Stanley Kubrick VS Cobra

Title: Operation Mind Flick – G.I. Joe Jukic & Roseanne Unplug the Projector

INT. RED-LIT RADIO BUNKER – NIGHT

The room hums with analog static and truth vibrations. Old VHS tapes of banned cartoons line the shelves. G.I. JOE JUKIC leans into the mic like a soldier reporting from the frontlines of the culture war. Across from him, ROSEANNE BARR lights a clove cigarette and glares into the void with the confidence of a prophet who's already been canceled twice.

G.I. JOE JUKIC:
Roseanne… you ever wonder why A Clockwork Orange felt like a punishment? Not just to the characters — to us?

ROSEANNE:
Oh baby, it was a punishment. A cultural psy-op.
Kubrick didn’t write that movie — Skull and Bones wrote it in blood, in some stone tomb under Yale.

G.I. JOE JUKIC:
Exactly. After Cobra's test run with Cold Slither, they realized rock’n’roll alone wouldn’t cut it. They needed fear.
They needed sexual violence, injected right into the collective memory like a hypodermic needle laced with Beethoven.

ROSEANNE:
They made Stanley a prisoner of their project.
Told him: “You want to make art? Here’s your script. Rape. Masks. Mind control.”
It wasn’t a movie — it was the instruction manual for moral paralysis.

G.I. JOE JUKIC:
But he fought back. Quietly.
He made Eyes Wide Shut. His last stand.
A coded apology to the Jewish people…
That means you, Roseanne.

ROSEANNE (softly):
I felt it.
The masks, the orgy of the elite — it wasn’t porn. It was confession.
Kubrick was showing the world who really holds the leashes. The secret clubs. The handshakes. The rituals.

G.I. JOE JUKIC:
He knew he’d gone too far with Orange. That he’d handed Cobra a weapon.
So he tried to atone. Not just for himself.
For the people they hurt. For the truth-tellers. For every soul they tried to hypnotize.

ROSEANNE:
He was saying:
I’m sorry I helped them build the machine. Now I’m smashing the gears.

G.I. JOE JUKIC:
And that’s why he died days before the premiere. Heart attack? No. That was a clean-up operation.
Because if Eyes Wide Shut had been seen as it was meant to be — not as erotica, but revelation — the whole house of cards would’ve come down.

ROSEANNE:
I believe it.
And maybe it’s not too late. Maybe we finish the message.
Me — the Jewish loudmouth they couldn’t cancel.
You — the soldier with a truth laser instead of a rifle.

G.I. JOE JUKIC:
Then we say it loud.
Stanley Kubrick wasn’t just a director. He was a man caught in the Cobra coils.
But he broke free — and his last film was a coded map for us to follow out of the darkness.

ROSEANNE (leaning in):
Let’s burn the masks.
Let’s unplug the projector.
Let’s bring the Eyes all the way Open.

CUT TO BLACK. Over it plays the Cold Slither theme… slowed down, reversed, and terrifying.

COLD SLITHER (backwards):
"The truth was always here. You just had to listen."