Too Many Heartaches In Paradise, is a song from the Pure Prairie League album Firin'Up, their eighth studio album, released in 1980. It is the third song on the album. The song was written by George D. Greer & Jeff Wilson (Guitarist). The song is about a girl that was a daddy's girl with a beautiful smile that had a restless spirit that you would fall in love with but end up with a broken heart. In the song, she leaves home and experiences the world and finds too many heartaches in what she thought was paradise and eventually returns back home. A kind of a "Grass Is Greener" lesson of life. Lyrics: She was her daddy's girl with her momma's smile A country boy's dream she was a loveless child She had a restless heart for the city lights She left her country days for the city nights There's just too many heartaches in paradise There's just too much to pay... too high a price You can spend all your love and never think twice There's just too many heartaches in paradise She loved those daydreams... the sunsets The endless wine... the french cigarettes And then she fell in love with a rich man's life He used her up like his merchandise There's just too many heartaches in paradise There's just too much to pay... too high a price You can spend all your love and never think twice There's just too many heartaches in paradise Like a fallen star in the night Another broken heart fades out of sight She's goin' back home There's just too many heartaches in paradise There's just too much to pay... too high a price You can spend all your love and never think twice There's just too many heartaches Too many heartaches There's just too many heartaches In paradise

Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" and "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content. Tracklist: Taxman 00:00 Eleanor Rigby 02:38 I'm Only Sleeping 04:45 Love You To 07:45 Here, There And Everywhere 10:45 Yellow Submarine 13:10 She Said She Said 15:49 Good Day Sunshine 18:25 And Your Bird Can Sing 20:34 For No One 22:35 Dr. Robert 24:34 I Want To Tell You 26:49 Got To Get You Into My Life 29:16 Tomorrow Never Knows 31:46

Argentina-based indie rock duo Pacifica, comprised of Inés Adam and Martina Nintzel, will make sure you don't forget their name with their latest anthemic single, "Premature Rejection." The feel-good, scream-at-the-top-of-your-lungs inspiring track is the perfect earworm for every hot girl who's been rejected and shows off the band's ability to create dynamic, freeing music that's equal parts honest and energetic. Lyrics: Premature rejection I’m just trouble in your head It’s just infatuation or your favorite mistake You can’t shut me up, yeah I’d like to see you try Think you’re being cute, so what? You’ll never hold me tight Premature affection doesn’t lead us anywhere Tell your girl you’re not just going out with a friend - (or get out) Want it so bad? So you come my way When it’s over Don’t forget my name Want it so bad? Come my way When it's over Don’t forget my name You don't have to worry cuz I wasn’t gonna bite Keeping it a mystery won’t get you through the night You can’t shut me up yeah I’d love to see you try Think you're cute, so what? You’ll never hold me tight Premature affection doesn’t lead us anywhere Tell your girl you’re not just going out with a friend - (or get out) Want it so bad? So you come my way When it’s over Don’t forget my name Want it so bad? Come my way When it's over Don’t forget my name You keep your secret, I got nothing to hide You’re getting close but your hands are tied You say that you don’t wanna be that guy Guess what? Neither do I Want it so bad? So you come my way When it’s over Don’t forget my name Want it so bad? Come my way When it's over Don’t forget my name Want it so, so bad? So you come my way When it’s over Don’t forget my name Want it so bad? Come my way When it's over Just forget my name

Absolutely an amazing performance. Stevie was on fire and and the music poured out all over that guitar. This performance will go down in history as, if not the best guitar performance, one of the best performances ever. Do Not Pass on on this video, people will be talking about this one forever. The film was recorded at El Mocambo club in Toronto, Ontario on July 20, 1983, during the band's Texas Flood Tour. It was also released as a DVD on December 21, 1999, with interviews from drummer Chris Layton and bassist Tommy Shannon. The performance was later released in 2014 on the album The Complete Epic Recordings Collection (Live) with two bonus tracks, Howlin Wolf's "You'll Be Mine" and Vaughan's own "Rude Mood". Lyrics: [Instrumental Intro] [Verse 1] Well, it's floodin' down in Texas All of the telephone lines are down Well, it's floodin' down in Texas All of the telephone lines are down And I been tryin' to call my baby Lord, and I can't get a single sound [Verse 2] Well, dark clouds are rollin' Man, and I'm standin' out in the rain Well, dark clouds are rollin' Man, and I'm standin' out in the rain Yeah, flood water keep a-rollin' Man, it's about to drive poor me insane [Guitar Solo] [Verse 3] Well, I'm leavin' you baby Lord, and I'm goin' back home to stay Well, I'm leavin' you baby Lord, and I'm goin' back home to stay Well, back home there're no floods or tornadoes Babe, and the sun shines on every day

Love Broke Thru is a Christian hip hop, rock, and pop song by TobyMac from his seventh studio album, This Is Not a Test, released on September 19, 2016. The song was written by TobyMac, Bryan Fowler, Bart Millard, and Christopher Stevens. It reached number one on the US Christian Airplay chart and peaked at number three on the US Hot Christian Songs chart.The song was certified gold by the RIAA on September 30, 2020, for sales of 500,000 units. The lyrics reflect TobyMac's personal journey of spiritual awakening, describing how God's love broke through his darkness and despair, transforming him from a "hopeless fool" into someone "hopelessly devoted" with his chains broken. The song's narrative draws from a pivotal moment in his life when he felt God's presence and committed himself to faith. Lyrics: [Verse 1] I was feelin' that, feelin' that breeze Singin' like a song through the tall oak trees It was just another summer night Had to be the last thing on my mind Yeah, I was all but lost in the moment I was young and runnin' wide open It was just another summer night Had to be the last thing on my mind [Chorus] When love broke through You found me in the darkness, wanderin' through the desert I was a hopeless fool Now I'm hopelessly devoted, my chains are broken And it all began with You When love broke through And it all began with You When love broke through [Verse 2] I did all that I could to undo me But You loved me enough to pursue me Yeah, You drew me out of the shadows Made me believe that I mattered to You, You Uh, You were there, You heard my prayer In that broke-down, dusty room It was the first time I said, "I'm Yours" The first time I called You "Lord" [Chorus] When love broke through You found me in the darkness, wanderin' through the desert I was a hopeless fool Now I'm hopelessly devoted, my chains are broken And it all began with You When love broke through And it all began with You When love broke through [Bridge] Yeah, it was late in the summer when the northeast breeze Sang like a song through the oak trees Pennsylvania, she kind of caught my soul Which had me a little more open than closed Walls I built, opinions I learned Covered in the ashes of bridges I burned Blind to the arrow that was headed to my heart But You hit the mark [Chorus] When love broke through (Love) You found me in the darkness, wanderin' through the desert (Desert) I was a hopeless fool Now I'm hopelessly devoted, my chains are broken (Thank you, Jesus) And it all began with You (Yeah, yeah, yeah) When love broke through You found me in the darkness, wanderin' through the desert (Desert) I was a hopeless fool Now I'm hopelessly devoted, my chains are broken (Chains are broken) And it all began with You When love broke through (It all began with You, it all began with You) And it all began with You When love broke through (It all began with You, Jesus) [Outro] I did all that I could to undo me But You loved me enough to pursue me, mm

Everybody Talks is the lead single from the second studio album, Picture Show, by American rock band Neon Trees, released on December 20, 2011, as a digital download on iTunes. The song became a sleeper hit, peaking at No. 6 on the Billboard Hot 100, marking the band's highest-charting single and their first Top 10 hit. It also reached No. 1 on the Adult Pop Songs chart and No. 7 on the Alternative Songs chart. The track was produced by Justin Meldal-Johnsen, engineered by Greg Collins, mixed by Billy Bush, and mastered by Joe LaPorta. Inspired by early 1960s pop music, lead singer Tyler Glenn cited influences such as Roy Orbison and Motown, music that his father listened to. Glenn later revealed in a 2020 Twitter post that he wrote the song while closeted, reflecting on an ex-girlfriend who spread rumors about him being gay. The song has received generally positive reviews, with PopCrush giving it 4 out of 5 stars and About.com describing it as a track that would appeal to a wide audience. The live-action music video, released on March 8, 2012, features the band at a 1950s-style drive-in theater watching a fictional movie titled "Zombie Bikers From Hell," where they are attacked by zombie bikers, while a mysterious girl in red sunglasses seduces and consumes male patrons, revealing herself as a vampire. The animated version of the video was released on January 14, 2012. Lyrics: [Intro] Ah-ah-ah-ah Ahem, ahem [Verse 1] Hey, baby, won't you look my way? I can be your new addiction Hey, baby, what you got to say? All you're giving me is fiction I'm a sorry sucker and this happens all the time [Pre-Chorus] I find out that everybody talks Everybody talks, everybody talks [Chorus] It started with a whisper And that was when I kissed her And then she made my lips hurt I can hear the chit-chat Take me to your love shack Mama's always gotta backtrack When everybody talks back [Verse 2] Hey, honey, you could be my drug You could be my new prescription Too much could be an overdose All this trash-talk make me itchin' [Pre-Chorus] Oh my, my, shit, everybody talks Everybody talks, everybody talks Everybody talks too much [Chorus] It started with a whisper And that was when I kissed her And then she made my lips hurt I can hear the chit-chat Take me to your love shack Mama's always got a backtrack When everybody talks back [Bridge] Never thought I'd live to see the day (Ah-ah) When everybody's words got in the way, oh [Instrumental Break] [Verse 3] Hey, sugar, show me all your love All you're giving me is friction Hey, sugar, what you gotta say? [Chorus] It started with a whisper And that was when I kissed her And then she made my lips hurt I can hear the chit-chat Take me to your love shack Mama's always got a backtrack When everybody talks back [Post-Chorus] Everybody talks, everybody talks Everybody talks, everybody talks Everybody talks, everybody talks back [Outro] It started with a whisper (Everybody talks, everybody talks) And that was when I kissed her (Everybody talks, everybody talks) Everybody talks, everybody talks back, uh

DJ Tons is a Venezuelan electronic and house music artist known for his work in the house subgenre, blending upbeat rhythms with soulful elements to create music that inspires dancing. He was born in Venezuela and is currently based in the United States, particularly active in Miami. DJ Tons has performed at notable venues and festivals, including the Shipwrecked Music Festival and Club XYZ, where he showcased his fluid mixing and ability to combine various electronic music subgenres. He is also recognized for his collaborations, such as with Miguelle, forming the duo Miguelle & Tons.

Desperado is a country rock and soft rock ballad by the American rock band the Eagles, written by Glenn Frey and Don Henley. It was released as the title track of their second studio album, Desperado, on April 17, 1973. Although never issued as a single, the song became one of the Eagles' most iconic tracks and was ranked number 494 on Rolling Stone's 2004 list of "The 500 Greatest Songs of All Time".The song's lyrics explore themes of loneliness, existential struggle, and the consequences of pursuing fleeting pleasures, symbolized by the Queen of Diamonds, while suggesting that love represented by the Queen of Hearts is a more enduring and reliable path. Lyrics: [Verse 1] Desperado, why don't you come to your senses? You've been out ridin' fences for so long now Oh, you're a hard one, but I know that you got your reasons These things that are pleasin' you can hurt you somehow [Chorus] Don't you draw the queen of diamonds, boy She'll beat you if she's able You know the queen of hearts is always your best bet Now it seems to me some fine things Have been laid upon your table But you only want the ones that you can't get [Verse 2] Desperado, woah, you ain't gettin' no younger Your pain and your hunger, they're drivin' you home And freedom, oh, freedom, well, that's just some people talkin' Your prison is walkin' through this world all alone [Chorus] Don't your feet get cold in the wintertime? The sky won't snow and the sun won't shine It's hard to tell the nighttime from the day You're losin' all your highs and lows Ain't it funny how the feelin' goes Away? [Verse 3] Desperado, why don't you come to your senses? Come down from your fences, open the gate It may be rainin', but there's a rainbow above you You better let somebody love you (Let somebody love you) You better let somebody love you before it's too late

For those us us wondering what the future of music could be, Take a listen. The Graystones began in the summer of 2023 with a simple idea between two friends, Grayson and Max, who shared a love for music and a dream of starting a band. For a few months, they jammed just the two of them Grayson on drums and Max on bass but quickly realized that to build a real band, they'd need more. Their search led to a series of serendipitous encounters. They discovered Hope performing with her mother's band during a summer concert in a local park her voice and presence made it clear she had to be part of this. Harin answered an online post looking for a keyboardist and turned out to be a perfect fit. Philip, their saxophonist, was found busking in the local downtown. Hope introduced family friends Kyle and Ishaan, both standout guitarists, while Izzy Grayson and Max's classmate joined with powerhouse vocals. Evan, their trombonist, came through a recommendation from their school's band director. Piece by piece, The Graystones came together through chance meetings, shared friendships, and a mutual passion for music. Hailing from the San Francisco Bay Area, The Graystones are known for dynamic live performances and soulful covers of classic hits. Blending rock, pop, and blues influences, they bring fresh energy to beloved songs while crafting a sound that's entirely their own. "Garage Bands" are still alive. https://thegraystones.com/

Have You Ever Seen the Rain is a song by American rock band Creedence Clearwater Revival, written by John Fogerty and released as a single in 1971 from the album Pendulum (1970). The song charted highest in Canada, reaching number one on the RPM 100 national singles chart in March 1971. In the U.S., in the same year it peaked at number eight on the Billboard Hot 100 singles chart. Lyrics: [Verse 1] Someone told me long ago There's a calm before the storm I know, it's been comin' for some time When it's over, so they say It'll rain a sunny day I know, shinin' down like water [Chorus] I wanna know, have you ever seen the rain? I wanna know, have you ever seen the rain? Comin' down on a sunny day [Verse 2] Yesterday, and days before Sun is cold and rain is hard I know, been that way for all my time 'Til forever, on it goes Through the circle, fast and slow I know, it can't stop, I wonder [Chorus] I wanna know, have you ever seen the rain? I wanna know, have you ever seen the rain? Comin' down on a sunny day Yeah I wanna know, have you ever seen the rain? I wanna know, have you ever seen the rain? Comin' down on a sunny day

Because the Night is a rock song written by Bruce Springsteen and Patti Smith, originally recorded by Patti Smith in 1977 and released in 1978 as a single from her album Easter. The song was released on March 2, 1978, by Arista Records and became the group's commercial breakthrough, reaching No. 13 on the Billboard Hot 100 and No. 5 in the United Kingdom. It was produced by Jimmy Iovine and recorded at the Record Plant in New York City. The track features a powerful blend of rock and new wave styles, with a memorable chorus and an extended bridge that builds to a climactic finale. Lyrics: [Verse 1] Take me now, baby, here as I am Pull me close, try and understand Desire is hunger, it's the fire I breathe Love is a banquet on which we feed [Pre-Chorus] Come on now, try and understand The way I feel when I'm in your hands Take my hand come undercover They can't hurt you now Can't hurt you now, can't hurt you now [Chorus] Because the night belongs to lovers Because the night belongs to lust Because the night belongs to lovers Because the night belongs to us [Verse 2] Have I doubt when I'm alone? Love is a ring, the telephone Love is an angel disguised as lust Here in our bed until the morning comes [Pre-Chorus] Come on now, try and understand The way I feel under your command Take my hand as the sun descends They can't touch you now Can't touch you now, can't touch you now [Chorus] Because the night belongs to lovers Because the night belongs to lust Because the night belongs to lovers Because the night belongs to us [Guitar Solo] [Bridge] With love we sleep With doubt the vicious circle turns and burns Without you, I cannot live Forgive, the yearning burning I believe it's time, too real to feel So touch me now, touch me now, touch me now [Outro] Because the night belongs to lovers Because the night belongs to lust Because the night belongs to lovers Because the night belongs to us Because tonight there are two lovers If we believe in the night we trust Because tonight belongs to lovers Because the night belongs to lust Because tonight belongs to lovers Because the night belongs to lust If we believe we belongs to lovers If we believe we belongs to lust Because tonight belongs to lovers Because

Christopher Nicholas Bertke (born July 26 1988), better known by his stage name Pogo, is an Australian electronic music artist. He is the most prominent modern example of an artist using “plunderphonics.” His work consists of recording small sounds, quotes, and melodies from film or television and sequencing the sounds to form a new piece of music. His first mashup titled “Alice” which was uploaded on July 18, 2007, became a breakout hit in a couple of days and allowed him to become well known on YouTube ever since. Nick has worked with Disney, Cartoon Network, Nickelodeon, Showtime and a handful of mass market brands (LG, M&M’s) on music collaborations. https://genius.com/artists/Pogo Lyrics:(The best understanding to date) Perhaps the moon knows the secret of the new sound He's so bright, and All on the surfaces He's so bright, and He walkin' on me face (He's so bright, and) Open your mind (All on the surfaces) Let us begin our quest (He's so bright, and) To find the new sound Pchew Zoo zoo I've got new Chicka-chicka Nicey nicey zoo zoo I've got- thrice Look at them shine-ine Everything we need Zoo zoo I've got new Chicka-chicka Nicey nicey zoo zoo Okay, let's have fun! Perimentens Nicey nicey zoo zoo I've got new Zoo zoo Nicey nicey zoo zoo, zoo I've got new Look at them shine-ine-ine Nicey nicey zoo zoo I've got new Zoos zoos Nicey nicey zoos I've got new Look at them shine He's so bright, and- bright All on the surfaces He's so bright, and He walkin' on me face Hehe He's so bright, and- bright All on the surf- all on the s- He's so bright, and He walkin' on me face Perimentens Nicey nicey zoo zoo I've got new Zoo zoo Nicey nicey zoo zoo, zoo I've got new Look at them shine-ine-ine Nicey nicey zoo zoo I've got new Zoos zoos Nicey nicey zoos I've got new Sound, pchew, uh You must choose It's cold outside Limbo, bimbo My name is Mr. Susan! (Pchew) You must choose! And now it is time for you To do the choosin' I am Mr. Table! -Pt- zoo zoo Con- I've got new.- well a- HA-kit down You must choose- before- zoo zoo Wha- I've got- thrice Look at 'em shine!- Wrong! I am Mr. Table! -Pt- zoo zoo Con- I've got new.- well a- HA-kit down You must choose- before- zoo zoo Wha- I've got- thrice Look at 'em shine Captain Cabinets, trapped in cabinets Can he get out? Will he get out? 'Course he will You like my dingledime, Vincey Vincey? Hee-ah ah ah- dingledime- Perimentens Oh!- You like my dingledime? He walkin' on me face Wrong!- Everything we need here? You like my dingledime, Vincey Vincey? Hee-ah ah ah- dingledime- Perimentens Oh!- You like my dingledime? He walkin' on me fa- I did a rhyme! Oh!- Perimentens Nicey nicey zoo zoo I've got new Zoo zoo Nicey nicey zoo- You- You better- I've got- thrice Look at them shine Nicey nicey zoo zoo I've got new Zoo zoo Nicey nicey zoo oo-oo oo-oo I've got new, I've got new Ye-ea-ah Nicey nicey zoo zoo I've got new Zoo zoo Nicey nicey zoo- You- You better- I've got- thrice Look at them shine-ine-ine Nicey nicey zoo zoo I've got new Zoos zoos Nicey nicey zoos I've got new Look at them shine! Pchew Chicka-chicka [M/V ending] Hey! I did a song! Jupiter, I did a song! You ain't got one! Eeyaho-hoo! Oh I feel sick

A Thousand Years is a ballad recorded by American singer and songwriter Christina Perri, written by Perri and her producer David Hodges, for The Twilight Saga: Breaking Dawn – Part 1. The song was released worldwide as a digital download on October 18, 2011 and serves as the second single by Atlantic Records from the film's official soundtrack. Lyrics: [Verse 1] Heart beats fast, colors and promises How to be brave? How can I love when I'm afraid to fall? But watching you stand alone All of my doubt suddenly goes away somehow [Pre-Chorus] One step closer [Chorus] I have died every day waiting for you Darling, don't be afraid I have loved you for a thousand years I'll love you for a thousand more [Verse 2] Time stands still, beauty in all she is I will be brave, I will not let anything take away What's standing in front of me Every breath, every hour has come to this [Pre-Chorus] One step closer [Chorus] I have died every day waiting for you Darling, don't be afraid I have loved you for a thousand years I'll love you for a thousand more And all along, I believed I would find you Time has brought your heart to me I have loved you for a thousand years I'll love you for a thousand more [Interlude] [Pre-Chorus] One step closer One step closer [Chorus] I have died every day waiting for you Darling, don't be afraid I have loved you for a thousand years I'll love you for a thousand more And all along, I believed I would find you Time has brought your heart to me I have loved you for a thousand years I'll love you for a thousand more

Sade Pronounced Shah-Day, is a Nigerian-born British singer and songwriter who is the lead vocalist of her band Sade. One of the most successful British female artists in history, she is often recognised as an influence on contemporary music. Her success in the music industry was recognised with the honour Officer of the Order of the British Empire in 2002, and she was made Commander in the 2017 Birthday Honours. Sade was born in Ibadan, Nigeria on 16 January 1959, as Helen Folasade Adu and was brought up in England from the age of four. She studied at Saint Martin's School of Art in London and gained modest recognition as a fashion designer and part-time model before joining the band Pride in the early 1980s. After gaining attention as a performer, she formed the band Sade, and secured a recording contract with Epic Records in 1983. A year later, the band released the album Diamond Life, which became one of the era's best-selling albums and the best-selling debut by a British female vocalist. Playlist: Paradise 00:00 Smooth Operator 03:35 The Sweetest Taboo 07:49

Kashmir is a song by the English rock band Led Zeppelin, featured on their sixth studio album Physical Graffiti, released on February 24, 1975. The song was written by Jimmy Page and Robert Plant, with significant contributions from John Bonham, who co-wrote the track due to his crucial drumming, though he did not receive a formal writing credit initially. The composition originated from a jam session at Headley Grange in 1973, when John Paul Jones was late, and Page and Bonham developed the foundational riff and rhythm together. Page used a custom guitar tuning of D–A–D–G–A–D, and the song features a complex interplay of triple and quadruple meters, with the guitar riff in triple time and the vocals in quadruple time. Lyrics: [Instrumental Intro] [Verse 1] Oh, let the sun beat down upon my face With stars to fill my dreams I am a traveler of both time and space To be where I have been Sit with elders of a gentle race This world has seldom seen Talk of days for which they sit and wait All will be revealed [Verse 2] Talk and song from tongues of lilting grace Whose sounds caress my ear But not a word I heard could I relate The story was quite clear Oh, oh Oh, oh [Breakdown] Ooh Oh, baby, I been flying No, yeah, mama, there ain't no denying Oh, ooh, yes, I've been flying Mama, mama, ain't no denying, no denying, yeah [Bridge] Oh, all I see turns to brown As the sun burns the ground And my eyes fill with sand As I scan this wasted land Trying to find, trying to find, where I've been [Verse 3] Oh, pilot of the storm who leaves no trace Like thoughts inside a dream Here is the path that led me to that place Yellow desert stream My Shangri-La beneath the summer moon I will return again Sure as the dust that floats high in June When movin' through Kashmir [Verse 4] Oh, father of the four winds, fill my sails Across the sea of years With no provision but an open face Along the straits of fear Whoa-oh, whoa-oh Whoa-ohh, oh Oh Ohh [Outro] Oh, when I'm on, when I'm on my way, yeah When I see, when I see the way you stay, yeah Ooh-ooh, yeah-yeah, ooh-ooh, yeah-yeah, when I'm down, yeah Ooh-ooh, yeah-yeah, ooh-ooh, yeah-yeah, but I'm down, so down Ooh, my baby, ooh, my baby, let me take you there Oh, oh, come on, come on Oh, let me take you there, let me take you there Ooh-ooh, yeah-yeah, ooh-ooh, yeah-yeah Let me take you there, let me take you there...

I'll Fly Away is a hymn written between 1929 and 1932 by Albert E. Brumley and published in 1932 by the Hartford Music company in a collection titled Wonderful Message. Albert took three years to write the song after getting the idea while picking cotton in 1928. Over the years multiple derivative versions have been created and will be licensed for decades to come. There have been numerous recordings of "I'll Fly Away" since its inclusion in the 2000 film O Brother Where Art Thou?. Although the Kossoy Sisters recording was used in the film itself, a contemporary recording by Alison Krauss and Gillian Welch was chosen for the O Brother, Where Art Thou? soundtrack. The spare recording, produced by T-Bone Burnett, features Welch on lead vocals with Krauss singing harmony. Their voices are accompanied by Mike Compton on mandolin and Chris Sharp on guitar. The soundtrack sold over eight million copies, reached the top position on at least four of Billboard's album charts, and was named Album of the Year and Best Soundtrack album at the 44th Grammy Awards in February 2002. Lyrics: [Verse 1] Some bright mornin' when this life is over I'll fly away To that home on God's celestial shore I'll fly away [Chorus] I'll fly away, oh glory I'll fly away in the mornin' When I die, hallelujah by and by I'll fly away [Verse 2] When the shadows of this life have gone I'll fly away Like a bird from these prison walls I'll fly I'll fly away [Chorus] I'll (fly away) fly away, oh glory I'll fly away, in the morning When I die hallelujah by and by I'll fly away [Instrumental Break] [Verse 3] Oh, how glad and happy when we meet I'll fly away No more cold iron shackles on my feet I'll fly away [Chorus] I'll fly away, oh glory I'll fly away in the mornin' When I die, hallelujah by and by I'll fly away [Instrumental Break] [Chorus] I'll fly away, oh glory I'll fly away in the mornin' When I die, hallelujah by and by I'll fly away [Verse 4] Just a few more weary days and then I'll fly away To a land where joys will never end I'll fly away [Chorus] I'll (fly away) fly away, oh glory I'll fly away in the morning When I die, hallelujah by and by I'll fly away [Outro] I'll fly away

Green Grass and High Tides is a song by American Southern rock band Outlaws, serving as the tenth and final track on their debut album, Outlaws, released in 1975. The song is one of their most well-known tracks and received extensive play on album-oriented radio stations, despite never being released as a single. It features two extended guitar solos, extending the song to nearly 10 minutes in length. Lyrics: [Verse 1: The Outlaws] In a place you always dream of, where your soul is always free Silver stages, golden curtains, filled my head plain as could be As a rainbow grew around the sun, all my stars above, who died Came somewhere beyond the scene you see These lovely people played for me [Verse 2: The Outlaws] Now, if I let you see this place where stories all ring true Will you let me past your face to see what's really you? It's not for me I ask this question as though I were a king! For you have to love, believe and feel Before the burst of tambourines take you there [Chorus: The Outlaws] Green grass and high tides forever Castles of stone, soul, and glory Lost faces say we adore you As kings and queens bow and play for you [Guitar Solo] [Verse 3: The Outlaws] Those who don't believe me, find your souls and set them free Those who do, believe and know that time will be your key Time and time again I've thanked them for a peace of mind That helped me find myself amongst the music and the rhyme That enchants you there [Chorus: The Outlaws] Green grass and high tides forever Castles of stone, soul, and glory Lost faces say we adore you As kings and queens bow and play for you [Outro] Yeah! Eh! Eh! Yeah! Play for you [Guitar Solo]

The Adventures of Panama Red is the fourth country rock album by the New Riders of the Purple Sage, released in 1973. It is widely regarded as one of the group's best efforts and reached number 55 on the Billboard charts. The album features 11 tracks, including the radio hit "Panama Red," written by Peter Rowan, and "Lonesome L.A. Cowboy," also by Rowan. Another notable track, "Kick in the Head," was written by Robert Hunter. The album includes contributions from Donna Jean Godchaux and Buffy Sainte-Marie on background vocals. The personnel include John Dawson on guitar and vocals, David Nelson on guitar and vocals, Dave Torbert on bass and vocals, Buddy Cage on pedal steel guitar, and Spencer Dryden on drums and percussion. Additional musicians include Norbert Putnam on bass for "Thank the Day" and The Memphis Horns, arranged by Norbert Putnam and the Memphis Horns. The album was produced by Norbert Putnam and recorded at the Record Plant in Sausalito, with mixing done at Quadrafonic Studios in Nashville. The track "Panama Red" has lyrics describing a mysterious figure who "steals your woman, then he'll rob your head" and rides "on his white horse, mescalito" through town. Lyrics: [Chorus] Panama Red, Panama Red He'll steal your woman, then he'll rob your head Panama Red, Panama Red On his white horse, mescalito He come breezin' through town I'll bet your woman's up in bed with old Panama Red [Verse 1] The judges don't know when Red's in town He keeps well hidden underground Everybody's acting lazy Falling out and hangin' 'round My woman said, "Hey Pedro You're actin' crazy like a clown" Nobody feels like working Panama Red is back in town [Chorus] Panama Red, Panama Red He'll steal your woman, then he'll rob your head Panama Red, Panama Red On his white horse, mescalito He come breezin' through town I'll bet your woman's up in bed with old Panama Red [Verse 2] Panama Red Everybody's looking out for him 'Cause they know Red satisfies Little girls love to listen to him Sing and tell sweet lies (Oh, Panama) But when things get too confusing, honey You're better off in bed And I'll be searching all the joints in town for Panama Red [Chorus] Panama Red, Panama Red He'll steal your woman, then he'll rob your head Panama Red, Panama Red On his white horse, mescalito He come breezin' through town I'll bet your woman's up in bed with old Panama Red Panama Red, Panama Red He'll steal your woman, then he'll rob your head Panama Red, Panama Red On his white horse, mescalito He come breezin' through town I'll bet your woman's up in bed with old Panama Red [Outro] Panama Red, Panama Red Panama Red, Panama Red

Mike + The Mechanics' album Living Years was released on October 28, 1988, and reached number 13 on the US Billboard 200 and number 2 on the UK Albums Chart. The album was recorded between April 18 and August 18, 1988, and features the hit single "The Living Years," which was released in December 1988 as the second single from the album. The song, written by Mike Rutherford and BA Robertson, became a worldwide chart success, topping the US Billboard Hot 100 on March 25, 1989, and reaching number one in Australia, Canada, and Ireland, while peaking at number two in the UK. It also spent four weeks at number one on the US Billboard Adult Contemporary chart. The Living Years addresses a son's regret over unresolved conflict with his now-deceased father, inspired by the shared experience of Rutherford and Robertson, both of whom had lost their fathers around the same time. The song won the Ivor Novello Award for Best Song Musically and Lyrically in 1989 and was nominated for four Grammy Awards in 1990, including Record and Song of the Year. Paul Carrack provided the lead vocals on the track, a performance that remains a staple of his live shows due to the personal significance of the lyrics, as his father had died in an industrial accident when he was eleven. Lyrics: [Verse 1] Every generation Blames the one before And all of their frustrations Come beating on your door I know that I'm a prisoner to all my father held so dear I know that I'm a hostage, to all his hopes and fears I just wish I could have told him in the living years Crumpled bits of paper Filled with imperfect thought Stilted conversations I'm afraid that's all we've got You say you just don't see it He says it's perfect sense You just can't get agreement In this present tense We all talk a different language Talking in defence [Chorus] Say it loud (say it loud) Say it clear (say it clear) You can listen as well as you hear It's too late (It's too late) When we die (oh, when we die) To admit we don't see eye to eye [Verse 2] So we open up a quarrel Between the present and the past We only sacrifice the future It's the bitterness that lasts So don't yield to the fortunes You sometimes see as fate It may have a new perspective On a different day And if you don't give up, and don't give in You may just be okay [Chorus] Say it loud (say it loud) Say it clear (say it clear) You can listen as well as you hear It's too late (It's too late) When we die (oh, when we die) To admit we don't see eye to eye [Verse 3] I wasn't there that morning When my father passed away I didn't get to tell him All the things I had to say I think I caught his spirit Later that same year I'm sure I heard his echo In my baby's new born tears I just wish I could have told him In the living years [Chorus] Say it loud (say it loud) Say it clear (say it clear) You can listen as well as you hear It's too late (It's too late) When we die (oh, when we die) To admit we don't see eye to eye

Busy Being Fabulous is the second single by the American rock band Eagles from their 2007 album Long Road out of Eden. Released in January 2008, it is their third Top 40 hit on the Billboard Hot Country Songs charts. The song features Don Henley on lead vocals, and lyrically describes a strained love life between a frustrated male and a female who spends far too much time trying to climb the social ladder, hence the lyric "You were just too busy being fabulous/Too busy to think about us". Lyrics: [Verse 1] I came home to an empty house And I found your little note "Don't wait up for me tonight" And that was all she wrote Do you think I don't know that you're out on the town With all of your high-rolling friends? What do you do when you come up empty? Where do you go when the party ends? [Chorus] And you were just too busy being fabulous Too busy to think about us I don't know what you were dreaming of Somehow you forgot about love And you were just too busy being fabulous, uh-huh [Verse 2] A little time in the country A day or two to slow down A bottle of wine and a walk in the moonlight Maybe some fooling around But you think time is just a magazine And money's just a thrill I've waited so long for you to change your way of living Now I realize that you never will [Chorus] [Verse 3] You tell a joke and everybody's laughing That's something you know how to do You've always been the life of the party But now my baby, the joke is on you Because you were just too busy being fabulous Too busy to think about us Running after something that never comes What in the world are you running from? And you were just too busy being fabulous Too busy to think about us To drink the wine from your winner's cup To notice the children were growing up [Outro] And you were just too busy being fabulous Too busy, too busy Too busy Aw, baby

