"Mercy No More On The Getty Pedophiles and Getty Enablers," says Steven D. Kelley

4 months ago
357

Verification of Leadership Roles
Timothy Potts – Director of the J. Paul Getty Museum
Correct and Current: Timothy Potts has been the director of the J. Paul Getty Museum since 2012. He oversees both the Getty Center in Brentwood, Los Angeles, and the Getty Villa in Pacific Palisades, managing a collection of over 125,000 objects, including European paintings, sculptures, antiquities, and photographs. Potts, an archaeologist with a PhD from Oxford, previously led the Fitzwilliam Museum (Cambridge, UK) and the Kimbell Art Museum (Fort Worth, Texas). His tenure has emphasized global exhibitions, such as Persia: Ancient Iran and the Classical World (2022), and digital access to the collection.
Role: He reports to Katherine E. Fleming, the President and CEO of the J. Paul Getty Trust, and collaborates with other program directors to align the Museum’s activities with the Trust’s mission.
Joan Weinstein – Director of the Getty Foundation
Correct and Current: Joan Weinstein is the director of the Getty Foundation, a position she has held since 2019. The Getty Foundation, one of four programs under the J. Paul Getty Trust, awards grants for art history, conservation, museum practice, and professional development, with over 8,000 grants across 180 countries. Weinstein, an art historian with expertise in modern and contemporary art, previously served as the Foundation’s deputy director and has led initiatives like Conserving Black Modernism and Pacific Standard Time (PST Art), committing $17 million for 2024–2025.
Role: She oversees grantmaking and strategic initiatives, reporting to CEO Katherine E. Fleming, and ensures the Foundation’s alignment with the Trust’s goals of advancing visual arts globally.

https://t.me/OfficialOccupyTheGettyPage. https://www.truthcatradio.com

Clarification on the J. Paul Getty Trust Structure

The J. Paul Getty Trust, headquartered in Los Angeles, California, is a private operating foundation with an $8.6 billion endowment (2023). It oversees four programs, each with a director:

J. Paul Getty Museum: Directed by Timothy Potts, managing exhibitions, collections, and public access.
Getty Foundation: Directed by Joan Weinstein, administering grants and fellowships.
Getty Research Institute (GRI): Directed by Mary Miller (as of 2025), focusing on art history scholarship and archives.
Getty Conservation Institute (GCI): Directed by Antoine Wilmering, advancing heritage preservation.

These programs operate under the governance of a 13-member board of trustees, chaired by Maria Hummer-Tuttle, and are led by President and CEO Katherine E. Fleming (since 2022). The Trust is distinct from the Getty family’s private trusts (e.g., Sarah C. Getty Trust, Pleiades Trust), which manage family wealth through entities like Vallejo Investments and have no direct operational link to the J. Paul Getty Trust.

Arts Involvement: Usha’s 2025 appointment to the Kennedy Center board and prior roles with the Cincinnati Symphony Orchestra and Washington National Opera align with the Getty family’s arts patronage (e.g., Gordon and Ann Getty’s support for San Francisco Opera). However, these are distinct organizations, and no Getty trust grants or investments mention Usha or her affiliated boards.Political Connections: The Gettys have ties to California Democrats like Gavin Newsom, whose father, William Newsom, managed the Getty family trust and was a lifelong friend of Gordon Getty. Usha, as a Republican Second Lady, has no documented interactions with Newsom or Getty political networks, making this a tenuous link.Speculative Overlap: Usha’s Indian heritage and focus on progressive causes (via her firm’s culture) could align with the Getty sisters’ socially responsible investments under Sonn, but this is a broad thematic connection, not evidence of involvement.
Getty Foundation

The Getty Foundation, part of the J. Paul Getty Trust, is a public charitable entity, not a private family trust. It has no direct connection to the Getty family’s private trusts, though both stem from J. Paul Getty’s wealth:

Distinction: The J. Paul Getty Trust, funded by J. Paul’s 1976 bequest ($660 million, growing to $1.2 billion by 1982), operates the Getty Museum, Foundation, Research Institute, and Conservation Institute. The private trusts, like the Sarah C. Getty Trust and Pleiades Trust, are managed separately for family wealth, not public philanthropy.

Potential Overlap: The Getty Foundation’s grants (e.g., to California universities or arts organizations) could intersect with institutions the Gettys support privately, but no evidence links these to the private trusts’ activities or Usha Vance. For example, Gordon Getty’s philanthropy in San Francisco’s arts scene is personal or through Vallejo Investments, not the Foundation.Tax Context: J. Paul Getty’s donation of art and stock to the J. Paul Getty Trust was a tax avoidance strategy, reducing estate taxes, similar to the private trusts’ tactics. However, the Foundation’s operations are transparent, with public Form 990-PF filings, unlike the opaque private trusts.

Loading comments...