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Cell Block 11 (1954) | Directed by Don Siegel

Split Second (1953) | Directed by Dick Powell

Angels with Dirty Faces (1938) | Directed by Michael Curtiz

Race Street (1948) | Directed by Edwin L. Marin

Michael Shayne, Private Detective (1940) | Directed by Eugene Forde

The Black Rider (1954) | Directed by Wolf Rilla

This Is My Affair (1937) | Directed by William A. Seiter

Gorilla at Large (1954) | Directed by Harmon Jones

They Drive by Night (1938) | Directed by Arthur B. Woods

The Roaring Twenties (1939) | Directed by Raoul Walsh

Dishonored Lady (1947) | Directed by Robert Stevenson

Man in the Dark (1953) | Directed by Lew Landers

Dead End (1937) | Directed by William Wyler

On the Waterfront (1954) | Directed by Elia Kazan

Convicted (1950) | A crime drama film directed by Henry Levin

Johnny Apollo (1940) | A crime drama film directed by Henry Hathaway

Western Pacific Agent (1950) | A crime drama directed by Sam Newfield

Fingerprints Don't Lie (1951) | American crime drama film directed by Sam Newfield

Hoodlum Empire (1952) | Directed by Joseph Kane

Storm Warning (1950) | Directed by Stuart Heisler

Black Tuesday (1954) | Directed by Hugo Fregonese

Dear Murderer (1947) | A British crime film directed by Arthur Crabtree

The Ticket of Leave Man (1937) | A British crime drama directed by George King

The Broken Horseshoe (1953) | British crime drama film directed by Martyn C. Webster

Mantrap (1953) | British crime film directed by Terence Fisher

Johnny Stool Pigeon (1949) | Directed by William Castle

F.B.I. Girl (1952) | Directed by William Berke

Tough Assignment (1949) | Directed by William Beaudine

The Gambler and the Lady (1952) | Directed by Patrick Jenkins

The Flame (1947) | Directed by John H. Auer

The Saint in New York (1938) | Directed by Ben Holmes

Parole, Inc. (1948) | Directed by Alfred Zeisler

The Maltese Falcon (1941) | Directed by John Huston

High Sierra (1941) | Directed by Raoul Walsh

Undercover Girl (1950) | Directed by Joseph Pevney

Suddenly (1954) | Directed by Lewis Allen

They Were So Young (1954) | Directed by Kurt Neumann

Human Desire (1954) | Directed by Fritz Lang

Pushover (1954) | Directed by Richard Quine

Motor Patrol (1950) | Directed by Sam Newfield

The Shop at Sly Corner (1947) | British crime drama film directed by George King

The Man from Cairo (1953) | Crime thriller film starring George Raft

Thieves' Highway (1949) | Directed by Jules Dassin

Phone Call from a Stranger (1952) | Directed by Jean Negulesco

Roaring City (1951) | Directed by William Berke

Dark Alibi (1946) | Directed by Phil Karlson

Guilty Bystander (1950) | Directed by Joseph Lerner

Night and the City (1950) | Directed by Jules Dassin

Hi-Jacked (1950) | Directed by Robert Siodmak

Kiss Tomorrow Goodbye (1950) | Directed by Gordon Douglas

The Man on the Eiffel Tower (1949) | Directed by Burgess Meredith

Red Barry (1938) | Directed by Ford Beebe and Alan James

Pier 23 (1951) | Directed by William Berke

The Last Crooked Mile (1946) | Directed by Philip Ford

They Made Me a Criminal (1939) | Directed by Busby Berkeley

Danger Zone (1951) | Directed by William Berke

Calling Bulldog Drummond (1951) | Directed by Victor Saville

Enter Arsène Lupin (1944) | Directed by Ford Beebe

99 River Street (1953) | Directed by Phil Karlson

Too Many Winners (1947) | Directed by William Beaudine

Try and Get Me! (1950) | Directed by Cyril Endfield

The "Dead End" Kid in "Little Tough Guy" (1938) | Directed by Harold Young

Take One False Step (1949) | Directed by Chester Erskine

Port of New York (1949) | Directed by László Benedek

Law of the Underworld (1938) | Directed by Lew Landers

Violated (1953) | Directed by Walter Strate

A Man Betrayed (1941) | Directed by John H. Auer

The Lone Wolf Takes a Chance (1941) | Directed by Sidney Salkow

Bluebeard (1944) | Directed by Edgar G. Ulmer

The Chance of a Lifetime (1943) | Directed by William Castle

The Frightened Man (1952) | Directed by John Gilling

Loan Shark (1952) | Directed by Seymour Friedman

The Face Behind the Mask (1941) | Directed by Robert Florey

The Lone Wolf Meets a Lady (1940) | Directed by Sidney Salkow

Two of a Kind (1951) | Directed by Henry Levin

This Is My Affair (1937) | Directed by William A. Seiter
This Is My Affair is a crime drama set during the final years of President William McKinley's administration. The story follows a naval officer who is secretly assigned by the president to infiltrate and expose a violent Midwest bank-robbing gang. As he assumes a criminal identity and gains the trust of the gang, he falls in love with a nightclub singer closely connected to them, setting up a dangerous conflict between duty, deception, and romance.
Genre: Crime / Drama / Romance
Director: William A. Seiter
William A. Seiter was a prolific American director whose career spanned silent films and talkies, working across genres from musicals and romantic comedies to crime dramas. Known for his light touch with performers and solid command of pacing, he directed well-known films such as *Roberta*, *Room Service*, and *Allegheny Uprising*. Though often associated with lighter fare, *This Is My Affair* stands as one of his more serious dramatic works.
Star Cast:
* Robert Taylor as Lt. Richard L. Perry
* Barbara Stanwyck as Lil Duryea
* Victor McLaglen as Batiste Duryea
* Brian Donlevy as Jock Ramsay
* Sidney Blackmer as Attorney General Charles Judson
* John Carradine as Gus
The film was well received at the time, particularly for its engaging mix of crime and romance and the chemistry between Barbara Stanwyck and Robert Taylor—who would later marry in real life. Audiences appreciated its historical setting and patriotic undertones, and critics praised the tight plotting and strong performances, especially from Stanwyck and McLaglen.
Fun Facts:
* This film marked one of the early pairings of Barbara Stanwyck and Robert Taylor, who married in 1939 and became one of Hollywood’s most high-profile couples.
* The film was based loosely on actual early 20th-century federal investigations into organized crime and bank robberies.
* The story includes a fictionalized portrayal of President William McKinley, adding a historical-political layer unusual for crime films of the time.
* Victor McLaglen, known for playing tough, brawling characters, received particular notice for his nuanced portrayal of a conflicted criminal figure.
* This Is My Affair was praised for blending action, historical intrigue, and romance at a time when crime dramas were often more straightforward.
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