I Want to Take You Higher" is a song by the soul/rock/funk band Sly and the Family Stone, the B-side to their top 30 hit "Stand!". Unlike most of the other tracks on the Stand! album, "I Want to Take You Higher" is not a message song; instead, it is simply dedicated to music and the feeling one gets from music. Like nearly all of Sly & the Family Stone's songs, Sylvester "Sly Stone" Stewart was credited as the sole songwriter. Lyrics: [Intro] Hey, hey, hey [Verse 1] Beat is gettin' stronger Music gettin' longer, too Music is a-flashin' me I want to, I want to, I want to take you higher I wanna take you higher Baby, baby, baby, light my fire I wanna take you higher [Refrain] Boom laka-laka-laka Boom laka-lak-goon-ka boom Hey, hey, hey, hey [Verse 2] Beat is nitty-gritty Sound is in your city, too Music's still flashin' me Don't ya, don't ya, don't, don't, don't ya wanna get higher? Don't ya wanna get higher? Baby, baby, baby, light my fire (Woo) I wanna take you higher [Refrain] Boom laka-laka-laka Boom laka-lak-goon-ka boom Hey, hey, hey, hey Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka [Bridge] Higher Higher Higher Higher Higher (Won't ya light my fire?) Higher (Woo, yeah) Higher (Wanna take you higher) Higher [Refrain] Hey, hey, hey [Verse 3] Beat is there to make you move Sound is there to help you groove Music's still flashin' me Take your places I wanna take you higher (Higher, higher) Wanna take you higher (Higher, higher) Baby, baby, baby, light my fire (Woo, higher, higher) I wanna take you high, high, high, high, high, high, high, high (Higher, higher) [Refrain] Boom laka-laka-laka Boom laka-lak-goon-ka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka [Bridge] Higher (Let me take you) Higher (Do you wanna go) Higher (With me, me) Higher (And you, you) Higher (Won't ya light my fire?) Higher (Woo, yeah) Higher (Wanna take you higher) Higher [Refrain] Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Hey, hey, hey, hey Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka [Bridge] Higher (Do you feel it?) Higher (Yeah) Higher Higher Higher (Don't you wanna go higher?) Higher (Woo) Higher (I wanna take you higher) Higher (Yeah, yeah) [Refrain] Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Hey, hey, hey, hey Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka [Bridge] Higher (Always was a tripper) Higher (Never was a slipper) Higher (Hey, uh) Higher (I wanna take you higher) Higher (Yeah, yeah) Higher (I wanna take you higher) Higher Higher [Refrain] Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Hey, hey, hey, hey Hey, hey, hey, hey Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka Boom laka-laka-laka [Outro] Everybody higher, higher, higher, higher, higher, higher, higher, higher Higher

Eye in the Sky is a song by British rock band the Alan Parsons Project, released as a single from their sixth studio album, Eye in the Sky (1982), in May 1982. It entered the US Billboard charts on 3 July and hit No. 3 in October 1982, No. 1 in both Canada and Spain, and No. 6 in New Zealand, becoming their most successful release. The instrumental piece "Sirius" segues into "Eye in the Sky" on the album. Lyrics: [Verse 1] Don't think sorry's easily said Don't try turning tables instead You've taken lots of chances before But I ain't gonna give anymore Don't ask me That's how it goes 'Cause part of me knows what you're thinking [Verse 2] Don't say words you're gonna regret Don't let the fire rush to your head I've heard the accusation before And I ain't gonna take any more Believe me The sun in your eyes Made some of the lies worth believing [Chorus] I am the eye in the sky Looking at you I can read your mind I am the maker of rules Dealing with fools I can cheat you blind And I don't need to see any more to know that I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind [Verse 3] Don't leave false illusion behind Don't cry, I ain't changin' my mind So find another fool like before 'Cause I ain't gonna live anymore believin' Some of the lies while all of the signs are deceiving [Chorus] I am the eye in the sky Looking at you I can read your mind I am the maker of rules Dealing with fools I can cheat you blind And I don't need to see anymore to know that I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind [Chorus] I am the eye in the sky Looking at you I can read your mind I am the maker of rules Dealing with fools I can cheat you blind And I don't need to see anymore to know that I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind [Guitar Solo]

I've Been Thinking About You" is a song by British band Londonbeat, released in August 1990 by Anxious and RCA Records as the lead single from their second studio album, In the Blood (1990). The song was produced by Martyn Phillips, and written by band members Jimmy Chambers, George Chandler, Jimmy Helms, and William Henshall. It became a major worldwide hit, reaching the number-one spot in more than 10 countries—including Australia, Canada, Germany and the United States—and peaking at number two on the UK Singles Chart. The song became the no. 1 radio airplay record in the US and was the BMI Awards Winner for 1992 Song of the Year. Lyrics: [Verse 1] We must have been stone crazy When we thought we were just friends 'Cause I miss you, baby And I've got those feelings again I guess I'm all confused about you I feel so in love Oh, baby, what can I do? [Chorus] I've been thinking about you I've been thinking about you I've been thinking about you I've been thinking about you, shi-pow-pow [Verse 2] Suddenly we're strangers I watch you walking away She was my one temptation Oh, I did not want her to stay Deep down, I'm still confused about you (Oh yes I am baby) I feel so in love Oh, baby, what can I do? [Chorus] I've been thinking about you I've been thinking about you I've been thinking about you I've been thinking about you, shi-pow-pow [Bridge] What good is being here without you? (I wanna know) I feel so in love Oh, baby, what can I do? [Chorus] I've been thinking about you I've been thinking about you I've been thinking about you I've been thinking about you, shi-pow-pow [Chorus till fade] (Oh baby, can't get you off my mind) (Think about you all the time)

I'm Almost Ready from the 1980 album "Firin' Up" Lead Guitar, Lead Vocals, Fiddle, Banjo – Vince Gill Backing Vocals [Back-Up Vocals] – Janis Gill, Kristine Arnold Bass, Vocals – Michael Reilly Drums – Billy Hinds Keyboards – Michael Connor https://pureprairieleague.com/ They are Touring Again: https://pureprairieleague.com/tour-dates/ Lyrics: I'm Almost Ready To let you know just how bad I feel I'm Almost Ready To let you loose and find another heart to steal My friends tell me that they see you Runnin' around all over town Please don't make me out to be your fool Please don't make me out a clown... 'cause I'm Almost Ready To let you know just how bad I feel I'm Almost Ready To let you loose and find another heart to steal I don't know who you think you're foolin' I hope you don't think that it's me It's plain to see that you don't love me anymore I'll say goodbye and you'll be free... 'cause I'm Almost Ready To let you know just how bad I feel I'm Almost Ready To let you loose and find another heart to steal I'm Almost Ready To let you know just how bad I feel I'm Almost Ready To let you loose and find another heart to steal To let you loose and find another heart to steal To let you loose and find another heart to steal

Mike and the Mechanics (stylised as Mike + The Mechanics) are an English rock supergroup formed in Dover in 1985 by Genesis guitarist Mike Rutherford, initially as a side project during a hiatus period for his other group. They are known for the hit singles "Silent Running", "All I Need Is a Miracle", "Taken In", "The Living Years", "Word of Mouth", and "Over My Shoulder". Initially, the band included Rutherford (the only constant member), vocalists Paul Carrack and Paul Young, keyboardist Adrian Lee, and drummer Peter Van Hooke. After a decade together, Lee and Van Hooke dropped out in 1995 and were not replaced. Following Young's death in 2000, Carrack became the band's sole lead vocalist until 2004 when the band (essentially a duo at this point) dissolved, with Rutherford and Carrack both agreeing the band had "run its course". In 2010, the band was revived with Rutherford headlining a completely new set of musicians, including vocalists Andrew Roachford and Tim Howar. https://mikeandthemechanics.com/ Playlist: All I Need Is A Miracle 00:00 Par Avion 04:12 Silent Running 07:49

If You Wanna Get to Heaven is a song by the Ozark Mountain Daredevils from their 1973 eponymous debut album. It was the band's debut single and the first of their two top 40 hits, peaking at No. 25 on the Billboard Hot 100 and No. 23 on the Canadian RPM singles chart. The song sold about 500,000 copies.

When Jimmy Hall of Southern rock band Wet Willie suggested that Toy Factory record a demo, the Spartanburg, South Carolina band included Take The Highway, a long-time favorite from the group’s live set. Execs at Capricorn Records responded positively and the boys were thrilled. Wet Willie next invited Toy Factory down to Macon to play for the company men. While getting ready for their big gig, one of the band members spotted a key ring on the floor of the building in which they were rehearsing. Attached was a tag that read “Marshall Tucker,” the name of a blind piano tuner who also rented the space, and now the new name of Toy Factory, as well. In Georgia, the MTB pulled out all the stops and secured the deal. Opening up their debut album was Take The Highway, originally written as a ballad by guitarist Toy Caldwell, and re-fashioned into a showcase for the Tuckers’ free-spirited blend of rock, jazz, and country." - Ed Osborne Lyrics: [Verse 1] Take the highway Lord knows I've been gone too long Lot of sad days One day you'll turn around and I'll be gone And the time has finally come For me to pack my bags and walk away Hear me say [Verse 2] I'll be back someday But darlin' please don't wait for me too long There's just one place I can't stay Memories of your love still lingers on And the time has finally come For me to pack my bags and walk away Hear me say [Flute and Guitar Solos] [Verse 2] I'll be back someday But darlin' please don't wait for me too long There's just one place I can't stay Memories of your love still lingers on And the time has finally come For me to pack my bags and walk away Hear me say [Outro] Take the highway Take the highway Take the highway And the time has finally come For me to pack my bags and walk away Here me say

Video imagining the creation of the planet. Created in 4K UHD 60 fps with 4K clips. Set to Pachelbel's Canon in D.

Hallelujah by Lucy Thomas was written by Leonard Cohen and was first released by Leonard Cohen in 1984. Lucy Thomas released it on the single Hallelujah in 2021. It was covered by Danny Peck, Nick Schilder, Rock4, The Vamps [GB] and other artists. Lyrics: heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do ya? Well it goes like this The fourth, the fifth The minor fall and the major lift The baffled King composing "Hallelujah" Hallelujah, Hallelujah Hallelujah, Hallelujah Your faith was strong but you needed proof You saw her bathing on the roof Her beauty and the moonlight overthrew ya She tied you to her kitchen chair She broke your throne and she cut your hair And from your lips she drew the Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah Maybe there's a God above But all I've ever learned from love Was how to shoot somebody who out drew ya And it's not a cry that you hear at night It's not someone who's seen the light It's a cold and it's a broken Hallelujah , Hallelujah Hallelujah, Hallelujah (Hallelujah, Hallelujah) (Hallelujah), Hallelujah Hallelujah, Hallelujah

God's Not Dead is the fifteenth studio album by the Christian rock band Newsboys, released on 15 November 2011. It is the second full-length album featuring lead singer Michael Tait, who joined the band in 2010 after Peter Furler's departure.The album marked a shift in the band's sound, adopting a sleek, synth-driven style with big choruses and celebratory lyrics, described as a true rebirth for the group. The album includes twelve tracks, with the title track "God's Not Dead (Like a Lion)" serving as the lead single, originally written by Daniel Bashta. This single was certified Gold by the RIAA and became a major hit, contributing to the album's success.The album reached No. 1 on the US Billboard Christian Albums chart and also peaked at No. 45 on the Billboard 200. As of 10 July 2014, it had sold 428,000 copies. Lyrics: [Intro] God's not dead (God's not dead) God's not dead (God's not dead) God's not dead (God's not dead), God's not dead [Verse 1: Michael Tait] Let love explode and bring the dead to life A love so bold to see a revolution somehow [Verse 2: Michael Tait] Let love explode and bring the dead to life A love so bold to bring a revolution somehow [Pre-Chorus: Michael Tait] Now I'm lost in Your freedom And this world I'll overcome [Chorus: Michael Tait, Michael Tait & Kevin Max] My God's not dead, He's surely alive He's livin' on the inside, roarin' like a lion God's not dead, He's surely alive He's livin' on the inside, roarin' like a lion [Post-Chorus: Michael Tait] He's roarin', He's roarin' He's roarin' like a lion [Verse 3: Michael Tait] Let hope arise and make the darkness hide My faith is dead, I need a resurrection somehow [Pre-Chorus: Michael Tait] (Oh) Now I'm lost in Your freedom (Oh) And this world I'll overcome [Chorus: Michael Tait & Kevin Max] My God's not dead, He's surely alive He's livin' on the inside, roarin' like a lion God's not dead, He's surely alive He's livin' on the inside, roarin' like a lion [Post-Chorus: Michael Tait] He's roarin', He's roarin' He's roarin' like a lion He's roarin', He's roarin' [Bridge: Michael Tait, Kevin Max, Michael Tait & Kevin Max] Let Heaven roar and fire fall Come shake the ground with the sound of revival Let Heaven roar and fire fall Come shake the ground with the sound of revival Let Heaven roar (Let Heaven roar) and fire fall Come shake the ground with the sound of revival [Chorus: Michael Tait & Kevin Max] My God's not dead, He's surely alive He's livin' on the inside, roarin' like a lion God's not dead, He's surely alive He's livin' on the inside, roarin' like a lion God's not dead, He's surely alive He's livin' on the inside, roarin' like a lion God's not dead, He's surely alive He's livin' on the inside, roarin' like a lion [Outro: Michael Tait, Kevin Max] (He's surely alive) He's roarin', He's roarin' (He's surely alive) He's roarin' like a lion (He's surely alive) He's roarin', He's roarin' (He's roarin' like a lion) He's roarin' like a lion, roarin' like a lion

Colored Peopl is a song written and recorded by Christian rock band DC Talk. The song was one of several radio singles released from their 1995 studio album, Jesus Freak. Colored People" is a pop rock song primarily based on acoustic guitars, a background electric guitar, and occasional strings. The verses are sung by Kevin Max, while the chorus vocals are shared by all three members with Michael Tait leading. Lyrically, the song is about appreciation of racial variety, promoting unity and a "kaleidoscopic take on race relations". Lyrics: [Verse 1: Kevin Max] Pardon me, your epidermis is showing, sir I couldn't help but note your shade of melanin I tip my hat to the colorful arrangement 'Cause I see the beauty in the tones of our skin [Pre-Chorus] We've gotta come together And thank the Maker of us all [Chorus] We're colored people, and we live in a tainted place We're colored people, and they call us the human race We've got a history so full of mistakes And we are colored people who depend on a holy grace 1, 2, 3, 4 [Verse 2: Kevin Max] A piece of canvas is only the beginning for It takes on character with every loving stroke This thing of beauty is the passion of an artist's heart By God's design, we are a skin kaleidoscope [Pre-Chorus] We've gotta come together Aren't we all human after all? [Chorus] We're colored people, and we live in a tainted place We're colored people, and they call us the human race We've got a history so full of mistakes And we are colored people who depend on a holy grace [Bridge] Ignorance has wronged some races And vengeance is the Lord's If we aspire to share this space Repentance is the cure 1, 2, 3, 4 [Pre-Chorus] Well, just a day in the shoes of a color blind man Should make it easy for you to see That these diverse tones do more than cover our bones As a part of our anatomy [Chorus] We're colored people, and we live in a tainted place We're colored people, and they call us the human race We've got a history so full of mistakes And we are colored people who depend on a holy grace We're colored people, and they call us the human race (Oh, colored people) We're colored people, and we all gotta share this space (Yeah we've got to come together somehow) We're colored people, and we live in a tainted world (Red and yellow, black and white) We're colored people, every man, woman, boy, and girl (Colored people, colored people, colored people, colored people, yeah)

Breathe Into Me Red’s debut single, is about reaching rock bottom and feeling lost after trying control things on your own, then realizing you need God to help. The song peaked at #15 on the Billboard Mainstream Rock Songs in the spring of 2007, and is their first of more than 20 singles to reach #1 on the Christian Rock Chart. Lyrics: [Verse 1] And this is how it feels when I Ignore the words you spoke to me And this is where I lose myself When I keep running away from you And this is who I am when When I don't know myself anymore And this is what I choose when It's all left up to me [Chorus] Breathe your life into me I can feel you I'm falling Falling faster Breathe your life into me I still need you I'm falling, falling (Falling, falling) Breathe into me Breathe into me [Verse 2] And this is how it looks when I am standing on the edge And this is how I break apart When I finally hit the ground And this is how it hurts when I Pretend I don't feel any pain And this is how I disappear When I throw myself away [Chorus] Breathe your life into me I can feel you I'm falling Falling faster Breathe your life into me I still need you I'm falling, falling (Falling, falling) Breathe into me Breathe into me Breathe into me Breathe into me [Chorus] Breathe your life into me I can feel you I'm falling Falling faster Breathe your life into me I still need you I'm falling, falling (Falling, falling) Breathe into me [Chorus] Breathe your life into me I'm falling Falling faster Breathe your life into me Falling, falling, falling [Outro] Breathe into me Breathe into me Breathe into me Breathe into me Breathe!

The Outlaws (Southern Rock Band) released “Waterhole” in 1975. Instrumental

Midnight Rider is a song by the American rock band the Allman Brothers Band. It was the second single from their second studio album, Idlewild South (1970), released on Capricorn Records. The song was primarily written by vocalist Gregg Allman, who first began composing it at a rented cabin outside Macon, Georgia. He enlisted the help of roadie Robert Kim Payne to complete the song's lyrics. He and Payne broke into Capricorn Sound Studios to complete a demo of the song. Lyrics: Well, I've got to run to keep from hidin', And I'm bound to keep on ridin'. And I've got one more silver dollar, But I'm not gonna let 'em catch me, no, Not gonna let 'em catch the Midnight Rider. And I don't own the clothes I'm wearing, And the road goes on forever, And I've got one more silver dollar, But I'm not gonna let 'em catch me, no Not gonna let 'em catch the Midnight Rider. And I've gone by the point of caring, Some old bed I'll soon be sharing, And I've got one more silver dollar, But I'm not gonna let 'em catch me, no Not gonna let 'em catch the Midnight Rider. No, I'm not gonna let 'em catch me, no Not gonna let 'em catch the Midnight Rider. No, I'm not gonna let 'em catch me, no Not gonna let 'em catch the Midnight Rider.

The Song Knoxville Girl was release on the Album Outlaws that was the debut studio album by American southern rock band Outlaws, released in 1975. It was track 4 on side two. The album is known for the rock classic "Green Grass & High Tides", which is considered by many to be one of the greatest guitar songs, plus the hit single "There Goes Another Love Song". Drawing influences from southern rock bands the Allman Brothers Band & Lynyrd Skynyrd, as well as folk rock and country rock bands such as the Byrds, Poco, Eagles, and New Riders of the Purple Sage, the band developed a unique, hard-driving country rock sound, due in part to the fast picking, quasi-country style guitar playing of Hughie Thomasson, coupled with their use of three and four part harmonies and incorporation of elements of bluegrass music. The band was also notable for featuring three different front men: Thomasson, Henry Paul, and Billy Jones, all of whom wrote and provided lead vocals. Paul's vocals and his self-penned tracks "Song in the Breeze", "Stay with Me" and "Knoxville Girl" brought a strong country flavor to the album, while Jones teamed with Thomasson to provide a hard driving Southern Rock guitar sound focused on dueling guitar lines. Lyrics: The fog rolls in the morning And I can hardly find my way Along to where the heart is Words can't begin to say Enough about the gentle way You always take me in That long and narrow one-way road's Got to take me home again Go down, go down Knoxville girl With that dark and rovin' eye Go down, go down Knoxville girl 'Cause I know You'll never be my bride I met a little girl in Knoxville County I'd known her well Feelin' good like I should And to her love I felt Time was long she lay there by my side Held me close within her arms And kept me statisfied Go down, go down Knoxville girl With that dark and rovin' eye Go down, go down Knoxville girl 'Cause I know You'll never be my bride Go down, go down Knoxville girl With that dark and rovin' eye Go down, go down Knoxville girl 'Cause I know You'll never be my bride So on it goes and no one knows Why heartache never ends Above all that you will get Exactly what it lends Time has come to steal my love from me In this pain I will remain And sing this misery Go down, go down Knoxville girl With that dark and rovin' eye Go down, go down Knoxville girl 'Cause I know You'll never be my bride

Family Affair is a 1971 number-one hit single recorded by American funk band Sly and the Family Stone for the Epic Records label. Their first new material since the double A-sided single "Thank You (Falettinme Be Mice Elf Agin)"/ "Everybody Is a Star" nearly two years prior, "Family Affair" became the third and final number-one pop single for the band. In 2021, Rolling Stone magazine ranked the song 57th on their list of the 500 Greatest Songs of All Time. The cover version by John Legend, Joss Stone, and Van Hunt, won the Grammy Award for Best R&B Performance by a Duo or Group with Vocals at 49th Annual Grammy Awards. Lyrics: [Chorus] It's a family affair It's a family affair It's a family affair It's a family affair [Verse 1] One child grows up to be Somebody that just loves to learn And another child grows up to be Somebody you'd just love to burn [Verse 2] Mom loves the both of them You see, it's in the blood Both kids are good to mom Blood's thicker than the mud [Chorus] It's a family affair It's a family affair It's a family affair It's a family affair Over there, world gone bad [Verse 3] Newlywed a year ago But you're still checking each other out, hey Nobody wants to blow Nobody wants to be left out, uh-huh [Verse 4] You can't leave 'cause your heart is there But, sure, you can't stay 'cause you been somewhere else You can't cry 'cause you'll look broke down But you're cryin' anyway 'cause you're all broke down [Chorus] It's a family affair It's a family affair It's a family affair It's a family affair Oh, hey, a family affair It's a family affair It's a family affair It's a family affair It's a family affair It's a family affair (It's a family affair) It's a family affair Well It's a family affair It's a family affair

The song Turn! Turn! Turn! or otherwise known as, "To Everything There Is a Season",became an international hit in late 1965 when it was adapted by the American folk rock group the Byrds. The single entered the U.S. chart at number 80 on October 23, 1965, before reaching number one on the Billboard Hot 100 chart on December 4, 1965. In Canada, it reached number 3 on November 29, 1965, and also peaked at number 26 on the UK Singles Chart. The song, is a song written by Pete Seeger in 1959. The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a Season" on the folk group the Limeliters' album Folk Matinee, and then some months later on Seeger's own The Bitter and the Sweet. Lyrics: [Chorus] To everything (Turn, turn, turn) There is a season (Turn, turn, turn) And a time to every purpose under heaven [Verse 1] A time to be born, a time to die A time to plant, a time to reap A time to kill, a time to heal A time to laugh, a time to weep [Chorus] To everything (Turn, turn, turn) There is a season (Turn, turn, turn) And a time to every purpose under heaven [Verse 2] A time to build up, a time to break down A time to dance, a time to mourn A time to cast away stones A time to gather stones together [Chorus] To everything (Turn, turn, turn) There is a season (Turn, turn, turn) And a time to every purpose under heaven [Verse 3] A time of love, a time of hate A time of war, a time of peace A time you may embrace A time to refrain from embracing [Instrumental Break] [Chorus] To everything (Turn, turn, turn) There is a season (Turn, turn, turn) And a time to every purpose under heaven [Verse 4] A time to gain, a time to lose A time to rend, a time to sew A time for love, a time for hate A time for peace, I swear it's not too late

Witchy Woman" is a song written by Don Henley and Bernie Leadon, and recorded by the American rock band Eagles. Released as the second single from the band's debut studio album, Eagles (1972), it reached No. 9 on the Billboard pop singles chart. The inspiration for the title and lyrics about a seductive enchantress came from a number of women, although Henley had one particular woman in mind – Zelda Fitzgerald, whose biography he was reading while writing the song. Lyrics: [Verse 1: Don Henley] Raven hair and ruby lips Sparks fly from her fingertips Echoed voices in the night She's a restless spirit on an endless flight [Chorus] Woo hoo, witchy woman See how high she flies Woo hoo, witchy woman She got the moon in her eye [Verse 2: Don Henley] She held me spellbound in the night (Woo-ooh) Dancing shadows and firelight Crazy laughter in another room (Woo-ooh) And she drove herself to madness with a silver spoon [Chorus] Woo hoo, witchy woman See how high she flies Woo hoo, witchy woman She got the moon in her eye [Instrumental Bridge] [Interlude] Ah, oh ah ah (Waahaa) Ah, oh ah ah (Waahaa) Ah, oh ah ah Ah, oh ah ah (Waahaa) Ah, oh ah ah (Waahaa) Ah, oh ah ah [Verse 3: Don Henley] Well, I know you want a lover, let me tell you brother She's been sleeping in the devil's bed And there's some rumors going round, someone's underground She can rock you in the night time 'til your skin turns red [Chorus] Woo hoo, witchy woman See how high she flies Woo hoo, witchy woman She got the moon in her eye

mammoth's third studio album, The End, was officially announced on July 9, 2025, following the release of the single "The Spell". The album is scheduled for release on October 24, 2025, through BMG. It will be the first album released under the band name "mammoth" rather than "mammoth WVH," as Wolfgang Van Halen recently obtained the rights to use the shorter name. The album, which features 10 tracks and has a total duration of 39 minutes, was recorded at 5150 Studios and produced by Michael "Elvis" Baskette. Wolfgang Van Halen performs all instruments and vocals on the album, continuing his one-man band approach. The lead single, "The End," was released in May 2025 and features a music video directed by Robert Rodriguez and Greg Nicotero. It debuted at number 1 on the Mainstream Rock Airplay chart. A second single, "The Spell," was released on July 9, 2025, with a video directed by Gordy De St. Jeor. The album will be available in various formats, including standard and limited edition vinyl colors, with some versions featuring signed inserts and retailer exclusives. Lyrics: [Intro] Alright, take one [Guitar Solo] [Verse 1] Wake up Open up your tired eyes It's way down Burning up inside Fade out All of the surrounding noise and Stand tall Now is not the time for burning out [Chorus] Break me out of this Here we are ignoring it Take your hand in mine and Watch the end with me [Verse 2] No love Bleeding out and bleeding over No trust Who are you to me? Too loud Blind to all the ins and outs You're too proud How? I'll never How? I'll never know [Chorus] Break me out of this Here we are ignoring it Take your hand in mine and Watch the end with me Watch it end with me [Guitar Solo] [Outro] Break me out of this Here we are ignoring it Take your hand in mine and Watch the end and Break me out of this Here we are ignoring it Take your hand in mine and Watch the end with me

A very powerful story about the overwhelming desire for Freedom from Communism. Released April 30, 2016 Words & Music by Markus Koehorst Iban Nikolai - didgeridoo Markus K (Koehorst) - all other instruments Produced, recorded and mixed by Markus Koehorst https://markus-k.bandcamp.com/ Lyrics: Every story has two sides You can tell me which you see But when the difference is done That’s where you might find me Men may come and men may go I go on for ever We don’t need to wait that long If we want to be together You see this and they see that I can see it all I am the fading of the lines The crumbling of the Berlin Wall

Pure Prairie League's album Back on Track was released on December 6, 2024, marking the band's first studio album in nearly two decades. The album, released on Pure Prairie League Records, features a blend of country rock, Southern rock, and contemporary influences, paying homage to the band's classic sound while incorporating fresh elements. It includes twelve tracks, with five songs written by guitarist Jeffrey Zona, three by bassist Jared Camic, and four by former longtime member Gary Burr, plus covers of "Six Feet of Snow" by Little Feat and "Love Song" by Leslie Duncan. The current lineup features founding member John David Call on pedal steel guitar, Scott Thompson on drums and vocals, Randy Harper on keyboards and vocals, Jeffrey Zona on guitars and vocals, and Jared Camic on bass and vocals. Additional guest musicians include Jenifer Wrinkle on fiddle, Jeff (Birdman) Kirk on alto saxophone, Mat Britain on steel drums and percussion, and Gary Burr on vocals. The album was produced by Michael Reilly, a veteran bassist and former band member, and recorded in studios in Madison and Hendersonville, Tennessee. Back on Track received positive reviews, with critics praising its soaring harmonies, skilled musicianship, and the seamless fusion of classic and modern sounds. Tracks like "The Beginning," "Picture Perfect Life," "I Believe I Could Fall In Love With Loving You," "Skippin’ Stones," "Modern Problem," "A Love Like Yours," "Love Song," "Six Feet of Snow," and the title track "Back On Track" were highlighted as standout songs. The album's closing track, "Back On Track," is described as a Southern rock anthem with driving rhythms and powerful vocals. The band has been touring in support of the album since its release, performing at venues across the United States, including a notable appearance at the Needham Bank Great Hall Concert Series in March 2025 and a show in Vero Beach, Florida, in February 2025. The album is available for purchase as a CD and vinyl LP through the band's official website. https://pureprairieleague.com/ They are Touring Again: https://pureprairieleague.com/tour-dates/ Lyrics: Me and my baby would jump in the Chevy Going along out to the river And if we ended up in our skivies It was no big biggie to the fishes and us 'Cause at that time, we didn't know it But those days fairy tales are made from You could paint it in a portrait A postcard of a picture perfect life A snapshot from the road I found love I've never known A place where time moves slow And if you paint it in a portrait You'd have a postcard of a picture perfect life Oh paint it boys Many years later, I can't hate her Sometimes life gets messy I can't count all the blessings The lessons I have learned along the way 'Cause I'm out here with my band of brothers Bringing our music to the people If you paint it in a portrait You'd have a postcard of a picture perfect life A snapshot from the road Where you have the room to grow The place that feeds you soul You could paint it in a portrait You'd have a postcard of a picture perfect life If you paint it in a portrait A postcard of a picture perfect life

Bluegrass recording artists Alison Krauss + Union Station are a remarkable collaboration of five stellar musicians, who together have been instrumental in bringing bluegrass music to its now widely accepted and popular commercial status. They come together on Soundstage to perform a selection of songs outlining their storied careers.

