The Lost Missile (1956) | Directed by William Berke

11 days ago
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This science fiction film centers on a mysterious missile from space that enters Earth’s atmosphere and begins orbiting the planet at low altitude, emitting destructive heat rays that incinerate everything in its path. As cities are destroyed and panic spreads, scientists and military forces race against time to find a way to stop the deadly weapon before it annihilates civilization.

Genre: Science Fiction / Thriller

Director: William Berke

William A. Berke (1903–1958) was an American film director and producer best known for his work in B-movies, westerns, and crime thrillers. He directed and produced a large number of low-budget films during the 1930s through the 1950s, with a reputation for efficiency and speed. Although rarely celebrated for artistry, his films were consistent staples of mid-century American cinema. The Lost Missile is among his final directorial works, combining Cold War anxieties with science fiction spectacle.

Star Cast:

Robert Loggia as Dr. David Loring

Ellen Parker as Joan Wood

Larry Kerr as Col. Joe Freed

Phillip Pine as Dr. Kurt Steinhauer

Kitty Kelly as Mrs. Mabel Colter

Selena Royle as Mrs. Loring

The film was a modest box-office success, appealing to audiences during the height of Cold War tensions when fears of nuclear war and space-age weaponry were at their peak. Critics noted its use of stock footage and low budget, but many viewers found it tense and thought-provoking. Over time, it has been remembered as a quintessential example of 1950s science fiction that reflected the era’s anxieties about technology and global destruction.

Fun Facts:

The film reused large amounts of stock footage, particularly military and civil defense material, to stretch its budget and create a sense of scale.

Robert Loggia, in one of his earliest leading roles, later became a respected actor with a career spanning six decades, including Scarface (1983) and Big (1988).

The movie was produced independently and distributed by United Artists, reflecting the growing trend of low-budget sci-fi films aimed at drive-in theaters.

The plot tapped into contemporary fears of Sputnik and space-based weapons, making it resonate strongly with 1950s audiences.

Despite its low budget, the film has remained a cult favorite among fans of Cold War-era science fiction.

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