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Forever Amber (1947) | Directed by Otto Preminger
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Sangaree (1953) | Directed by Edward Ludwig
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The Taming of the Shrew (1929) | Directed by Sam Taylor
Ulysses (1954) | Directed by Mario Camerini
King Richard and the Crusaders (1954) | Directed by David Butler
The Ten Commandments (1923) | Directed by Cecil B. DeMille
Devotion (1946) | Directed by Curtis Bernhardt
Sitting Bull (1954) | Directed by Sidney Salkow
Hiawatha (1952) | Directed by Kurt Neumann
Tower of London (1951) | Directed by Lew Landers
Black Magic (1949) | Directed by Gregory Ratoff
The Silver Chalice (1954) | Directed by Victor Saville
Demetrius and the Gladiators (1954) | Directed by Delmer Daves
The Robe (1953) | Directed by Henry Koster
Désirée (1954) | Directed by Henry Koster
Beau Brummell (1954) | Directed by Curtis Bernhardt
Scaramouche (1923) | Directed by Rex Ingram
The Black Rose (1950) | Directed by Henry Hathaway
David and Bathsheba (1951) | Biblical epic film directed by Henry King
That Hamilton Woman (1941) | American historical drama film directed by Alexander Korda
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Salome, Where She Danced (1945) | A historical drama directed by Charles Lamont
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The Private Life of Henry VIII (1933) | Directed by Alexander Korda
1984 (1954) | Directed by Rudolph Cartier
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The Egyptian (1954) | Directed by Michael Curtiz and Darryl F. Zanuck
Romeo and Juliet (1954) | Directed by Renato Castellani
Crazylegs (1953) | Directed by Francis D. Lyon
Young Mr. Lincoln (1939) | Directed by John Ford
The Crusades (1935) | Directed by Cecil B. DeMille
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Thief of Damascus (1952) | A historical adventure film directed by Will Jason
The Baron of Arizona (1950) | Historical drama directed by Samuel Fuller
Martin Luther (1953) | Directed by Irving Pichel
Joan of Arc (1948) | Directed by Victor Fleming
Lillian Russell (1940) | Directed by Irving Cummings
Under Capricorn (1949) | Directed by Alfred Hitchcock
Viva Zapata! (1952) | Directed by Elia Kazan
Stars and Stripes Forever (1952) | Directed by Henry Koster
Hearts in Bondage (1936) | Directed by Lew Ayres
Northwest Passage (1940) | Directed by King Vidor
Follow the Sun (1951) | Directed by Sidney Lanfield
Becky Sharp (1935) | Directed by Rouben Mamoulian
The Song of Bernadette (1943) | Directed by Henry King
Lloyd's of London (1936) | Directed by Henry King
Serpent of the Nile (1953) | Directed by William Castle
Sangaree (1953) | Directed by Edward Ludwig
*Sangaree* is a Technicolor historical melodrama set in post-Revolutionary War Savannah, Georgia. The story centers on Dr. Carlos Morales, a former bondservant who inherits a wealthy estate called Sangaree. His efforts to improve the lives of the underprivileged bring him into conflict with powerful elites and entangle him in a dangerous romantic and political intrigue.
Genre: Historical drama, romance
Director: Edward Ludwig
Edward Ludwig was a Russian-born American director whose career spanned from the silent era through the 1950s. Known for his solid craftsmanship in action and adventure films, he directed features across various genres. Ludwig was not typically a high-profile auteur but reliably handled mainstream studio projects like *Sangaree* with technical polish.
Star cast:
* Fernando Lamas as Dr. Carlos Morales
* Arlene Dahl as Nancy Darby
* Patricia Medina as Martha Darby
* Francis L. Sullivan as Dr. Bristol
* Charles Korvin as Felix Darby
* John Sutton as Roy Darby
*Sangaree* was notable for being Paramount’s first film shot in 3D, though it was often screened flat in many theaters. The film was marketed as a colorful romantic epic and drew moderate box office success thanks to its star power and visual appeal, though critics found it formulaic and heavy-handed in its messaging.
Fun facts:
* The movie was Paramount Pictures’ inaugural foray into the 3D craze of the early 1950s, though the 3D effect was not widely utilized.
* Real-life married couple Fernando Lamas and Arlene Dahl starred together, boosting public interest.
* The story was based on a novel by Frank G. Slaughter, a physician turned popular historical fiction writer.
* Despite its lush costumes and plantation setting, the film received mixed reviews for historical inaccuracy and melodramatic tone.
* Patricia Medina’s performance as the scheming sister added a touch of camp that later appealed to cult audiences.
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