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Virgin Sacrifice (1960) | Directed by Fernando Wagner
The Miami Story (1954) | Directed by Fred F. Sears
Cast a Dark Shadow (1955) | Directed by Lewis Gilbert
The Good Die Young (1957) | Directed by Lewis Gilbert
Plunder Road (1957) | Directed by Hubert Cornfield
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New Orleans Uncensored (1955) | Directed by William Castle
Account Rendered (1957) | Directed by Peter Graham Scott
The Intimate Stranger (1956) | Directed by Joseph Losey
Wicked as They Come (1956) | Directed by Ken Hughes
Night of the Demon (1957) | Directed by Jacques Tourneur
The Lost Missile (1956) | Directed by William Berke
Liane Jungle Goddess (1956) | Directed by Eduard von Borsody
Guns Girls and Gangsters (1959) | Directed by Edward L. Cahn
The Phantom from 10,000 Leagues (1955) | Directed by Dan Milner
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Summertime (1955) | Directed by David Lean
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The Court-Martial of Billy Mitchell (1955) | Directed by Otto Preminger
Violent Saturday (1955) | Directed by Richard Fleischer
Hondo (1953) | Directed by John Farrow
High Noon (1952) | Directed by Fred Zinnemann
Powder River (1953) | Directed by Louis King
Cell Block 11 (1954) | Directed by Don Siegel
Bright Victory (1951) | Directed by Mark Robson
Court Martial / Carrington V.C. (1954) | Directed by Anthony Asquith
All About Eve (1950) | Directed by Joseph L. Mankiewicz
The Maze (1953) | Directed by William Cameron Menzies
Sangaree (1953) | Directed by Edward Ludwig
The City That Never Sleeps (1953) | Directed by John H. Auer
Top of the Form (1953) | Directed by John Paddy Carstairs
A Day to Remember (1953) | Directed by Ralph Thomas
The Tall Texan (1953) | Directed by Elmo Williams
The Neanderthal Man (1953) | Directed by Ewald André Dupont
Terror on a Train (1953) | Directed by Ted Tetzlaff
Beat the Devil (1953) | Directed by John Huston
Turn the Key Softly (1953) | Directed by Jack Lee
Bright Road (1953) | Directed by Gerald Mayer
Split Second (1953) | Directed by Dick Powell
The Kidnappers (1953) | Directed by Philip Leacock
The Great Jesse James Raid (1953) | Directed by Reginald Le Borg
Law and Order (1953) | Directed by Nathan Juran
Terminal Station (1953) | Directed by Vittorio De Sica
The Naked Spur (1953) | Directed by Anthony Mann
Knights of the Round Table (1953) | Directed by Richard Thorpe
The Sea Shall Not Have Them (1954) | Directed by Lewis Gilbert
They Who Dare (1954) | Directed by Lewis Milestone
Ulysses (1954) | Directed by Mario Camerini
King Richard and the Crusaders (1954) | Directed by David Butler
Carnival Story (1954) | Directed by Kurt Neumann
River of No Return (1954) | Directed by Otto Preminger
Final Appointment (1954) | Directed by Terence Fisher
The Angel Who Pawned Her Harp (1954) | Directed by Alan Bromly
Operation Manhunt (1954) | Directed by Jack Alexander
Doctor in the House (1954) | Directed by Ralph Thomas
Siege at Red River (1954) | Directed by Rudolph Maté
High Lonesome (1950) | Directed by Alan Le May
Target Earth (1954) | Directed by Sherman A. Rose
The Black Rider (1954) | Directed by Wolf Rilla
The Outcast (1954) | Directed by William Witney
Sitting Bull (1954) | Directed by Sidney Salkow
A Woman's World (1954) | Directed by Jean Negulesco
Gorilla at Large (1954) | Directed by Harmon Jones
A Bullet Is Waiting (1954) | Directed by John Farrow
A Life at Stake (1954) | Directed by Paul Guilfoyle
The Mad Magician (1954) | Directed by John Brahm
Ma and Pa Kettle at Home (1954) | Directed by Charles Lamont
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The Silver Chalice (1954) | Directed by Victor Saville
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Désirée (1954) | Directed by Henry Koster
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The Caine Mutiny (1954) | Directed by Edward Dmytryk
The Savage Horde (1950) | Directed by Joseph Kane
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The Black Rose (1950) | Directed by Henry Hathaway
The Furies (1950) | Directed by Anthony Mann
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Home Town Story (1951) | Directed by Arthur Pierson
I'll Never Forget You (1951) | Directed by Roy Ward Baker
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Angels in the Outfield (1951) | Directed by Clarence Brown
D.O.A. (1950) | Directed by Rudolph Maté
Robinson Crusoe (1954) | Directed by Luis Buñuel
Long John Silver (1954) | Directed by Byron Haskin
Boots Malone (1952) | Directed by William Dieterle
The Paradine Case (1947) | Directed by Alfred Hitchcock
Man in the Dark (1953) | Directed by Lew Landers
711 Ocean Drive (1950) | Directed by Joseph M. Newman
Drive a Crooked Road (1954) | Directed by Richard Quine
Sabrina (1954) | Directed by Billy Wilder
Stranger on Horseback (1954) | Directed by Jacques Tourneur
The Far Country (1954) | Directed by Anthony Mann
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On the Waterfront (1954) | Directed by Elia Kazan
Night People (1954) | Directed by Nunnally Johnson
Them! (1954) | Directed by Gordon Douglas
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Hell's Half Acre (1954) | Directed by John H. Auer
Dial M for Murder (1954) | Directed by Alfred Hitchcock
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Convicted (1950) | A crime drama film directed by Henry Levin
Spy Hunt (1950) | American adventure film directed by George Sherman
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Outside the Wall (1950) | directed by Crane Wilbur
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One Way Street (1950) | Film noir crime drama directed by Hugo Fregonese
