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Please Murder Me (1956) | Directed by Peter Godfrey
Virgin Sacrifice (1960) | Directed by Fernando Wagner
The Miami Story (1954) | Directed by Fred F. Sears
Cast a Dark Shadow (1955) | Directed by Lewis Gilbert
The Good Die Young (1957) | Directed by Lewis Gilbert
Plunder Road (1957) | Directed by Hubert Cornfield
Odds Against Tomorrow (1959) | Directed by Robert Wise
New Orleans Uncensored (1955) | Directed by William Castle
Account Rendered (1957) | Directed by Peter Graham Scott
The Intimate Stranger (1956) | Directed by Joseph Losey
Wicked as They Come (1956) | Directed by Ken Hughes
Night of the Demon (1957) | Directed by Jacques Tourneur
The Lost Missile (1956) | Directed by William Berke
Liane Jungle Goddess (1956) | Directed by Eduard von Borsody
Guns Girls and Gangsters (1959) | Directed by Edward L. Cahn
The Phantom from 10,000 Leagues (1955) | Directed by Dan Milner
Tight Spot (1955) | Directed by Phil Karlson
Summertime (1955) | Directed by David Lean
I Died a Thousand Times (1955) | Directed by Stuart Heisler
The Court-Martial of Billy Mitchell (1955) | Directed by Otto Preminger
Violent Saturday (1955) | Directed by Richard Fleischer
Hondo (1953) | Directed by John Farrow
High Noon (1952) | Directed by Fred Zinnemann
Powder River (1953) | Directed by Louis King
Cell Block 11 (1954) | Directed by Don Siegel
Bright Victory (1951) | Directed by Mark Robson
Court Martial / Carrington V.C. (1954) | Directed by Anthony Asquith
All About Eve (1950) | Directed by Joseph L. Mankiewicz
The Maze (1953) | Directed by William Cameron Menzies
Sangaree (1953) | Directed by Edward Ludwig
The City That Never Sleeps (1953) | Directed by John H. Auer
Top of the Form (1953) | Directed by John Paddy Carstairs
A Day to Remember (1953) | Directed by Ralph Thomas
The Tall Texan (1953) | Directed by Elmo Williams
The Neanderthal Man (1953) | Directed by Ewald André Dupont
Terror on a Train (1953) | Directed by Ted Tetzlaff
Beat the Devil (1953) | Directed by John Huston
Turn the Key Softly (1953) | Directed by Jack Lee
Bright Road (1953) | Directed by Gerald Mayer
Split Second (1953) | Directed by Dick Powell
The Kidnappers (1953) | Directed by Philip Leacock
The Great Jesse James Raid (1953) | Directed by Reginald Le Borg
Law and Order (1953) | Directed by Nathan Juran
Terminal Station (1953) | Directed by Vittorio De Sica
The Naked Spur (1953) | Directed by Anthony Mann
Knights of the Round Table (1953) | Directed by Richard Thorpe
The Sea Shall Not Have Them (1954) | Directed by Lewis Gilbert
They Who Dare (1954) | Directed by Lewis Milestone
Ulysses (1954) | Directed by Mario Camerini
King Richard and the Crusaders (1954) | Directed by David Butler
Carnival Story (1954) | Directed by Kurt Neumann
River of No Return (1954) | Directed by Otto Preminger
Final Appointment (1954) | Directed by Terence Fisher
The Angel Who Pawned Her Harp (1954) | Directed by Alan Bromly
Operation Manhunt (1954) | Directed by Jack Alexander
Doctor in the House (1954) | Directed by Ralph Thomas
Siege at Red River (1954) | Directed by Rudolph Maté
High Lonesome (1950) | Directed by Alan Le May
Target Earth (1954) | Directed by Sherman A. Rose
The Black Rider (1954) | Directed by Wolf Rilla
The Outcast (1954) | Directed by William Witney
Sitting Bull (1954) | Directed by Sidney Salkow
A Woman's World (1954) | Directed by Jean Negulesco
Gorilla at Large (1954) | Directed by Harmon Jones
A Bullet Is Waiting (1954) | Directed by John Farrow
A Life at Stake (1954) | Directed by Paul Guilfoyle
The Mad Magician (1954) | Directed by John Brahm
Ma and Pa Kettle at Home (1954) | Directed by Charles Lamont
Hiawatha (1952) | Directed by Kurt Neumann
Ace in the Hole (1951) | Directed by Billy Wilder
Naked Alibi (1954) | Directed by Jerry Hopper
The Blue Gardenia (1953) | Directed by Fritz Lang
Private Hell 36 (1954) | Directed by Don Siegel
