1979 Salem's Lot VAMPIRE Mini Series Complete

In 1979 I was 15 years old and there was a creepy TV mini-series that freaked me out: Salem's Lot made for TV VAMPIRE Movie. Salem's Lot (also known as Salem's Lot: The Movie, Salem's Lot: The Miniseries and Blood Thirst) is a 1979 American two-part vampire miniseries based on the 1975 horror novel 'Salem's Lot by Stephen King. Directed by Tobe Hooper and starring David Soul and James Mason, the plot concerns a writer who returns to his hometown and discovers that its citizens are turning into vampires.
After Warner Bros. acquired the rights to Salem's Lot, several filmmakers developed screenplays but none proved satisfactory. Producer Richard Kobritz decided that, due to the novel's length, Salem's Lot would work better as a television miniseries than as a feature film. He and screenwriter Paul Monash followed the general outline of King's novel but changed some elements, including turning the head vampire Kurt Barlow from a cultured human-looking villain into a speechless demonic-looking monster. With a budget of $4 million, principal photography began on July 10, 1979, in Ferndale, California.
Salem's Lot first aired on CBS in November 1979 and received positive reviews. In the years following its broadcast, it has accumulated a cult following and has had a significant impact on the vampire genre. It was followed by a 1987 theatrical sequel, A Return to Salem's Lot, directed by Larry Cohen.
We went back to the old German Nosferatu concept where he is the essence of evil, and not anything romantic or smarmy, or, you know, the rouge-cheeked, widow-peaked Dracula. I wanted nothing suave or sexual, because I just didn't think it'd work; we've seen too much of it. The other thing we did with the character which I think is an improvement is that Barlow does not speak. When he's killed at the end, he obviously emits sounds, but it's not even a full line of dialogue, in contrast to the book and the first draft of the screenplay. I just thought it would be suicidal on our part to have a vampire that talks. What kind of voice do you put behind a vampire? You can't do Bela Lugosi, or you're going to get a laugh. You can't do Regan in The Exorcist, or you're going to get something that's unintelligible, and besides, you've been there before. That's why I think the James Mason role of Straker became more important.
Salem's Lot does not rely on the same kind of dynamics as The Texas Chain Saw Massacre. "This film is very spooky – it suggests things and always has the overtone of the grave. It affects you differently than my other horror films. It's more soft-shelled," director Tobe Hooper explains. "A television movie does not have blood or violence. It has atmosphere which creates something you cannot escape – the reminder that our time is limited and all the accoutrements that go with it, such as the visuals."
Although Salem's Lot was aimed at television, a European theatrical release was also planned and which would include more violence. For example, two versions of the scene where Cully Sawyer threatens Larry Crockett with a shotgun were filmed. In one version, Larry holds the gun barrel in his mouth, while in the other, the barrel is in front of his face. "They worked at a feature film pace instead of a TV pace," recalled actor Lance Kerwin on the filming. "It's really even hard to tell the flow of the film. It was a miniseries originally, then we shot a feature film version for Europe at the same time. They've edited and cut together so much."