The FUCKING LEFT

I crafted a wild, over-the-top song to lay bare the absurdity of a double standard where one side—epitomized by a character like Tyler Robinson—can blast guns, climb roofs, and even bang Shrek without a second thought, reveling in unchecked freedom and swamp-fueled chaos, while the other side, represented by figures like Charlie Kirk, is forced to surrender everything: their voice, their right to chat with people, even their ability to be fathers to their kids, all under a suffocating set of rules. The lyrics scream of an unbalanced world where one faction thrives in reckless liberty, spreading for ogres and soaking in swamp water, while the other is silenced and stripped of agency, highlighting the ridiculousness of such a lopsided dynamic in a muddy, unhinged anthem that demands attention.