“All That Matters is a song that explores core values and the importance of faith, family, and freedom in a world often characterized by nihilism and materialism. The song tackles the prevalence of nihilism and a perceived lack of faith and values in society—particularly among younger generations. The lyrics center around "My faith, my family, my freedom's all that matters to me." This song represents rebellion against a culture that promotes nothingness and materialism, emphasizing the importance of faith, family, and freedom. I was sick of all the anger, insanity, and violence in the world—people are constantly looking for something to hate online and yell about. Everyone doesn’t have to agree, but how do we reclaim being in a community, loving our neighbors, and tolerating opposing viewpoints as friends? I was thinking, ‘How do we remind ourselves what matters most?’ I had to say something about it. The song encourages listeners to stand firm in their beliefs and not compromise on core values—even when facing societal pressures." - Kevin Davis NRT Lyrics: [Verse 1] I don't wanna start a fight I always try to do what's right So put your weapons down, we can work it out Don't get me wrong I ain't no pacifist For peace, gotta pay a price And I'll defend what is mine Fight for what I love, help me, God above All it takes is one To rise up and resist [Pre-Chorus] Cost you everything when you're at war These three things I'd die for [Chorus] My faith, my family, my freedom That's what's backin' me Gives me a reason for living I gotta fight for what I believe in, believe it Love loyalty, I pledge fidelity In this land of liberty, it's everything My faith, my family, my freedom's all that matters to me [Verse 2] A kid arrested in the town He read the verses too loud But burn the cities down, celebs will bail you out Where'd we go wrong? I can't make sense of this So just leave the kids alone Better not break into this home 'Cause where I come from We always stand as one Where we belong We won't stand for this [Pre-Chorus] Cost you everything when you're at war These three things I'd die for [Chorus] My faith, my family, my freedom That's what's backin' me Gives me a reason for living I gotta fight for what I believe in, believe it Love loyalty, I pledge fidelity In this land of liberty, it's everything My faith, my family, my freedom's all that matters to me, oh-oh-oh To me, oh-oh-oh [Guitar Solo] [Bridge] When darkness divides us I believe that love can conquer all Courageous, united We stand or fall My faith, my family, my freedom [Chorus] My faith, my family, my freedom That's what's backin' me Gives me a reason for living I gotta fight for what I believe in, believe it Love loyalty,I pledge fidelity In this land of liberty, it's everything My faith, my family, my freedom's all that matters to me (It's all that matters to me) Oh-oh-oh To me (It's all that matters to me) Oh-oh-oh It's all that matters to me

Searchin' for a Rainbow is the fourth studio album by The Marshall Tucker Band, released in 1975. Video Settings Frame size: 3840 x 2160 (16:9) Frame rate: 60 fps Pixel aspect ratio: 1 Color space: ITU-R 709 Interlaced: no Lyrics: [Verse 1] I rode into town today And in my mind I said "Lord, I'd love to stay" Something in me said "Boy, move on" Don't know what it is the good Lord bred it in my bones [Chorus] And I'm searchin' for a rainbow And if the wind ever shows me where to go You'll be waitin' at the end then I'll know I'll say, "To Hell with that pot of gold" I'll say, "To Hell with that pot of gold" [Verse 2] This old mare I'm ridin' she's gettin' kinda tired But in my heart she knows there's this one desire She's gonna take me to the end of our road Then she'll lay down and die and I'll say, "God rest her soul" [Chorus] And I'm searchin' for a rainbow And if the wind ever shows me where to go You'll be waitin' at the end then I'll know I'll say, "To Hell with that pot of gold" I'll say, "To Hell with that pot of gold" [Fiddle Solo: Charlie Daniels] [Guitar Solo: Dickey Betts] [Chorus] And I'm searchin' for a rainbow And if the wind ever shows me where to go You'll be waitin' at the end then I'll know I'll say, "To Hell with that pot of gold" I'll say, "To Hell with that pot of gold" And I'm searchin' for a rainbow And if the wind ever shows me where to go You'll be waitin' at the end then I'll know I'll say, "To Hell with that pot of gold" I'll say, "To Hell with that pot of gold"

Summer Breeze is the fourth album by the American soft rock band Seals and Crofts, released in 1972 through Warner Bros. Records. It was a major commercial breakthrough for the group peaking at No. 7 on the Billboard Top LPs chart, their highest position on the chart. The title track was released as a single on August 31, 1972, peaking at No. 4 on the Easy Listening chart and No. 6 on the Hot 100. "Hummingbird" was the second single, climbing to No. 12 on the Easy Listening chart, No. 20 on the Hot 100, and No. 40 on the Canadian RPM Magazine chart. Summer Breeze finished second on Billboard's Top Pop Albums of 1973 list. Lyrics: [Verse 1] See the curtains hangin' in the window In the evening on a Friday night A little light a-shinin' through the window Lets me know everything's all right [Chorus] Summer breeze makes me feel fine Blowin' through the jasmine in my mind Summer breeze makes me feel fine Blowin' through the jasmine in my mind [Verse 2] See the paper layin' on the sidewalk A little music from the house next door So I walk on up to the doorstep Through the screen and across the floor [Chorus] Summer breeze makes me feel fine Blowin' through the jasmine in my mind Summer breeze makes me feel fine Blowin' through the jasmine in my mind [Bridge] Sweet days of summer, the jasmine's in bloom July is dressed up and playing her tune And I come home from a hard day's work And you're waiting there, not a care in the world [Verse 3] See the smile awaitin' in the kitchen Food cookin' and the plates for two Feel the arms that reach out to hold me In the evening, when the day is through [Chorus] Summer breeze makes me feel fine Blowin' through the jasmine in my mind Summer breeze makes me feel fine Blowin' through the jasmine in my mind

Driver's Seat is a 1978 song by British band Sniff 'n' the Tears, released as a single from their 1979 debut album Fickle Heart. The song reached the top 20 in Australia, Canada, and New Zealand, as well as the top 10 in the Netherlands. Belatedly issued in the United States during the summer of 1979, it climbed to #15 on Billboard Hot 100. In July 1991, the song made the number one spot in the Netherlands after it was used in a radio and television commercial for the Pioneer car stereo throughout Europe. Lyrics: Doing all right A little jiving on a Saturday night And come what may Gonna dance the day away Jenny was sweet She always smiled for the people she'd meet On trouble and strife She had another way of looking at life The news is blue (The news is blue) Has its own way to get to you (Ooh) What can I do? (What can I do?) I'll never remember my time with you Pick up your feet Got to move to the trick of the beat There is no elite Just take your place in the driver's seat (Driver's seat, ooh-ooh) (Driver's seat, yeah) (Driver's seat, ooh-ooh) (Driver's seat, yeah) We're doing all right (Ooh-ooh) A little jiving on a Saturday night (Yeah) And come what may (Ooh-ooh) Gonna dance the day away (Yeah) (Driver's seat, ooh-ooh) (Driver's seat, yeah) (Driver's seat, ooh-ooh) (Driver's seat, yeah) Jenny was sweet There is no elite (Yeah) Pick up your feet Pick up, pick up (Yeah) Pick up your feet Gonna dance the day away (Yeah) (Driver's seat, ooh-ooh) (Driver's seat, yeah) (Driver's seat, ooh-ooh) (Driver's seat, yeah) (Yeah) (Yeah) (Driver's seat, ooh-ooh) (Driver's seat, yeah)

Recorded live during a video shoot in an orange grove in Oliva, Spain, using a looper and with Tony Rivers on acoustic guitar and vocals credits: From The Patreon Files Album, released May 5, 2014. Markus K - vocals, guitar, looper, Wavedrum, production and mastering Tony Rivers - vocals, acoustic guitar https://markus-k.bandcamp.com/

Band on the Run is the third studio album by the British–American rock band Paul McCartney and Wings, released on 30 November 1973. It was McCartney's fifth album after leaving the Beatles in April 1970 and his final album on Apple Records. Although sales were modest initially, its commercial performance was aided by two hit singles – "Jet" and "Band on the Run" – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works. Lyrics: [Part I] [Verse] Stuck inside these four walls Sent inside forever Never seeing no one nice again Like you Mama, you Mama, you [Part II] [Verse] If I ever get out of here Thought of giving it all away To a registered charity All I need is a pint a day If I ever get out of here If we ever get out of here [Part III] [Verse 1] Well, the rain exploded with a mighty crash As we fell into the sun And the first one said to the second one there "I hope you're having fun" [Pre-Chorus] Band on the run Band on the run And the jailer man and Sailor Sam Were searching everyone [Chorus] For the band on the run Band on the run For the band on the run Band on the run [Verse 2] Well, the undertaker drew a heavy sigh Seeing no one else had come And a bell was ringing in the village square For the rabbits on the run [Pre-Chorus] Band on the run Band on the run And the jailer man and Sailor Sam Were searching everyone [Chorus] For the band on the run Band on the run [Instrumental Break] [Chorus] Yeah, the band on the run The band on the run The band on the run (Yeah!) Band on the run [Verse 3] Well, the night was falling as the desert world Began to settle down In the town, they're searching for us everywhere 'Cause we never will be found [Pre-Chorus] Band on the run Band on the run And the county judge, who held a grudge Will search forevermore [Chorus] For the band on the run The band on the run The band on the run (Yeah! Yeah!)

Let Me Love You Tonight is a 1980 song by the American country rock band Pure Prairie League. The lead vocalist for the band at the time was Vince Gill, who would later become a successful country music singer in his own right. Noted saxophonist David Sanborn is also on the track. Taken as the first single from their 1980 album, Firin' Up, "Let Me Love You Tonight" became the band's first (and, to date, only) song to enter the top 10 on the Billboard Hot 100 chart, where it peaked at number 10 during the summer of 1980, and remained in the top 40 for 11 weeks. The song also spent three weeks at number one on the Billboard Adult Contemporary chart. Lyrics: [Verse 1] Dark clouds are blowin' in the wind He's crossin' your mind again You've got that sad, sad feelin' from a broken heart And feelin' so close to the end [Chorus] Let me love you tonight There's a million stars in the sky Let me love you tonight I'll make everything alright [Verse 2] When you find out how good love can be You're so lost when it sets you free They say once in your life, you find someone that's right Someone who loves you like me [Chorus] Let me love you tonight There's a million stars in the sky Let me love you tonight I'll make everything alright [Bridge] When the moon has forgotten what the night's about And the stars can't work their places out Hold me tighter than tight When the daylight comes, it'll be alright [Chorus] Let me love you tonight There's a million stars in the sky Let me love you tonight I'll make everything alright [Outro] Let me love you tonight Let me love you tonight Let me love you tonight Let me love you tonight Let me love you tonight

With a heart for storytelling and a gift for connection, Ariel Fitz-Patrick is a multi-talented artist, viral content creator, and modern-day messenger. Known to millions online as Ariel Fitz, she brings faith to life through relatable skits, soulful music, and a bold, authentic voice. Based in Montreal and signed to Capitol Christian Music Group / Motown Gospel, Ariel is carving out a space where digital ministry meets musical artistry. Whether she’s re-imagining Bible stories for Gen Z or writing songs that speak to God’s protection and presence, her mission stays the same: to make faith feel real, joyful, and relevant. Lyrics [Intro] He spoke a word The world came alive From the sky to the ocean And the mountains rise Every star in the heavens Even grain in the sand He crafted it all with the touch of His hand [Pre-Chorus] I could never ever forget Ain’t losing with a God like this I don’t know what you waiting on Don’t act like he ain’t done it before There He go I know He won’t miss Your love, yeah it feels like bliss Your voice I will follow Wherever I go [Chorus] From the earth to the heavens all day Every creature moves in Yahweh From the mountains high to everything under the sun How the river keeps on flowing And the thunder keeps on rolling And You illustrated everything under the sun [Verse 1] I can hear Your rhythm Everybody sing And it sounds like freedom What a beautiful thing Me na give no likkle praise You don’t really understand When I think of his mercies I get to waving my hands [Pre-Chorus] I could never ever forget Ain’t losing with a God like this I don’t know what you waiting on Don’t act like he ain’t done it before There He go I know He won’t miss Your love, yeah it feels like bliss Your voice I will follow Wherever I go [Chorus] From the earth to the heavens all day Every creature moves in Yahweh From the mountains high to everything under the sun How the river keeps on flowing And the thunder keeps on rolling And You illustrated everything under the sun [Verse 2] If you serve a God like this And you wan’ show Him love Cuz He never miss Lemme hear you say yeah Say yeah And if you wanna give thanks and praise To the One who only brings you better days Lemme hear you say yeah Yeah [Chorus] From the earth to the heavens all day Every creature moves in Yahweh From the mountains high to everything under the sun How the river keeps on flowing And the thunder keeps on rolling And You illustrated everything under the sun

Take Me To The River was a cover of a song by Al Green. The Talking Heads recorded it for their second album More Songs About Buildings and Food (1978). Their version, recorded with co-producer Brian Eno in Nassau, Bahamas, was initially resisted by Byrne who felt the band should not release a cover. Eventually convinced, Eno suggested that they play the song as slow as possible, before adding his own effects to it. The song was edited and released as a single, and reached #26 on the US Billboard Hot 100 in February 1979, as well as hitting the singles charts in Canada, Australia, and New Zealand. Thomas Ryan wrote of Talking Heads' version that it "broadsided the status quo by combining the best ingredients of conventional pop music and classic soul music, stirring them together, and then presenting the mix in the guise of punk rock." The Talking Heads version introduced the song to a whole new audience and was popular in that genre as well. Lyrics: [Verse 1] I don't know why I love her like I do All the changes you put me through Take my money, my cigarettes I haven't seen the worst of it yet [Pre-Chorus] I wanna know, can you tell me Am I in love to stay? [Chorus] Take me to the river, drop me in the water Take me to the river, dip me in the water Washing me down, washing me down [Verse 2] I don't know why you treat me so bad Think of all the things that we could have had Love is a notion that I can't forget My sweet sixteen I would never regret [Pre-Chorus] I wanna know, can you tell me? Am I in love to stay? [Chorus] Take me to the river, drop me in the water Push me in the river, dip me in the water Washing me down, washing me [Bridge] Hug me, squeeze me, love me, tease me Till I can't, till I can't, I can't take no more [Chorus] Dip me in the water, drop me in the river Push me in the water, drop me in the river Washing me down, washing me down [Verse 3] I don't know why I love her like I do All the trouble you put me through Sixteen candles there on my wall And here am I, the biggest fool of them all [Pre-Chorus] I wanna know, can you tell me? Am I in love to stay? [Chorus] Take me to the river, drop me in the water Dip me in the river, drop me in the water Washing me down, washing me down Ooh, a-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya [Outro] Ooh, a na na na A na na na na, ah! A na na na, hoo! A na na na, ooh! A na na na na, hoo! Ha! Na na na na, ah! Na na na na na Na na na na

Eminence Front is a song by the Who, written and sung by lead guitarist Pete Townshend. It appears on the band's tenth studio album It's Hard (1982). The single entered Billboard Hot 100 on 25 December 1982, reaching number 68. In the song, Townshend sings about the delusions and drug use of the wealthy and hedonistic. The lyrics describe a party in which people hide from their problems behind a façade. Townshend has introduced the song in live performances with: "This song is about what happens when you take too much white powder; it's called 'Eminence Front'." Lyrics: The sun shines And people forget The spray flies as the speedboat glides And people forget Forget they're hiding The girls smile and people forget The snow packs as the skier tracks People forget Forget they're hiding [Chorus] Behind an eminence front Eminence front, it's a put on It's an eminence front It's an eminence front, it's a put on An eminence front Eminence front, it's a put on, eminence front It's an eminence front It's an eminence front, it's a put on It's a put on, it's a put on, it's a put on [Post-Chorus] Come and join the party, dressed to kill Won't you come and join the party dressed to kill? Dressed to kill [Verse 2] Drinks flow, people forget That big wheel spins, the hair thins People forget Forget they're hiding The news slows People forget The shares crash, hopes are dashed People forget Forget they're hiding [Chorus] Behind an eminence front An eminence front, it's a put on It's just an eminence front An eminence front, it's a put on An eminence front An eminence front, it's a put on Eminence front It's an eminence front, it's a put on It's a put on, it's a put on, it's a put on [Outro] Come and join the party, dressed to Come and join the party, dressed to Come on, join the party, dressed to Come on, join the party, dressed to kill Dress yourself to kill

Different Drum was written by Michael Nesmith in 1965, prior to his joining The Monkees. It was first recorded by the Greenbriar Boys in 1966. Linda Ronstadt and The Stone Poneys, a folk rock trio consisting of Ronstadt, Bobby Kimmel, and Kenny Edwards, recorded their version in 1967. The track became Ronstadt's first major hit, reaching No. 13 on the Billboard Hot 100 and No. 12 on the Cash Box singles chart.It was released as a single in September 1967 and was included on the band's second album, Evergreen, Vol. 2. Lyrics: You and I Travel to the beat of a different drum Oh, can't you tell by the way I run Every time you make eyes at me Whoa You cry and moan and say It will work out But honey child, I've got my doubts You can't see the forest for the trees So don't get me wrong It's not that I knock it It's just that I Am not in the market For a boy who wants To love only me Yes, and I ain't sayin' You ain't pretty All I'm saying, I'm not ready For any person, place or thing To try and pull the reins In on me So goodbye, I'll be leavin' I see no sense in this cryin' and grievin' We'll both live a lot longer If you live without me So don't get me wrong It's not that I knock it It's just that I Am not in the market For a boy who wants to love only me Yes, and I ain't sayin' You ain't pretty All I'm sayin', I'm not ready For any person, place or thing To try and pull the reins In on me So goodbye, I'll be leavin' I see no sense in this cryin' and grievin' We'll both live a lot longer If you live without me

Hurry Sundown is the third studio album by American southern rock band Outlaws, released in 1977. The title track became a concert staple and fan favorite. Four members of the band, Hughie Thomasson, Henry Paul, Billy Jones, and Harvey Dalton Arnold (who replaced Frank O'Keefe on bass) contributed songwriting and lead vocals. Paul would leave the band after the album's release. Lyrics: Gypsies danced around the campfire, shook their tambourines They were waiting for the ghost of an outlaw, Sundown was his name As the midnight hour grew closer and the sky began to fall You can see his shadow in the light of the moon They had heard the gypsies' call She had hair as black as darkness, eyes of emerald green Oh, her voice was soft and tender, oooh she loved sing She will sing no more, or dance again or shake her tambourines They had taken her away, she was dead and gone, hear the gypsies sing Ooh, hurry Sundown (the gypsies' cry) Ooh, hurry Sundown Ooh, hurry Sundown (the gypsies' cry) Hurry Sundown Ooh, hurry Sundown (the gypsies' cry) Ooh, hurry Sundown Ooh, hurry Sundown (the gypsies' cry) Silver devils in his holsters, stars strapped to his heels There was fire in his eyes, they say that he was dressed to kill He had hands as fast as lightning, a heart as cold as steel He had come for the one that took her life, to lie him in Boot Hill Gypsies danced around the campfire, shook their tambourines They were waiting for the ghost of an outlaw, Sundown was his name As the midnight hour grew closer and the sky began to fall You can see their shadows in the light of the moon They had heard the gypsies' call Ooh, hurry Sundown Ooh, hurry Sundown Ooh, hurry Sundown Ooh, hurry Sundown

There Goes Another Love Song" is a song by the American Southern rock band Outlaws. Written by Hughie Thomasson and Monte Yoho, it is the opening track and lead single from the band's 1975 debut album Outlaws. It became a top 40 hit, peaking at number 34 on the Billboard Hot 100, and at number 30 in the Netherlands in November 1975. The song was written by Hughie Thomasson and Monte Yoho. Thomasson's voice is the one commonly associated with the group because he sang two of the band's most popular songs, "There Goes Another Love Song" and "Green Grass and High Tides". Lyrics: Sometimes I feel like I'm getting kinda low Thoughts that I'm thinkin' are the reason So I try to remember without talkin' to myself Things that I said or maybe things that I felt about you Sittin' in a corner of a crowded bar room People all around me and I still feel alone Just when I know I'm gonna break down and cry Someone played a tune that dried the tear from my eye There goes another love song Someone singin' about me again There goes another love song Now I need more than a friend Lonesome and lonely, far from my home Tryin' to get back to where I know I belong Wishin' and hopin' I was already there I just heard a voice whispered in my ear, singin' There goes another love song Someone singin' about me again There goes another love song Now I need more than a friend There goes another love song Someone singin' about me again There goes another love song Now I need it more than a friend There goes another love song Someone singin' about me again There goes another love song Now I need more than a friend

Heard It in a Love Song is a song by The Marshall Tucker Band, from their 1977 album Carolina Dreams. The song was written by Toy Caldwell. Lyrics: [Verse 1] I ain't never been with a woman long enough for my boots to get old We've been together so long now they both need re-soled If I ever settle down you'd be my kind And it's a good time for me to head on down the line [Chorus] Heard it in a love song Heard it in a love song Heard it in a love song Can't be wrong [Verse 2] I'm the kind of man who likes to get away Like to start dreaming 'bout tomorrow today Never said that I love you even though it's so Where's that duffel bag of mine, it's time to go [Chorus] Heard it in a love song Heard it in a love song Heard it in a love song Can't be wrong [Flute, Piano, and Guitar Solos] [Verse 3] I'm gonna be leavin' at the break of dawn Wish you could come but I don't need no woman taggin' along Goin' sneak out that door, couldn't stand to see you cry I'd stay another year if I saw a teardrop in your eye [Chorus] Heard it in a love song Heard it in a love song Heard it in a love song Can't be wrong [Verse 4] I never had a damn thing but what I had, I had to leave it behind You're the hardest thing I ever tried to get off my mind Always something greener on the other side of that hill I was born a wrangler and a rounder and I guess I always will [Chorus] Heard it in a love song Heard it in a love song Heard it in a love song Can't be wrong

Can't You See is a song written by Toy Caldwell of The Marshall Tucker Band. The song was originally recorded by the band on their 1973 debut album, The Marshall Tucker Band, and released as the album's first single. Record World called it "a strong rhythm item that continually builds and builds. Lyrics: [Verse 1] Gonna take a freight train Down at the station, Lord I don't care where it goes Gonna climb a mountain The highest mountain I'll jump off, nobody gonna know [Chorus] Can't you see, whoa, can't you see What that woman, Lord, she been doin' to me Can't you see, can't you see What that woman, she been doin' to me [Verse 2] I'm gonna find me A hole in the wall I'm gonna crawl inside and die 'Cause my lady, now A mean ol' woman, Lord Never told me goodbye [Chorus] Can't you see, whoa, can't you see What that woman, Lord, she been doin' to me Can't you see, can't you see What that woman, she been doin' to me [Instrumental Break] [Verse 3] I'm gonna buy a ticket now As far as I can Ain't a-never comin' back Ride me a southbound All the way to Georgia now 'Til the train, it run out of track [Chorus] Can't you see, whoa, can't you see What that woman, Lord, she been doin' to me Can't you see, can't you see What that woman, she been doin' to me (Oh Lord) [Instrumental Break] [Chorus] Can't you see, whoa, can't you see What that woman, Lord, she been doin' to me Can't you see, whoa, can't you see What that woman, she been doin' to me [Chorus] Can't you see (Oh, she's such a crazy lady), can't you see What that woman (Oh, that woman), she been doin' to me Can't you see (Lord, I can't stand), can't you see What that woman, she been doin' to me [Chorus] Can't you see (I'm gonna take a freight train), can't you see (Down at the station, Lord) What that woman (Ain't never coming back), been doing to me Can't you see (Gonna ride me a southbound, now), can't you see (All the way to Georgia, Lord) What that woman (Till the train, it run out of track), she been doing to me

Gimme Three Steps is a song by American southern rock band Lynyrd Skynyrd, released from the band's debut album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd) (1973). It was written by bandmates Allen Collins and Ronnie Van Zant. Band member Gary Rossington based the lyrics on a real-life experience Ronnie Van Zant had at a bar in Jacksonville, Florida, having a gun pulled on him for dancing with another man's woman. Lyrics: [Verse 1] I was cutting the rug down at a place called The Jug With a girl named Linda Lou When in walked a man with a gun in his hand And he was looking for you-know-who He said, "Hey there fellow with the hair colored yellow What you trying to prove? 'Cause that's my woman there and I'm a man who cares And this might be all for you" I said, "Excuse me" [Verse 2] I was scared and fearing for my life I was shaking like a leaf on a tree 'Cause he was lean, and mean, and Big and bad, Lord, a-pointing that gun at me "Oh wait a minute, mister, I didn't even kiss her Don't want no trouble with you And I know you don't owe me but I wish you would let me Ask one favor from you" [Chorus] "Oh won't you give me three steps, gimme three steps, mister Gimme three steps towards the door? Gimme three steps, gimme three steps, mister And you'll never see-a me no more For sure" [Guitar Solo] [Verse 3] Well the crowd cleared away and I began to pray And the water fell on the floor And I'm telling you, son, well, it ain't no fun Staring straight down a forty-four Well he turned and there screamed at Linda Lou And that's the break I was looking for And you could hear me screaming a mile away As I was headed out towards the door [Chorus] "Oh won't you give me three steps, gimme three steps, mister Gimme three steps towards the door? Gimme three steps, gimme three steps, mister And you'll never see-a me no more Show me the back door"

*HD version Stranglehold is a song by American rock musician Ted Nugent, the first track from his self-titled debut 1975 album. The vocals are by Derek St. Holmes, however, the "Sometimes you wanna get higher" verse is sung by Nugent. Lyrics: [Verse 1: Derek St. Holmes] Here I come again now baby Like a dog in heat You tell it's me by the clamor now, baby I like to tear up the street [Chorus 1: Derek St. Holmes] Now I've been smoking for so long You know I'm here to stay Got you in a stranglehold baby You best get out of the way [Solo 1] [Verse 2: Derek St. Holmes] Road I cruise is a bitch now baby You know you can't turn me 'round If a house gets in my way baby You know I'll burn it down [Chorus 2: Derek St. Holmes] You ran that night that you left me You put me in my place Got you in a stranglehold now baby Then I crushed your face [Instrumental break 1:44-6:14] [Guitar solo 2: Ted Nugent] [Verse 3: Ted Nugent] Sometimes you gonna get higher Sometimes you gotta start low Some people think they gonna die someday I got news you never got to go [Bridge: Derek St. Holmes & Both] Come on, come on up; Come on come on up; Come on come on up; Come on come on up; Come on, come on, come on, come on baby Come on, come on, come on, come on up Come on come on come on come on baby Come on come on come on [Verse 3: Derek St. Holmes] The road I cruise is a bitch now You know you can't turn me 'round If a house gets in my way You know I'll burn it down [Chorus 2: Derek St. Holmes] You ran that night that you left me You put me in my place I got you in a stranglehold baby And then I crushed your face

Green Tambourine" is a song written and composed by Paul Leka (who also produced it) and Shelley Pinz. It was the biggest hit by the 1960s Ohio-based rock group the Lemon Pipers, as well as the title track of their debut album, Green Tambourine. The song was one of the first psychedelic pop chart-toppers and became a gold record. Released toward the end of 1967, it spent 13 weeks on the U.S. Billboard Hot 100, peaking at No. 1 on February 3, 1968, and sold over a million copies. The record remained on the chart for three months. It was also the first U.S. No. 1 hit for the Buddah label. The Lemon Pipers never repeated this success, though their "Rice Is Nice" and "Jelly Jungle", both also written by Leka and Pinz, made the charts in 1968. In early Spring, 1966, while standing in front of the Brill Building I watched a man holding a tambourine begging for money. I wrote a poem about him and called the poem 'Green Tambourine.' I added it to my lyric collection ... Sometimes I wonder what happened to the man in front of the Brill Building, holding a tambourine begging for money. I remember writing the lyric, 'watch the jingle jangle start to shine, reflections of the music that is mine. When you toss a coin you'll hear it sing. Now listen while I play my Green Tambourine' as if it were yesterday..; in the 60s, on the streets between Seventh Avenue and Broadway there was a magic one could only imagine. Lyrics: [Verse 1] Drop your silver in my tambourine Help a poor man build a pretty dream Give me pennies, I'll take anything Now listen while I play My green tambourine [Verse 2] Watch the jingle jangle start to shine Reflections of the music that is mine When you toss a coin, you'll hear it sing Now listen while I play My green tambourine [Verse 3] Drop a dime before I walk away Any song you want, I'll gladly play Money feeds my music machine Now listen while I play My green tambourine [Outro] Listen and I'll play

The song Amie by Pure Prairie League is a classic country rock track written by the band's co-founder, Craig Fuller, and originally recorded for their 1972 album Bustin' Out. It was released as a single in 1975 after gaining popularity on radio, leading to RCA Records re-signing the band. The song peaked at #27 on the US Billboard Hot 100 and #20 on the US Adult Contemporary chart. The lyrics express the singer's indecision and emotional struggle in a relationship, captured in the repeated question, "Amie, what you wanna do?". The song features subtle acoustic guitar and lilting harmonies, earning praise from critics as a quintessential example of 1970s country rock. The title is spelled "Amie," not "Aimee," and the song is dedicated to Amy Pierce from Newark, Ohio. It has been covered by artists including Counting Crows, Garth Brooks, and The Wesley Willis Fiasco. Lyrics: [Verse 1] I can see why you think you belong to me I never tried to make you think or let you see One thing for yourself But now you're off with someone else and I'm alone You see, I thought that I might keep you for my own [Chorus] Amie, what you wanna do? I think I could stay with you For a while, maybe longer if I do [Verse 2] Don't you think the time is right for us to find All the things we thought weren't proper could be right in time? And can you see which way we should turn, together or alone? I can never see what's right or what is wrong Oh, you take too long to see [Chorus] Amie, what you wanna do? I think I could stay with you For a while, maybe longer if I do [Instrumental Interlude] [Chorus] Well, Amie, what you wanna do? I think I could stay with you For a while, maybe longer if I do [Verse 3] Now it's come to what you want, you've had your way And all the things you thought before just faded into gray And can you see that I don't know if it's you or if it's me? If it's one of us, I'm sure we both will see Won't you look at me and tell me [Chorus] Amie, what you wanna do? I think I could stay with you For a while, maybe longer if I, longer if I do, yeah, now Amie, what you wanna do? I think I could stay with you For a while, maybe longer if I do [Outro] I keep falling in and out of love with you Falling in and out of love with you Don't know what I'm gonna do I keep falling in and out of love with you

Two Lane Highway is the third album by American country rock band Pure Prairie League, released in 1975. The line-up of the band was drastically changed from their previous albums. It was the first album without founding member Craig Fuller, who was the primary songwriter, and vocalist, on their two previous LP's. Play List: I'll Change Your Flat Tire, Merle 00:00 Kansas City Southern 02:09 Two Lane Highway 05:04

Falling In And Out Of Love" is a song by the American country rock band Pure Prairie League, written by band leader Craig Fuller. It was originally released in 1972 as the fifth track on their second studio album, Bustin' Out. The song is known for its bittersweet tone and lyrical theme of emotional uncertainty in love, with the narrator expressing confusion about their feelings and the state of their relationship. Lyrics: More than I could feel And touching what is real All my mind is reelin' round 'cause Carolina's feeling down today Falling in and out of love with you Falling in and out of love with you Don't know what I'm gonna do I keep falling in and out of love Oh, I tried to find Thinkin' just the other day Something that would ease her mind Something that I meant to say to her Falling in and out of love with you Falling in and out of love with you Don't know what I'm gonna do I keep falling in and out of love with you I think I could stay with you for a while, maybe longer, if I do

"A Symptom of Being Human" is a song by American rock band Shinedown. It was released on February 22, 2023, as the fourth single from their seventh studio album Planet Zero (2022). The song was a sleeper hit, reaching the Mainstream Top 40 and topping the Mainstream Rock Songs chart in early 2024. Lyrics: [Verse 1] I can still remember me and Miss November Rain Beautiful and strange Always so inclined, coloring outside the lines Yeah, you were never on time [Pre-Chorus] You've always been slightly awkward, kind of weird Upside down and not all here What's wrong with me and you is crystal clear [Chorus] Sometimes I'm in a room where I don't belong And the house is on fire and there's no alarm And the walls are melting too How 'bout you? I've never been the favorite, thought I'd seen it all 'Til I got my invitation to the lunatic ball And my friends are comin' too How 'bout you? Don't worry, it's all just a symptom of being human [Verse 2] Unpack all your baggage, hide it in the attic, where You hope it disappears This all seems so familiar, but it doesn't feel like home It's just another unknown [Pre-Chorus] You've always been slightly awkward, kind of weird Upside down and not all here Right or wrong, it's all so crystal clear [Chorus] Sometimes I'm in a room where I don't belong And the house is on fire and there's no alarm And the walls are melting too How 'bout you? I've never been the favorite, thought I'd seen it all 'Til I got my invitation to the lunatic ball And my friends are comin' too How 'bout you? Don't worry, it's all just a symptom of being human [Bridge] We're all just passin' through Passengers on a ship of fools We're all just passin' through Passengers on a ship of fools [Chorus] Sometimes I'm in a room where I don't belong And the house is on fire and there's no alarm And the walls are melting too How 'bout you? I've never been the favorite, thought I'd seen it all 'Til I got my invitation to the lunatic ball And my friends are comin' too On a ship of fools Don't worry, it's all just a symptom of being human

In the City is a rock song written by Barry De Vorzon and Joe Walsh. It was first recorded by Walsh and released on the soundtrack for the action thriller film The Warriors (1979). Another version of the song, recorded by the Eagles with Walsh as lead vocalist and guitarist, was included on their sixth studio album The Long Run and released the same year. The track was first recorded by guitarist Joe Walsh for the soundtrack to the film The Warriors (1979). The other members of the Eagles liked what they heard and the band decided to record it for their studio album The Long Run, with Walsh continuing as lead vocalist and guitarist. Lyrics: Somewhere out on that horizon Out beyond the neon lights I know there must be something better But there's nowhere else in sight [Verse 2] It's survival in the city When you live from day to day City streets don't have much pity When you're down, that's where you'll stay [Chorus] In the city (oh, oh) In the city (oh, ohhh) [Verse 3] I was born here in the city With my back against the wall Nothing grows and life ain't very pretty No one's there to catch you when you fall [Verse 4] Somewhere out on that horizon Far away from the neon sky I know there must be something better And I can't stay another night [Chorus] In the city (oh, oh) In the city (oh, ohhh) [Outro] In the city In the city In the city (oh, ohhh)

Markus K - https://markus-k.bandcamp.com/ Born in Holland 30 years in England Now travels the world, playing on the street and connecting with people Main instruments: guitar, vocal, percussion Looper Master Mostly originals; some drastic reworks of classics Main influences: blues and anything with real soul, warts and all Passionate about inner peace and conscious living. Playlist: 1. We Merge 2. Rollin' and Tumblin' 3. Comin Home Blues

"The Sound Of Silence" (originally by Simon & Garfunkel) Hello, darkness, my old friend I've come to talk with you again Because a vision softly creeping Left its seeds while I was sleeping And the vision that was planted in my brain Still remains Within the sound of silence In restless dreams I walked alone Narrow streets of cobblestone 'Neath the halo of a street lamp I turned my collar to the cold and damp When my eyes were stabbed by the flash of a neon light That split the night And touched the sound of silence And in the naked light I saw Ten thousand people, maybe more People talking without speaking People hearing without listening People writing songs that voices never share And no one dare Disturb the sound of silence "Fools," said I, "You do not know Silence, like a cancer, grows Hear my words that I might teach you Take my arms that I might reach you" But my words like silent raindrops fell And echoed in the wells of silence And the people bowed and prayed To the neon god they made And the sign flashed out its warning In the words that it was forming And the sign said "The words of the prophets are written on the subway walls And tenement halls And whispered in the sound Of silence"

Let It Be is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, nearly a month after the official announcement of the group's public break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. Its rehearsals started at Twickenham Film Studios on 2 January 1969 as part of a planned television documentary showcasing the Beatles' return to live performance. The filmed rehearsals were marked by ill feeling, leading to George Harrison's temporary departure from the group. As a condition of his return, the members reconvened at their own Apple Studio, and recruited guest keyboardist Billy Preston. Together, they performed a single public concert on the studio's rooftop on 30 January, from which three of the album's tracks were drawn. In April, the Beatles issued the lead single "Get Back", backed with "Don't Let Me Down", after which engineer Glyn Johns prepared and submitted mixes of the album, then titled Get Back, which the band rejected. As bootlegs of these mixes circulated widely among fans, the project lay in limbo, and the group moved on to the recording of Abbey Road, released that September. In January 1970, four months after John Lennon departed from the band, the remaining Beatles completed "Let It Be". Lyrics: [Verse 1] When I find myself in times of trouble Mother Mary comes to me Speaking words of wisdom Let it be And in my hour of darkness She is standing right in front of me Speaking words of wisdom Let it be [Chorus] Let it be, let it be Let it be, let it be Whisper words of wisdom Let it be [Verse 2] And when the broken-hearted people Living in the world agree There will be an answer Let it be For though they may be parted There is still a chance that they will see There will be an answer Let it be [Chorus] Let it be, let it be Let it be, let it be Yeah, there will be an answer Let it be Let it be, let it be Let it be, let it be Whisper words of wisdom Let it be [Instrumental Break] [Guitar Solo] [Chorus] Let it be, let it be Let it be, yeah, let it be Whisper words of wisdom Let it be [Verse 3] And when the night is cloudy There is still a light that shines on me Shine until tomorrow Let it be I wake up to the sound of music Mother Mary comes to me Speaking words of wisdom Let it be, yeah [Outro] Let it be, let it be Let it be, yeah, let it be Oh, there will be an answer Let it be Let it be, let it be Let it be, yeah, let it be Oh, there will be an answer Let it be Let it be, let it be Let it be, yeah, let it be Whisper words of wisdom Let it be

