Be right back . 200,000 euros too much Zadok directs

Be right back. 200,000 euros will be back soon. Zadok directs the resistance.
In a world where critical thinking is often crushed between demonstration vests and PayPal links, Michael Ballweg presents us with a real treat of bureaucratic comedy:
📄 200,000 euros in credit at the tax office – not to his disadvantage, but to his advantage.
An involuntary fundraising marathon by the state? Or a silent "sorry" in numerical form?

As he outlines the new form of protest for 2025 – somewhere between "street," "spirituality," and "personal responsibility with a hoodie" – pyramids flicker across the screen, and Zadok the Priest sounds from offstage.

Because: If you're going to stage a production, then do it with style.
Ballweg as a reluctant king? Or as a prophet with a tax bill?
QF/aI
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#apolut.net/im-gespraech-michael-ballweg-4/
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🎶 Bonus Fact Block: "Zadok the Priest" – More Than Just Royal Noise

🎼 Composer: George Frideric Handel (1685–1759), German immigrant to London, later a British citizen.

🏰 World Premiere: Coronation of King George II in 1727

📜 Text source: Old Testament (1 Kings 1:38–40) – Zadok anoints King Solomon.

📍 Style: Coronation Anthem
→ Classical-Baroque church music with a high ceremonial effect, not an "opera," but maximum pomp.

🎙 Special feature: Has been played at every British royal coronation for over 300 years – most recently for Queen Elizabeth II and, in 2023, for Charles III.

🎺 Musically: The famous build-up from quiet strings to an explosive entry by choir and trumpet is dramaturgically perfect – a soundtrack for any grand ego. Or a minor triumph in court.
#The English Concert & Händelfestspielorchester Halle, Germany