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The New York Times article on the 2025 Tony Awards highlights several standout and lackluster moments from the ceremony held on June 8, 2025, at Radio City Music Hall, hosted by Cynthia Erivo. Here are the key points:

Best Moments:
Hamilton Reunion: A 10th-anniversary performance by the original cast of Hamilton, including Lin-Manuel Miranda, Leslie Odom Jr., Phillipa Soo, Renée Elise Goldsberry, and Jasmine Cephas Jones, featured an eight-song medley with hits like “My Shot” and “The Room Where It Happens.” It was described as a sleek, high-energy highlight, ranking among the all-time best Tony performances.

Gary Edwin Robinson’s Acceptance Speech: Robinson, a former actor turned theater teacher at Boys and Girls High School in Brooklyn, received a special Tony Honor. His smooth baritone and heartfelt speech emphasized training students for theater careers, underscoring the importance of instilling belief in young artists.

Nicole Scherzinger’s Acceptance Speech: Scherzinger’s emotional speech for her best actress in a musical win for Sunset Boulevard was as grand as her performance, reflecting on her Filipina, Native Hawaiian, and Ukrainian heritage and finding a home in theater.

Asian and Asian American Representation: The ceremony marked a historic night for Asian and Asian American artists, with wins for Nicole Scherzinger, Francis Jue (Yellow Face), Darren Criss (Maybe Happy Ending), Marco Paguia (Buena Vista Social Club orchestrations), and Hue Park (Maybe Happy Ending book and lyrics). Their speeches highlighted inclusion and belonging in theater.

Cole Escola’s Humor: During the best play presentation, Cole Escola’s comedic pitch for their play Oh, Mary! was a standout, adding levity to the evening.

Worst Moment:
Cheesy Digital Projections: The Tony Awards’ use of virtual scenery, following the trend of shows like Sunset Boulevard and Maybe Happy Ending, was criticized as anti-theatrical. The digital backgrounds, particularly during Operation Mincemeat’s performance, were described as looking cheap and cheesy, detracting from the live theater experience.

Additional context from other sources notes Cynthia Erivo’s showstopping opening number, “Sometimes All You Need Is a Song,” and her closing riff on “And I Am Telling You I’m Not Going” from Dreamgirls as highlights, though sound issues marred some performances. Maybe Happy Ending won six awards, including best musical, while Purpose took best play, and Sunset Boulevard won best musical revival.

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