Free Bird, also spelled as one word "Freebird", is a song by American rock band Lynyrd Skynyrd, written by guitarist Allen Collins and lead singer Ronnie Van Zant. The song was released on their 1973 debut studio album. Released as a single in November 1974, "Free Bird" debuted on the US Billboard Hot 100 on November 23 at No. 87 and became the band's second Top 40 hit in early 1975, peaking at No. 19 on January 25. A live version of the song, recorded at Atlanta's Fox Theater and included on the album One More From The Road, re-entered the charts in late 1976, eventually peaking at No. 38 in January 1977. Lyrics: [Instrumental Intro] [Verse 1] If I leave here tomorrow Would you still remember me? For I must be traveling on, now 'Cause there's too many places I've got to see [Pre-Chorus] But if I stay here with you, girl Things just couldn't be the same [Chorus] 'Cause I'm as free as a bird now And this bird you cannot change Oh-oh-oh-oh-oh And the bird you cannot change And this bird you cannot change Lord knows I can't change [Instrumental Bridge] [Verse 2] Bye-bye, baby, it's been a sweet love, yeah, yeah Though this feeling I can't change But, please, don't take it so badly 'Cause Lord knows I'm to blame [Pre-Chorus] But, if I stay here with you, girl Things just couldn't be the same [Chorus] 'Cause I'm as free as a bird now And this bird you cannot change Oh-oh-oh-oh-oh And the bird you cannot change And this bird you cannot change Lord knows I can't change Lord, help me, I can't change [Outro] Lord, I can't change Won't you fly high, free bird? Yeah [Guitar Solo]

American Woman is a song by Canadian rock band the Guess Who, released January 1970, from the album of the same name. It was later released in March 1970 as a single backed with "No Sugar Tonight", and it reached number one for three weeks commencing May 9 on both the United States' Billboard Hot 100 and the Canadian RPM magazine singles chart. Billboard magazine placed the single at number three on the Year-End Hot 100 singles of 1970 list, and it was listed as number five for 1970 on the RPM Year-End Chart. On May 22, 1970, the single was certified as gold by the Recording Industry Association of America (RIAA). It also reached the top ten in the Netherlands, Switzerland and Austria, and the top twenty in the United Kingdom and New Zealand. Lyrics: [Intro] American woman gonna mess your mind American woman, she gonna mess your mind Mm, American woman gonna mess your mind Mm, American woman gonna mess your mind Say A Say M Say E Say R Say I Then C Say A N, mmm American woman gonna mess your mind Mmm, American woman gonna mess your mind Uh, American woman gonna mess your mind Uh! [Verse 1] American woman Stay away from me American woman Mama, let me be Don't come a-hangin' around my door I don't wanna see your face no more I got more important things to do Than spend my time growin' old with you Now, woman I said stay away American woman Listen what I say [Verse 2] American woman Get away from me American woman Mama, let me be Don't come a-knockin' around my door Don't wanna see your shadow no more Coloured lights can hypnotize Sparkle someone else's eyes Now, woman I said get away American woman Listen what I say, hey [Instrumental Break] [Verse 3] American woman Said get away American woman Listen what I say Don't come a-hangin' around my door Don't wanna see your face no more I don't need your war machines I don't need your ghetto scenes Coloured lights can hypnotize Sparkle someone else's eyes Now, woman Get away from me American woman Mama, let me be [Outro] Go, gotta get away Gotta get away now, go, go, go I'm gonna leave you, woman Gonna leave you, woman Bye-bye Bye-bye Bye-bye Bye-bye You're no good for me, I'm no good for you Gonna look you right in the eye, tell you what I'm gonna do You know I'm gonna leave You know I'm gonna go, you know I'm gonna leave You know I'm gonna go, woman I'm gonna leave, woman Goodbye, American woman Goodbye, American chick

Three Dog Night is an American rock band formed in 1967, founded by vocalists Chuck Negron, Cory Wells, and Danny Hutton. This lineup was soon augmented by Jimmy Greenspoon (keyboards), Joe Schermie (bass), Michael Allsup (guitar), and Floyd Sneed (drums). The band had 21 Billboard Top 40 hits between 1969 and 1975, with three hitting number one. Three Dog Night recorded many songs written by outside songwriters, and they helped to introduce mainstream audiences to writers such as Harry Nilsson ("One"), Randy Newman ("Mama Told Me Not to Come"), Paul Williams ("An Old Fashioned Love Song"), Laura Nyro ("Eli's Comin'") and Hoyt Axton ("Joy to the World", "Never Been to Spain"). The phrase "three-dog night" refers to a night so bitterly cold that one would need three dogs in bed to stay warm. Lyrics: [Verse 1] One is the loneliest number that you'll ever do Two can be as bad as one It's the loneliest number since the number one [Verse 2] "No" is the saddest experience you'll ever know Yes, it's the saddest experience you'll ever know 'Cause one is the loneliest number that you'll ever do One is the loneliest number, whoa-oh, worse than two [Bridge] It's just no good anymore since you went away Now I spend my time just making rhymes of yesterday [Chorus] One is the loneliest number One is the loneliest number One is the loneliest number that you'll ever do One is the loneliest One is the loneliest One is the loneliest number that you'll ever do [Bridge] It's just no good anymore since you went away [Outro] (Number) One is the loneliest (number) One is the loneliest (number) One is the loneliest number that you'll ever do (number) One is the loneliest (number) One is the loneliest (number) One is the loneliest number that you'll ever do (number) One (one is the loneliest number that you'll ever do)(number) One is the loneliest number that you'll ever do (number) One is the loneliest number that you'll ever do

Good Morning Starshine" is a pop song from the musical Hair (1967). It was a No. 3 hit in the United States in July 1969, and a No. 6 hit in the United Kingdom in October 1969, for the singer Oliver. Lyrics: La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la La, la, la, la, la, la, la, la, la, la, la, la, la, la, la Good mornin' starshine, the Earth says hello You twinkle above us We twinkle below Good mornin' starshine, You lead us along My love and me as we sing Our early mornin' singin' song Glibby gloop gloopy, nibby nabby noopy, la, la, la, lo, lo Sabba sibby sabba, nooby abba nabba, le, le, lo, lo Tooby ooby walla, nooby abba nabba Early mornin' singin' song Good mornin' starshine There's love in your skies Reflecting the sunlight In my lover's eyes Good mornin' starshine, so happy to be My love and me as we sing Our early mornin' singin' song Glibby gloop gloopy, nibby nabby noopy, la, la, la, lo, lo Sabba sibby sabba, nooby abba nabba, le, le, lo, lo Tooby ooby walla, nooby abba nabba Early mornin' singin' song Can you hear me? Singin' a song, hummin' a song, singin' a song Lovin' a song, laughin' a song, singin' the song Sing the song, song the sing Song, song, song, sing, sing, sing, sing, song Song, song, song, sing, sing, sing, sing, song Sing, sing a song, sing a song Yah, you can sing, sing, song, sing a song Sing, sing a song, sing a song Sing

Eric Patrick Clapton (born 30 March 1945) is an English rock and blues guitarist, singer, and songwriter. He is regarded as one of the most successful and influential guitarists in rock music. Clapton ranked second in Rolling Stone's list of the "100 Greatest Guitarists of All Time" and fourth in Gibson's "Top 50 Guitarists of All Time".[4] He was named number five in Time magazine's list of "The 10 Best Electric Guitar Players" in 2009. Cocaine 00:00 Lay Down Sally 03:32

Highway Star is a song by the English rock band Deep Purple. It is the opening track on the band's sixth studio album Machine Head (1972) and is the fastest tempo song on the album. It is characterised by long, classically inspired guitar and organ solos. Lyrics: [Verse 1] Nobody gonna take my car I'm gonna race it to the ground Nobody gonna beat my car It's gonna break the speed of sound Ooh, it's a killing machine It's got everything Like a driving power Big fat tires and everything [Pre-Chorus] I love it And I need it I bleed it [Chorus] Yeah, it's a wild hurricane Alright, hold tight I'm a highway star [Verse 2] Nobody gonna take my girl I'm gonna keep her to the end Nobody gonna have my girl She stays close on every bend Ooh, she's a killing machine She's got everything Like a moving mouth Body control and everything [Pre-Chorus] I love her I need her I see her [Chorus] Yeah, she turns me on Alright, hold tight I'm a highway star [Organ Solo] [Verse 3] Nobody gonna take my head I got speed inside my brain Nobody gonna steal my head Now that I'm on the road again Ooh, I'm in heaven again I've got everything Like a moving ground An open road and everything [Pre-Chorus] I love it And I need it I seed it

Abraham, Martin and John is a 1968 song written by Dick Holler. It was first recorded by Dion, in a version that was a substantial North American chart hit in 1968–1969. Near-simultaneous cover versions by Smokey Robinson and the Miracles and Moms Mabley also charted in the U.S. in 1969, and a version that same year by Marvin Gaye became the hit version in the UK. It was also a hit as part of a medley (with "What the World Needs Now Is Love") for Tom Clay in 1971, and has subsequently been recorded by many other artists. Holler was particularly impressed that Bob Dylan covered the song. Lyrics: [Verse 1] Anybody here seen my old friend Abraham? Can you tell me where he's gone? He freed a lot of people, but it seems the good, they die young You know, I just looked around and he's gone [Verse 2] Anybody here seen my old friend John? Can you tell me where he's gone? He freed a lot of people, but it seems the good, they die young I just looked around and he's gone (Instrumental Bridge) [Verse 3] Anybody here seen my old friend Martin? Can you tell me where he's gone? He freed a lot of people, but it seems the good, they die young I just looked around and he's gone [Bridge] Didn't you love the things that they stood for? Didn't they try to find some good for you and me? And we'll be free Some day soon, it's gonna be one day [Verse 4] Anybody here seen my old friend Bobby? Can you tell me where he's gone? I thought I saw him walkin' up over the hill With Abraham, Martin, and John

Alton Glen "Glenn" Miller (March 1, 1904 – December 15, 1944) was an American big band conductor, arranger, composer, trombonist, and recording artist before and during World War II, when he was an officer in the US Army Air Forces. His civilian band, Glenn Miller and his Orchestra, was one of the most popular and successful bands of the 20th century and the big band era. Glenn Miller and his Orchestra was the best-selling recording band from 1939 to 1942. Unlike his military unit, Miller's civilian band did not have a string section, but it did have a slap bass in the rhythm section. It was also a touring band that played multiple radio broadcasts nearly every day. Its best-selling records include Miller's theme song, "Moonlight Serenade", and the first gold record ever made, "Chattanooga Choo Choo", a song on the soundtrack of Miller's first film, Sun Valley Serenade, and the number-one song in the United States on December 7, 1941. Playlist: 01. Chatanooga Choo Choo 00:00:00 02. In the Mood 00:03:22 03. Stardust 00:06:55 04. Tuxedo Junction 00:10:15 05. Pennsylvania 65 000 00:13:41 06. Bugle Call Rag 00:16:55 07. American Patrol 00:19:49 08. I'Ve Got a Gal In Kalamazoo 00:23:07 09. At Last 00:26:21 10. Rhapsody In Blue 00:29:26 11. Little Brown Jug 00:32:27 12. Moonlight Serenade 00:35:15 13. Indian Summer 00:38:36 14. On a Little Street In Singapore 00:41:52 15. Elmer's Tune 00:44:34 16. A String of Pearls 00:47:39 17. Everybody Loves My Baby 00:50:52 18. Perfidia 00:53:43 19. Sun Valley Jump 00:57:01 20. To You 00:59:20 21. King Porter Stomp 01:02:05 22. Holiday for Strings 01:05:34 23. Ring Telephone Ring ! 01:11:08 24. Seven O Five 01:14:36 25. Anvil Chorus 01:16:55 26. Pagan Love Song 01:21:51 27. Rug Cutter Swing 01:25:04 28. Song Of The Volga Boatmen 01:28:02 29. Serenade In Blue 01:31:28 30. Sunrise Serenade 01:33:30 31. Take The A Train 01:36:57 32. Johnson Rag 01:40:21

Israel Kaʻanoʻi Kamakawiwoʻole (May 20, 1959 – June 26, 1997), also called Braddah IZ or just simply IZ, was a Native Hawaiian musician and singer. Somewhere Over the Rainbow/What a Wonderful World" (also known as "Over the Rainbow/What a Wonderful World") is a medley of "Over the Rainbow" by Judy Garland and "What a Wonderful World" by Louis Armstrong, recorded by Hawaiian singer Israel Kamakawiwoʻole. First released on the 1990 album Ka ʻAnoʻi, an acoustic rendition of the medley became notable after its release on his 1993 album Facing Future. The cut version — Over the Rainbow — was released in 2001 on the posthumous album Alone In Iz World. The cut version became a sleeper hit, after charting across Europe in 2010 and 2011 and in the meanwhile being featured in numerous film and TV soundtracks throughout the 2000s and 2010s. In 2020, it was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". What A Voice. Lyrics: [Intro] 'Kay, this one's for Gabby Ooh-oh-oh, oh-oh-oh-oh, oh-oh-oh Ooh-oh-oh-oh Ooh-oh-oh Ooh-oh-oh [Somewhere Over The Rainbow] Somewhere over the rainbow Way up high And the dreams that you dreamed of Once in a lullaby Oh, somewhere over the rainbow Bluebirds fly And the dreams that you dreamed of Dreams really do come true ooh-oh-oh, oh-oh-oh Someday I'll wish upon a star Wake up where the clouds are far behind me Where trouble melts like lemon drops High above the chimney tops, that's where you'll find me Oh, somewhere over the rainbow, bluebirds fly And the dream that you dare to, oh why, oh why can't I? [What A Wonderful World] Well I see trees of green and red roses too I'll watch them bloom for me and you And I think to myself what a wonderful world Well I see skies of blue and I see clouds of white And the brightness of day highlight the dark And I think to myself what a wonderful world The colors of the rainbow so pretty in the sky Are also on the faces of people passing by I see friends shaking hands saying, "How do you do?" They're really saying, "I...I love you" I hear babies cry and I watch them grow They'll learn much more than we'll know And I think to myself What a wonderful world, world [Somewhere Over The Rainbow] Someday I'll wish upon a star Wake up where the clouds are far behind me Where trouble melts like lemon drops High above the chimney top that's where you'll find me Oh, somewhere over the rainbow, way up high And the dream that you dare to, why, oh why can't I? I? [Outro] Ooh-oh-oh, oh-oh-oh-oh, oh-oh Ooh-oh-oh-oh Ooh-ah-ah-ah-ah-ah, ah-ah-ah Le-ha!

Down to the River to Pray is a traditional American Christian folk hymn, originally known as "The Good Old Way," with roots tracing back to the mid-19th century as a Negro Spiritual. The earliest known version was published in Slave Songs of the United States in 1867, attributed to George H. Allan of Nashville, Tennessee. Alison Krauss popularized the song through her performance in the 2000 film O Brother, Where Art Thou?, where it was featured in the soundtrack and sung by a group of people wading into a river for a baptismal ceremony. Her version, produced by T Bone Burnett, was released on the album A Hundred Miles or More: A Collection in 2000. The song has since been covered by numerous artists, including the Mormon Tabernacle Choir, Doc Watson, and The King’s Singers, among others. Lyrics: [Chorus] As I went down in the river to pray Studyin' about that good ol' way And who shall wear the starry crown? Good Lord, show me the way [Verse 1] O, sisters, let's go down Let's go down, come on down O, sisters, let's go down Down in the river to pray [Chorus] As I went down in the river to pray Studyin' about that good ol' way And who shall wear the robe and crown? Good Lord, show me the way [Verse 2] O, brothers, let's go down Let's go down, come on down Come on, brothers, let's go down Down in the river to pray [Chorus] As I went down in the river to pray Studyin' about that good ol' way And who shall wear the starry crown? Good Lord, show me the way [Verse 3] O, fathers, let's go down Let's go down, come on down O fathers, let's go down Down in the river to pray [Chorus] As I went down in the river to pray Studyin' about that good ol' way And who shall wear the robe and crown? Good Lord, show me the way [Verse 4] O, mothers, let's go down Come on down, don't you wanna go down? Come on, mothers, let's go down Down in the river to pray [Chorus] As I went down in the river to pray Studyin' about that good ol' way And who shall wear the starry crown? Good Lord, show me the way [Verse 5] O, sinners, let's go down Let's go down, come on down O, sinners, let's go down Down in the river to pray [Chorus] As I went down in the river to pray Studyin' about that good ol' way And who shall wear the robe and crown? Good Lord, show me the way

Canned Heat's song "Let's Work Together" is a cover of a track originally written and recorded by Wilbert Harrison, who first released it in 1962 under the title "Let’s Stick Together". Harrison reworked the song as "Let’s WORK Together" in 1968, and it achieved chart success. Canned Heat recorded their version in 1969, with Bob Hite providing vocals and Alan Wilson contributing slide guitar. The song was initially prepared for release as a single in December 1969 but was cancelled due to the popularity of Harrison's version. In the UK, where Harrison's single did not generate significant interest, Canned Heat's version was released in January 1970 and became their biggest hit, reaching number two on the UK Singles Chart over a fifteen-week run. In the United States, the song was first released on August 3, 1970, as part of their album Future Blues, with the American single following on August 25, 1970, and peaking at number 26 on the Billboard Hot 100. The track is categorized under genres such as Rock, Pop, and Country Rock. The lyrics promote unity and collective effort, with lines like "Together we'll stand, divided we'll fall" and "Let's work together". The song was later included in the 1989 compilation album Lyrics: [Verse 1] Together we'll stand, divided we'll fall Come on now, people, let's get on the ball [Chorus] And work together come on, come on Let's work together, now now, people Because together we will stand Every boy, every girl and man [Verse 2] Before when things go wrong as they sometimes will And the road you travel, it stays all uphill [Chorus] Let's work together, come on, come on Let's work together, aw You know together we will stand Every boy, girl, woman and man [Verse 3] Oh well now, two or three minutes, two or three hours What does it matter now in this life of ours? [Chorus] Let's work together, come on, come on Let's work together, now now, people Because together we will stand Every boy, every woman and man [Bridge] Aw, come on now Aw, come on, let's work together [Verse 4] Oh well now, make someone happy, make someone smile Let's all work together and make life worthwhile [Chorus] Let's work together, come on, come on Let's work together, now now, people Because together we will stand Every boy, girl, woman and man [Verse 5] Oh well now, come on, you people, walk hand in hand Let's make this world of ours a good place to stand [Chorus] And work together, come on, come on Let's work together, now now, people Because together we will stand Every boy, girl, woman and man Aw, yeah [Bridge] [Outro] Well now, together we will stand Every boy, girl, woman and man Aw, yeah

Going Up the Country" (also "Goin' Up the Country") is a song adapted and recorded by American blues rock band Canned Heat. Called a "rural hippie anthem", it became one of the band's biggest hits and best-known songs. As with their previous single, "On the Road Again", the song was adapted from a 1920s blues song by Henry Thomas "Bull Doze Blues" and sung by Alan Wilson. Lyrics: Verse 1] I'm goin' up the country, baby, don't you wanna go? I'm goin' up the country, baby, don't you wanna go? I'm goin' to someplace where I've never been before [Verse 2] I'm goin', I'm goin' where the water tastes like wine I'm goin' where the water tastes like wine We can jump in the water, stay drunk all the time [Flute Solo] [Verse 3] I'm gonna leave the city, got to get away I'm gonna leave the city, got to get away All this fussin' and fightin', man, you know I sure can't stay [Bridge] Now, baby, pack your leavin' trunk, you know we've got to leave today Just exactly where we're goin' I cannot say, but We might even leave the USA 'Cause there's a brand-new game that I don't wanna play [Flute Solo] [Outro] No use for you runnin' or screamin' and cryin' 'Cause you've got a home as long as I've got mine

Doctor, My Eyes is a 1972 song written and performed by Jackson Browne and included on his debut album Jackson Browne. Featuring a combination of an upbeat piano riff coupled with lyrics about feeling world-weary, the song was a surprise hit, reaching number 8 on the Billboard Hot 100 in spring 1972, after debuting on the chart at number 80. Browne would not see the chart's Top 10 again until 1982's soundtrack hit "Somebody's Baby", although "Running on Empty" just missed the Top 10, reaching number 11.Billboard ranked "Doctor, My Eyes" as the No. 92 song for 1972. In Canada, the song peaked at number four. Lyrics: [Verse 1] Doctor, my eyes have seen the years And the slow parade of fears without crying Now I want to understand I have done all that I could To see the evil and the good without hiding You must help me if you can [Chorus] Doctor, my eyes Tell me what is wrong Was I unwise to leave them open for so long? [Verse 2] 'Cause I have wandered through this world And as each moment has unfurled I've been waiting to awaken from these dreams People go just where they will I never noticed them until I got this feeling That it's later than it seems [Chorus] Doctor, my eyes Tell me what you see I hear their cries Just say if it's too late for me [Chorus] Doctor, my eyes Cannot see the sky Is this the prize For having learned how not to cry?

Gangsta's Paradise is a single by American rapper Coolio, released on August 1, 1995, by Tommy Boy, Warner Bros. and MCA. Interpolating Stevie Wonder's song "Pastime Paradise" (1976), "Gangsta's Paradise" features vocals from American singer L.V. who served as a co-composer and co-lyricist with Coolio and Doug Rasheed, with Wonder also being credited for the composition and lyrics. Certified Platinum in October, the song was included on Coolio's second album, Gangsta's Paradise, in November 1995. Its music video was directed by Antoine Fuqua and featured Michelle Pfeiffer. The song is taken from Pfeiffer's movie Dangerous Minds, and the music video is also themed around the movie. The song was the top-selling single of 1995 on the Billboard Hot 100 and the first rap single ever to go straight to number one in Britain.[5] In 2008, it was ranked number 38 on VH1's "100 Greatest Songs of Hip Hop". NME listed the song at number 100 in their ranking of "100 Best Songs of the 1990s" in 2012 and Billboard magazine ranked it among the "500 Best Pop Songs of All Time" in 2023. Coolio was awarded a Grammy for Best Rap Solo Performance, two MTV Video Music Awards for Best Rap Video and Best Video from a Film and a Billboard Music Award for the song. The song was voted as the best single of the year in The Village Voice's Pazz & Jop critics' poll. Lyrics: As I walk through the valley of the shadow of death I take a look at my life and realise there's nothing left cause I have been blasting and laughing So long that even My mama thinks that my mind is gone But I never crossed a man that didn't deserve it Me be' treated like a punk you that's unheard of You better watch how you talking or you and your homies might be lying chopped i really hate the The trip but I gotta go as they go I see my self at the piston smoke Fool am the kind of G that the homies wanna be like on my knees at night sayings prayers at the street light Chorus:(l.v.music) x4 Been spending most their lives Living In the gangster's paradise Verse 2 (Coolio) Look at the situation they got me facing I can live a normal life I was raised by the streets I gotta be down with the hood things To much television they got me chasing dreams Am a educated fool with money on my mind Got my tin in my hand with the green in my eye

Feelin' Alright?, also known as "Feeling Alright", is a song written by Dave Mason of the English rock band Traffic for their eponymous 1968 album Traffic. It was also released as a single, and failed to chart on both the UK Singles Chart and the US Billboard Hot 100, but it did reach a bubbling under position of #123 on the Bubbling Under Hot 100. Joe Cocker performed a more popular rendition of the song on his 1969 album With a Little Help from My Friends, that did chart in the U.S. Both Traffic's and Cocker's versions appear in the 2012 movie Flight. The song was also featured in the 2000 film Duets, sung by Huey Lewis. Lyrics: Seems I've got to have a... change of scene Every night I have... the strangest dreams Imprisoned by the way, yeah.. it could have been Left here on my own or... so it seems I've got to leave before I... start to scream Won't someone lock the door and turn the key Feeling alright I'm not feeling too good myself Yes, sir Feeling alright I'm not feeling that good myself Boy you sure took me.. for one bad ride And even now I sit... and I wonder why That when I think of you I stop myself from crying I just can't waste my time I must get by I've got to stop believing... in all your lies Hope there's too much to do before I die Hey Feeling alright I'm not feeling too good myself Oh no Feeling alright I'm not feeling that good little girl INSTRUMENTAL Don't you get too lost... in all I say Hey--but at the time. you know, I really... felt that way But that was then and now you know... its today I can't get safe for I guess I'm here to stay Till someone comes along and... take my place, yeah With a different name, whoah.. and a different face Feeling alright I'm not feeling that good myself Feeling alright I'm not feeling that good myself Feeling alright I'm not feeling that good myself Feeling alright I'm not feeling good myself Feeling alright I'm not feeling too good myself Feeling alright I'm not feeling that good myself

The Great Gig in the Sky is the fifth track on The Dark Side of the Moon, a 1973 album by English rock band Pink Floyd. The song features music by keyboard player Richard Wright and improvised, wordless vocals by session singer Clare Torry. It is one of only three Pink Floyd songs to feature lead vocals from an outside artist. The Great Gig in the Sky was released as a digital single on February 10, 2023, to promote The Dark Side of the Moon 50th Anniversary box set. Richard Wright in discussing the song said, "It was just me playing in the studio, playing some chords, and probably Dave or Roger saying “Hmm… that sounds nice. Maybe we could use that for this part of the album.” And then, me going away and trying to develop it. So then I wrote the music for that, and then there was a middle bit, with Clare Torry singing, that fantastic voice. We wanted something for that bit, and she came in and sang on it." The song talks to the pressure of mortality of life, with the “Great Gig in the Sky” being a reference to heaven or an afterlife. Lyrics: [Intro: Gerry O'Driscoll] And I am not frightened of dying, you know Any time will do, I don't mind Why should I be frightened of dying? There's no reason for it You've gotta go sometime [Non-Lyrical Vocals: Clare Torry] [Interlude: Patricia Watts] I never said I was frightened of dying [Non-Lyrical Vocals: Clare Torry]

Mary Jane's Last Dance is a song written by Tom Petty and recorded by American rock band Tom Petty and the Heartbreakers. It was recorded while Petty was recording his Wildflowers album and was produced by Rick Rubin, guitarist Mike Campbell, and Petty. The sessions would prove to be the last to include drummer Stan Lynch before his eventual departure in 1994. This song was first released as part of the Greatest Hits album in 1993. It rose to No. 14 on the US Billboard Hot 100, becoming Petty's first Billboard top-20 hit of the 1990s, and also topped the Billboard Album Rock Tracks chart for two weeks. Internationally, the song reached No. 2 in Portugal, No. 5 in Canada and No. 7 in Iceland. Lyrics: [Verse 1] She grew up in an Indiana town Had a good lookin' mama who never was around But she grew up tall and she grew up right With them Indiana boys on them Indiana nights Well, she moved down here at the age of eighteen She blew the boys away, was more than they'd seen I was introduced and we both started groovin' She said, "I dig you baby, but I got to keep movin' on Keep movin' on" [Chorus] Last dance with Mary Jane, one more time to kill the pain I feel summer creepin' in and I'm tired of this town again [Verse 2] Well, I don't know, but I've been told You never slow down, you never grow old I'm tired of screwin' up, tired of going down Tired of myself, tired of this town [Refrain] Oh, my, my, oh, hell yes Honey, put on that party dress Buy me a drink, sing me a song Take me as I come 'cause I can't stay long [Chorus] Last dance with Mary Jane, one more time to kill the pain I feel summer creepin' in and I'm tired of this town again [Verse 3] There's pigeons down on Market Square She's standin' in her underwear Lookin' down from a hotel room The nightfall will be comin' soon [Refrain] Oh, my, my, oh, hell yes You got to put on that party dress It was too cold to cry when I woke up alone I hit my last number and walked to the road [Chorus] Last dance with Mary Jane, one more time to kill the pain I feel summer creepin' in and I'm tired of this town again

Sunshine Superman is a song written and recorded by Scottish singer-songwriter Donovan. It was released as a single in the United States in July 1966, but due to a contractual dispute the United Kingdom release was delayed until December 1966, where it appeared on Donovan's previous label, Pye Records. The single was backed with "The Trip" on both the US and UK releases. It has been described as "[one of the] classics of the era", and as "the quintessential bright summer sing along. Lyrics: Sunshine came softly through my a-window today Could've tripped out easy a-but I've a-changed my ways It'll take time, I know it but in a while You're gonna be mine, I know it, we'll do it in style 'Cause I made my mind up you're going to be mine I'll tell you right now Any trick in the book now, baby, all that I can find Everybody's hustlin' just to have a little scene When I say we'll be cool I think that you know what I mean We stood on a beach at sunset, do you remember when? I know a beach where, baby, a-it never ends When you've made your mind up forever to be mine Hmm, hmm, hmm, hmm, hmm I'll pick up your hand and slowly blow your little mind 'Cause I made my mind up you're going to be mine I'll tell you right now Any trick in the book now, baby, all that I can find Superman or Green Lantern ain't got a-nothin' on me I can make like a turtle and dive for your pearls in the sea, yeah A you-you-you can just sit there a-thinking on your velvet throne 'Bout all the rainbows a-you can a-have for your own When you've made your mind up forever to be mine Hmm, hmm, hmm, hmm, hmm I'll pick up your hand and slowly blow your little mind When you've made your mind up forever to be mine I'll pick up your hand I'll pick up your hand

Abbey Road is the eleventh studio album by the English rock band the Beatles, released on 26 September 1969. It is the last album the group recorded, although Let It Be was the last album completed before the band's break-up in April 1970. It was mostly recorded in April, July, and August 1969, and reached number one in both the US and the United Kingdom. A double A-side single from the album, "Something" / "Come Together", was released in October, which also topped the charts in the US. Tracklist: 00:00 - 1. Come Together 04:20 - 2. Something 07:22 - 3. Maxwell's Silver Hammer 10:50 - 4. Oh! Darling 14:17 - 5. Octopus's Garden 17:08 - 6. I Want You (She's So Heavy) 24:55 - 7. Here Comes the Sun 28:01 - 8. Because 30:47 - 9. You Never Give Me Your Money 34:49 - 10. Sun King 37:16 - 11. Mean Mr. Mustard 38:22 - 12. Polythene Pam 39:35 - 13. She Came In Through the Bathroom Window 41:34 - 14. Golden Slumbers 43:05 - 15. Carry That Weight 44:42 - 16. The End 46:54 - 17. Her Majesty

Think I'm in Love with You is a song by American singer-songwriter Chris Stapleton. It was first released on September 8, 2023, as a promotional single from his fifth studio album Higher (2023), before being released as the album's second single on February 12, 2024. Lyrics: [Verse 1] Baby, do you ever wonder Whatever happened way back when Or if I'll see you again And maybe if you ever wonder Aw, you might wish things could change I know this might sound strange but [Chorus] I think I'm in love with you I didn't know it at the time I know what I wanna do It's makin' me lose my mind I thought about thinkin' it through And every time I do I find I wanna make your dreams come true I think I'm in love with you I'm in love with you [Verse 2] Ooh, you are the power over me You are the truth that I believe You are my life, you are my world You are thе air I'm breathin', girl You are the light I wanna see You'rе all of everythin' to me You are the reasons that I am Woman [Chorus] I think I'm in love with you I didn't know it at the time I know what I wanna do It's makin' me lose my mind I thought about thinkin' it through And every time I do I find I wanna make your dreams come true I think I'm in love with you Oh, I think I'm in love with you I didn't know it at the time I know what I wanna do It's makin' me lose my mind, girl I thought about thinkin' it through And every time I do I find I wanna make your dreams come true I think I'm in love with you Oh, I think I'm in love with you I didn't know it at the time I know what I wanna do It's makin' me lose my mind, girl I thought about thinkin' it through And every time I do I find I wanna make your dreams come true I think I'm in love with you I'm in love with you [Outro] I think I'm in love with you I think I'm in love with you I think I'm in love with you (Yeah) I think I'm in love with you I think I'm in love with you (Yeah) I think I'm in love with you

Sweet Home Alabama is a song by American rock band Lynyrd Skynyrd, released on the band's second album Second Helping (1974). It was written in response to Neil Young's songs "Southern Man" and "Alabama", which the band felt blamed the entire Southern United States for slavery. Young is name-checked and dissed in the lyrics. It reached number eight on the Billboard Hot 100 chart in 1974, becoming the band's highest-charting single. Lyrics: [Intro] One, two, three Turn it up [Verse 1] Big wheels keep on turnin' Carry me home to see my kin Singin' songs about the Southland I miss ol' 'Bamy once again And I think it's a sin, yes [Verse 2] Well, I heard Mr. Young sing about her (Southern man) Well, I heard ol' Neil put her down Well, I hope Neil Young will remember A Southern man don't need him around, anyhow [Chorus] Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord, I'm coming home to you [Verse 3] In Birmingham, they loved the governor Boo, boo, boo Now we all did what we could do Now, Watergate does not bother me Does your conscience bother you? Tell the truth [Chorus] Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord, I'm coming home to you Here I come, Alabama [Guitar Solo] [Bridge] Ah, ah, ah, Alabama Ah, ah, ah, Alabama Ah, ah, ah, Alabama Ah, ah, ah, Alabama [Verse 4] Now Muscle Shoals has got the Swampers And they've been known to pick a song or two (Yes, they do) Lord, they get me off so much They pick me up when I'm feelin' blue Well, now, how 'bout you? [Chorus] Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord, I'm coming home to you Sweet home Alabama (Oh, sweet home, baby) Where the skies are so blue (And the governor's true) Sweet home Alabama (Lordy) Lord, I'm coming home to you Yeah, yeah [Outro] My Montgomery's got the answer

Go All the Way is a song written by Eric Carmen of American rock group the Raspberries, from their 1972 album Raspberries. Released as a single in July 1972, the song reached the Top 5 on three principal US charts: number 5 on the Billboard Hot 100, number 4 on Cashbox, and number 3 on Record World. The single sold more than 1.3 million copies, earning the band their only certified Gold Record. It was their second single release and their biggest US hit. Because of its sexually suggestive lyrics, "Go All the Way" was banned by the BBC, limiting its success in the United Kingdom. Lyrics: [Intro] Mama, yeah (Whoo) Ooh Come on Ma-ma-ma-ma, yeah, whoo [Verse 1] I never knew how complete love could be 'Til she kissed me and said [Chorus] "Baby, please (Baby) go all the way It feels so right (Feels so right) Being with you here tonight Please (Baby) go all the way Just hold me close (Hold me close) Don't ever let me go (Don't let me go)" [Verse 2] I couldn't say what I wanted to say 'Til she whispered, "I love you so" [Chorus] "Please (Baby) go all the way It feels so right (Feels so right) Being with you here tonight Please (Baby) go all the way Just hold me close (Hold me close) Don't ever let me go (Don't let me go), oh no" [Bridge] Before her love, I was cruel and mean I had a hole in the place where my heart should have been But now I've changed and it feels so strange I come alive when she does all those things to me And she says (Come on) "Come on (Come on) (Come on) Come on (Come on) I need you (Come on), I love you (Come on) I need you (Come on)" (Come on) [Chorus] "Please (Baby) go all the way It feels so right (Feels so right) Being with you here tonight Please (Baby) go all the way Just hold me close (Hold me close) Don't ever let me go (Don't let me go), oh no" [Outro] Ooh-ooh-ooh-ooh, ooh, ooh Oh yeah No, no, no, yeah, yeah, ow Got to go all the way, yeah Whoo-hoo

Killer Queen is a song by the British rock band Queen. It was written by lead singer Freddie Mercury and recorded for their third album Sheer Heart Attack in 1974. It reached number two in the UK Singles Chart and became their first US hit, reaching number twelve on the Billboard Hot 100. The song is about a high-class call girl and has been characterised as "Mercury's piano-led paean to a Moët-quaffing courtesan". Lyrics: [Verse 1] She keeps Moët et Chandon In her pretty cabinet "Let them eat cake", she says Just like Marie Antoinette A built-in remedy For Khrushchev and Kennedy (Ooh, ooh) At anytime, an invitation you can't decline (Ooh, ooh) [Pre-Chorus] Caviar and cigarettes Well-versed in etiquette Extraordinarily nice [Chorus] She's a killer queen Gunpowder, gelatine Dynamite with a laser beam (Pa-pa-pa-pa) Guaranteed to blow your mind (Anytime) Ooh, recommended at the price Insatiable an appetite Wanna try? [Verse 2] To avoid complications She never kept the same address In conversation She spoke just like a baroness Met a man from China Went down to Geisha Minah (Killer) Then again incidentally (Killer) If you're that way inclined (She's a killer queen) [Pre-Chorus] Perfume came naturally from Paris (Naturally) For cars, she couldn't care less Fastidious and precise [Chorus] She's a killer queen Gunpowder, gelatine Dynamite with a laser beam (Pa-pa-pa-pa) Guaranteed to blow your mind (Anytime) [Guitar Solo] [Bridge] Drop of a hat, she's as willing as Playful as a pussycat (Ooh) Then momentarily out of action (Ooh) Temporarily out of gas (Ooh, da-da) To absolutely drive (Drive you wild) (Wild) She's out to get you [Chorus] She's a killer queen Gunpowder, gelatine Dynamite with a laser beam (Pa-pa-pa-pa) Guaranteed to blow your mind (Anytime) Ooh, recommended at the price Insatiable an appetite Wanna try? [Outro] You wanna try?

