The Right Profile The Clash

The Right Profile Album: London Calling (1979)
by The Clash

"The Right Profile" is about actor Montgomery Clift (A Place in the Sun, From Here to Eternity) and his troubled life. Clift had problems with pills and alcohol. The car crash into a tree discussed in this song occurred in 1956, while he was driving home from a party at Elizabeth Taylor's house. She saved his life then, but he died in 1966 of coronary occlusion, what some have called the "slowest suicide" in cinema history.

London Calling producer Guy Stevens had lent singer Joe Strummer a copy of Patricia Bosworth's 1978 biography of Clift, and suggested that perhaps Strummer write a song about him. With Stevens also suffering from alcohol and drug problems, perhaps Strummer saw parallels between Clift and The Clash's troubled producer? Roadie Johnny Green suggested that this was the case in his memoirs.

After Clift's car accident, his face was mangled and he needed plastic surgery for a broken jaw. He continued to make movies, but had to be shot from "The Right Profile" to look good, hence the name of the song.

Clift has been the subject of other songs as well, including R.E.M.'s "Monty Got a Raw Deal" from their 1992 album, Automatic for the People.

An the album cover is a photo of Clash bass player Paul Simonon smashing his instrument during a show at The Palladium in New York City. He later regretted doing it, because it was his best bass. The smashed bass is now in the Rock and Roll Hall of Fame.
Musically "The Right Profile" is one of the highlights of the London Calling album, featuring heavy usage of the Irish Horns to create a swing feel. Sadly this also proved to be the song's performance downfall, as unlike other horn-heavy songs on the album (such as "Revolution Rock" and "Rudie Can't Fail"), there was no way it could be played live without the horn section.

Say, where did I see this guy?
In "Red River"?
Or a "Place In The Sun"?
Maybe "The Misfits"?
Or "From Here To Eternity"?

And everybody say, "Is he all right?"
And everybody say, "What's he like?"
And everybody say, "He sure looks funny"
That's Montgomery Clift, honey

New York, New York, 42nd Street
Hustlers rustle and pimps pimp the beat
Monty Clift is recognized at dawn
He ain't got no shoes and his clothes are torn

And everybody say, "Is he all right?"
And everybody say, "What's he like?"
And everybody say, "He sure look funny"
That's that Montgomery Clift, honey

I see a car smashed at night
Cut the applause and dim the light
Monty's face is broken on a wheel
Is he alive? Can he still feel?

And everybody say, "Is he all right?"
And everybody say, "Shine a light"
And everybody say, "It's not funny"
That's Montgomery Clift, honey

Shoot his right profile

And everybody say, "Is he all right?"
And everybody say, "What's he like?"
And everybody say, "He sure look funny"
That's Montgomery Clift, honey

Nembutol numbs it all
But I prefer alcohol

And everybody say, "What's he like?"
And everybody say, "Is he all right?"
And everybody say, "He sure look funny"
That's Montgomery Clift, honey!

He said go out and get me my old movie stills
Go out and get me another roll of pills
There I go again shaking, but I ain't got the chills

And everybody say, "What's he like?"
And everybody say, "Is he all right?"
And everybody say, "He sure looks funny"
I was trapped, Montgomery Clift, honey