Tower of London (1951) | Directed by Lew Landers
The Enforcer (1951) | Directed by Bretaigne Windust
The Texas Rangers (1951) | Directed by Phil Karlson
Cattle Drive (1951) | Directed by Kurt Neumann
Leave It to the Marines (1951) | Directed by Sam Newfield
Assignment – Paris (1952) | Directed by Robert Parrish
The Silver Chalice (1954) | Directed by Victor Saville
Demetrius and the Gladiators (1954) | Directed by Delmer Daves
The Robe (1953) | Directed by Henry Koster
Désirée (1954) | Directed by Henry Koster
Beau Brummell (1954) | Directed by Curtis Bernhardt
The Caine Mutiny (1954) | Directed by Edward Dmytryk
The Savage Horde (1950) | Directed by Joseph Kane
Woman on the Run (1950) | Directed by Norman Foster
The Black Rose (1950) | Directed by Henry Hathaway
The Furies (1950) | Directed by Anthony Mann
At War with the Army (1950) | Directed by Hal Walker
Home Town Story (1951) | Directed by Arthur Pierson
I'll Never Forget You (1951) | Directed by Roy Ward Baker
Bullfighter and the Lady (1951) | Directed by Budd Boetticher
Angels in the Outfield (1951) | Directed by Clarence Brown
D.O.A. (1950) | Directed by Rudolph Maté
Robinson Crusoe (1954) | Directed by Luis Buñuel
Long John Silver (1954) | Directed by Byron Haskin
Boots Malone (1952) | Directed by William Dieterle
The Paradine Case (1947) | Directed by Alfred Hitchcock
Man in the Dark (1953) | Directed by Lew Landers
711 Ocean Drive (1950) | Directed by Joseph M. Newman
Drive a Crooked Road (1954) | Directed by Richard Quine
Sabrina (1954) | Directed by Billy Wilder
Stranger on Horseback (1954) | Directed by Jacques Tourneur
The Far Country (1954) | Directed by Anthony Mann
Francis Joins the WACS (1954) | Directed by Arthur Lubin
On the Waterfront (1954) | Directed by Elia Kazan
Night People (1954) | Directed by Nunnally Johnson
Them! (1954) | Directed by Gordon Douglas
Rear Window (1954) | Directed by Alfred Hitchcock
Hell's Half Acre (1954) | Directed by John H. Auer
Dial M for Murder (1954) | Directed by Alfred Hitchcock
Creature from the Black Lagoon (1954) | Directed by Jack Arnold
The Shanghai Story (1954) | Directed by Frank Lloyd
Cry Vengeance (1954) | Directed by Mark Stevens
Rawhide (1951) | Western film directed by Henry Hathaway
Ambush at Tomahawk Gap (1953) | A Western film set in the post-Civil War era
Fear and Desire (1953) | American war film directed by Stanley Kubrick
The Clouded Yellow (1950) | British film noir thriller directed by Ralph Thomas
I'll Get You (1952) | A gripping espionage thriller directed by Seymour Friedman
The Gunfighter (1950) | A classic Western film directed by Henry King
Convicted (1950) | A crime drama film directed by Henry Levin
Spy Hunt (1950) | American adventure film directed by George Sherman
The House by the River (1950) | Film Noir directed by Fritz Lang
The Snows of Kilimanjaro (1952) | American adventure film directed by Henry King
Outside the Wall (1950) | directed by Crane Wilbur
David and Bathsheba (1951) | Biblical epic film directed by Henry King
When Willie Comes Marching Home (1950) | Directed by the legendary John Ford
Ruby Gentry (1952) | Southern Gothic melodrama directed by King Vidor
Diplomatic Courier (1952) | American film noir directed by Henry Hathaway
One Way Street (1950) | Film noir crime drama directed by Hugo Fregonese
The Capture (1950) | Western film directed by John Sturges
Sea Devils (1953) | British-American adventure film directed by Raoul Walsh
Pickup (1951) | Film noir directed by Hugo Haas
Quicksand (1950) | Film noir directed by Irving Pichel
Bad for Each Other (1953 ) | American drama film directed by Irving Rapper
The King of the Khyber Rifles (1953) | An adventure film directed by Henry King
Those Redheads from Seattle (1953) | American musical film directed by Lewis R. Foster
Train to Tombstone (1950) | Western film directed by William Berke
The Admiral Was a Lady (1950) | Directed by Albert S. Rogell