Mr. Tambourine Man is the debut studio album by the American rock band the Byrds, released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's[nb 2] 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s. Lyrics: [Chorus: Roger McGuinn, Gene Clark & David Crosby] Hey, Mr. Tambourine Man, play a song for me I'm not sleepy and there ain't no place I'm goin' to Hey, Mr. Tambourine Man, play a song for me In the jingle jangle morning, I'll come followin' you [Verse 1: Roger McGuinn] Take me for a trip upon your magic swirlin' ship All my senses have been stripped And my hands can't feel to grip And my toes too numb to step Wait only for my boot heels to be wanderin' [Verse 2: Roger McGuinn] I'm ready to go anywhere, I'm ready for to fade Unto my own parade Cast your dancing spell my way I promise to go under it [Chorus: Roger McGuinn, Gene Clark & David Crosby] Hey, Mr. Tambourine Man, play a song for me I'm not sleepy and there ain't no place I'm goin' to Hey, Mr. Tambourine Man, play a song for me In the jingle jangle morning, I'll come followin' you

A Fifth of Beethoven is a disco instrumental recorded by Walter Murphy and the Big Apple Band, adapted from the first movement of Ludwig van Beethoven's Symphony No. 5. The song's title is a pun, referencing both a liquid measure (approximately one-fifth of a gallon, a common bottle size for hard liquor) and Beethoven's Fifth Symphony. The record was produced by Thomas J. Valentino and released as a single by Private Stock Records in 1976. It debuted on the Billboard Hot 100 at number 80 on June 12, 1976, and reached number 1 on October 9, 1976, where it stayed for one week. The song was credited to "Walter Murphy & The Big Apple Band" to appeal to a group audience, though the band was essentially Murphy himself.

Franklin's Tower is a song by the Grateful Dead, written by lyricist Robert Hunter and composed by Jerry Garcia, first appearing on their 1975 album Blues for Allah. The song is known for its evocative lyrics and has become a staple of the band's live performances, featured on numerous official releases and live recordings from the 1970s through the 1990s, including Dick's Picks, View From The Vault, and the 30 Trips Around The Sun box set. It was also released as a single in 1976 paired with "Help On The Way". Lyrics: [Verse 1] In another time's forgotten space Your eyes looked through your mother's face Wildflower seed on the sand and stone May the four winds blow you safely home [Chorus] Roll away the dew Roll away the dew Roll away the dew Roll away the dew [Verse 2] I'll tell you where the four winds dwell In Franklin's tower there hangs a bell It can ring, turn night to day It can ring like fire when you lose your way [Chorus] Roll away the dew Roll away the dew Roll away the dew Roll away the dew [Verse 3] God save the child who rings that bell It may have one good ring left, baby, you can't tell One watch by night, one watch by day If you get confused just listen to the music play [Instrumental Break] [Verse 4] Some come to laugh their past away Some come to make it just one more day Whichever way your pleasure tends If you plant ice, you're gonna harvest wind [Chorus] Roll away the dew Roll away the dew Roll away the dew Roll away the dew [Verse 5] In Franklin's tower the four winds sleep Like four lean hounds the lighthouse keep Wildflower seed in the sand and wind May the four winds blow you home again [Chorus] Roll away the dew Roll away the dew Roll away the dew You'd better roll away the dew Roll away the dew You'd better roll away the dew (Roll away) Roll away the dew You'd better roll away the dew (Roll away) Roll away the dew Roll away the dew (Roll away) Roll away the dew Roll away the dew (Roll away) You'd better roll

Don't Let Me Down is a song by the English rock band the Beatles, recorded in 1969 during the Let It Be sessions. It was written by John Lennon and credited to the Lennon–McCartney songwriting partnership. The band recorded the song with keyboardist Billy Preston; the single release with "Get Back" was credited to "the Beatles with Billy Preston". Originally released as a B-side, producer Phil Spector excluded the song from Let It Be. The song's first album appearance in stereo was on the North American collection Hey Jude, released in 1970, and on the global market collection 1967–1970, released in 1973. Lyrics: [Chorus: John Lennon & Paul McCartney] Don't let me down, don't let me down Don't let me down, don't let me down [Verse 1: John Lennon & Paul McCartney] Nobody ever loved me like she does Ooh, she does Yeah, she does And if somebody loved me like she do me Ooh, she do me Yes, she does [Chorus: John Lennon & Paul McCartney] Don't let me down, don't let me down Don't let me down, don't let me down [Bridge: John Lennon] I'm in love for the first time Don't you know it's gonna last? It's a love that lasts forever It's a love that has no past [Chorus: John Lennon & Paul McCartney] Don't let me down, don't let me down Don't let me down, don't let me down [Verse 2: John Lennon] And from the first time that she really done me Ooh, she done me She done me good I guess nobody ever really done me Ooh, she done me She done me good [Chorus: John Lennon & Paul McCartney] Don't let me down -hey!- don't let me down Please (don't let me down) don't let me down [Outro: John Lennon] Please (yeah, ow!) Ow! Don't let me down (Ow!) Don't let me down Can you dig it? Yeah (Don't let me down)

Squeeze Box is a song by the British rock band the Who from their album The Who by Numbers. Written by Pete Townshend, the lyrics are couched in sexual double entendres. Unlike many of the band's other hits, the song features country-like elements, as heard in Townshend's banjo picking. Squeeze Box was a commercial success, peaking at No. 10 on the UK Singles Chart and No. 16 in the US Billboard Hot 100. The song is also their only international number-one hit, reaching No. 1 in Canada, and No. 2 on the Irish singles chart. Lyrics: [Verse 1] Mama's got a squeeze box She wears on her chest And when Daddy comes home He never gets no rest [Chorus] 'Cause she's playing all night And the music's alright Mama's got a squeeze box Daddy never sleeps at night [Verse 2] Well, the kids don't eat And the dog can't sleep There's no escape from the music In the whole damn street [Chorus] 'Cause she's playing all night And the music's alright Mama's got a squeeze box Daddy never sleeps at night [Pre-Chorus] She goes in and out and in and out And in and out and in and out [Chorus] She's playin' all night And the music's all right Mama's got a squeeze box Daddy never sleeps at night [Bridge] She goes, "Squeeze me Come on and squeeze me Come on and tease me like you do" I'm so in love with you Mama's got a squeeze box Daddy never sleeps at night [Pre-Chorus] She goes in and out and in and out And in and out and in and out [Chorus] 'Cause she's playing all night And the music's alright Mama's got a squeeze box Daddy never sleeps at night

Demons is a song by American pop rock band Imagine Dragons. It was written by Alex da Kid, Ben McKee, Dan Reynolds, Wayne Sermon, Josh Mosser and produced by Alex da Kid. The song appears on their major-label debut extended play, Continued Silence (2012), and also makes an appearance on their debut studio album, Night Visions (2012), as the fourth track. "Demons" was solicited to American triple-A radio stations on January 28, 2013, and to modern rock stations two months later, on April 1, 2013. It serves as the album's overall fifth single and was released as the third single from Night Visions in the United States, later released to US contemporary hit radio stations on September 17, 2013 as an official single. The lyrics portray the protagonist warning the significant other of his or her flaws. https://shop.imaginedragonsmusic.com/ Lyrics: [Verse 1] When the days are cold and the cards all fold And the saints we see are all made of gold When your dreams all fail and the ones we hail Are the worst of all, and the blood's run stale [Pre-Chorus] I wanna hide the truth, I wanna shelter you But with the beast inside, there's nowhere we can hide No matter what we breed, we still are made of greed This is my kingdom come, this is my kingdom come [Chorus] When you feel my heat, look into my eyes It's where my demons hide, it's where my demons hide Don't get too close, it's dark inside It's where my demons hide, it's where my demons hide [Verse 2] At the curtain's call it's the last of all When the lights fade out, all the sinners crawl So they dug your grave and the masquerade Will come calling out at the mess you've made [Pre-Chorus] Don't wanna let you down, but I am hell-bound Though this is all for you, don't wanna hide the truth No matter what we breed, we still are made of greed This is my kingdom come, this is my kingdom come [Chorus] When you feel my heat, look into my eyes It's where my demons hide, it's where my demons hide Don't get too close, it's dark inside It's where my demons hide, it's where my demons hide [Bridge] They say it's what you make, I say it's up to fate It's woven in my soul, I need to let you go Your eyes, they shine so bright, I wanna save that light I can't escape this now, unless you show me how [Chorus] When you feel my heat, look into my eyes It's where my demons hide, it's where my demons hide Don't get too close, it's dark inside It's where my demons hide, it's where my demons hide

Uncle John's Band is a song by the Grateful Dead that first appeared in their concert setlists in late 1969. The band recorded it for their 1970 album Workingman's Dead. Written by guitarist Jerry Garcia and lyricist Robert Hunter, "Uncle John's Band" presents the Dead in an acoustic and musically concise mode, with close harmony singing. The song is one of the band's best known, and is included on the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2001 it was named 321st (of 365) in the Songs of the Century project list. Lyrics: [Verse 1] Well, the first days are the hardest days Don't you worry anymore 'Cause when life looks like Easy Street There is danger at your door Think this through with me Let me know your mind Woah-oh, what I want to know Is are you kind? [Verse 2] It's a buck dancer's choice, my friend Better take my advice You know all the rules by now And the fire from the ice Will you come with me? Won't you come with me? Woah-oh, what I want to know Will you come with me? [Verse 3] Goddamn, well, I declare Have you seen the like Their walls are built of cannonballs Their motto is "Don't Tread on Me" [Chorus 1] Come hear Uncle John's Band Playing to the tide Come with me or go alone He's come to take his children home [Verse 4] It's the same story the crow told me It's the only one he know Like the morning sun, you come And like the wind you go Ain't no time to hate Barely time to wait Woah-oh, what I want to know Where does the time go? [Verse 5] I live in a silver mine And I call it "Beggar's Tomb" I got me a violin And I beg you call the tune Anybody's choice I can hear your voice Woah-ho, what I want to know How does the song go? [Chorus 2] Come hear Uncle John's Band By the riverside Got some things to talk about Here beside the rising tide [Chorus 1] Come hear Uncle John's Band Playing to the tide Come on along or go alone He's come to take his children home [Bridge] Woah-ho, what I want to know How does the song go? [Chorus 2] Come hear Uncle John's Band By the riverside Got some things to talk about Here beside the rising tide [Chorus 3] Come hear Uncle John's Band Playing to the tide Come on along or go alone He's come to take his children home [Outro] Duh-duh-duh-duh-duh-duh Duh-duh-duh-duh-duh-duh Duh-duh-duh-duh-duh-duh

Hang On Sloopy (originally "My Girl Sloopy") is a 1964 song written by Wes Farrell and Bert Berns. Rhythm and blues vocal group the Vibrations were the first to record the tune in 1964. Atlantic Records released it as a single, which reached No. 26 on the Billboard Hot 100 chart. The song is associated with Ohio State University and is Ohio's official rock song. The song became standard fare for garage bands and, in 1965, it became one of the first songs recorded by the Yardbirds with guitarist Jeff Beck. A version by the rock group the McCoys was the most successful when it reached number one in the U.S. singles chart in October 1965. Recordings by additional artists also reached the charts, including versions in Spanish and Portuguese. By one account, the inspiration for the song was Dorothy Sloop, a jazz singer from Steubenville, Ohio, and a student at Ohio University in Athens. Lyrics: [Chorus] Hang on, Sloopy Sloopy, hang on Hang on, Sloopy Sloopy, hang on [Verse 1] Sloopy lives in a very bad part of town (Ooh, ooh, ooh, ooh) And everybody, yeah, tries to put my Sloopy down (Ooh, ooh, ooh, ooh) Sloopy, I don't care what your daddy do (Ooh, ooh, ooh, ooh) 'Cause you know, Sloopy, girl, I'm in love with you (Ooh, ooh, ooh, ooh) And so I say now [Chorus] Hang on, Sloopy Sloopy, hang on Hang on, Sloopy Sloopy, hang on [Verse 2] Sloopy wears a red dress, yeah, as old as the hills (Ooh, ooh, ooh, ooh) But when Sloopy wears that red dress, yeah, you know, it gives me the chills, oh, oh (Ooh, ooh, ooh, ooh) Sloopy, when I see you walkin', walkin' down the street (Ooh, ooh, ooh, ooh) I say, "Don't worry, Sloopy, girl, you belong to me" (Ooh, ooh, ooh, ooh) And so I say now [Chorus] Hang on, Sloopy Sloopy, hang on Hang on, Sloopy Sloopy, hang on Yeah (Yeah), yeah (yeah) Give it to 'em (Yeah), right now [Guitar Breakdown] [Verse 3] Sloopy, let your hair down, girl Let it hang down on me (Ooh, ooh, ooh, ooh) Sloopy, let your hair down, girl Let it hang down on me, yeah, yeah (Ooh, ooh, ooh, ooh) [Bridge] Come on, Sloopy (Come on, come on) Well, come on, Sloopy (Come on, come on) Well, come on, Sloopy (Come on, come on) Well, come on, Sloopy (Come on, come on) Well, it feels so good (Come on, come on) You know, it feels so good (Come on, come on) Well, shake it, shake it, shake it, Sloopy (Come on, come on) Well, shake it, shake it, shake it, yeah (Come on, come on) Ohhh [Outro] Hang on, Sloopy Sloopy, hang on Yeah (Yeah), yeah (yeah), yeah (yeah) ah Hang on, Sloopy Sloopy, hang on Yeah (Yeah), yeah (yeah), yeah (yeah) Hang on, Sloopy Sloopy, hang on

In the Right Place is the sixth album by the New Orleans R&B artist Dr. John. The album was released on Atco Records in 1973, and became the biggest selling album of Dr. John's career. The song "Such a Night" was also performed as part of the Band's The Last Waltz concert, made famous by Martin Scorsese's film. The song "Right Place, Wrong Time" became the biggest hit from the LP, reaching the Top 10 in both the U.S. and Canada. The album itself was Dr. John's highest charting album on the Billboard 200, spending 33 weeks on the chart and peaking at No. 24 on June 23, 1973. Lyrics: {Intro} I been in the right place, but it must have been the wrong time I'd have said the right thing, but I must have used the wrong line I been in the right trip, but I must have used the wrong car My head was in a bad place and I'm wondering what it's good for I been the right place, but it must have been the wrong time My head was in a bad place, but I'm having such a good time I been running trying to get hung up in my mind (oooh) Got to give myself a good talking-to this time Just need a little brain salad surgery (oooh) Got to cure this insecurity I been in the wrong place, but it must have been the right time I been in the right place, but it must have been the wrong song I been in the right vein, but it seems like the wrong arm I been in the right world, but it seems wrong wrong wrong wrong wrong {Bridge} Slipping, dodging, sneaking, creeping, hiding out down the street (oooh) See me life shaking with every ho' I meet Refried confusion is making itself clear (oooh) Wonder which way do I go to get on out of here I been in the right place, but it must have been the wrong time I'd have said the right thing, but I must have used the wrong line I'd have took the right road, but I must have took a wrong turn Would've made the right move, but I made it at the wrong time I been on the right road but, I must have used the wrong car My head was in a good place and I wonder what it's bad for

Till I Collapse is a song by the American rapper Eminem featuring Nate Dogg. It was originally released as a part of Eminem's fourth studio album The Eminem Show (2002). Without having been released as a single, the song charted numerous times worldwide and has become one of Eminem's most popular songs. Lyrics: [Intro: Eminem] (Yo, left, yo, left) 'Cause sometimes you just feel tired (Yo, left, right, left) Feel weak, and when you feel weak (Yo, left, yo, left) You feel like you wanna just give up (Yo, left, right, left) But you gotta search within you (Yo, left, yo, left) Try to find that inner strength and just pull that shit out of you (Yo, left, right, left) And get that motivation to not give up (Yo, left, yo, left) And not be a quitter (Yo, left, right, left) No matter how bad you wanna just fall flat on your face and collapse [Verse 1: Eminem] 'Til I collapse, I'm spillin' these raps long as you feel 'em 'Til the day that I drop, you'll never say that I'm not killin' 'em 'Cause when I am not, then I'ma stop pennin' 'em And I am not hip-hop and I'm just not Eminem Subliminal thoughts, when I'ma stop sendin' 'em? Women are caught in webs, spin 'em and hock venom Adrenaline shots of penicillin could not get the illin' to stop Amoxicillin's just not real enough The criminal, cop-killin', hip-hop villain A minimal swap to cop millions of Pac listeners You're comin' with me, feel it or not You're gonna fear it like I showed ya the spirit of God lives in us You hear it a lot, lyrics to shock Is it a miracle or am I just product of pop fizzin' up? Fa' shizzle, my wizzle, this is the plot, listen up You bizzles forgot, Slizzle does not give a fuck [Chorus: Nate Dogg & Eminem] 'Til the roof comes off, 'til the lights go out 'Til my legs give out, can't shut my mouth 'Til the smoke clears out, am I high? Perhaps I'ma rip this shit 'til my bones collapse 'Til the roof comes off, 'til the lights go out ('Til the roof, until the roof) 'Til my legs give out, can't shut my mouth (The roof comes off, the roof comes off) 'Til the smoke clears out, am I high? Perhaps ('Til my legs, until my legs) I'ma rip this shit 'til my bones collapse (Give out from underneath me) [Verse 2: Eminem] Music is like magic, there's a certain feelin' you get When you real and you spit, and people are feelin' your shit This is your moment, and every single minute you spend Tryna hold on to it, 'cause you may never get it again So while you're in it, try to get as much shit as you can And when your run is over, just admit when it's at its end 'Cause I'm at the end of my wits with half the shit that gets in I got a list, here's the order of my list that it's in It goes: Reggie, JAY-Z, 2Pac and Biggie André from OutKast, Jada, Kurupt, Nas, and then me But in this industry I'm the cause of a lot of envy So when I'm not put on this list, the shit does not offend me That's why you see me walk around like nothing's botherin' me Even though half you people got a fuckin' problem with me You hate it, but you know respect you got to give me The press's wet dream, like Bobby and Whitney—Nate, hit me [Chorus: Nate Dogg & Eminem] 'Til the roof comes off, 'til the lights go out 'Til my legs give out, can't shut my mouth 'Til the smoke clears out, am I high? Perhaps I'ma rip this shit 'til my bones collapse 'Til the roof comes off, 'til the lights go out ('Til the roof, until the roof) 'Til my legs give out, can't shut my mouth (The roof comes off, the roof comes off) 'Til the smoke clears out, am I high? Perhaps ('Til my legs, until my legs) I'ma rip this shit 'til my bones collapse (Give out from underneath me) [Verse 3: Eminem] Soon as a verse starts, I eat at an MC's heart What is he thinking? How not to go against me, smart And it's absurd how people hang on every word I'll prob'ly never get the props I feel I ever deserve But I'll never be served, my spot is forever reserved If I ever leave Earth, that would be the death of me first 'Cause in my heart of hearts I know nothin' could ever be worse That's why I'm clever when I put together every verse My thoughts are sporadic, I act like I'm an addict I rap like I'm addicted to smack like I'm Kim Mathers But I don't wanna go forth and back in constant battles The fact is I would rather sit back and bomb some rappers So this is like a full-blown attack I'm launchin' at 'em The track is on some battlin' raps, who wants some static? 'Cause I don't really think that the fact that I'm Slim matters A plaque and platinum status is wack if I'm not the baddest, so [Chorus: Nate Dogg & Eminem] 'Til the roof comes off, 'til the lights go out 'Til my legs give out, can't shut my mouth 'Til the smoke clears out, am I high? Perhaps I'ma rip this shit 'til my bones collapse 'Til the roof comes off, 'til the lights go out ('Til the roof, until the roof) 'Til my legs give out, can't shut my mouth (The roof comes off, the roof comes off) 'Til the smoke clears out, am I high? Perhaps ('Til my legs, until my legs) I'ma rip this shit 'til my bones collapse (Give out from underneath me) [Outro: Eminem, Nate Dogg & Eminem & Nate Dogg] Until the roof, until the roof The roof comes off, the roof comes off Until my legs, until my legs Give out from underneath me, I I will not fall, I will stand tall Feels like no one can beat me

Wind of Change is a song by German rock band Scorpions, recorded for their 11th studio album, Crazy World (1990). A power ballad, it was composed and written by the band's lead singer, Klaus Meine, and produced by Keith Olsen and the band. The lyrics were composed by Meine following the band's visit to the Soviet Union at the height of perestroika, when the enmity between the communist and capitalist blocs subsided concurrently with the start of large-scale socioeconomic reforms in the Soviet Union. Wind of Change was released as the album's third single on 21 January 1991. The song became a worldwide hit, just after the failed coup that would eventually lead to the end of the Soviet Union. Lyrics: [Intro] (*Whistling*) [Verse 1] I follow the Moskva Down to Gorky Park Listening to the wind of change An August summer night Soldiers passing by Listening to the wind of change (*Whistling*) [Verse 2] The world is closing in And did you ever think That we could be so close, like brothers? The future's in the air I can feel it everywhere Blowing with the wind of change [Chorus] Take me to the magic of the moment On a glory night Where the children of tomorrow dream away (Dream away) In the wind of change Mmm [Verse 3] Walking down the street And distant memories Are buried in the past forever I follow the Moskva And down to Gorky Park Listening to the wind of change [Chorus] Take me (Take me) to the magic of the moment On a glory night (A glory night) Where the children of tomorrow share their dreams (Share their dreams) With you and me (With you and me) Take me (Take me) to the magic of the moment On a glory night (A glory night) Where the children of tomorrow dream away (Dream away) In the wind of change (The wind of change) [Bridge] The wind of change Blows straight into the face of time Like a storm wind that will ring the freedom bell For peace of mind Let your balalaika sing What my guitar wants to say (Say) [Guitar Solo] [Chorus] Take me (Take me) to the magic of the moment On a glory night (A glory night) Where the children of tomorrow share their dreams (Share their dreams) With you and me (With you and me) Take me (Take me) to the magic of the moment On a glory night (A glory night) Where the children of tomorrow dream away (Dream away) In the wind of change (The wind of change) [Outro] (*Whistling*)

Blurred Lines is a song by singer Robin Thicke featuring rapper T.I. and musician Pharrell Williams from Thicke's sixth studio album of the same name (2013). Solely produced by Williams, it was released as the album's lead single in 2013, through Star Trak Recordings and Interscope Records. Thicke has said that the song's lyrics are about his then-wife Paula Patton. Musically, "Blurred Lines" is an R&B and pop track with instrumentation consisting of bass guitar, drums, and percussion. Blurred Lines spent 12 consecutive weeks atop the US Billboard Hot 100, making it the longest-running single of 2013 in the United States. In June 2018, the song was certified Diamond by the Recording Industry Association of America (RIAA). It became one of the best-selling singles of all time, with sales of 14.8 million, simultaneously breaking the record for the largest radio audience in history. The song was nominated for awards, including Record of the Year and Best Pop Duo/Group Performance at the 56th Annual Grammy Awards. The song received generally negative reviews from music critics, with some saying it glorified rape culture. Commercially, the song topped the charts of 25 countries and reached the top five of six others. Lyrics: [Intro: Pharrell Williams & Robin Thicke] Everybody, get up Everybody, get up Hey, hey, hey Hey, hey, hey (Uh) Hey, hey, hey (Ha-ha, woo) Tune me up [Verse 1: Robin Thicke] If you can't hear what I'm tryna say (Hey, girl, come here) If you can't read from the same page (Hey) Maybe I'm goin' deaf (Hey, hey, hey) Maybe I'm goin' blind (Hey, hey, hey) Maybe I'm out of my mind (Hey, hey, hey) Everybody, get up [Pre-Chorus: Robin Thicke] Okay, now he was close Tried to domesticate you But you're an animal Baby, it's in your nature (Meow) Just let me liberate you (Hey, hey, hey) You don't need no takers (Hey, hey, hey) That man is not your maker (Hey, hey, hey) And that's why I'm gon' take a (Everybody, get up) [Chorus: Robin Thicke] Good girl I know you want it (Hey) I know you want it I know you want it You're a good girl Can't let it get past me You're far from plastic (Alright) Talkin' 'bout gettin' blasted I hate these blurred lines I know you want it (Hey) I know you want it (Oh yeah) I know you want it But you're a good girl The way you grab me Must wanna get nasty Go ahead, get at me Everybody, get up (Come on) [Verse 2: Robin Thicke] What do they make dreams for (Why?) When you got them jeans on? (Why?) What do we need steam for? You the hottest bitch in this place I feel so lucky (Hey, hey, hey) You wanna hug me (Hey, hey, hey) What rhymes with hug me? (Hey, hey, hey) Hey (Everybody, get up) [Pre-Chorus: Robin Thicke] Okay, now he was close Tried to domesticate you But you're an animal Baby, it's in your nature (Uh-huh) Just let me liberate you (Hey, hey, hey) (Uh-huh) You don't need no takers (Hey, hey, hey) (Uh-huh) That man is not your maker (Hey, hey, hey) (Uh-huh) And that's why I'm gon' take a (Everybody, get up) [Chorus: Robin Thicke] Good girl I know you want it I know you want it (Hey) I know you want it You're a good girl Can't let it get past me (Hey) You're far from plastic (Oh) Talkin' 'bout gettin' blasted (Everybody, get up) I hate these blurred lines (Hate them lines) I know you want it (I hate them lines) I know you want it (I hate them lines) I know you want it But you're a good girl (Good girl) The way you grab me Must wanna get nasty Go ahead, get at me (Everybody, get up) [Verse 3: T.I.] Hustle Gang, homie Let go Ay, say Rob, let me holla at 'em real quick One thing I ask of you Let me be the one you back that ass up to (Come on) Go from Malibu to Paris, boo (Yeah) Had a bitch, but she ain't bad as you So, hit me up when you pass through I'll give you somethin' big enough to tear your ass in two Swag on 'em even when you dress casual I mean, it's almost unbearable (Everybody, get up) In a hundred years not dare would I Pull a Pharcyde, let you pass me by Nothin' like your last guy, he too square for you He don't smack that ass and pull your hair like that So I'm just watchin' and waitin' For you to salute the true big pimpin' (Okay) Not many women can refuse this pimpin' I'm a nice guy, but don't get it confused, get pimpin' (Everybody, get up) [Breakdown: Robin Thicke] Shake your rump Get down, get up-a Do it like it hurt, like it hurt What, you don't like work? Hey (Everybody, get up) [Verse 4: Robin Thicke] Baby, can you breathe? I got this from Jamaica It always works for me Dakota to Decatur (Uh-huh) No more pretendin' (Hey, hey, hey) (Uh-huh) 'Cause now you're winnin' (Hey, hey, hey) (Uh-huh) Here's our beginnin' (Hey, hey, hey) (Uh-huh) I always wanted a [Chorus: Robin Thicke] You're a good girl (Everybody, get up) I know you want it (Hey) I know you want it I know you want it You're a good girl Can't let it get past me (Oh yeah) You're far from plastic (Alright) Talkin' 'bout gettin' blasted I hate these blurred lines (Everybody, get up) I know you want it (Hey) I know you want it (Oh yeah) I know you want it But you're a good girl The way you grab me Must wanna get nasty (Hey) Go ahead, get at me [Outro: Pharrell Williams & Robin Thicke] Everybody, get up Everybody, get up Hey, hey, hey Hey, hey, hey Hey, hey, hey

Breakfast in America is the sixth studio album by the British rock band Supertramp, released on 16 March 1979, by A&M Records. It was recorded from May to December 1978 at The Village Recorder in Los Angeles. It spawned three US Billboard Hot 100 hit singles: "The Logical Song" (No. 6), "Goodbye Stranger" (No. 15), and "Take the Long Way Home" (No. 10). In the UK, "The Logical Song" and the title track were both top 10 hits, the only two the group had in their native country. At the 22nd Annual Grammy Awards in 1980, Breakfast in America won two awards for Best Album Package and Best Engineered Non-Classical Recording, as well as nominations for Album of the Year and Best Pop Performance by a Duo or Group with Vocals. It became Supertramp's best-selling album, being certified 4x Platinum by the Recording Industry Association of America (RIAA) for more than four million copies sold in the US, where it was No. 1 on the Billboard 200 for six weeks. Tracklist: 1.The Logical Song 00:00 2.Breakfast in America 03:53 3.Goodbye Stranger 06:33 4.Take the Long Way Home 12:14

Stop Draggin My Heart Around is a song recorded by Stevie Nicks and Tom Petty and the Heartbreakers and released as the first single from Nicks' debut solo album Bella Donna (1981). The track is the album's only song that was neither written nor co-written by Nicks. Written by Tom Petty and Mike Campbell as a Tom Petty and the Heartbreakers song, Jimmy Iovine, who was also working for Stevie Nicks at the time, arranged for her to sing on it. Petty sings with Nicks in the chorus and bridge, while his entire band provides instrumentation with the exception of Ron Blair, who was replaced by bassist Donald "Duck" Dunn for the recording. Lyrics: [Verse 1: Stevie Nicks] Baby, you come knockin' on my front door Same old line you used to use before I said yeah, well, what am I supposed to do? I didn't know what I was gettin' into [Chorus: Stevie Nicks & Tom Petty] So you've had a little trouble in town Now you're keepin' some demons down Stop draggin' my, stop draggin' my Stop draggin' my heart around [Verse 2: Stevie Nicks] It's hard to think about what you've wanted It's hard to think about what you've lost This doesn't have to be the big get-even This doesn't have to be anything at all [Pre-Chorus: Tom Petty] I know you really wanna tell me goodbye I know you really wanna be your own girl [Chorus: Stevie Nicks & Tom Petty] Baby, you could never look me in the eye Yeah, you buckle with the weight of the word Stop draggin' my, stop draggin' my Stop draggin' my heart around [Instrumental Interlude] [Verse 3: Stevie Nicks] People runnin' 'round loose in the world Ain't got nothin' better to do Make a meal of some bright-eyed kid You need someone lookin' after you [Pre-Chorus: Tom Petty] I know you really wanna tell me goodbye I know you really wanna be your own girl [Chorus: Stevie Nicks & Tom Petty] Baby, you could never look me in the eye Yeah, you buckle with the weight of the word Stop draggin' my, stop draggin' my Stop draggin' my heart around [Outro: Stevie Nicks] Stop draggin' my heart around Stop draggin' my heart around Stop draggin' my heart around Stop draggin' my heart around

