AURORA DEEP DIVE PT.7 - Analysing Structure, Instrumentation & Texture (streamed 2025/08/15)

What we've learned so far: AURORA uses a structure of Intro-Verse-Chorus-Verse-Chorus-Bridge-Chorus* for most of her songs; most also have pre-choruses; many also have a hook added to or replacing one of these main sections; commonly there is an interlude between the first chorus and the second verse; there are often two verses together at the beginning; in many instances the chorus has two separate parts. Each section is mostly made up of 4-bar or 8-bar sections, but sections longer than 16 bars in total are present more often than not. Many songs also make use of pauses.
*The final chorus is the most unreliable section; after the bridge, there is often a section that is either a hybrid of chorus material and other material or a coda/terminal climax featuring new material.
Notable exceptions to this model are Through The Eyes Of A Child, Under The Water, Wisdom Cries, Churchyard and Infections Of A Different Kind.

AURORA's likeliest approach for texture is to begin sparse and to build towards choruses and drop afterwards, with each successive version of a section having a thicker texture than the previous version; the bridge generally drops suddenly to a very thin texture, then builds considerably towards the next section; often in the outro the texture will be its heaviest, but it will also reduce suddenly before the song ends; there are also sudden drops in other sections, but these normally build back up soon after. Normally, verses are homophonic and outros layer melodies on top of each other, creating a straightforward polyphony. Large textural changes between sections are common, but they stay mostly static during sections other than the bridge.
Notable exceptions to this model are Through The Eyes Of A Child, Warrior, Black Water Lilies, Wisdom Cries, Churchyard, and Infections Of A Different Kind.
AURORA's instrumental palettes mostly stay consistent through each song, with extra elements being added as the texture thickens. The most common instrumentation choices are:
Solo Voice
Harmony vocals
Piano
Electric Bass
Electric Drums
Acoustic Drums
Distorted, Rough, Grainy Synths
Hollow, Nasal, Woody Synths
Breathy, Fluttery Synths
AURORA also uses big long reverbs all the time.
Notable exceptions to these instrumental palettes can be found in The Seed, The River, All Is Soft Inside, Gentle Earthquakes, Infections of a Different Kind and Warrior.

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00:00 Intro
02:56 My Intense Spreadsheet
46:00 Animal
1:04:20 The Seed
1:24:25 The River
1:40:20 Trying to sum up while sneezing profusely