Stalag 17 (1953) | Directed by Billy Wilder
Mister 880 (1950) | A charming comedy-drama directed by Edmund Goulding
Western Pacific Agent (1950) | A crime drama directed by Sam Newfield
Outlaw Women (1952) | Directed by Sam Newfield & Ron Ormond
5 Fingers (1952) | American spy film directed by Joseph L. Mankiewicz
Gone to Earth (1950) | British romantic drama film directed by Michael Powell & Emeric Pressburger
For Men Only (1952) | American comedy film directed by Paul Henreid
Green Grow the Rushes (1951) | British comedy film directed by Derek N. Twist
The Turning Point (1952) | British drama film directed by Michael Relph
Whirlpool (1950) | Film noir directed by Otto Preminger
There's No Business Like Show Business (1954) | Directed by Walter Lang
Man Bait (1952) | Directed by Terence Fisher
The Woman in Question (1950) | Directed by Anthony Asquith
Fingerprints Don't Lie (1951) | American crime drama film directed by Sam Newfield
Actors and Sin (1952) | American comedy-drama film directed by Ben Hecht and Lee Garmes
The Bigamist (1953) | American drama film directed by and starring Ida Lupino
Three Guys Named Mike (1951) | A romantic comedy film directed by Charles Walters
Rocketship X-M (1950) | American science fiction film directed by Kurt Neumann
Lost Continent (1951) | American science fiction film directed by Sam Newfield
Between Midnight and Dawn (1950) | American crime drama film noir directed by Gordon Douglas
The House on Telegraph Hill (1951) | American film noir directed by Robert Wise
The Mob (1951) | A film noir directed by Robert Parrish
The Ring (1952) | American film noir directed by Kurt Neumann
Vicki (1953) | American film noir directed by Harry Horner
Red Planet Mars (1952) | American science fiction film directed by Harry Horner
Invasion, U.S.A. (1952) | American Cold War-era film directed by Alfred E. Green
Sherlock Holmes : The Case of the Red-Headed League (1953)
Planet Outlaws (1953) | American science fiction film directed by Fred C. Brannon
Phantom from Space (1953) | American science fiction film directed by W. Lee Wilder
Francis Covers the Big Town (1953) | American black-and-white comedy film directed by Arthur Lubin
Francis Goes to the Races (1951) | American black-and-white comedy film, directed by Arthur Lubin
Air Cadet (1951) | American war film directed by Joseph Pevney & starring Rock Hudson
The Lemon Drop Kid (1951) | American comedy film directed by Sidney Lanfield
Hoodlum Empire (1952) | Directed by Joseph Kane
Captain Pirate (1952) | Directed by Ralph Murphy
Kentucky Jubilee (1951) | Directed by Ron Ormond
Storm Warning (1950) | Directed by Stuart Heisler
Masterson of Texas (1954) | Directed by William Castle
Silver Lode (1954) | Directed by Allan Dwan
Garden of Evil (1954) | Directed by Henry Hathaway
Fangs of the Wild (1954) | Directed by William F. Claxton
Beneath the 12-Mile Reef (1953) | Directed by Robert D. Webb
Bait (1954) Directed by Hugo Haas
Alaska Seas (1954) | Directed by Jerry Hopper
Oklahoma Annie (1952) | Directed by R.G. Springsteen
Black Tuesday (1954) | Directed by Hugo Fregonese
Tobor the Great (1954) | Directed by Lee Sholem
They Rode West (1954) | Directed by Phil Karlson
The Pickwick Papers (1952) | Directed by Noel Langley
Shield for Murder (1954) | Directed by Edmond O'Brien and Howard W. Koch
Southwest Passage (1954) | Directed by Ray Nazarro
Make Me an Offer! (1954) | Directed by Cyril Frankel
The Girl Next Door (1953) | American musical comedy film directed by Richard Sale
The Desert Fox: The Story of Rommel (1951) | Biographical war film directed by Henry Hathaway
Blowing Wild (1953) | American adventure drama film directed by Hugo Fregonese
Road Show (1941) | Directed by Hal Roach
The Last of the Comanches (1953) | Western film directed by Andre DeToth
The Jackpot (1950) | Directed by Walter Lang
The Raging Tide (1951) | A film noir crime drama directed by George Sherman.