For What It’s Worth is a song written by Stephen Stills and recorded by Buffalo Springfield on December 5, 1966, at Columbia Studios in Hollywood. It was released as a single on Atco Records in December 1966 and peaked at number seven on the Billboard Hot 100 chart in the spring of 1967. Although often considered an anti-war song, the track was actually inspired by the Sunset Strip curfew riots in Los Angeles in November 1966, a series of clashes between police and young people on the Sunset Strip. The title "For What It’s Worth" was added after the song was written and does not appear in the lyrics. The song's distinctive sound features Stephen Stills' spooked vocals, Dewey Martin's ominous snare drum, and Neil Young's warning-bell two-note guitar harmonics. It was later included on the band's self-titled debut album, Buffalo Springfield, in the March 1967 second pressing. Lyrics: [Verse 1] There's something happening here But what it is ain't exactly clear There's a man with a gun over there A-telling me I got to beware [Chorus] I think it's time we stop Children, what's that sound? Everybody look what's going down [Verse 2] There's battle lines being drawn And nobody's right if everybody's wrong Young people speaking their minds Are gettin' so much resistance from behind [Chorus] It's time we stop Hey, what's that sound? Everybody look what's going down [Verse 3] What a field day for the heat (Ooh-ooh-ooh) A thousand people in the street (Ooh-ooh-ooh) Singing songs and a-carryin' signs (Ooh-ooh-ooh) Mostly say, "Hooray for our side" (Ooh-ooh-ooh) [Chorus] It's time we stopped Hey, what's that sound? Everybody look what's going down [Verse 4] Paranoia strikes deep Into your life, it will creep It starts when you're always afraid Step out of line, the man come and take you away [Chorus] We better stop Hey, what's that sound? Everybody look what's going We better stop Hey, what's that sound? Everybody look what's going We better stop Now, what's that sound? Everybody look what's going We better stop Children, what's that sound? Everybody look what's going down

Mother is a song by the English rock band Pink Floyd from their 1979 album The Wall. Mother is 5:32 in length. The majority of the song is in G major, though the chorus is predominantly a plagal cadence in C major. The song is notable for its varied use of time signatures, such as 5/8 and 9/8. Pink Floyd drummer Nick Mason found these time-signature changes difficult to learn, and, with the band recording on a very tight schedule, ceded the drumming duties to session drummer Jeff Porcaro. The song begins quietly with solo voice and a single acoustic guitar, and gradually expands its instrumentation to include, by song's end, reed organ, piano, drums, electric bass, and electric guitar. The song has a short introduction, consisting only of a sharp inhalation and rapid exhalation before the first verses are sung by Roger Waters. The verse timing progression is: 5/8 - 8/8 × 4 - 5/8 - 8/8 × 8 - 6/8 - 8/8 × 2 - 5/8 - 8/8 × 4 - 5/8 - 8/8 × 8 - 6/8 - 8/8 × 3. The chorus, sung by David Gilmour, starts on another measure of 8/8 before going into 6/8 (or "compound duple meter") for most of the chorus, in a narrative response to the first set of lyrics. There is also one measure of 9/8. A guitar solo follows over a chord progression in 4/4 time. Waters sings another verse, which is once more followed by Gilmour's chorus (with different lyrics). Finally, the song concludes with an arrangement stripped back down to one acoustic guitar and Waters's voice, and a ritardando in which Waters sings, "Mother, did it need to be so high?", a reference to the metaphorical wall constructed by the character Pink. The song ends on the subdominant, C major, which may create an "unfinished" or "dissatisfying" feeling. Waters explained to Mojo magazine that the song is about "the idea that we can be controlled by our parents' views on things like sex. The single mother of boys, particularly, can make sex harder than it needs to be." "Most of the songs I've written have always followed the lyrics," he noted. "I've often tailored the music to fit the words, especially something like 'Money' or 'Mother'. The Wall tells the story of Pink, an embittered and alienated rock star. As told through the song "Mother", part of Pink's sense of alienation comes from being raised by an overprotective single mother, who lost her husband, Pink's father, in World War II. The song narrates a conversation by Pink (voiced by Waters) and his mother (voiced by Gilmour). The listener learns of the overprotectiveness of Pink's mother, who is helping Pink build his wall to try to protect him from the outside world, evidenced by the line "Of course Momma's gonna help build the wall", spoken by Pink's mother. She insists that Pink stay by her side even after he grows up, and cannot stand it when Pink eventually grows older and falls in love. For the film, the song was re-recorded completely with the exception of David Gilmour's guitar solo. One line of the lyrics, "Is it just a waste of time", became "Mother, am I really dying", as the original LP lyrics read. This change ties in with a brief subplot in the film where Pink contracts a fever after caring for a sick rat that died from it. Lyrics: [Verse 1: Roger Waters] Mother, do you think they'll drop the bomb? Mother, do you think they'll like this song? Mother, do you think they'll try to break my balls? Ooh-ah, Mother, should I build the wall? [Verse 2: Roger Waters] Mother, should I run for president? Mother, should I trust the government? Mother, will they put me in the firing line? Ooh-ah, is it just a waste of time? [Chorus: David Gilmour] Hush now, baby, baby, don't you cry Mamma's gonna make all of your nightmares come true Mamma's gonna put all of her fears into you Mamma's gonna keep you right here, under her wing She won't let you fly, but she might let you sing Mamma's gonna keep baby cozy and warm [Post-Chorus: David Gilmour] Ooh, babe, ooh, babe, ooh, babe Of course Mamma's gonna help build the wall [Guitar Solo] [Verse 3: Roger Waters] Mother, do you think she's good enough for me? Mother, do you think she's dangerous to me? Mother, will she tear your little boy apart? Ooh-ah, Mother, will she break my heart? [Chorus: David Gilmour] Hush now, baby, baby, don't you cry Mamma's gonna check out all your girlfriends for you Mamma won't let anyone dirty get through Mamma's gonna wait up until you get in Mamma will always find out where you've been Mamma's gonna keep baby healthy and clean [Post-Chorus: David Gilmour] Ooh, babe, ooh, babe, ooh, babe You'll always be “baby” to me [Outro: Roger Waters] Mother, did it need to be so high? Roger Waters History Roger Waters was born on 6 September 1943, the younger of two boys, to Mary (née Whyte; 1913–2009) and Eric Fletcher Waters (1914–1944), in Great Bookham, Surrey. His father, the son of a coal miner and Labour Party activist, was a schoolteacher, a devout Christian, and a Communist Party member. His older brother, John, predeceased him. In the early years of the Second World War, Waters's father was a conscientious objector who drove an ambulance during the Blitz. He later changed his stance on pacifism, joined the Territorial Army and was commissioned into the 8th Battalion, Royal Fusiliers as a Second Lieutenant on 11 September 1943. He was killed five months later on 18 February 1944 at Aprilia, during the Battle of Anzio, when Roger was five months old. He is commemorated in Aprilia and at the Cassino War Cemetery. On 18 February 2014, Waters unveiled a monument to his father and other war casualties in Aprilia, Italy and was made an honorary citizen of Anzio. Following her husband's death, Mary Waters, also a teacher, moved with her two sons to Cambridge and raised them there. Waters's earliest memory is of the V-J Day celebrations. Waters attended Morley Memorial Junior School in Cambridge and then the Cambridgeshire High School for Boys (now Hills Road Sixth Form College) with Syd Barrett. The future Pink Floyd guitarist David Gilmour lived nearby on Mill Road and attended the Perse School. At 15, Waters was chairman of the Cambridge Youth Campaign for Nuclear Disarmament (YCND), having designed its publicity poster and participated in its organisation. He was a keen sportsman and a highly regarded member of the high school's cricket and rugby teams. He was unhappy at school, saying: "I hated every second of it, apart from games. The regime at school was a very oppressive one ... The same kids who are susceptible to bullying by other kids are also susceptible to bullying by the teachers." Waters initially considered a career in mechanical engineering. In 1962, after a series of aptitude tests suggested he was suited to architecture, he enrolled at the Regent Street Polytechnic School of Architecture, London, where he met his future Pink Floyd bandmates Nick Mason and Richard Wright.

Cowboy is a song by Kid Rock from his album Devil Without a Cause, and his first single to chart on the Billboard Hot 100, peaking at number 82, while reaching number 10 on the Mainstream Rock charts. With its lyrics about pimping and traveling to California, the song is considered to be one of Kid Rock's best works, and has been claimed as influencing modern country music, and as the first country rap song. Lyrics: [Intro] Cowboy Cowboy [Verse 1] Well I'm packin' up my game and I'ma head out west Where real women come equipped with scripts and fake breasts Find a nest in the Hills, chill like Flynt Buy an old drop-top find a spot to pimp And I'ma Kid Rock it up and down ya' block With a bottle of scotch and watch lots a crotch Buy a yacht with a flag sayin' "Chillin' the Most" Then rock that bitch up and down the coast Give a toast to the sun, drink with the stars Get thrown in the mix and tossed outta bars Sip the Tiajuana, I want to roam Find Motown, tell them fools to come back home Start an escort service for all the right reasons And set up shop at the top of Four Seasons Kid Rock and I'm the real McCoy And I'm headed out west sucker because I wanna be a [Chorus] Cowboy, baby! With the top let back and the sunshine shinin' Cowboy, baby! West Coast chillin' with the Boone's wine I wanna be a Cowboy, baby! Ridein' at night 'cause I sleep all day! Cowboy, baby! I can smell a pig from a mile away [Verse 2] I bet you'll hear my whistle blowin' when my train rolls in It goes (whistling), like dust in the wind Stoned pimp, stoned freak, stoned out of my mind I once was lost but now I'm just blind Palm trees and weeds, scabbed knees and rice Get a map to the stars, find Heidi Fleiss And if the price is right then I'm gonna make my bid boy And let Cali-for-ni-a know why they call me [Chorus] Cowboy, baby! With the top let back and the sunshine shinin' Cowboy, baby! West Coast chillin' with the Boone's wine I wanna be a Cowboy, baby! Ridein' at night 'cause I sleep all day! Cowboy, baby! I can smell a pig from a mile away [Verse 3] Yeah! Kid Rock you can call me Tex Rollin' Sunset woman with a bottle of Beck's Seen a slimmy in a 'Vette, rolled down my glass And said "Yeah this dick fits right in your ass" No kiddin', gun slingin', spurs hittin' the floor Call me hoss, I'm the boss with the sauce and the whores No remorse for the sheriff, in his eye I ain't right I'ma paint his town red, then paint his wife white Cause chaos, rock like Amadeus Find West Coast pussy for my Detroit playas Mack like mayors, ball like Lakers They told us to leave, but bet they can't make us Why they wanna pick on me Lock me up and snort away my key I ain't no G, I'm just a regular failure I ain't straight outta Compton, I'm straight out the trailer Cuss like a sailor, drink like a mick My only words of wisdom are just suck my dick I'm flickin' my Bic up and down that coast and Keep on truckin' till I fall in the ocean [Chorus] Cowboy, baby! With the top let back and the sunshine shinin' Cowboy, baby! Spend all my time in Hollywood and Vine Cowboy, baby! Ride at night 'cause I sleep all day! Cowboy, baby! I can smell a pig from a mile away Cowboy, baby! With the top let back and the sunshine shinin' Cowboy, baby! With the top let back and the sunshine shinin' Cowboy!

Baba O'Riley is a song by the English rock band the Who, written by guitarist and principal songwriter Pete Townshend. It is the opening track to the Who's fifth studio album, Who's Next (1971). In Europe, it was released as a single in October 1971, coupled with "My Wife". Performances of "Baba O'Riley" appear on several Who live albums. Widely regarded as one of the Who's finest songs and as one of the greatest rock songs of all time, "Baba O'Riley" appears in Time's "All-Time 100 Songs" list, Rolling Stone's list of "The 500 Greatest Songs of All Time", and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll. Lyrics: [Intro] [Verse 1: Roger Daltrey] Out here in the fields, I fight for my meals I get my back into my living I don't need to fight to prove I'm right I don't need to be forgiven, yeah, yeah, yeah, yeah, yeah [Interlude] [Bridge: Pete Townshend] Don't cry, don't raise your eye It's only teenage wasteland [Verse 2: Roger Daltrey] Sally, take my hand, we'll travel south 'cross land Put out the fire and don't look past my shoulder The exodus is here, the happy ones are near Let's get together before we get much older [Chorus: Roger Daltrey] Teenage wasteland, it's only teenage wasteland Teenage wasteland, oh, yeah Teenage wasteland They're all wasted [Instrumental Outro]

Train, Train is a song by American Southern rock band Blackfoot and the second single from their third studio album Strikes (1979). It was written by Shorty Medlocke, the grandfather of Blackfoot frontman/guitarist Rickey Medlocke, and peaked at #38 on the Billboard Hot 100. Lyrics: [Harmonica Solo] [Intro] Oh, here it come [Verse 1] Well, train, train Take me on out of this town Train, train Lord, take me on out of this town Well, that woman I'm in love with Lord, she's Memphis bound [Verse 2] Well, leavin' here I'm just a raggedy hobo Lord, I'm leaving here I'm just a raggedy hobo Well, that woman I'm in love with Lord, she's got to go [Guitar Solo] [Harmonica Solo] [Verse 3] Well, goodbye, pretty mama Get yourself a money man Goodbye, pretty mama Lord, get yourself a money man You take that midnight train to Memphis Lord, leave if you can Oh, take that midnight train to Memphis Lord, leave if you can Oh, take that train, baby [Guitar Solo]

The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies, and Pete Quaife. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Track List: 1. Tired Of Waiting For You 00:00 2. A Well Respected Man 02:33 3. Come Dancing 05:15 4. Lola 09:21 5. Sunny Afternoon 12:43 6. You Really Got Me 16:15

The Guess Who was a Canadian rock band formed in Winnipeg, Manitoba, in 1965. The band found their greatest success in the late 1960s and early 1970s under the leadership of singer and keyboardist Burton Cummings and guitarist Randy Bachman, with hit songs including "American Woman", "These Eyes", "No Time", "Laughing" and "Share the Land". Track List: No Sugar Tonight 00:00 No Time 04:51 She's Come Undone 08:25

Imagine is the second solo studio album by the British musician John Lennon, released on 9 September 1971 by Apple Records. Co-produced by Lennon, his wife Yoko Ono and Phil Spector, the album's elaborate sound contrasts the basic, small-group arrangements of his first album, John Lennon/Plastic Ono Band (1970). The opening title track, IMAGINE, is widely considered to be his signature song. Lyrics: [Verse 1] Imagine there's no heaven It's easy if you try No hell below us Above us, only sky Imagine all the people Living for today I [Verse 2] Imagine there's no countries It isn't hard to do Nothing to kill or die for And no religion too Imagine all the people Living life in peace You [Chorus] You may say I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will be as one [Verse 3] Imagine no possessions I wonder if you can No need for greed or hunger A brotherhood of man Imagine all the people Sharing all the world You [Chorus] You may say I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will live as one

Tribute video to Clint Eastwood. Lyrics: [Verse 1] I bet you thought you'd seen the last of me I can't change the way I am, you see I think it's my responsibility [Chorus] To tell you I'm just as bad as I used to be Yes, I'm just as bad as I used to be [Verse 2] I tried changin' my reality But, I don't think it's goin' to set me free There's only one thing I can guarantee [Chorus] And that's, I'm just as bad as I used to be I'm just as bad as I used to be I'm just as bad as I used to be I'm just as bad as I used to be [Instrumental Break] [Verse 3] No one's accusin' me of sanity I ain't everybody's cup of tea But that's the facts, I'm talkin' factually [Chorus] You know, I'm just as bad as I used to be Yes, I'm just as bad as I used to be Woah, I'm just as bad as I used to be I'm just as bad as I used to be [Instrumental Outro]

Fall of the Peacemakers, is the on fifth studio album by American southern rock band Molly Hatchet,No Guts No Glory,released in 1983. Original vocalist Danny Joe Brown returned for this recording, with a new rhythm section composed of bassist Riff West (ex-White Witch) and drummer Barry Borden (ex-Mother's Finest). The song includes overt references to John Lennon and John Kennedy's funeral procession. Lyrics: [Verse 1: Molly Hatchet] A king without a sword A land without a king The truth without a voice One song left to sing One song to sing [Verse 2: Molly Hatchet] A wise man told me there's something you should know "The way you judge a man as you look into his soul And you'll soon see everything" A voice from the past cried "Give Peace A Chance" He paid our price now he's free at last And "Imagine" we called him a dreamer [Chorus: Molly Hatchet] How many times must good men die? How many tears will the children cry? Till we suffer no more sadness Stop the madness Oh stop the madness [Verse 3: Molly Hatchet] If ashes are ashes and dust is dust And our journey's end and then we turn we must To the sands of the shore White doves then fly Peace to all Tell me why the peacemakers fall Must we bury anymore A hush in the crowd as the horse rode by Black lace veil hid the tears from her eyes And we all wept in silence [Chorus: Molly Hatchet]

Heart of Gold is a song by Canadian singer-songwriter Neil Young. From his fourth album Harvest, it is Young's only U.S. No. 1 single. In Canada, it reached No. 1 on the RPM national singles chart for the first time on April 8, 1972, on which date Young held the top spot on both the singles and albums charts, and No. 1 again on May 13. Billboard ranked it as the No. 17 song for 1972. In 2004, Rolling Stone ranked it No. 297 on their list of the 500 greatest songs of all time. Lyrics: [Intro] [Verse 1: Neil Young] I want to live, I want to give I've been a miner for a heart of gold It's these expressions I never give [Chorus: Neil Young] That keep me searchin' for a heart of gold And I'm getting old Keep me searchin' for a heart of gold And I'm getting old [Bridge] [Verse 2: Neil Young] I've been to Hollywood, I've been to Redwood I crossed the ocean for a heart of gold I've been in my mind, it's such a fine line [Chorus: Neil Young] That keeps me searchin' for a heart of gold And I'm getting old Keeps me searchin' for a heart of gold And I'm getting old [Bridge] [Outro: Neil Young & The Stray Gators] Keep me searchin' for a heart of gold You keep me searchin' and I'm growing old Keep me searchin' for a heart of gold I've been a miner for a heart of gold

Highway Song is a song recorded by the American southern rock band Blackfoot and the lead single from their third studio album Strikes (1979). It reached #26 on the Billboard Hot 100. The song was recorded in the key of E minor with no key changes throughout. While the single version maintains its tempo throughout, the album version increases its speed at the close of the lyrical portion through the song's ending. Highway Song has often been considered similar to the song "Free Bird" by Lynyrd Skynyrd, particularly because it closes out with a long guitar solo. Lyrics: [Verse 1] Well, another day, another dollar After I've sang and hollered Oh, it's my way of livin' and I can't change a thing Another town is drawin' near Oh, baby, I wish you were here But the only way I can see you, darlin', is in my dreams [Chorus] It's a highway song You sing it on and on On and on [Verse 2] Well, the hurt you leave behind Its the hurt that's on your mind Oh, and last night's show took its toll on me Well, the city lights fly by me As I lay my body in my bed Oh, and dreams of you dance through my head [Chorus] It's a highway song You sing it on and on On and on Highway song Is as lonely As the road I'm on [Guitar Solo] [Bridge] Oh Oh Oh-oh-oh [Verse 3] It's those big wheels are ready to roll We've been flyin' high and so low Lord, and all this madness ain't as crazy as it seems Everywhere they stop to stare I'm just a stranger on this road Oh, I stand alone only in my dream [Chorus] Highway song You sing it on and on On and on Highway song Is as lonely As the road I'm on Well, highway song (Highway song) Sing it on and on On and on (On and on) Highway song Is as lonely As the road I'm on Oh-oh-oh-oh Ooh-whoo [Guitar Solo / Instrumental Outro]

"As my pop continued to struggle with various health issues, I was imagining what my life would be like without him and how terribly I’d miss him. While the song is incredibly personal, I think anyone can relate to the idea of having a profound loss in their life. I never intended ‘Distance’ to be the very first piece of music people would hear from me, but I also thought my father would be here to celebrate its release. This is for him. I love and miss you, Pop.” - WVH ** Proceeds from “Distance” will be donated to Pop’s favorite charity, Mr. Holland's Opus Foundation, MHOpus.org" *** Photo at the end of the video by Peter Yang ~>>THE NEW ALBUM <<~ Mammoth - The End out 10/24/25 Pre-Order Mammoth's new album "The End" today here: https://Mammoth.lnk.to/TheEndAlbum Lyrics: [Verse 1] I'm so happy You've found a place That's better for you Than this rock we're living on I'm so nervous Don't know my place A life without you I'm not ready to move on [Chorus] No matter what the distance is, I will be with you No matter what the distance is, you'll be okay Oh [Verse 2] I'm so tired Can't see your face My memory of you Slowly fades when I go on I'm still cryin' Don't want this place A world without you I don't think I'll ever move on [Chorus] No matter what the distance is, I will be with you No matter what the distance is, I will be with you No matter what the distance is, I will be with you No matter what the distancе is, you'll be okay No matter what the distancе is, I will be with you No matter what the distance is, I will be with you No matter what the distance is, I will be with you No matter what the distance is, you'll be okay Whoa, yeah [Chorus] No matter what the distance is, I will be with you No matter what the distance is, you'll be okay No matter what the distance is, I will be with you No matter what the distance is, you'll be okay Whoa, yeah [Post-Chorus] No matter what the distance is, you'll be okay No matter what the distance is, you'll be okay [Outro] I'm so happy You've found a place _____________________________________________ Check out The End Tour here: https://Mammoth.band Oct 31 – TBA Nov 1 – Las Vegas, NV – House of Blues Nov 4 – Dallas, TX – House of Blues Nov 5 – Houston, TX – House of Blues Nov 7 – Lake Buena Vista, FL – House of Blues Nov 8 – Atlanta, GA – Tabernacle Nov 9 – Charlotte, NC – The Fillmore Nov 11 – Silver Spring, MD – The Fillmore Silver Spring Nov 12 – TBA Nov 14 – Montclair, NJ – The Wellmont Theater Nov 15 – Pittsburgh, PA – Roxian Theatre Nov 18 – Cleveland, OH – The Agora Nov 19 – Detroit, MI – The Fillmore Detroit Nov 20 – Columbus, OH – KEMBA Live! Nov 22 – Onamia, MN – Grand Casino Mille Lacs Event Center Nov 23 – Green Bay, WI – EPIC Event Center Nov 25 – Chesterfield, MO – The Factory at The District Nov 26 – Chicago, IL – House of Blues Nov 28 – Oklahoma City, OK – Diamond Ballroom Nov 29 – TBA Dec 2 – Kansas City, MO – Uptown Theater Dec 3 – Denver, CO – Ogden Theatre Dec 6 – Tempe, AZ – Marquee Theatre Dec 7 – TBA Follow Mammoth: Instagram: / mammothwvh Facebook: / mammothwvh Twitter: / mammothwvh TikTok: / mammothwvh

Seven Wonders is a song by British-American rock band Fleetwood Mac from their fourteenth studio album, Tango in the Night (1987). Stevie Nicks sang lead vocals on the song, and it was written by Sandy Stewart, with additional lyrics by Nicks. In the song, the singer remembers a love affair from her past. She sings that even if she should live to see the Seven Wonders of the World, doing so would not compare to the beauty of that romance. The song was released in June 1987, by Warner Bros. Records, as the second single from Tango in the Night. The single became the second of four US Top 20 hits from the album, peaking at number 19 on the US Billboard Hot 100 on 15 August 1987. Lyrics: [Verse 1] So long ago Certain place Certain time You touched my hand On the way On the way down to Emmeline [Pre-Chorus 1] But if our paths never cross Well, you know I'm sorry, but [Chorus] If I live to see the seven wonders I'll make a path to the rainbow's end I'll never live to match the beauty again [Post-Chorus] The rainbow's end (Aaron) (Aaron) [Verse 2] So it's hard to find Someone with that kind of intensity You touched my hand, I played it cool And you reached out your hand to me [Pre-Chorus 1] But if our paths never cross Well, no, I'm not sorry, but [Chorus] If I live to see the seven wonders I'll make a path to the rainbow's end I'll never live to match the beauty again [Post-Chorus] The rainbow's end (Aaron) (Aaron) [Verse 3] So long ago It's a certain time It's a certain place You touched my hand, and you smiled All the way back, you held out your hand [Pre-Chorus 2] If I hope and if I pray Ooh, it might work out someday [Chorus] If I live to see the seven wonders I'll make a path to the rainbow's end I'll never live to match the beauty again If I live to see the seven wonders (if I live to see the seven wonders) I'll make a path to the rainbow's end (I'll make a path there) I'll never live to match the beauty again (I'll never live to see that beauty, that beauty, that same same beauty again) If I live to see the seven wonders (if I live to see the) I'll make a path to the rainbow's end I'll never live to match the beauty again (Well, if I hope and I pray) (Well, maybe it might work out someday) If I live to see the seven wonders (if I live to see the seven wonders)

I Won't Back Down is a song by American rock musician Tom Petty. It was released in April 1989 as the lead single from his first solo album, Full Moon Fever. The song was co-written by Petty and Jeff Lynne, his writing partner for the album. It reached number 12 on the Billboard Hot 100 and topped the Album Rock Tracks chart for five weeks, starting the album's road to multi-platinum status. Lyrics: [Verse 1] Well, I won't back down No, I won't back down You can stand me up at the gates of Hell But I won't back down No, I'll stand my ground Won't be turned around And I'll keep this world from draggin' me down Gonna stand my ground And I won't back down [Chorus] (I won't back down) Hey, baby, there ain't no easy way out (I won't back down) Hey, I will stand my ground (Ooh) And I won't back down [Verse 2] Well, I know what's right I got just one life In a world that keeps on pushin' me around But I'll stand my ground And I won't back down [Chorus] (I won't back down) Hey, baby, there ain't no easy way out (I won't back down) Hey, I will stand my ground (Ooh, I won't back down) And I won't back down [Instrumental Break] [Chorus] (I won't back down) Hey, baby, there ain't no easy way out (I won't back down) Hey, I won't back down (Ooh) (I won't back down) Hey, baby, there ain't no easy way out (I won't back down) Hey, I will stand my ground (Ooh, I won't back down) And I won't back down (I won't back down) No, I won't back down

Free Fallin' is the opening track from American musician Tom Petty's debut solo album, Full Moon Fever (1989). The song was written by Petty and his writing partner for the album, Jeff Lynne, and features Lynne on backing vocals and bass guitar. The duo wrote and recorded the single in two days, making it the first song completed for Full Moon Fever. Free Fallin' is one of Petty's most famous tracks as well as his highest- and longest-charting song. Lyrics: [Verse 1] She's a good girl, loves her mama Loves Jesus and America too She's a good girl, crazy 'bout Elvis Loves horses and her boyfriend too [Verse 2] It's a long day livin' in Reseda There's a freeway runnin' through the yard And I'm a bad boy 'cause I don't even miss her I'm a bad boy for breakin' her heart [Chorus] And I'm free Free fallin' Yeah, I'm free Free fallin' [Verse 3] All the vampires walkin' through the valley Move west down Ventura Boulevard And all the bad boys are standing in the shadows And the good girls are home with broken hearts [Chorus] And I'm free I'm free fallin' Yeah, I'm free Free fallin' [Post-Chorus] (Free fallin', I'm-a free fallin', I'm-a) (Free fallin', I'm-a free fallin', I'm-a) [Bridge] I wanna glide down over Mulholland I wanna write her name in the sky I'm gonna free fall out into nothin' Gonna leave this world for a while [Chorus] Now I'm free (Free fallin', I'm-a free fallin', I'm-a) Free fallin' (Free fallin', I'm-a free fallin', I'm-a) Yeah, I'm free (Free fallin', I'm-a free fallin', I'm-a) Free fallin' (Free fallin', I'm-a free fallin', I'm-a) [Outro] (Free fallin', I'm-a free fallin', I'm-a) Yeah, I'm free Free fallin' Oh (Free fallin', I'm-a free fallin', I'm-a) Free fallin' (Free fallin', I'm-a free fallin', I'm-a) I'm free (Free fallin', I'm-a free fallin', I'm-a) Oh, free fallin' (Free fallin', I'm-a free fallin', I'm-a) (Free fallin', I'm-a free fallin', I'm-a) Free fallin' (Free fallin', I'm-a free fallin', I'm-a)

Let's Go Crazy is a 1984 song by Prince and The Revolution, from the album Purple Rain. It is the opening track on both the album and the film Purple Rain. "Let's Go Crazy" was one of Prince's most popular songs, and was a staple for concert performances, often segueing into other hits. When released as a single, the song became Prince's second number-one hit on the Billboard Hot 100, and also topped the two component charts, the Hot R&B/Hip-Hop Songs and Hot Dance Club Play charts, as well as becoming a UK Top 10 hit. The B-side was the lyrically controversial "Erotic City". In the UK, the song was released as a double A-side with "Take Me with U". Common to much of Prince's writing, the song is thought to be exhortation to follow Christian ethics. Lyrics: [Intro] Dearly beloved We are gathered here today To get through this thing called "life" Electric word, life It means forever, and that's a mighty long time But I'm here to tell you there's something else: The afterworld A world of never ending happiness You can always see the sun, day or night So when you call up that shrink in Beverly Hills You know the one, Dr. Everything'll-Be-All-Right Instead of asking him how much of your time is left Ask him how much of your mind, babe 'Cause in this life Things are much harder than in the afterworld In this life You're on your own And if de-elevator tries to bring you down Go crazy (Punch a higher floor) Whoo [Verse 1] If you don't like The world you're living in Take a look around At least you got friends You see, I called my old lady For a friendly word She picked up the phone Dropped it on the floor "Ah, ah," is all I heard [Pre-Chorus] Are we gonna let de-elevator bring us down? Oh, no, let's go [Chorus] Let's go crazy Let's get nuts Let's look for the purple banana Until they put us in the truck, let's go Come.. [Verse 2] We're all excited But we don't know why Maybe it's 'cause We're all gonna die And when we do (When we do) What's it all for? (What's it all for?) You better live now 'Fore the grim reaper come knocking on your door [Pre-Chorus] Tell me, are we gonna let de-elevator bring us down? Oh, no, let's go [Chorus] Let's go crazy Let's get nuts Look for the purple banana Until they put us in the truck, let's go [Bridge] C'mon, baby Let's get nuts Yeah (Crazy) Let's go crazy [Pre-Chorus] Are we gonna let de-elevator bring us down? Oh, no, let's go Go (Go crazy) Whoo! [Bridge] I said let's go crazy (Go crazy) Let's go (Let's go) Go (Let's go) [Verse 3] Dr. Everything'll-Be-All-Right Will make everything go wrong Pills and thrills and daffodils will kill Hang tough, children He's coming He's coming Coming [Guitar Solo] [Outro] Take me away!