The Capture (1950) | Western film directed by John Sturges
Sea Devils (1953) | British-American adventure film directed by Raoul Walsh
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Quicksand (1950) | Film noir directed by Irving Pichel
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Those Redheads from Seattle (1953) | American musical film directed by Lewis R. Foster
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The Admiral Was a Lady (1950) | Directed by Albert S. Rogell
Stalag 17 (1953) | Directed by Billy Wilder
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Man Bait (1952) | Directed by Terence Fisher
The Woman in Question (1950) | Directed by Anthony Asquith
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Lost Continent (1951) | American science fiction film directed by Sam Newfield
Between Midnight and Dawn (1950) | American crime drama film noir directed by Gordon Douglas
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The Mob (1951) | A film noir directed by Robert Parrish
The Ring (1952) | American film noir directed by Kurt Neumann
Vicki (1953) | American film noir directed by Harry Horner
Red Planet Mars (1952) | American science fiction film directed by Harry Horner
Invasion, U.S.A. (1952) | American Cold War-era film directed by Alfred E. Green
Sherlock Holmes : The Case of the Red-Headed League (1953)
Planet Outlaws (1953) | American science fiction film directed by Fred C. Brannon
Phantom from Space (1953) | American science fiction film directed by W. Lee Wilder
Francis Covers the Big Town (1953) | American black-and-white comedy film directed by Arthur Lubin
Francis Goes to the Races (1951) | American black-and-white comedy film, directed by Arthur Lubin
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The Lemon Drop Kid (1951) | American comedy film directed by Sidney Lanfield
Hoodlum Empire (1952) | Directed by Joseph Kane
Captain Pirate (1952) | Directed by Ralph Murphy
Kentucky Jubilee (1951) | Directed by Ron Ormond
Storm Warning (1950) | Directed by Stuart Heisler
Masterson of Texas (1954) | Directed by William Castle
Silver Lode (1954) | Directed by Allan Dwan
Garden of Evil (1954) | Directed by Henry Hathaway
Fangs of the Wild (1954) | Directed by William F. Claxton
Beneath the 12-Mile Reef (1953) | Directed by Robert D. Webb
Bait (1954) Directed by Hugo Haas
Alaska Seas (1954) | Directed by Jerry Hopper
Oklahoma Annie (1952) | Directed by R.G. Springsteen
Black Tuesday (1954) | Directed by Hugo Fregonese
Tobor the Great (1954) | Directed by Lee Sholem
They Rode West (1954) | Directed by Phil Karlson
The Pickwick Papers (1952) | Directed by Noel Langley
Shield for Murder (1954) | Directed by Edmond O'Brien and Howard W. Koch
Southwest Passage (1954) | Directed by Ray Nazarro
Make Me an Offer! (1954) | Directed by Cyril Frankel
The Girl Next Door (1953) | American musical comedy film directed by Richard Sale
The Desert Fox: The Story of Rommel (1951) | Biographical war film directed by Henry Hathaway
Blowing Wild (1953) | American adventure drama film directed by Hugo Fregonese
Road Show (1941) | Directed by Hal Roach
The Last of the Comanches (1953) | Western film directed by Andre DeToth
The Jackpot (1950) | Directed by Walter Lang
The Raging Tide (1951) | A film noir crime drama directed by George Sherman.
A Life at Stake (1954) | Directed by Paul Guilfoyle
A Life at Stake is a suspenseful film noir about an out-of-luck architect who becomes entangled in a deadly plot when he’s seduced by a femme fatale offering a lucrative business deal. As their relationship deepens, he begins to suspect that her interest lies less in architecture and more in life insurance—with him as the insured. The film is a tense psychological thriller driven by themes of greed, lust, and betrayal.
Genre: Film Noir, Crime, Thriller
Director: Paul Guilfoyle
Paul Guilfoyle was primarily known as a character actor, appearing in numerous films from the 1930s through the 1950s. He directed only a few films, with *A Life at Stake* being his most notable directorial effort. Though his directing career was brief, he brought a solid understanding of character-driven drama from his extensive acting background, resulting in a lean and focused noir thriller.
Star Cast
* Angela Lansbury as Doris Hillman
* Keith Andes as Edward Shaw
* Douglass Dumbrille as Gus Hillman
* Claudia Barrett as Madge Neilan
* Jane Darwell as Mrs. Blinn
The film was received as a modest but solid noir effort. Audiences were intrigued by Angela Lansbury’s sultry and manipulative role, which was a departure from the more wholesome characters she often portrayed earlier in her career. While it didn’t make a major splash at the box office, *A Life at Stake* found favor among noir enthusiasts and was later rediscovered by fans of mid-century crime cinema.
Fun Facts
* Angela Lansbury took on the role of the femme fatale at a time when she was eager to break out of her early typecasting as sweet or noble women.
* The film was produced independently and distributed by the relatively small United Artists, which gave it a lower profile than major studio noirs of the same period.
* The story revolves around life insurance and real estate—typical noir territory where money and desire intersect with danger.
* The film’s title plays on both the literal insurance angle and the protagonist’s slowly dawning realization that his life may truly be at stake.
* While not as well-known as larger noirs, the film’s tight pacing and paranoid tension have earned it a spot in many cult noir collections.
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