foster
Train to Tombstone (1950) | Western film directed by William Berke
The Admiral Was a Lady (1950) | Directed by Albert S. Rogell
Stalag 17 (1953) | Directed by Billy Wilder
Mister 880 (1950) | A charming comedy-drama directed by Edmund Goulding
Western Pacific Agent (1950) | A crime drama directed by Sam Newfield
Outlaw Women (1952) | Directed by Sam Newfield & Ron Ormond
5 Fingers (1952) | American spy film directed by Joseph L. Mankiewicz
Gone to Earth (1950) | British romantic drama film directed by Michael Powell & Emeric Pressburger
For Men Only (1952) | American comedy film directed by Paul Henreid
Green Grow the Rushes (1951) | British comedy film directed by Derek N. Twist
The Turning Point (1952) | British drama film directed by Michael Relph
Whirlpool (1950) | Film noir directed by Otto Preminger
There's No Business Like Show Business (1954) | Directed by Walter Lang
Man Bait (1952) | Directed by Terence Fisher
The Woman in Question (1950) | Directed by Anthony Asquith
Fingerprints Don't Lie (1951) | American crime drama film directed by Sam Newfield
Actors and Sin (1952) | American comedy-drama film directed by Ben Hecht and Lee Garmes
The Bigamist (1953) | American drama film directed by and starring Ida Lupino
Three Guys Named Mike (1951) | A romantic comedy film directed by Charles Walters
Rocketship X-M (1950) | American science fiction film directed by Kurt Neumann
Lost Continent (1951) | American science fiction film directed by Sam Newfield
Between Midnight and Dawn (1950) | American crime drama film noir directed by Gordon Douglas
The House on Telegraph Hill (1951) | American film noir directed by Robert Wise
The Mob (1951) | A film noir directed by Robert Parrish
The Ring (1952) | American film noir directed by Kurt Neumann
Vicki (1953) | American film noir directed by Harry Horner
Red Planet Mars (1952) | American science fiction film directed by Harry Horner
Invasion, U.S.A. (1952) | American Cold War-era film directed by Alfred E. Green
Sherlock Holmes : The Case of the Red-Headed League (1953)
Planet Outlaws (1953) | American science fiction film directed by Fred C. Brannon
Phantom from Space (1953) | American science fiction film directed by W. Lee Wilder
Francis Covers the Big Town (1953) | American black-and-white comedy film directed by Arthur Lubin
Francis Goes to the Races (1951) | American black-and-white comedy film, directed by Arthur Lubin
Air Cadet (1951) | American war film directed by Joseph Pevney & starring Rock Hudson
The Lemon Drop Kid (1951) | American comedy film directed by Sidney Lanfield
Hoodlum Empire (1952) | Directed by Joseph Kane
Captain Pirate (1952) | Directed by Ralph Murphy
Kentucky Jubilee (1951) | Directed by Ron Ormond
Storm Warning (1950) | Directed by Stuart Heisler
Masterson of Texas (1954) | Directed by William Castle
Silver Lode (1954) | Directed by Allan Dwan
Garden of Evil (1954) | Directed by Henry Hathaway
Fangs of the Wild (1954) | Directed by William F. Claxton
Beneath the 12-Mile Reef (1953) | Directed by Robert D. Webb
Bait (1954) Directed by Hugo Haas
Alaska Seas (1954) | Directed by Jerry Hopper
Oklahoma Annie (1952) | Directed by R.G. Springsteen
Black Tuesday (1954) | Directed by Hugo Fregonese
Tobor the Great (1954) | Directed by Lee Sholem
They Rode West (1954) | Directed by Phil Karlson
The Pickwick Papers (1952) | Directed by Noel Langley
Shield for Murder (1954) | Directed by Edmond O'Brien and Howard W. Koch
Southwest Passage (1954) | Directed by Ray Nazarro
Make Me an Offer! (1954) | Directed by Cyril Frankel
The Girl Next Door (1953) | American musical comedy film directed by Richard Sale
The Desert Fox: The Story of Rommel (1951) | Biographical war film directed by Henry Hathaway
Blowing Wild (1953) | American adventure drama film directed by Hugo Fregonese
Road Show (1941) | Directed by Hal Roach
The Last of the Comanches (1953) | Western film directed by Andre DeToth
The Jackpot (1950) | Directed by Walter Lang
The Raging Tide (1951) | A film noir crime drama directed by George Sherman.
The Caine Mutiny (1954) | Directed by Edward Dmytryk
The Caine Mutiny is a World War II naval courtroom drama that explores authority, loyalty, and mental instability aboard a U.S. Navy minesweeper. When the eccentric and authoritarian Captain Queeg shows signs of mental unfitness during a crisis at sea, his executive officer relieves him of command to save the ship. This act leads to a dramatic court-martial, where the motivations and judgments of the officers involved come under intense scrutiny. The film is based on Herman Wouk’s bestselling and Pulitzer Prize-winning novel of the same name.
Genre: War, Drama, Courtroom
Director: Edward Dmytryk
Edward Dmytryk was a Canadian-born American film director known for his sharp visual style and for directing several classic film noirs. His career was interrupted when he became one of the Hollywood Ten, a group of filmmakers who were blacklisted for refusing to testify before the House Un-American Activities Committee during the Red Scare. After serving prison time and later cooperating with the committee, Dmytryk resumed directing, and The Caine Mutiny marked a major comeback, showcasing his ability to blend character-driven drama with suspenseful storytelling.
Star Cast:
- Humphrey Bogart as Lt. Cmdr. Philip Francis Queeg
- José Ferrer as Lt. Barney Greenwald
- Van Johnson as Lt. Steve Maryk
- Fred MacMurray as Lt. Tom Keefer
- Robert Francis as Ensign Willis Keith
- May Wynn as May Wynn
- Tom Tully as Commander DeVriess
The film was a critical and commercial success. Audiences and reviewers praised Humphrey Bogart's intense performance as the troubled Captain Queeg, which earned him an Academy Award nomination for Best Actor. The film itself received seven Oscar nominations, including Best Picture. It became the second-highest-grossing film in the United States in 1954. Viewers found the film’s themes of duty, courage, and psychological tension particularly compelling in the postwar era.
Fun Facts:
- The Caine Mutiny was Bogart’s final Oscar-nominated role and is widely considered one of his best performances.
- The climactic courtroom scene, with Ferrer’s monologue, is still studied in film and legal schools for its structure and moral ambiguity.
- Robert Francis, who played the young officer Keith, tragically died in a plane crash just a year later in 1955.
- The film played a significant role in rehabilitating Edward Dmytryk’s Hollywood career after his blacklisting.
- Though titled The Caine Mutiny, no official mutiny occurs in the legal sense, a point that is central to the courtroom drama.
The Caine Mutiny remains an enduring classic, noted for its complex characters, moral dilemmas, and exploration of command responsibility in wartime.
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