William Curtis Harness Jr. (born May 31, 1980), professionally known as Struggle Jennings, is an American rapper from Nashville, Tennessee. Jennings was one of the original members of Yelawolf's Slumerican label roster along with Bubba Sparxxx. Harness was born to William Harness Sr and Jennifer Eddy, the daughter of Duane Eddy and Jessi Colter. Harness Sr. was murdered in 1990. Harness Jr. spent much of his childhood in the company of his grandmother's second husband, Waylon Jennings, whose surname he took as his stage name. His uncle is country rock singer Shooter Jennings, who is only one year older. Lyrics: [Verse 1] Yeah I've been there Been told I can’t win there Been known to fit in where I ain’t meant to be I’ve been grinding Trusting in God’s timing Constantly reminded my past ain’t defining me [Bridge] Came too far to let go now Nothing to prove got a lot to show now Yeah I came too far to let go now Nothing to prove got a lot to show now [Chorus] All them woulda shoulda’s can’t never done what I did Been where I’ve been Shoulda woulda coulda Climbed that hill fell down came back again Shoulda woulda coulda never done what I did Shoulda woulda coulda [Verse 2] Burned by the fire I held the lighter 'Til the flames held higher And I can’t barely see I’ve been blinded Misled and guided Watched the storms collide and somehow came Out dry and free [Bridge] Came too far to let go now Nothing to prove got a lot to show now Yeah I came too far to let go now Nothing to prove got a lot to show now [Chorus] All them woulda shoulda’s can’t never done what I did Been where I’ve been Shoulda woulda coulda Climbed that hill fell down came back again Shoulda woulda coulda never done what I did Climbed that hill fell down came back again Shoulda woulda coulda never done what I did Shoulda woulda coulda [Verse 3] This road was long Them miles was longer I found my weakest moments only made me stronger I bet it all Like I had nothing to lose You might’ve got the t-shirt to prove But baby I got the tattoo [Bridge] Came too far to let go now Nothing to prove got a lot to show now Yeah I came too far to let go now Nothing to prove got a lot to show now [Chorus] All them woulda shoulda’s can’t never done what I did Been where I’ve been Shoulda woulda coulda Climbed that hill fell down came back again Shoulda woulda coulda never done what I did Climbed that hill fell down came back again Shoulda woulda coulda never done what I did All them woulda shoulda’s can’t never done what I did Been where I’ve been Shoulda woulda coulda Climbed that hill fell down came back again Shoulda woulda coulda never done what I did Shoulda woulda coulda

Sleeping on the Blacktop by Colter Wall is a gritty anthem that casts a long shadow over the image of the American West, mixing themes of freedom, wanderlust, and the darker sides of human nature. It’s a tale that dives deep into the heart of country and folk lore, painting vivid pictures of life on the edge. The sunshine and moonlight beating down on the characters in the song set up a classic contrast of day and night, symbolizing the cycle of good times and the ghosts that come with the night. Think of it as a nod to the dual nature of life, especially for those living on the fringe. The mention of string bands and honky-tonks, coupled with a pretty young thing dancing, introduces us to a world where revelry is an escape, perhaps the only bright spot in an otherwise tough reality. Lyrics: [Verse 1] Sunshine beatin' on the good times Moonlight raisin' from the grave String band playing worn-out honky-tonks Pretty young thing goin' dancin' in the rain [Verse 2] High-heel lady spittin' at the nickajacks Businessman with a needle and a spoon Coyote chewin' on a cigarette Pack o' young boys goin' howlin' at the moon [Chorus] Hey darlin', sleepin' on the blacktop Hey darlin', runnin' through the trees, honey Hey darlin', leavin' for the next town Less'n my sense catches up with me [Verse 3] Three dead in a crash on the number 4 Two witnesses below and up high Not sure whose will be done You can call me a sinner for wonderin' why [Chorus] Hey darlin' sleeping on the blacktop Hey darlin', running through the trees, honey Hey darlin', leaving for the next town Less'n my sense catches up with me [Instrumental Break] [Verse 4] Corn liquor tastes sweeter in this town Could it be it's the same as the last? I swear I've seen your face elsewhere before Just as familiar as a bottle and a glass [Chorus] Hey darlin', sleeping on the blacktop Hey darlin', running through the trees, honey Hey darlin', leaving for the next town Less'n my sense catches up with me Hey darlin', sleeping on the blacktop Hey darlin', running through the trees, honey Hey darlin', leaving for the next town Less'n my sense catches up with me [Outro] Less'n my sense catches up with me

Sledgehammer is a song by the English rock musician Peter Gabriel. It was released in April 1986 as the lead single from his fifth studio album, So (1986). It was produced by Gabriel and Daniel Lanois. It reached No. 1 in Canada on 21 July 1986, and remained there for four weeks; No. 1 on the Billboard Hot 100 chart in the United States on 26 July 1986; and No. 4 on the UK Singles Chart, thanks in part to its music video. It was his biggest hit in North America and ties with "Games Without Frontiers" as his biggest hit in the United Kingdom. Lyrics: [Intro] Hey, hey, you Tell me how have you been? [Verse 1] You could have a steam train If you just lay down your tracks You could have an aeroplane flying If you bring your blue sky back All you do is call me I'll be anything you need [Verse 2] You could have a big dipper Going up and down, all around the bends You could have a bumper car, bumping This amusement never ends [Chorus] I wanna be your sledgehammer Why don't you call my name? Wow! Oh, let me be your sledgehammer This will be my testimony Yeah (Yeah) [Verse 3] Show me 'round your fruit cage 'Cause I will be your honey bee Open up your fruit cage Where the fruit is as sweet as can be [Chorus] I wanna be your sledgehammer Why don't you call my name? You'd better call the sledgehammer Put your mind at rest I'm going to be the sledgehammer This can be my testimony Wow! I'm your sledgehammer Let there be no doubt about it [Post-Chorus] Sledge, sledge Sledgehammer [Outro] I get it right I kicked the habit (Kicked the habit, kicked the habit) Shed my skin (Shed my skin) This is the new stuff (This is the new stuff) I go dancing in (We can go dancing in) Oh, won't you show for me? (Show for me) I will show for you (Show for you) Hey, show for me, huh (Show for me) I will show for you Yeah, yeah, yeah, yeah Yeah, I do mean you (Show for me) Only you, you been coming through (Show for you) I'm gonna build that power Build, build up that power, hah (Show for me) Hah, I've been feeding the rhythm, huh I've been feeding the rhythm (Show for you) Gonna feel that power, hey, build in you (Show for me) Hah, come on, come on, help me do Come on, come on, help me do (Show for you) Yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah, you (Show for me) I've been feeding the rhythm I've been feeding the rhythm (Show for you) It's what we're doing, doing All day and night (Show for me) Come on, come on, help me do Come on, come on, help me do (Show for you) Yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah, you (Show for me) I've been feeding the rhythm…

Love Bites is a song by English glam metal band Def Leppard from their album Hysteria. The power ballad is Def Leppard's only number-one single on the US Billboard Hot 100 and became a top-10 hit in Canada, Ireland, and New Zealand. On the UK Singles Chart, the track peaked at number 11. Lyrics: [Intro] If you've got love in your sights Watch out Love bites [Verse 1] When you make love, do you look in your mirror? Who do you think of? Does he look like me? Do you tell lies and say that it's forever? Do you think twice, or just touch and see? Ooh, babe Okay When you're alone, do you let go? Are you wild and willing, or is it just for show? Ooh, come on [Pre-Chorus] I don't want to touch you too much, baby 'Cause making love to you might drive me crazy I know you think that love is the way you make it So I don't want to be there when you decide to break it No [Chorus] Love bites, love bleeds It's bringing me to my knees Love lives, love dies It's no surprise Love begs, love pleads It's what I need [Verse 2] When I'm with you, are you somewhere else? Am I getting through or do you please yourself? When you wake up, will you walk out? It can't be love if you throw it about Ooh, babe [Pre-Chorus] I don't want to touch you too much, baby 'Cause making love to you might drive me crazy Oh [Chorus] Love bites, love bleeds It's bringing me to my knees Love lives, love dies It's no surprise Love begs, love pleads It's what I need [Instrumental Break] Oh, yeah [Pre-Chorus] I don't want to touch you too much, baby 'Cause making love to you might drive me crazy I know you think that love is the way you make it So I don't want to be there when you decide to break it No! [Chorus] Love bites, love bleeds It's bringing me to my knees Love lives, love dies Love bites, love bleeds It's bringing me to my knees Love lives, love dies It's no surprise Love begs, love pleads It's what I need [Outro] If you've got love in your sights Watch out Love bites Yes, it does Bloody hell

Love You Ozzy

"Close My Eyes Forever" is a duet by Lita Ford and Ozzy Osbourne from Ford's 1988 album Lita. The song was written by Ford and Osbourne as the result of an accident in the studio, during which they both drank heavily and inadvertently wrote the lyrics to the song together. This song is Ford's highest charting single, peaking at number eight on the US Billboard Hot 100 chart in 1989, and number 25 on the US Billboard Album Rock Tracks chart. It is also Osbourne's highest charting single of his solo career. The song was one of four singles from the album Lita.

No More Tears is the sixth studio album by English heavy metal singer Ozzy Osbourne. Released on 17 September 1991, the album charted at number 17 on the UK Albums Chart and number seven on the US Billboard 200 albums chart. Lyrics: [Instrumental Intro] [Verse 1] The light in the window is a crack in the sky A stairway to darkness in the blink of an eye A levee of tears to learn she'll never be coming back The man in the dark will bring another attack Your mama told you that you're not supposed to talk to strangers Look in the mirror, tell me, do you think your life's in danger? Yeah [Chorus] No more tears (Tears, tears) No more tears (Tears, tears) No more tears (Tears, tears) No more tears (Tears, tears) [Verse 2] Another day passes as the night closes in The red light goes on to say it's time to begin I see the man around the corner waiting, can he see me? I close my eyes and wait to hear the sound of someone screaming here [Chorus] No more tears (Tears, tears) No more tears (Tears, tears) No more tears (Tears, tears) No more tears (Tears, tears) [Orchestral Interlude] [Bridge] It's just a sign of the times Going forward in reverse Still, he who laughs last Is just a hand in the bush In the bush [Instrumental Break] [Guitar Solo] [Verse 3] So now that it's over can't we just say goodbye? (Bye, bye, goodbye) I'd like to move on and make the most of the night Maybe a kiss before I leave you this way Your lips are so cold, I don't know what else to say I never wanted it to end this way, my love, my darling Believe me when I say to you in love, I think I'm falling here [Chorus] No more tears (Tears, tears) No more tears (Tears, tears) No more tears (Tears, tears) No more tears (Tears, tears) [Outro] Is just a hand in the bush (In the bush, in the bush, in the bush)

Crazy Train is the debut solo single by English heavy metal singer Ozzy Osbourne, released in 1980 from his debut album as a solo artist, Blizzard of Ozz (1980). The song was written by Osbourne, Randy Rhoads, and Bob Daisley. The lyrics deal with the subject of the Cold War and the fear of annihilation that existed during that period. Lyrics: [Intro] All aboard, hahahahahaha Ayy [Verse 1] Crazy, but that's how it goes Millions of people living as foes Maybe it's not too late To learn how to love and forget how to hate [Pre-Chorus] Mental wounds not healing Life's a bitter shame [Chorus] I'm going off the rails on a crazy train I'm going off the rails on a crazy train (Let's go) [Verse 2] I've listened to preachers, I've listened to fools I've watched all the dropouts, who make their own rules One person conditioned to rule and control The media sells it and you live the role [Pre-Chorus] Mental wounds still screaming Driving me insane [Chorus] I'm going off the rails on a crazy train I'm going off the rails on a crazy train [Bridge] I know that things are going wrong for me You gotta listen to my words, yeah, yeah [Guitar Solo] [Verse 3] Heirs of a cold war, that's what we've become Inheriting troubles, I'm mentally numb Crazy, I just cannot bear I'm living with something that just isn't fair [Pre-Chorus] Mental wounds not healing Who and what's to blame? [Chorus] I'm going off the rails on a crazy train I'm going off the rails on a crazy train [Instrumental Break] [Outro] Hahahahahahaha The ledge, haha, the edge, edge

Sabbath Bloody Sabbath is the fifth studio album by English heavy metal band Black Sabbath, released in November 1973. It was produced by the band and recorded at Morgan Studios in London in September 1973. The writing process for the album, which began in Los Angeles, California, was initially hampered in part by the band's substance abuse and fatigue following their 1972–1973 world tour in support of their previous album, Vol. 4. The band then relocated to Clearwell Castle in the Forest of Dean, Gloucestershire, England, where guitarist Tony Iommi conceived the main riff of what became the album's title track and lead single. Tracks: 1. "Sabbath Bloody Sabbath" 5:45 2. "A National Acrobat" 6:16 3. "Fluff" (instrumental) 4:11 4. "Sabbra Cadabra" 5:59 5. "Killing Yourself to Live" 5:41 6. "Who Are You?" 4:11 7. "Looking for Today" 5:06 8. "Spiral Architect" 5:29

Paranoid is the second studio album by English heavy metal band Black Sabbath, released in September 1970 through Vertigo Records in England and Warner Bros. Records in the US. The album contains several of the band's signature songs, including "Iron Man", "War Pigs" and the title track, which was the band's only Top 20 hit, reaching number 4 in the UK charts. 1. "War Pigs" 7:57 2. "Paranoid" 2:48 3. "Planet Caravan" 4:32 4. "Iron Man" 5:56 Side B 5. "Electric Funeral" 4:53 6. "Hand of Doom" 7:08 7. "Rat Salad" (instrumental) 2:30 8. "Fairies Wear Boots"

Stillborn is a song by American heavy metal band Black Label Society from the album The Blessed Hellride. It was also released as a single. Zakk Wylde's own vocal style also became quite similar to Ozzy Osbourne's for this record, while Osbourne was featured in the song on chorus singing with Wylde the lines, "The feelings I once felt are now Dead and gone. I've waited here for you for so very long". Stillborn tells the story of a man whose girlfriend treats him so poorly and takes so much advantage of him that his love for her dies, leaving him feeling dead as well. The idea came together while touring together on Ozzfest. Lyrics: [Verse 1] Blind me Erase what was Stillborn I have become [Chorus 1] The feelings I once felt are now dead and gone I've waited here for you for so very long [Verse 2] So empty Just a shell of a man Stillborn, this I understand [Chorus 2] The feelings I once felt are now dead and gone I've waited here for you for so very long I’ve waited here for you, so long I’ve waited here for you, for you [Solo] [Chorus 3] The feelings I once felt are now dead and gone I've waited here for you for so very long I’ve waited here for you, so long I’ve waited here for you, so long I’ve waited here for you, so long I’ve waited here for you, for you

Casey Jones is about a railroad engineer who is on the verge of a train wreck due to his train going too fast, a sleeping switch man, and another train being on the same track and headed for him. Jones is described as being "high on cocaine" (the song even makes a double entendre of advising Jones to "watch his speed"). It was inspired by the story of an actual engineer named Casey Jones. The engineer's exploits were also sung of in an earlier folk song called "The Ballad of Casey Jones", which the Grateful Dead played live several times. Lyrics: [Chorus] Driving that train, high on cocaine Casey Jones you better, watch your speed Trouble ahead, trouble behind And you know that notion just crossed my mind [Verse 1] This old engine Makes it on time Leaves Central Station About a quarter to nine Hits river junction At seventeen to At a quarter to ten You know it's traveling again [Chorus] Driving that train, high on cocaine Casey Jones you better watch your speed Trouble ahead, trouble behind And you know that notion just crossed my mind [Verse 2] Trouble ahead A lady in red Take my advice You'd be better off dead Switch-man sleeping Train hundred and two Is on the wrong track And headed for you [Chorus] Driving that train, high on cocaine Casey Jones you better, watch your speed Trouble ahead, trouble behind And you know that notion just crossed my mind [Verse 3] Trouble with you is The trouble with me Got two good eyes But we still don't see Come round the bend You know it's the end The fireman screams and The engine just gleams [Chorus] Driving that train, high on cocaine Casey Jones you better, watch your speed Trouble ahead, trouble behind And you know that notion just crossed my mind [Chorus] Driving that train, high on cocaine Casey Jones you better, watch your speed Trouble ahead, trouble behind And you know that notion just crossed my mind [Outro] And you know that notion Just crossed my mind

Bawitdaba is a song by American musician Kid Rock from his fourth album Devil Without a Cause. It was released as a single in 1999, helping push the success of the album. It has since become one of Kid Rock's most popular songs, receiving critical praise and entering the top 10 on the US Billboard Modern Rock Tracks chart, as well as on the New Zealand Singles Chart. Lyrics: [Intro] Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up drop the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up drop the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up drop the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up drop the boogie (get ready) My name is Kid Kid Rock! [Chorus] Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up drop the boogie [Verse 1] And this is for the questions that don't have any answers The midnight glancers and the topless dancers The gander freaks, cars packed with speakers The G's with the 40's and the chicks with beepers The Northern Lights and the Southern Comfort And it don't even matter if their veins are punctured All the crackheads, the critics, the cynics And all my heroes in the Methadone clinics All you bastards at the IRS For the crooked cops and the cluttered desks For the shots of Jack and the caps of Meth Half pints of love and the 5th's of stress For the hookers all trickin' out in Hollywood And for my hoods of the world misunderstood I said, "It's all good, and it's all in fun [Pre-Chorus] Now get in the pit and try to love someone!" [Chorus] Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie (love someone!) Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie (kill someone!) Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie (love someone!) Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up drop the boogie (come on, come on, come on) [Verse 2] For the time bombs tickin' and the heads that hang All the gangs gettin' money in the heads they bang-bang Wild mustangs, the porno flicks All my homies in the county in Cell Block 6 The grits when there ain't enough eggs to cook And for D.B. Cooper and the money he took You can look for answers, but that ain't fun [Pre-Chorus] Now get in the pit and try to love someone! [Chorus] Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie (come on) Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up drop the boogie [Bridge] Love And for the hate And for the peace War! [Chorus] Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie (come on) Bawitdaba, da-bang, da-bang, diggy-diggy-diggy Said the boogie, said up jump the boogie Bawitdaba (come), da-bang, da-bang (on), diggy-diggy-diggy Said the boogie, said up drop the boogie

I Am Not Okay is a song by American singer Jelly Roll, released on June 12, 2024, as the lead single from his tenth studio album, Beautifully Broken. It was written by Jelly Roll, Taylor Phillips, Ashley Gorley, and Casey Brown, and produced by Zach Crowell. Phillips remarked that attending Jelly Roll's concert was akin to going to church, which prompted Jelly Roll to say that he was making it "OK for people not to be OK", which inspired the song's hook. Lyrics: [Verse 1] I am not okay I'm barely gettin' by I'm losin' track of days And losin' sleep at night I am not okay I'm hangin' on the rails So if I say I'm fine Just know I learned to hide it well [Chorus] I know I can't be the only one Who's holdin' on for dear life But God knows, I know When it's all said and done I'm not okay But it's all gonna be alright It's not okay But we're all gonna be alright [Verse 2] I woke up today I almost stayed in bed Had the devil on my back And voices in my head Some days, it ain't all bad Some days, it all gets worse Some days, I swear I'm better off Layin' in that dirt [Chorus] I know I can't be the only one Who's holdin' on for dear life But God knows, I know When it's all said and done I'm not okay But it's all gonna be alright It's not okay But wе're all gonna be alright Gonna be alright Gonna bе alright [Bridge] I know one day We'll see the other side The pain'll wash away In a holy water tide And we all gonna be alright [Chorus] I know I can't be the only one Who's holdin' on for dear life But God knows, I know When it's all said and done I'm not okay But it's all gonna be alright It's not okay But we're all gonna be alright I'm not okay But it's all gonna be alright

Shakin' is a song by American rock singer Eddie Money from his Platinum-certified album No Control, released in 1982. It was co-written by Money, Elizabeth Myers, and Ralph Carter, and released as a single, reaching #63 on the Billboard Hot 100 chart and #9 on the Mainstream Rock Tracks. The song remains one of Money's most popular among fans. Lyrics: Rosanna's daddy had a car she loved to drive Stole the keys one night and took me for a ride Turned up the music just as loud as it could go Blew out the speakers in her daddy's radio She was shakin' (oh oh ooo oh) Snappin' her fingers (oh oh ooo oh) She was movin' round and round (oh oh ooo oh) That girl was shakin' (oh oh ooo oh) We started drinkin' wasn't thinkin' too straight She was doin' 80 and she slammed on the brakes Got so high we had to pull to the side Her tits were shakin' 'til the middle of the night Shakin' (oh oh ooo oh) Snappin' her fingers (oh oh ooo oh) She was up and down and round and round Shakin' (oh oh ooo oh) Shakin' (oh oh ooo oh) (oh oh ooo oh) (oh oh ooo oh) (oh oh ooo oh) I got a little nervous When she took her coat off She looked so pretty Ahh yeah I'm always talkin' baby talkin' too much I love that little girl and I just can't get enough It takes a lonely night with nowhere to go Just call Rosanna, it's a hell of a show And she's shakin' (oh oh ooo oh) Snappin' her fingers (oh oh ooo oh) She'll be movin' round and round (oh oh ooo oh) Oh she's shakin' (oh oh ooo oh) Shakin' (oh oh ooo oh) Snappin' her fingers (oh oh ooo oh) She'll be movin' up and down (oh oh oo oh) Round and round and round (oh oh ooo oh) And shakin' (oh oh ooo oh) Sha sha sha sha sha she was shakin' Sha sha sha sha sha she was shakin' Sha sha sha sha sha she was shakin' Sha sha sha sha sha she was shakin'

Teach Your Children is a song written by Graham Nash in 1968 when he was a member of the Hollies. Although it was never recorded by that group in a studio, the Hollies did record it live in 1983. the song was initially recorded for the album Crosby, Stills & Nash in 1969 *Children are the Hope for the World.* Lyrics: [Verse 1] You, who are on the road Must have a code that you can live by And so, become yourself Because the past, is just a goodbye [Chorus] Teach, your children well Your father's hell, did slowly go by And feed, them on your dreams The one they pick's, the one you'll know by [Post-Chorus] Don't you ever ask them why If they told you you would cry So just look at them and sigh And know they love you [Verse 2] And you of tender years (Can you hear and do you care?) Can't know the fears (And can you see?) That your elders grew by (We must be free) And so please help (To teach your children) Them with your youth (What you believe in) They seek the truth (Make a world) Before they can die (That we can live in) [Chorus] Teach, your parents well Their children's hell, will slowly go by And feed, them on your dreams The one they pick's, the one you'll know by [Post-Chorus] Don't you ever ask them why If they told you you would cry So just look at them and sigh And know they love you

Godsmack's song I Stand Alone is a track from their third studio album, Faceless, which was released in 2003. The song was initially released as a single from the Scorpion King soundtrack on March 5, 2002. It was written by Sully Erna and produced by David Bottrill. The song reached No. 1 on the Mainstream Rock chart and No. 20 on the Modern Rock chart in the US. It also won a 2002 Metal Edge Readers' Choice Award for Song of the Year From a Movie Soundtrack. The song was inspired by the character of the Scorpion King from the movie, and Sully Erna described it as being about a "big, masculine bad ass" with a hidden sensitive side. Lyrics: [Verse 1] I've told you this once before: Can't control me If you try to take me down You're gonna break I feel your every nothing That you're doin' for me I'm thinking you oughta Make your own way [Chorus] I stand alone Inside I stand alone Stand alone, stand alone... [Verse 2] You're always hiding behind Your so-called goddess So, what? You don't think That we can see your face? Resurrected back before The final falling I'll never rest until I can make my own way [Pre-Chorus] I'm not afraid of fading... [Chorus] I stand alone Feeling your sting down inside me I'm not dying for it I stand alone Everything that I believe is fading I stand alone Inside I stand alone [Bridge] And now it's my time (Now it's my time) It's my time to dream (It's my time to dream) Dream of the skies (Dream of the skies) Make me believe that this place Isn't plagued by the poison in me And help me decide if my fire will burn out Before you can breathe Breathe into me [Chorus] I stand alone inside I stand alone I stand alone Feeling your sting down inside me I'm not dying for it I stand alone Everything that I believe is fading I stand alone inside I stand alone inside I stand alone inside I stand alone inside

Heart Of Stone is Jelly Roll's personal prayer, to God. "On the edge of self-destruction, his need for change outweighs the pull toward crippling habits and decisions." I think a lot of people can relate and be moved by this song. Jelly Roll described "Heart Of Stone" to Rolling Stone as "the ultimate cry for help" - a stark, painful glimpse into a man clawing his way back from a self-inflicted hell. The song's inspiration comes from Jelly Roll's commitment to revealing his true self in his music. He explained, "My whole music is about honesty. I love the idea of being like, 'God, I know I need you, you know what I mean. But you got to come over here. I'm in a really dark place.'" Lyrics: [Verse 1] Dear Lord, can you help me? I've fallen out of grace I'm crawlin' back to Heaven from this hell on earth I made My blood has gotten heavy, there's metal in my veins It's runnin' like the river, filled with all of my mistakes [Pre-Chorus] On my knees, I'm lookin' up I need a different kind of drug [Chorus] I'm wide awake and I'm dreaming Wonderin' where and when I fell apart Oh, I fell apart I had enough of my demons Angels only meet you where you are And I'm in the dark 'Least for now, Lord, I ain't losin' hope That somehow you can make a heart of gold From this heart of stone (Oh) This heart of stone, oh [Verse 2] Dear Lord, can you hear me? I'm shackled in these chains I'm haunted by the lies of every time I said I'd change I'm slippin' through the shadows, it's weighing on my soul The lights are shinin' on me, but there ain't nobody home [Pre-Chorus] On my knees, I'm lookin' up I need a different kind of drug [Chorus] I'm wide awake and I'm dreamin' Wonderin' where and when I fell apart Oh, I fell apart I had enough of my demons Angels only meet you where you are And I'm in the dark 'Least for now, Lord, I ain't losin' hope That somehow you can make a heart of gold From this heart of stone, this heart of stone This heart of stone [Chorus] 'Cause I'm wide awake and I'm dreamin' Wonderin' where and when I fell apart Oh, I fell apart I had enough of my demons (Ooh) But angels only meet you where you are And I'm in the dark (Oh) At least for now, Lord, I ain't losin' hope That somehow you can make a heart of gold From this heart of stone This heart of stone This heart of stone 'Cause I'm wide awake and I'm dreamin'

Collaboration between Eminem and Jelly Roll on a great song. Movie clip from the 1985 Ridley Scott Movie Legend. https://www.amazon.com/gp/video/detail/amzn1.dv.gti.b0a9f742-aa96-c814-5d36-806573d9fbdc?ref_=imdbref_tt_ov_wbr_ovf__pvt_aiv&tag=imdbtag_tt_ov_wbr_ovf__pvt_aiv-20

Sons Of Legion is Adam Mcinnis and Daddy Jack. The two of them are putting out serious music without a Music Label supporting them. They publish their music to social media and can be found in many places like Youtube, Spotify and Instagram among others. “We’re pulling from traditions that prioritize truth and authenticity—be it through a melody or a lyric. There’s fire in the music, but there’s also heart. It’s not polished pop—it’s lived-in, it’s real.” An interesting tidbit about the two are that they are both Seventh Sons of Seventh Sons, a pretty unique situation in folklore. They are having tremendous success and making seriously good music. Interesting Article about the duo here: https://www.palomino-county.com/post/artist-interview-sons-of-legion-is-crafting-a-soundtrack-for-the-soul If you would like to buy their music or listen they are everywhere. Two places to follow them and to find out more are at https://sonsoflegion.com/ and on Instagram @sonsoflegion. They are moving up the charts and going places with great music. Lyrics: I can feel it coming in the air tonight, oh Lord And I've been waiting for this moment for all my life, oh Lord [Verse 1] Well, if you told me you were drowning I would not lend a hand I've seen your face before, my friend But I don't know if you know who I am Well, I was there and I saw what you did I saw it with my own two eyes So you can wipe off that grin, I know where you've been It's all been a pack of lies [Chorus] I can feel it coming in the air tonight, oh Lord And I've been waiting for this moment for all my life, oh Lord [Verse 2] Well, I remember, I remember, don't worry How could I ever forget? It's the first time The last time wе ever met But I know thе reason why you keep your silence up No, you don't fool me Cause the hurt doesn't show, but the pain still grows It's no stranger to you and me [Chorus] I can feel it coming in the air tonight, oh Lord And I've been waiting for this moment for all my life, oh Lord I can feel it coming in the air tonight, oh Lord And, I've been waiting for this moment for all my life, oh Lord, oh lord

Sons Of Legion is Adam Mcinnis and Daddy Jack. The two of them are putting out serious music without a Music Label supporting them. They publish their music to social media and can be found in many places like Youtube, Spotify and Instagram among others. If you would like to buy their music or listen they are everywhere. Two places to follow them and to find out more are at https://sonsoflegion.com/ and on Instagram @sonsoflegion. They are moving up the charts and going places with great music. Lyrics: [verse 1] I go You stay But you just gonna feel the same I took The blame Maybe that was only your aim [pre Chorus] Bathe me in the river and purge my soul If I make the devel imma pay my tol Let my roots deeper and watch me grow Stories will be told cause I [Chorus] I come from the water I come from the rocks and the dirt Yeah I am a sinner And we are the angels of the earth Grow all your fire and me Cause I'm here to stay I am in a riot Believe when I say You will remember my name Ohh ohh ohh ohh ohh ohh You will remember my name Ohh ohh ohh ohh ohh ohh [verse 2] We live We learn Reaper saw and we keep what we earn Who say Who earns Ain't it funny how the tables can turn [pre Chorus] Bathe me in the river and purge my soul If I make the devel imma pay my tol Let my roots deeper and watch me grow Stories will be told cause I [Chorus] I come from the water I come from the rocks and the dirt Yeah I am a sinner And we are the angels of the earth Grow all your fire and me Cause I'm here to stay I am in a riot Believe when I say You will remember my name Ohh ohh ohh ohh ohh ohh You will remember my name Ohh ohh ohh ohh ohh ohh [bridge] Going down down down down Down to the river to the river we go Going down down down down Down to the river to the river we [Chorus] I come from the water I come from the rocks and the dirt Yeah I am a sinner And we are the angels of the earth I come from the water I come from the rocks and the dirt Yeah I am a sinner And we are the angels of the earth Grow all your fire and me Cause I'm here to stay I am in a riot Believe when I say You will remember my name Ohh ohh ohh ohh ohh ohh You will remember my name Ohh ohh ohh ohh ohh ohh'

Show Me the Way is a song by the English rock musician Peter Frampton. Originally released in June 1975 as the lead single from his fourth studio album Frampton, it gained popularity after being recorded live and released in February 1976 as the lead single from his live album Frampton Comes Alive! In the US, the song reached number 6 on the Billboard Hot 100 and number 10 on the UK Singles Chart, becoming his biggest US hit until "I'm in You" in 1977. Lyrics: [Verse 1] I wonder how you're feeling There's ringing in my ears And no one to relate to 'cept the sea Who can I believe in? I'm kneeling on the floor There has to be a force Who do I phone? [Pre-Chorus] The stars are out and shining But all I really want to know [Chorus] Oh, won't you show me the way I want you to show me the way, yeah [Verse 2] Well, I can see no reason You're living on your nerves When someone drops a cup, and I submerge I'm swimming in a circle I feel I'm going down There has to be a fool to play my part [Pre-Chorus] Someone thought of healing But all I really want to know [Chorus] Oh, won't you show me the way I want you to show me the way I want you day after day, yeah [Verse 3] Yeah, I wonder if I'm dreaming I feel so unashamed I can't believe this is happening to me [Pre-Chorus] I watch you when you're sleeping And then I want to take your love [Outro] Oh, won't you show me the way I want you to show me the way I want you day after day, yeah I want you day after day, hey

China Grove is a song by American rock band the Doobie Brothers, released in 1973 on their third studio album, The Captain and Me. It was written and sung by the band's original lead singer and songwriter Tom Johnston. The song reached number 15 on the US Billboard Hot 100. While there is a real place named China Grove in Texas, Johnston's lyrics about the community are mostly fictional. The song spent eight weeks in the Top 40. Lyrics: When the sun comes up on a sleepy little town Down around San Antone And the folks are risin' for another day Roundabout their homes The people of the town are strange And they're proud of where they came Well, you're talkin bout China Grove (China) Oh-oh-oh, China Grove, oh-oh-oh Well, the preacher and the teacher Lord, they're a caution They are the talk of the town When the gossip gets to flyin' And they ain't lyin' When the sun goes fallin' down They say that the father's insane And dear Mrs. Perkins a game We're talkin' 'bout the China Grove (China) Oh-oh-oh, China Grove, oh-oh-oh But every day there's a new thing comin' The ways of an Oriental view The sheriff and his buddies With their samurai swords You can even hear the music at night And though it's a part of the Lone Star State People don't seem to care They just keep on lookin to the East Talkin bout the China Grove (China) Oh-oh-oh, China Grove, oh-oh-oh

Hysteria is the fourth studio album by English rock band Def Leppard, released on 3 August 1987, by Mercury Records.

Lunatic Fringe is a song by Tom Cochrane released as a single by Canadian rock band Red Rider from their 1981 album, As Far as Siam. The song reached No. 11 on the rock radio airplay chart in Billboard in September 1981, and was awarded a SOCAN Classic award in 2009 by the Society of Composers, Authors and Music Publishers of Canada for reaching the 100,000-airplay mark on (Canadian) domestic radio. Guitarist Tom Cochrane wrote the song after becoming concerned about a resurgence of anti-Semitism in the 1970's. Lyrics: [Verse 1] Lunatic fringe, I know you're out there You're in hiding and you hold your meetings I can hear you coming, I know what you're after We're wise to you this time (Wise to you this time) We won't let you kill the laughter [Chorus] Oh, oh, oh Oh, oh, oh Oh, oh, oh [Verse 2] Lunatic fringe, in the twilight's last gleaming But this is open season, but you won't get too far 'Cause you've got to blame someone for your own confusion We're on guard this time (On guard this time) Against your final solution [Instrumental Break] [Verse 3] We can hear you coming (We can hear you coming) No, you're not going to win this time (Not gonna win) We can hear the footsteps (We can hear the footsteps) Hey, out along the walkway (Out along the walkway) [Outro] Lunatic fringe, we all know you're out there Can you feel the resistance? Can you feel the thunder?

Dream Weaver is a song by the American singer Gary Wright. The song was released as the first single from his third studio album The Dream Weaver in December 1975. Lyrics: [Instrumental Intro] [Verse 1] I've just closed my eyes again Climbed aboard the Dream Weaver train Driver, take away my worries of today And leave tomorrow behind [Chorus] Ooh, Dream Weaver I believe you can get me through the night Ooh, Dream Weaver I believe we can reach the morning light [Verse 2] Fly me high through the starry skies Or maybe to an astral plane Cross the highways of fantasy Help me to forget today's pain [Chorus] Ooh, Dream Weaver I believe you can get me through the night Ooh, Dream Weaver I believe we can reach the morning light [Verse 3] Though the dawn may be coming soon There still may be some time Fly me away to the bright side of the moon And meet me on the other side [Chorus] Ooh, Dream Weaver I believe you can get me through the night Ooh, Dream Weaver I believe we can reach the morning light [Outro] Dream Weaver Dream Weaver [Instrumental Outro]

** This video made for Full screen viewing ** Eye in the Sky is a song by British rock band the Alan Parsons Project, released as a single from their sixth studio album, Eye in the Sky (1982), in May 1982. It entered the US Billboard charts on 3 July and hit No. 3 in October 1982, No. 1 in both Canada and Spain, and No. 6 in New Zealand, becoming their most successful release. The instrumental piece "Sirius" segues into "Eye in the Sky" on the album. Lyrics: [Verse 1] Don't think sorry's easily said Don't try turning tables instead You've taken lots of chances before But I ain't gonna give anymore Don't ask me That's how it goes 'Cause part of me knows what you're thinking [Verse 2] Don't say words you're gonna regret Don't let the fire rush to your head I've heard the accusation before And I ain't gonna take any more Believe me The sun in your eyes Made some of the lies worth believing [Chorus] I am the eye in the sky Looking at you I can read your mind I am the maker of rules Dealing with fools I can cheat you blind And I don't need to see any more to know that I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind [Verse 3] Don't leave false illusion behind Don't cry, I ain't changin' my mind So find another fool like before 'Cause I ain't gonna live anymore believin' Some of the lies while all of the signs are deceiving [Chorus] I am the eye in the sky Looking at you I can read your mind I am the maker of rules Dealing with fools I can cheat you blind And I don't need to see anymore to know that I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind [Chorus] I am the eye in the sky Looking at you I can read your mind I am the maker of rules Dealing with fools I can cheat you blind And I don't need to see anymore to know that I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind (Looking at you) I can read your mind [Guitar Solo]

"Silent Running" Take the children and yourself And hide out in the cellar By now the fighting will be close at hand Don't believe the church and state And everything they tell you Believe in me, I'm with the high command Can you hear me, can you hear me running? Can you hear me running, can you hear me calling you? Can you hear me, can you hear me running? Can you hear me running, can you hear me calling you? There's a gun and ammunition Just inside the doorway Use it only in emergency Better you should pray to God The Father and the Spirit Will guide you and protect from up here Can you hear me, can you hear me running? Can you hear me running, can you hear me calling you? Can you hear me, can you hear me running? Can you hear me running, can you hear me calling you? Swear allegiance to the flag Whatever flag they offer Never hint at what you really feel Teach the children quietly For some day sons and daughters Will rise up and fight while we stood still Can you hear me, can you hear me running? Can you hear me running, can you hear me calling you? Can you hear me, can you hear me running? Can you hear me running, can you hear me calling you? Can you hear me running (can you hear me calling you?) (Can you hear me) hear me calling you? (Can you hear me running) hear me running babe? (Can you hear me running) hear me running? Calling you, calling you

Raise My Rent is the sixth track from David Gilmour's 1978 self-titled debut solo album. David Gilmour is credited with creating an entirely new guitar sound. His melodius rythyms and soulful leads have mesmerized millions upon millions for many years now. He and Pink Floyd blazed trails in music where no one had ever gone and led us all to places we didn't know music could go. Some say David kept Pink Floyd alive. David's sound gave many of us a lot to appreciate and look forward to. David Gilmour will always be my favorite guitarist and I wish him more happy and creative years with Daughter Romany who he creates music with these days. Thank You David for the music you have already given the world and we look forward to more to come.