Split Second (1953) | Directed by Dick Powell
Split Second is a tense American thriller set against the backdrop of a remote atomic testing site in Nevada. The story revolves around a group of hostages taken by two escaped convicts who unknowingly hide out in a ghost town scheduled for a nuclear bomb test. As the clock ticks down, the characters must contend with growing fear, shifting alliances, and moral reckoning in the face of impending annihilation. The film is a suspenseful race against time, blending crime drama with Cold War-era anxiety.
Genre: Thriller / Crime / Drama
Director: Dick Powell
Dick Powell was an American actor, singer, producer, and director. Born in 1904, he initially gained fame as a crooner in Warner Bros. musicals during the 1930s, but later transitioned to tougher roles in film noir classics such as *Murder, My Sweet* (1944). Powell eventually moved behind the camera, becoming a successful director and producer. His work often emphasized taut narratives and crisp direction. *Split Second* marked his directorial debut and showcased his talent for building suspense and directing ensemble casts.
Star Cast:
* Stephen McNally as Sam Hurley
* Alexis Smith as Kay Garven
* Jan Sterling as Dottie Vail
* Keith Andes as Larry Fleming
* Arthur Hunnicutt as Asa Tremaine
* Robert Paige as Arthur Ashton
* Frank DeKova as Bart Moore
* Paul Kelly as Sheriff Bill Maddox
Split Second was well-received upon release for its original setting, solid performances, and rising tension. Audiences appreciated the novel concept of a crime thriller unfolding within the looming threat of a nuclear detonation. Critics praised Dick Powell’s assured direction, especially impressive for a first-time filmmaker. The film tapped into the public's Cold War fears and added a fresh twist to the crime drama formula, making it both entertaining and relevant.
Fun Facts:
* The film was based on a story by Irving Wallace, who would later become a bestselling novelist.
* Split Second marked Dick Powell’s transition from acting to directing, launching a second successful phase of his Hollywood career.
* The abandoned town in the film was modeled after real ghost towns in Nevada, often used by the U.S. government for atomic bomb tests in the 1950s.
* The tension in the film is heightened by the use of real countdown-style pacing, giving the narrative a ticking-clock urgency.
* Jan Sterling, known for her sharp-tongued roles, brought added grit and realism to the ensemble.
Split Second is a tense American thriller set against the backdrop of a remote atomic testing site in Nevada. The story revolves around a group of hostages taken by two escaped convicts who unknowingly hide out in a ghost town scheduled for a nuclear bomb test. As the clock ticks down, the characters must contend with growing fear, shifting alliances, and moral reckoning in the face of impending annihilation. The film is a suspenseful race against time, blending crime drama with Cold War-era anxiety.
Genre: Thriller / Crime / Drama
Director: Dick Powell
Dick Powell was an American actor, singer, producer, and director. Born in 1904, he initially gained fame as a crooner in Warner Bros. musicals during the 1930s, but later transitioned to tougher roles in film noir classics such as *Murder, My Sweet* (1944). Powell eventually moved behind the camera, becoming a successful director and producer. His work often emphasized taut narratives and crisp direction. *Split Second* marked his directorial debut and showcased his talent for building suspense and directing ensemble casts.
Star Cast:
* Stephen McNally as Sam Hurley
* Alexis Smith as Kay Garven
* Jan Sterling as Dottie Vail
* Keith Andes as Larry Fleming
* Arthur Hunnicutt as Asa Tremaine
* Robert Paige as Arthur Ashton
* Frank DeKova as Bart Moore
* Paul Kelly as Sheriff Bill Maddox
Split Second was well-received upon release for its original setting, solid performances, and rising tension. Audiences appreciated the novel concept of a crime thriller unfolding within the looming threat of a nuclear detonation. Critics praised Dick Powell’s assured direction, especially impressive for a first-time filmmaker. The film tapped into the public's Cold War fears and added a fresh twist to the crime drama formula, making it both entertaining and relevant.
Fun Facts:
* The film was based on a story by Irving Wallace, who would later become a bestselling novelist.
* Split Second marked Dick Powell’s transition from acting to directing, launching a second successful phase of his Hollywood career.
* The abandoned town in the film was modeled after real ghost towns in Nevada, often used by the U.S. government for atomic bomb tests in the 1950s.
* The tension in the film is heightened by the use of real countdown-style pacing, giving the narrative a ticking-clock urgency.
* Jan Sterling, known for her sharp-tongued roles, brought added grit and realism to the ensemble.
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