“The Power of Finishing Ugly: Why Done is Better Than Perfect in Filmmaking”

There’s a myth in filmmaking that your project has to be flawless before it’s worth sharing. That myth has paralyzed countless talented creatives who sit on scripts, edits, or entire films, endlessly tweaking and doubting. But the truth is this: done is better than perfect. The power of finishing—even if it’s “ugly”—is one of the most underrated tools a filmmaker has. With “And On That Day,” I faced major challenges—budget limitations, losing locations, having to rework key scenes, and even recasting roles last minute. But I made the decision to finish it, no matter what.
And let me tell you, finishing wasn’t easy. There were moments I wanted to walk away. There were editing days where nothing felt right. But I kept going. Why? Because once a film is finished—even if it’s not everything you imagined—it becomes real. It breathes. It teaches. “And On That Day” ended up screening at festivals like Manhattan, Tennessee, and Golden Door. Not because it was a perfect film, but because I followed through. I let it live. And in doing so, I grew—not just as a filmmaker, but as a storyteller who could push through chaos and still create something meaningful.
So if you’re stuck, wondering if your film is “ready,” remember this: Ready is a lie we tell ourselves to delay the uncomfortable truth—it’s fear. Finish the film. Share it. Let it be messy. Let it be raw. But let it be. Because people won’t connect with your perfection. They’ll connect with your persistence, your passion, and your courage to finish ugly.