Don't Fear The Reaper is a song by American rock band Blue Öyster Cult from the 1976 album Agents of Fortune. The song, written and sung by lead guitarist Donald "Buck Dharma" Roeser, deals with eternal love and the inevitability of death. Dharma wrote the song while picturing an early death for himself. Released as an edited single (omitting the slow building interlude in the original), the song is Blue Öyster Cult's highest chart success, reaching #7 in Cash Box and #12 on the Billboard Hot 100 in late 1976. Critical reception was positive and in December 2003 Don't Fear The Reaper was listed at number 405 on Rolling Stone's list of the top 500 songs of all time. Lyrics: [Verse 1: Buck Dharma] All our times have come Here, but now they're gone Seasons don't fear the Reaper Nor do the wind, the sun, or the rain [Chorus: Buck Dharma] (We can be like they are) Come on, baby (Don't fear the Reaper) Baby, take my hand (Don't fear the Reaper) We'll be able to fly (Don't fear the Reaper) Baby, I'm your man La, la, la, la, la La, la, la, la, la [Instrumental Bridge] [Verse 2: Buck Dharma] Valentine is done Here, but now they're gone Romeo and Juliet Are together in eternity (Romeo and Juliet) 40,000 men and women everyday (Like Romeo and Juliet) 40,000 men and women everyday (Redefine happiness) Another 40,000 coming everyday [Chorus: Buck Dharma] (We can be like they are) Come on, baby (Don't fear the Reaper) Baby, take my hand (Don't fear the Reaper) We'll be able to fly (Don't fear the Reaper) Baby, I'm your man La, la, la, la, la La, la, la, la, la [Instrumental Bridge] [Verse 3: Buck Dharma] Love of two is one Here, but now they're gone Came the last night of sadness And it was clear she couldn't go on The door was open and the wind appeared The candles blew and then disappeared The curtains flew and then he appeared [Outro: Buck Dharma] (Saying, "don't be afraid") Come on, baby (And she had no fear) And she ran to him (Then they started to fly) They looked backward and said goodbye (She had become like they are) She had taken his hand (She had become like they are) Come on, baby (Don't fear the Reaper)

Under the Bridge is a song by the American rock band the Red Hot Chili Peppers and the eleventh track on their fifth studio album, Blood Sugar Sex Magik (1991). It was released in March 1992 by Warner Bros. Records. The singer, Anthony Kiedis, wrote the lyrics while reflecting on loneliness and the struggles of being clean from drugs, and almost did not share it with the band. Under the Bridge was praised by critics and fans for its emotional weight. The song was a commercial success and the band's highest-charting single, peaking at number two on the Billboard Hot 100, number one on the Cash Box Top 100 and certified platinum. It was also a success in other countries, mostly charting within the top 10. Gus Van Sant directed the song's music video, which was filmed in Los Angeles. Lyrics: [Verse 1] Sometimes I feel like I don't have a partner Sometimes I feel like my only friend Is the city I live in, The City of Angels Lonely as I am, together we cry [Verse 2] I drive on her streets 'cause she's my companion I walk through her hills 'cause she knows who I am She sees my good deeds and she kisses me windy Well, I never worry, now that is a lie [Chorus] I don't ever wanna feel like I did that day Take me to the place I love, take me all the way I don't ever wanna feel like I did that day Take me to the place I love, take me all the way [Post-Chorus] Yeah, yeah, yeah [Verse 3] It's hard to believe that there's nobody out there It's hard to believe that I'm all alone At least I have her love, the city she loves me Lonely as I am, together we cry [Chorus] I don't ever wanna feel like I did that day Take me to the place I love, take me all the way I don't ever wanna feel like I did that day Take me to the place I love, take me all the way [Bridge] Yeah, yeah, yeah Oh, no, no, no, yeah, yeah Love me, I say, yeah, yeah (One time) [Outro] (Under the bridge downtown) Is where I drew some blood (Under the bridge downtown) I could not get enough (Under the bridge downtown) Forgot about my love (Under the bridge downtown) I gave my life away, yeah Yeah, yeah (Away) Oh, no, no no no, yeah yeah (Away) Oh no, I said, yeah yeah (Away) Where I'll stay

Come Sail Away is a song by American rock group Styx, written and sung by singer and songwriter Dennis DeYoung and featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, "Come Sail Away" peaked at #8 in January 1978 on the Billboard Hot 100, and helped The Grand Illusion achieve multi-platinum sales in 1978. It is one of the biggest hits of Styx's career. Lyrics: [Verse 1] I'm sailing away Set an open course for the Virgin Sea 'Cause I've got to be free Free to face the life that's ahead of me [Refrain] On board I'm the captain So climb aboard We'll search for tomorrow On every shore And I'll try, oh Lord I'll try To carry on [Verse 2] I look to the sea Reflections in the waves spark my memory Some happy, some sad I think of childhood friends, and the dreams we had [Refrain] We lived happily forever So the story goes But somehow we missed out On the pot of gold But we'll try best that we can To carry on [Pre-Chorus] A gathering of angels Appeared above my head They sang to me this song of hope And this is what they said [Chorus] They said, "Come sail away, come sail away Come sail away with me, lads Come sail away, come sail away Come sail away with me Come sail away, come sail away Come sail away with me, babe Come sail away, come sail away Come sail away with me" [Instrumental Break 03:20-04:41] [Keyboard Solo] [Guitar Solo] [Pre-Chorus] I thought that they were angels But to my surprise We climbed aboard their starship We headed for the skies [Chorus/Outro] Come sail away, come sail away Come sail with me, lads Come sail away, come sail away Come sail away with me Come sail away, come sail away Come sail away with me Come sail away, come sail away Come sail away with me Come sail away, come sail away Come sail away with me Come sail away, come sail away Come sail away with me Come sail away, come sail away Come sail away with me Come sail away, come sail away Come sail away with me Come sail away, come sail away Come sail away with me

Black Oak Arkansas is an American Southern rock band named after the band's hometown of Black Oak, Arkansas. The band reached the height of its fame in the 1970s, charting ten albums. Their style is notable for multiple guitar players and the raspy voice and on-stage antics of vocalist Jim "Dandy" Mangrum. In 1973, Black Oak Arkansas released their fourth LP, Raunch 'n' Roll Live, and took the unorthodox tack of including previously unreleased new songs on their first live concert album such as "Gigolo", "Gettin' Kinda Cocky", as well as two more BOA classics: "Hot Rod", featuring Dandy's double-entendre lyrics, and "Up", which spotlighted Aldridge's marathon drum solo, a portion of which he played with his bare hands. When Atco Records realized the band's strong suit was their concert act, the live album resulted. Raunch 'n' Roll Live was re-issued in 2007 by Rhino Records as a 2-CD set containing both concerts that the original vinyl album was culled from. Lyrics: I DRIVE SO HARD, I DRIVE SO FAR WON’T YOU WATCH ME WHEELIN’ AROUND SEEMS A HUNDRED MILES AN HOUR BABY THAT’S TOO FAST BETTER HANG ON TIGHT LIKE YOU WANT TO LAST HOT-TIE HOTTIE HOT HOT HOT ROD IF YOU SEE ME HANGIN’ AROUND AND YOU GOT NOTHIN’ BETER TO DO COME ON DOWN ON ME WE’LL SEE A DEEP HOT ROD DANCE ALL OVER YOU HOT-TIE HOTTIE HOT HOT HOT ROD IF YOU WANT TO, IF YOU WILL JUMP MY ROD, IT’LL GIVE YOU A THRILL COME ON MAMA I’M ASKIN’ YOU PLEASE SUCH A HOT ROD WOMAN, YOU PUT ME AT EASE HOT-TIE HOTTIE HOT HOT HOT ROD YEAH, IF YOU WANT TO STAY THE NIGHT CAN ALWAYS TAKE IT FROM THE TOP SOME MAN SAID IT’S A SIN WON’T YOU LET THIS HOT ROD IN HOT-TIE HOTTIE HOT HOT HOT ROD

The White Stripes were an American rock duo formed in Detroit, Michigan, in 1997. The group consisted of Jack White (guitar, keyboards, piano, vocals) and Meg White (drums, percussion, vocals). They were a leading group of 2000s indie rock and the decade's garage rock revival. The song Seven Nation Army is the opening track on their fourth studio album, Elephant (2003). V2 Records released the song to American alternative radio on February 17, 2003, as the lead single from the album. Worldwide, the single was issued through XL Recordings. Written and produced by Jack White, the song consists of distorted vocals, a simple drumbeat, and a bass line created by playing a guitar through a pitch shift effect. Lyrics: [Verse 1] I'm gonna fight 'em off A seven-nation army couldn't hold me back They're gonna rip it off Takin' their time right behind my back And I'm talkin' to myself at night because I can't forget Back and forth through my mind, behind a cigarette [Pre-Chorus] And the message comin' from my eyes says, "Leave it alone" [Instrumental Chorus] [Verse 2] Don't wanna hear about it Every single one's got a story to tell Everyone knows about it From the Queen of England to the Hounds of Hell And if I catch it comin' back my way, I'm gonna serve it to you And that ain't what you want to hear, but that's what I'll do [Pre-Chorus] And the feelin' comin' from my bones says, "Find a home" [Instrumental Chorus] [Guitar Solo] [Verse 3] I'm goin' to Wichita Far from this opera forevermore I'm gonna work the straw Make the sweat drip out of every pore And I'm bleedin' and I'm bleedin' and I'm bleedin' right before the Lord All the words are gonna bleed from me and I will think no more [Pre-Chorus] And the stains comin' from my blood tell me, "Go back home" [Instrumental Chorus]

Dirty Laundry is a song written by Don Henley and Danny Kortchmar from Henley's debut solo studio album I Can't Stand Still, released in 1982. The song reached number 1 on the Billboard Top Album Tracks chart in October 1982 prior to being issued as a 45 rpm single. Lyrically, the song describes mass media sensationalism, with Henley singing from the standpoint of a news anchorman who "could have been an actor, but I wound up here". The song's theme is that TV news coverage focuses too much on negative aspects, and it was inspired by the intrusive press coverage surrounding the deaths of John Belushi and Natalie Wood, as well as Henley's own arrest in 1980. Lyrics: [Verse 1] I make my livin' off the evenin' news Just give me somethin', somethin' I can use People love it when you lose They love dirty laundry [Verse 2] Well, I coulda' been an actor, but I wound up here I just have to look good, I don't have to be clear Come and whisper in my ear Give us dirty laundry [Chorus] Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em all around [Verse 3] We got the bubble-headed bleached-blonde, comes on at five She can tell you 'bout the plane crash with a gleam in her eye It's interesting when people die Give us dirty laundry [Verse 4] Can we film the operation? Is the head dead yet? You know, the boys in the newsroom got a running bet Get the widow on the set! We need dirty laundry [Guitar solo] [Verse 5] You don't really need to find out what's goin' on You don't really wanna know just how far it's gone Just leave well enough alone Eat your dirty laundry [Chorus] Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're stiff Kick 'em all around [Post-Chorus] (Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're stiff Kick 'em all around) [Verse 6] Dirty little secrets, dirty little lies We got our dirty little fingers in everybody's pie We love to cut you down to size We love dirty laundry [Verse 7] We can do "The Innuendo", we can dance and sing When it's said and done, we haven't told you a thing We all know that crap is king Give us dirty laundry! [Guitar solo] [Outro] (Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down When they're up, when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down Kick 'em when they're up Kick 'em when they're down)

Lovesong (sometimes written as "Love Song") is a song by English rock band the Cure, released as the third single from their eighth studio album, Disintegration (1989), on 21 August 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-10 entry on the Billboard Hot 100. In the United Kingdom, the single charted at number 18, and it peaked within the top 20 in Canada and Ireland. Lyrics: Lyrics: [Verse 1] Whenever I'm alone with you You make me feel like I am home again Whenever I'm alone with you You make me feel like I am whole again [Verse 2] Whenever I'm alone with you You make me feel like I am young again Whenever I'm alone with you You make me feel like I am fun again [Chorus] However far away I will always love you However long I stay I will always love you Whatever words I say I will always love you I will always love you [Interlude] (Fly me to the moon) [Guitar Solo] [Verse 3] Whenever I'm alone with you You make me feel like I am free again Whenever I'm alone with you You make me feel like I am clean again [Chorus] However far away I will always love you However long I stay I will always love you Whatever words I say I will always love you I will always love you

According to a report, Oliver Anthony's wife not only divorced him, but she also wants to take half the money he's made and all the money he will make. In response, the singer wrote Scornful Woman. Anthony's new song — released June 4 — certainly tells a similar story. He's not yet hopped on social media to tie the lyrics to his personal life, but he's amplified posts from Joe Rogan that have done just that. Lyrics: Well she got a side To her, I wanna run from She'll turn a warm afternoon Into a cold, cold one Well Eve grabbed the apple And Adam took a bite And now all these years later And the math still ain't right With a Scornful Woman A Scornful Woman I used to sleep so good Didn't have a nightmare I was busy dreaming Believing hes's always gonna be right there And now the middle of the day Is like the middle of the night And the court says 50/50 But the math don't seem right With a Scornful Woman A Scornful Woman She can have all the money And they can keep all the fame I'd go back to being broke as a joke If I could just get a break from the pain

Voodoo is a song by American rock band Godsmack. It was released as a promotional single from their self-titled album. The song was written by the band's vocalist Sully Erna and bassist Robbie Merrill. Lyrics: [Chorus] I'm not the one who's so far away When I feel the snake bite enter my veins Never did I wanna be here again And I don't remember why I came [Verse 1] Candles raise my desire Why I'm so far away No more meaning to my life No more reason to stay [Pre-Chorus] Freezin' feelin' Breathe in, breathe in I'm comin' back again [Chorus] I'm not the one who's so far away When I feel the snake bite enter my veins Never did I wanna be here again And I don't remember why I came [Verse 2] Hazing clouds rain on my head Empty thoughts fill my ears Find my shade by the moonlight Why my thoughts aren't so clear [Pre-Chorus] Demons dreamin' Breathe in, breathe in I'm comin' back again [Chorus] I'm not the one who's so far away When I feel the snake bite enter my veins Never did I wanna be here again And I don't remember why I came I'm not the one who's so far away When I feel the snake bite enter my veins Never did I wanna be here again And I don't remember why I came [Interlude] Voodoo Voodoo, voodoo, voodoo [Chorus] I'm not the one who's so far away When I feel the snake bite enter my veins Never did I wanna be here again And I don't remember why I came I'm not the one who's so far away When I feel the snake bite enter my veins Never did I wanna be here again And I don't remember why I came [Interlude] Voodoo, voodoo Voodoo, voodoo Voodoo, voodoo Voodoo, voodoo [Outro] (Voodoo) So far away... (Voodoo) I'm not the one who's so far away (Voodoo) I'm not the one who's so far away I'm not the one who's so far away

Silent Lucidity is a power ballad by the band Queensrÿche from the 1990 album Empire. The song, which was composed by lead guitarist Chris DeGarmo, was the biggest hit for the band, peaking at #9 on the Billboard Hot 100 and at #1 on the Billboard Album Rock Tracks chart. Silent Lucidity was also nominated in 1992 for the Grammy Awards for Best Rock Song and Best Rock Vocal Performance by a Duo or Group. Guitarist Chris DeGarmo was inspired to write the song by the 1974 book "Creative Dreaming" by Patricia Garfield, which explained how to tap into one's subconscious to experience a lucid dream. DeGarmo noted in an interview that the average person spends 4 1/2 years of their life in a vivid hallucination state during dreaming. During that time, they can do superhuman feats like flying and walking through walls, as well as experience incredible physical sensations. "We created a very real dreamlike landscape for this song. Everything from the vocal delivery to the orchestration, to the melody, the instruments, it’s all trying to create this very lush landscape. It’s a huge-sounding track," he said. http://www.queensrycheofficial.com/ Lyrics: [Intro] Hush now, don't you cry Wipe away the teardrop from your eye You're lying safe in bed It was all a bad dream spinning (Spinning) In your head (Spinning, spinning, spinning) Your mind tricked you to feel the pain Of someone close to you leaving the game of life So here it is, another chance Wide awake, you face the day Your dream is over Or has it just begun? [Verse 1] There's a place I like to hide A doorway that I run through in the night Relax child, you were there But only didn't realize and you were scared It's a place where you will learn To face your fears, retrace the years And ride the whims of your mind Commanding in another world Suddenly, you hear and see This magic new dimension [Chorus] (I) will be watching over you (I) am gonna help you see it through (I) will protect you in the night (I) I'm smiling next to you in silent lucidity [Guitar Solo] [Bridge] "Visualize your dream Record it in the present tense Put it into a permanent form If you persist in your efforts You can achieve dream control (Help me) Dream control How are we feeling today, better? Dream control (Help me) Dream control (Help me) Dream control (Help me) Dream control (Help me)" [Verse 2] If you open your mind for me You won't rely on open eyes to see The walls you built within come tumbling down And a new world will begin Living twice at once, you learn You're safe from pain in the dream domain A soul set free to fly A round trip journey in your head, master of illusion Can you realize your dream's alive? You can be the guide, but [Chorus] (I) will be watching over you (I) am gonna help you see it through (I) will protect you in the night (I) I'm smiling next to you

Meeting the Master is a song by American rock band Greta Van Fleet. It was released as the first single from their third album, Starcatcher. The song was written while the band was working on their third album, and was then recorded during the Starcatcher sessions in 2022. They debuted the song on March 24, 2023, during their "Dreams in Gold Tour", and the track was released to the public on April 7, 2023, on digital media. Lyrics: [Verse 1] What a day to meet the master I've been waiting for so long Final day to meet the master It's my time to go home [Chorus] And I'm taken, woah By the madness And the tripping And the touching [Verse 2] What a day to travel faster Take my trip around the sun I have known no other master He has been the only one [Pre-Chorus] Ooh, he was the only one Ooh, the only one [Chorus] And I'm taken By the madness And the tripping And the touching [Bridge] Ooh, hey Ooh Ooh, hey Ooh Oh yeah La-la-la-la Ram, ram, ram, ram, ram Ram, ram, ram, ram, ram Ram, ram, ram [Outro] Blow it up to give him All of our love, all of our love Blow it up to give him All of our love, all of our love Blow it up to give him All of our lovе, all of our love All of our love, all of our love All of our lovе, all of our love

Nirvana was an American rock band formed in Aberdeen, Washington, in 1987. Founded by lead singer and guitarist Kurt Cobain and bassist Krist Novoselic, the band went through a succession of drummers, most notably Chad Channing, before recruiting Dave Grohl in 1990. Nirvana's success popularized alternative rock, and they were often referenced as the figurehead band of Generation X. Despite a short mainstream career spanning only three years, their music maintains a popular following and continues to influence modern rock culture. In the late 1980s, Nirvana established itself as part of the Seattle grunge scene, releasing its first album, Bleach, for the independent record label Sub Pop in 1989. They developed a sound that relied on dynamic contrasts, often between quiet verses and loud, heavy choruses. After signing to the major label DGC Records in 1990, Nirvana found unexpected mainstream success with "Smells Like Teen Spirit", the first single from its landmark second album, Nevermind (1991). A cultural phenomenon of the 1990s, Nevermind was certified diamond and is credited for ending the popularity of hair metal. Tracks: Heart Shaped Box 00:00 Lithium 04:41 Smells Like Teen Spirit 08:58

American rock band the Black Crowes covered the song for their 1990 debut album, Shake Your Money Maker, reaching number 26 on the Billboard Hot 100 with their rendition. Hard to Handle is a 1968 song written by American soul singer Otis Redding along with Al Bell and Allen Jones. Originally recorded by Redding, it was released in 1968 as the B-side to "Amen" (shortly after the singer's sudden death in 1967). The song also appears on the 1968 album The Immortal Otis Redding. Redding's version reached number 38 on the Billboard R&B chart and number 51 on the pop chart. Lyrics: [Verse 1] Baby, here I am, I'm the man on the scene I can give you what you want, but you gotta come home with me I've got some good old lovin', and I got some more in store When I get through throwin' it on you, you got to come back for more [Chorus] Boys and things that come by the dozen That ain't nothin' but drugstore lovin' Hey little thing, let me light your candle 'Cause, mama, I'm so hard to handle now Yes sir, I'm [Verse 2] Action speaks louder than words, and I'm a man of great experience I know you got another man, but I can love you better than him Take my hand, don't be afraid, I'm gonna prove every word I say I'm advertising love for free, so you can place your ad with me [Chorus] Boys will come along, a dime by the dozen That ain't nothin' but ten cent lovin' Hey little thing, let me light your candle 'Cause, mama, I'm so hard to handle now Yes sir, I'm Yeah Hard to handle, now Oh baby [Verse 3] Baby, here I am, I'm the man on your scene I can give you what you want, but you gotta come home with me I've got some good old lovin', and I got some more in store When I get through throwin' it on you, you gotta come a'runnin' back for more [Chorus] Boys will run along, a dime by the dozen That ain't nothin' but drugstore lovin' Hey little thing, let me light your candle 'Cause, mama, I'm so hard to handle now Hard, hard to handle now Hard to handle now Oh yeah, yeah, yeah [Guitar Solo] [Chorus] Boys will run along, a dime by the dozen That ain't nothing but ten cent lovin' Hey little babe, let me light your candle 'Cause, mama, I'm so hard to handle now Yes sir, I'm Yeah So hard to handle now Oh, yeah [Outro] Baby Good lovin' Baby Baby Oh, good lovin' I need good lovin' I got to have, oh yeah Yeah So hard to handle, now, yeah

Break Stuff is a song by American nu metal band Limp Bizkit, released on May 2, 2000,[citation needed] as the fourth and final single from their second studio album Significant Other (1999). The song was released alongside "N 2 Gether Now", and has remained a staple of Limp Bizkit's live shows. Lyrics: [Verse 1] It's just one of those days when you don't wanna wake up Everything is fucked, everybody sucks You don't really know why But you wanna justify rippin' someone's head off No human contact And if you interact, your life is on contract Your best bet is to stay away, motherfucker It's just one of those days [Chorus] It's all about the he says, she says bullshit I think you better quit lettin' shit slip Or you'll be leavin' with a fat lip It's all about the he says, she says bullshit I think you better quit talkin' that shit [Verse 2] It's just one of those days, feelin' like a freight train First one to complain leaves with a blood stain Damn right, I'm a maniac You better watch your back 'cause I'm fuckin' up your program And if you're stuck up You're just lucked up, next in line to get fucked up Your best bet is to stay away, motherfucker It's just one of those days [Chorus] It's all about the he says, she says bullshit I think you better quit lettin' shit slip Or you'll be leavin' with a fat lip It's all about the he says, she says bullshit I think you better quit talkin' that shit, punk So come and get it [Bridge] I feel like shit My suggestion is to keep your distance 'Cause right now, I'm dangerous We've all felt like shit And been treated like shit All those motherfuckers that want to step up I hope you know I pack a chainsaw (Chainsaw) I'll skin your ass raw (Ass raw) And if my day keeps goin' this way I just might break somethin' tonight I pack a chainsaw (Chainsaw) I'll skin your ass raw (Ass raw) And if my day keeps goin' this way I just might break somethin' tonight I pack a chainsaw (Chainsaw) I'll skin your ass raw (Ass raw) And if my day keeps goin' this way I just might break your fuckin' face tonight! [Breakdown] Give me somethin' to break Give me somethin' to break Just give me somethin' to break How 'bout your fuckin' face? I hope you know I pack a chainsaw (What?) A chainsaw (What?) A motherfuckin' chainsaw (What?) So come and get it [Chorus] It's all about the he says, she says bullshit I think you better quit lettin' shit slip Or you'll be leavin' with a fat lip It's all about the he says, she says bullshit I think you better quit talkin' that shit, punk So come and get it

Dr. Feelgood (stylized as D℞. FEELGOOD) is the fifth studio album by American heavy metal band Mötley Crüe, released on August 28, 1989. Dr. Feelgood topped the Billboard 200 chart, making it the band's only album to claim this position. It was the first album Mötley Crüe recorded after their quest for sobriety and rehabilitation in 1989. In addition to being Mötley Crüe's best selling album, it is highly regarded by music critics and fans as the band's best studio album. This was also the band's last album to be recorded with lead singer Vince Neil until the 1997 album Generation Swine. Lyrics: [Verse 1] Rat-tailed Jimmy is a second hand hood Deals out in Hollywood Got a '65 Chevy, primered flames Traded for some powdered goods Jigsaw Jimmy, he's the one in the game But I hear he's doin' okay Got a cozy little job selling the Mexican mob Packages the candy cane [Chorus 1] He's the one they call Dr. Feelgood He's the one that makes ya feel all right He's the one they call Dr. Feelgood [Verse 2] Cops on the corner always ignore Somebody's getting paid Jimmy's got it wired, law's for hire Got it made in the shade Got a little hideaway, does business all day But at night he'll always be found Sellin' sugar to the sweet People on the street Call this Jimmy's town [Chorus 1] He's the one they call Dr. Feelgood He's the one that makes ya feel all right He's the one they call Dr. Feelgood He's gonna be your Frankenstein [Post-Chorus 2] I've got one thing you'll understand (Dr. Feelgood) He's not what you'd call a glamorous man (Dr. Feelgood) Got one thing that's easily understood (Dr. Feelgood) He's the one they call Dr. Feelgood Oh yeah [Verse 3] He'll tell you he's the king Of these barrio streets Moving up to Shangri-la Came by his wealth as a matter of luck Says he never broke no law Two time loser running out of juice Time to move out quick Heard a rumor going 'round Jimmy's going down This time it's gonna stick [Chorus 1] He's the one they call Dr. Feelgood He's the one that makes ya feel all right He's the one they call Dr. Feelgood He's gonna be your Frankenstein [Chorus 2] Let him soothe your soul, just take his hand (Dr. Feelgood) Some people call him an evil man (Dr. Feelgood) Let him introduce himself real good (Dr. Feelgood) He's the only one they call Feelgood Guitar! [Guitar solo] [Spoken] Listen to Jimmy Come play with Dr. Feelgood [Chorus 2] I've got one thing you'll understand (Dr. Feelgood) He's not what you'd call a glamorous man (Dr. Feelgood) Got one thing that's easily understood (Dr. Feelgood) He's the one they call Dr. Feelgood [Outro] Oh yeah Dr. Feelgood (Dr. Feelgood) Dr. Feelgood (Dr. Feelgood) Dr. Feelgood (Dr. Feelgood) Dr. Feelgood (Dr. Feelgood) Feelgood, Feelgood, Feelgood, Feelgood

Cryin' Like a Bitchis a song by the American rockband Godsmack, released as the first single fromThe Oracle. Sully Erna admitted that "Cryin' Like a Bitch" was inspired by events of Crüe Fest 2 tour, on which Godsmack appeared alongside headlinersMötley Crüe, along with the events with his old band. Lyrics: [Intro] [Verse 1] Strut on by like a king Telling everybody they know nothing And long-lived what you thought you were Time ain't on your side anymore, anymore [Chorus 1] And so you tell me I can't take my chances But I've told you one too many times And you were cryin' like a bitch [Verse 2] I'm tougher than nails, I can promise you that Step outta line, and you'll get bitch-slapped back And you can run your little mouth all day But the hand of God just smacked you back into yesterday [Chorus 2] And so you tell me I can't take my chances But I've told you one too many times And you were cryin' like a bitch And you wonder why no one can stand you There's no denying you were cryin' like a bitch You were cryin' like a bitch [Bridge] Blinded by your sacred, faded past times Only time is your enemy Granted a second chance To prove that your arrogance Is stronger than you'll ever be... It's stronger than you can be Oh, stronger than you can be Oh, stronger than you can Be [Outro] And so you tell me I can't take my chances But I've told you one too many times And you were cryin' like a bitch And you wonder why no one can stand you There's no denyin' you were cryin' like a bitch You were cryin' like a bitch You were cryin' like a bitch You were cryin' like a bitch Oh, bitch

Serenity is a single by the rock band Godsmack from the 2003 album Faceless. It reached number seven on the Mainstream Rock chart and number ten on the Modern Rock chart. The song Serenity was written by Godsmack frontman Sully Erna in tribute to one of his childhood heroes, Rush drummer Neil Peart. He wrote the song after reading the book "Ghost Rider: Travels on the Healing Road", penned by Peart about his motorcycle trip along the Pan-American Highway that he took to cope with the deaths of his daughter Selena Taylor and wife Jacqueline Taylor one year apart from another. Lyrics: As I sit here And slowly close my eyes I take another deep breath And feel the wind pass through my body I'm the one in your soul Reflecting inner light Protect the ones who hold you Cradling your inner child [Chorus] I need serenity In a place where I can hide I need serenity Nothing changes, days go by [Post-Chorus] Where do we go when we just don't know? And how do we relight the flame when it's cold? Why do we dream when our thoughts mean nothing? And when will we learn to control? [Verse 2] Tragic visions Slowly stole my life Tore away everything Cheating me out of my time I'm the one who loves you No matter wrong or right And every day, I hold you I hold you with my inner child [Chorus] I need serenity In a place where I can hide I need serenity Nothing changes, days go by [Post-Chorus] Where do we go when we just don't know? And how do we relight the flame when it's cold? Why do we dream when our thoughts mean nothing? And when will we learn to control? [Outro] Where do we go when we just don't know? And how do we relight the flame when it's cold? Why do we dream when our thoughts mean nothing? And when will we learn to control? (I need serenity) Where do we go when we just don't know? (I need serenity) And how do we relight the flame when it's cold? (I need serenity) Why do we dream when our thoughts mean nothing? (I need serenity) And when will we learn to control?

Remedy is a song by South African rock band Seether. It is the second track on their album Karma and Effect, and was released as the album's lead single in 2005. It became their first single to hit the top spot on the Billboard Hot Mainstream Rock Tracks chart, dropping and regaining the spot for a total of eight weeks at number one and spent 52 weeks on the same chart. Lyrics: [Verse 1] Throw your dollar bills and leave your thrills all here with me And speak, but don't pretend I won't defend you anymore, you see It aches in every bone I'll die alone, but not for you My eyes don't need to see that ugly thing I know it's me, you fear [Pre Chorus] If you want me, hold me back [Chorus] Frail, the skin is dry and pale The pain will never fail And so we go back to the remedy Clip the wings that get you high Just leave 'em where they lie And tell yourself you'll be the death of me [Verse 2] I don't need a friend, I need to mend so far away So come, sit by the fire and play a while But you can't stay too long It aches in every bone I'll die alone, but not for pleasure I see my heart explode It's been eroded by the weather here [Pre Chorus] If you want me, hold me back [Chorus] Frail, the skin is dry and pale, the pain will never fail And so we go back to the remedy Clip the wings that get you high, just leave 'em where they lie And tell yourself you'll be the death of me Frail, the skin is dry and pale, the pain will never fail And so we go back to the remedy Clip the wings that get you high, just leave 'em where they lie And tell yourself you'll be the death of me [Bridge] Hold your eyes closed, take me in Hold your eyes closed, take me in [Chorus] Frail, the skin is dry and pale, the pain will never fail And so we go back to the remedy Clip the wings that get you high, just leave 'em where they lie And tell yourself you'll be the death of me Frail, the skin is dry and pale, the pain will never fail And so we go back to the remedy Clip the wings that get you high, just leave 'em where they lie And tell yourself you'll be the death of me

Seether are a South African rock band founded in 1999 in Pretoria, Gauteng. The band originally performed under the name Saron Gas until 2002, when they moved to the United States and changed it to Seether to avoid confusion with the deadly chemical known as sarin gas. Lead vocalist and guitarist Shaun Morgan is the band's longest serving member, bassist Dale Stewart joined shortly after formation while drummer John Humphrey joined them for the band's second album. Since 2018, the band has been employing second guitarist Corey Lowery. Several notable guitarists like Corey's brother Clint and Troy McLawhorn have toured or recorded with the band, however, Morgan has recorded most guitar parts for the band's records. Seether gained mainstream popularity in 2002 with their US Active Rock number one single "Fine Again". Their success was sustained in 2004 with the single "Broken", which peaked at number 20 on the Billboard Hot 100. They have experienced continued success with many number one hits on the Hot Mainstream Rock Tracks chart, such as "Remedy", "Fake It", "Country Song", "Tonight", "Words as Weapons", "Let You Down", "Dangerous", "Bruised and Bloodied", and "Wasteland". The band has released nine studio albums; their most recent, The Surface Seems So Far, was released in 2024. Tracks: Lost All Control 00:00 Broken (Ft. Amy Lee) 04:32 Fine Again (Acoustic) 08:42